TV/Film

Detroit Tigers vs. Los Angeles Dodgers: How to Watch the Game Online With Hulu + Live TV

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After sweeping the Chicago Cubs during MLB World Tour 2025: Tokyo Series in Tokyo, Japan, superstar baseball player Shohei Ohtani and the Los Angeles Dodgers are coming back home for MLB Opening Day.

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Detroit Tigers vs. Los Angeles Dodgers takes place at Dodger Stadium in Los Angeles, California, on Thursday (March 27).

When Does Detroit Tigers vs. L.A. Dodgers Start?

Detroit Tigers vs. L.A. Dodgers broadcasts live, with a start time of 7:10 p.m. ET/4:10 p.m. PT.

Where to Watch Detroit Tigers vs. L.A. Dodgers Online

The Detroit Tigers vs. L.A. Dodgers game airs on ESPN. It will be available to livestream on Hulu + Live TV. Keep reading for more details on how cord-cutters can watch the Tigers-Dodgers game online with Hulu + Live TV.

How to Watch Detroit Tigers vs. L.A. Dodgers with Hulu + Live TV

Detroit Tigers vs. Los Angeles Dodgers on ESPN is available to watch with Hulu + Live TV. Prices for the cable alternative start at $82.99 per month, while each plan comes with Hulu, Disney+ and ESPN+ at no additional cost. Sign up for a 3-day free trial to try out the streaming service for yourself.

Hulu + Live TV might be best for those who want all of these streaming services together in one bundle. It also features many other networks, including MLB Network, ESPN2, Fox Sports, CBS Sports Network, ABC, Hallmark Channel, BET, CMT, Disney Channel, NBC and more.

What Is Shohei Ohtani’s Walkup Song During Detroit Tigers vs. L.A. Dodgers?

During games, L.A. Dodgers superstar Shōhei Ohtani typically walks up to the plate for an at-bat to the song “The Show Goes On” by Lupe Fiasco.

Starting at 7:10 p.m. ET/4:10 p.m. PT, the Detroit Tigers vs. Los Angeles Dodgers airs on ESPN on Thursday (Mar. 27). The game is available to livestream with Hulu + Live TV.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

An Incensed Charli XCX Categorically Refuses to Play Her Biggest Hit in Hilarious ‘Overcompensating’ Trailer: ‘Are You Joking!’

Charli XCX has been slowly building up her acting resumé over the past decade with a series of voice roles in the Angry Birds Movie and UglyDolls and spots on TV shows including Gossip Girl and I’m With the Band: Nasty Cherry. But as she prepares to really dive into her actress era with a series of as-yet-unscheduled big screen projects, the Brat singer is warming up with a very funny cameo as herself in the first trailer for the upcoming Amazon Prime comedy series Overcompensating.

In the teaser that dropped on Tuesday (March 25) for the show that debuts on May 15, Charli is booked to play a campus gig and she’s absolutely livid about a beloved song the promoters want her to perform. “Do you think I want to play f–king ‘Boom Clap’ in a f–king college,” she rages at a stricken-looking, headset-wearing stage manager trying to maintain her smile as she gets berated for asking the singer to play the pop jam that was featured on both the soundtrack to the weeper drama The Fault in Our Stars and on Charli’s second studio album, 2014’s Sucker.

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“Are you joking?” Charli adds as the woman’s face subtly transforms from patient to terrified.

The semi-autobiographical Overcompensating follows closeted former high school football player Benny (Skinner), who becomes friends with an outsider, Carmen (Wally Baram), who is trying his hardest to fit in. In addition to those two, the show also features regulars Mary Beth Barone (Black Mirror), Adam DiMarco (The White Lotus) and Rish Shah (Ms. Marvel), as well as Connie Britton, Kyle MacLachlan, Kaia Gerber, and Owen Thiele.

After setting the world on fire with her brat summer last year, Charlie is reportedly in talks for a role in Greta Gerwig’s upcoming Narnia film as Jadis, the White Witch. She is also slated to appear alongside Jenna Ortega and Natalie Portman in The Gallerist, Gregg Araki’s upcoming thriller I Want Your Sex, Daniel Goldhaber’s Faces of Death remake and Julia Jackman’s 100 Nights of Hero graphic novel adaptation, as well as producing the movie The Moment based on her original idea.

Watch the Overcompensating trailer below.

Zach Bryan’s ‘Oklahoma Smokeshow’ Rules Top TV Songs Chart With ‘Tracker’ Synch

Zach Bryan again captures the No. 1 on Billboard’s Top TV Songs chart, powered by Tunefind (a Songtradr company), as “Oklahoma Smokeshow” rules the February 2025 list following a synch in CBS’ Tracker.

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Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of February 2025.

Bryan boasts a previous ruler on Top TV Songs via the November 2022 ranking with “Something in the Orange” from Fire Country, also a CBS property.

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This time, Bryan’s “Oklahoma Smokeshow,” a No. 72-peaking song on the Billboard Hot 100 from 2022’s American Heartbreak, pops up in the Feb. 23 episode of Tracker (the 10th episode of season two), begetting 18 million official on-demand U.S. streams and 1,000 downloads in February 2025 in the process, according to Luminate.

Bryan leads the latest Top TV Songs ranking over a slew of songs from the third season of Showtime’s Yellowjackets, whose first two episodes premiered on Feb. 16, followed by episode three on Feb. 23.

Candlebox’s “Far Behind” leads the charge, debuting at No. 2 thanks to 7.2 million streams and 1,000 downloads in February after an appearance in the second episode, while Bush’s “Glycerine” follows at No. 3 (5.9 million streams, 1,000 downloads) following its synch in the premiere.

The ’90s flavor doesn’t extend to the rest of Yellowjackets’ charting songs, though. The series also represents the 1980s with Tiffany’s cover of “I Think We’re Alone Now” (No. 8; 2.7 million streams, 1,000 downloads) and the ‘70s with Cat Stevens’ “Morning Has Broken” (No. 10; 1.3 million streams, 1,000 downloads).

Of the group, “I Think We’re Alone Now” was a two-week No. 1 on the Hot 100 in 1987, though all four reached the top 30.

See the full top 10 of the Top TV Songs chart, also featuring music from Fire Country, Cobra Kai, Suits LA, School Spirits and The White Lotus, below.

Rank, Song, Artist, Show (Network)

  1. “Oklahoma Smokeshow,” Zach Bryan, Tracker (CBS)
  2. “Far Behind,” Candlebox, Yellowjackets (Showtime)
  3. “Glycerine,” Bush, Yellowjacket (Showtime)
  4. “Nobody Knows,” The Lumineers (cover), Fire Country (CBS)
  5. “Silent Lucidity,” Queensryche, Cobra Kai (Netflix)
  6. “Daylight,” Shinedown, Suits LA (NBC)
  7. “Let’s Dance,” David Bowie, School Spirits (Paramount+)
  8. “I Think We’re Alone Now,” Tiffany, Yellowjackets (Showtime)
  9. “Maria Tambien,” Khruangbin, The White Lotus (HBO)
  10. “Morning Has Broken,” Cat Stevens, Yellowjackets (Showtime)

Ben Affleck Breaks Silence About Jennifer Lopez Divorce: ‘This Is Somebody I Have a Lot of Respect For’

After their second go-round as a couple produced endless reams of tabloid press coverage, Ben Affleck and Jennifer Lopez have been relatively quiet about the dissolution of their marriage. The couple first began dating in 2002 and got engaged before calling it off in 2004 and famously reuniting in 2021 and getting married the following year.

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But, after less than two years, Lopez filed for divorce just months after the February 2024 release of her film This Is Me Now: A Love Story, a movie co-written by the couple that was loosely based on their love story. A surprisingly candid behind-the-scenes doc, The Greatest Love Story Never Told, was also released at the time, featuring a scene in which it was revealed that Affleck kept Lopez’s love letters even while he was married to his ex-wife, Jennifer Garner.

In a new GQ feature about Affleck’s plans to shake up Hollywood wit his artist-friendly Artists Equity company, the actor/director opens up for the first time about the couple’s split and makes it clear that despite the drama, he has a deep and abiding affection for his ex.

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“You asked me about Jen and the documentary and I talked about that and my sort of personal life a little bit, which I don’t mind doing as long as my actual feelings and intentions and beliefs are communicated, which I hope I was clear that really this is somebody I have a lot of respect for,” he said. “And I get wanting to divine or explore the kind of differences in perspective that we have in terms of how a person feels comfortable approaching the line between public and private life. But I really hope that whatever you use doesn’t suggest that I have any negativity or judgment or anything regarding that.”

Affleck also makes it clear that he has “nothing but respect” for Lopez, lamenting the need by some to dissect break-ups in search of the “root causes” of a split. “But honestly, like I said, the truth is much more quotidian than probably people would believe or would be interesting,” he said.

“There’s no scandal, no soap opera, no intrigue. The truth is, when you talk to somebody, ‘Hey, what happened?’ Well, there is no: ‘This is what happened,’” he added. “It’s just a story about people trying to figure out their lives and relationships in ways that we all sort of normally do. And as you get older, this is true for me, I assume it’s true for most people, there is no ‘So-and-so did this’ or ‘This was the big event.’ It’s really, it sounds more like a couple’s therapy session, which — you would tune out of someone else’s couple’s therapy after a while. For one thing, you start going, ‘Okay, clearly this person has got these issues. Clearly they have these issues.’ And the reason I don’t want to share that is just sort of embarrassing. It feels vulnerable.”

The piece delves into the fact that despite appearances, Affleck has a well-thought-out, nonchalant attitude about being pictured in public picking up his copious Dunkin’ order, or wearing an outfit a star might not want to be shot by paparazzi wearing. He talks about his strategies, such as wearing the same look every day so the pap pictures of him are indistinguishable, or looking “like a slob” on purpose and how he just doesn’t really care, or sweat it that much.

“Then you become the sad Affleck meme spilling the coffee. Which I have to say I think is kind of funny,” he said. “So I think it’s just a function of the fact that I’ve spent time thinking about really trying to figure it out.”

Affleck was also asked about some moments in the widely panned Greatest Love Story Never Told doc, in which the now ex-couple repeatedly claimed they were private people, even as Lopez revealed some intimate moments and aspects of their relationship via the letters and footage of them at home. In those scenes, the writer suggests that Affleck seems to both be taking a deep “here we go again” breath, even as he’s clearly expressing his love and support for Lopez.

“Part of it was, ‘Okay, if I’m going to participate in this, I want to try to do it in an honest way and in a way that’s interesting,’” Affleck said. “Because I thought it was an interesting examination. Like I mentioned to you before, there are a lot of people who I think have handled celebrity more adeptly and more adroitly than I have, Jennifer among them. My temperament is to be a little bit more reserved and private than hers. As happens in relationships, you don’t always have the same attitude towards these things. And so I thought, ‘Oh, this is interesting because how do you reconcile that?’ Because exactly what you said is true. I love and support this person. I believe in them. They’re great. I want people to see that.”

Affleck recalled that the doc used his line “You don’t marry a ship captain and then say, ‘Well, I don’t like going out in the water,’” saying that you have to “own what you knew going into any relationship.” And, for the record, Affleck assures readers that the movie wasn’t the cause of “some major fracture. It’s not like you can watch that documentary and go, ‘Oh, now I understand the issues that these two had.’”

Affleck will next be seen in The Accountant 2, which will hit theaters on April 25.

‘Pavements’ Breaks the Mold of a Typical Biopic With New Trailer

Alt-rock greats Pavement are getting the biopic treatment, but the newest trailer for the upcoming film advertises that the project is less classic biopic and more “museum,” “movie” and a “reunion.”

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In the nearly three-minute clip for Pavements, Stranger Things’ Joe Keery stars as frontman Stephen Malkmus. “It’s good for my career, maybe win an award or something,” Keery jokes at one point in the video about why he took on the role. “I can’t play Billy Joel.” 

The trailer also features Nat Wolff as Scott ‘Spiral Stairs’ Kannberg, Fred Hechinger as Bob Nastanovich, Logan Miller as Mark Ibold, Griffin Newman as Steve West, and Jason Schwartzman as Matador Records’ Chris Lombardi.

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Pavements is a movie about Pavement the band—among other things,” the official film description reads. “The latest film from acclaimed director Alex Ross Perry (Her Smell) is a documentary that may or may not be entirely true, may or may not be totally sincere, and may or may not be more about the idea of the band—or any band—than a history of the short-lived, passionately loved, commercially marginal Nineties American alternative group Pavement. This unconventional film about a highly unconventional band incorporates a stage musical, rock biopic, gallery exhibition, archival footage, and contemporary observational footage to create a film as irreducible, uncharacterizable, and entertaining as the band and its music.”

The real-life California band were active from 1989 until 1999, releasing a total of five albums, including 1992’s Slanted and Enchanted, 1994’s Crooked Rain, Crooked Rain, and 1997’s Brighten the Corners, which gave the group their highest-charting U.S. release when it hit No. 70 on the Billboard 200. Their final album was 1999’s Major Leagues.

In December, Kannberg revealed in an interview with the Kreative Kontrol podcast that the Pavements soundtrack will also feature the first new song from the band in more than 25 years. “There will be a new Pavement song on the soundtrack, that’s all I’m going to give you,” he explained. “I just heard a mix of it today, and it’s pretty good. It’s not a big deal, it’s just cool because it’s something different and it’s a song that we all kind of loved playing.”

Pavements will hit theaters nationwide on June 6. Watch the new trailer below.

Lizzo to Play Sister Rosetta Tharpe in Upcoming Amazon MGM Studios Biopic

Lizzo is putting on her guitar strap to take on the role of the iconic original soul sister, Sister Rosetta Tharpe in Amazon MGM Studios‘ upcoming biopic Rosetta, according to Deadline.

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Per the publication, the project is currently in development with producers Lizzo, Kevin Beisler, Significant Productions’ Nina Yang Bongiovi and Forest Whitaker. Natalie Chaidez and Kwynn Perry are writing the screenwriters.

An early description of the project says the film “captures a pivotal period in her life — one of groundbreaking innovation, defiant passion, and secret love. As she shatters musical boundaries with her signature guitar sound, Rosetta must navigate societal constraints, conceal her love for another woman, and ultimately transform a wedding into one of the most legendary concerts in history — the first stadium show.”

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Tharpe, often called the “Godmother of Rock and Roll,” blazed a trail for generations to come with her gospel folk and mastery of her signature Gibson SG guitar. From her 1938 recording of “Rock Me” through sold-out performances in the 1940s and 50s, Tharpe was known for her unique mix of gospel vocals and driving electric guitar playing, influencing a slew of later rock n’ roll icons from Elvis Presley and Chuck Berry to Johnny Cash and Little Richard.

She was inducted in to the Rock and Roll Hall of Fame posthumously in 2018, and received a lifetime achievement award from the Recording Academy in 2020. The star died in 1973 after suffering a stroke.

Tharpe has previously been portrayed onscreen by Yola in Baz Luhrmann’s 2022 biopic, Elvis.

Jermaine Dupri’s Magic City Docuseries Acquired By Starz

Jermaine Dupri‘s docuseries on Atlanta’s legendary Magic City strip club is officially underway. Deadline has reported that the five-part series entitled Magic City: An American Fantasy has been picked up by Starz.

Originally a three-part series, the project first premiered at SXSW in 2024 and centers around founder Michael “Mr. Magic” Barney and the dancers that have made the club the institution that it is within the rap community. “Magic City: An American Fantasy is a riveting behind-the-curtain look at one of the most unique places in Black culture,” Kathryn Busby, president of original programming at Starz said in a statement released with the news. “The docuseries’ unprecedented insider access and history unveiled from those who built its empire is a perfect complement to Starz’s slate of adult, culture-driving shows.”

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According to the film’s logline as quoted in Variety, the documentary follows Barney from the “opening a small strip club in Atlanta” to that club becoming “the most famous strip club in Atlanta, and soon, the world.” The new series also explores the aftermath of Barney’s drug conspiracy conviction that sent him to federal prison for seven years, with the series’ description adding that his time in prison meant “the empire he’s built may crumble.”

Created by Cole Brown and directed by Charles Todd, the series is also executive produced by Drake‘s DreamCrew Entertainment, which also executive produced the Netflix’s Top Boy and HBO’s Euphoria.

While no release date has been set, Magic City: An American Fantasy is expected to debut this summer.

‘RuPaul’s Drag Race’ Season 17 Power Ranking: Episode 12 — Figures of Speech

With RuPaul’s Drag Race bringing back their Rate-a-Queen system for season 17, Billboard decided to rate each of the new queens every week based on their performance. Below, we take a look at the show’s monologue-meets-interpretive dance challenge to see which queens thrived in this challenge. Spoilers ahead for episode 12.

Since its debut nearly 30 years ago, The Vagina Monologues has become one of the most impactful pieces of political theater in a generation — so impactful, in fact, that even RuPaul’s Drag Race is creating their own spoof on the feminist piece.

On last week’s episode (aired Friday, March 21), the six remaining queens were tasked with performing the “Charisma, Uniqueness, Nerve and Talent Monologues,” where the contestants teamed up to not only tell a personal story from their own lives, but to deliver an interpretive dance to their partner’s story as well.

Threading the needle between the artform’s need for sincerity and Drag Race‘s desire for pure camp is no easy task, as the girls found out this week. Yet Onya Nurve and Lexi Love managed to do just that with their duet performances: both queens delivered the goods when it came to their respective stories, while Lexi in particular thrived in her over-the-top interpretive dance, earning both Onya and Lexi a win.

For Sam Star and Lana Ja’Rae, however, the challenge proved a little too challenging, as the two found themselves in the bottom two. Lip synching to “Illusion” by Dua Lipa, both girls left it all on the stage — but ultimately, track records could not be ignored. Frontrunner Sam Star was spared, while Lana’s time finally came as the queen bid “gouda night” and sashayed away.

Below, Billboard takes a look back at episode 12 and ranks where our remaining contestants lie based on this episode and the season as a whole:

Ariana Grande Announces ‘Brighter Days Ahead’ Short Film Screenings in Select Cities

Ariana Grande’s Brighter Days Ahead, a short film accompanying the upcoming deluxe edition of her Eternal Sunshine album, will be showing in four cities on Sunday, March 30.

The film is set for screenings in Boca Raton, Chicago, Los Angeles and New York City.

Grande made the announcement via her Instagram Stories a week ahead of the scheduled film screenings, with a newspaper-themed “breaking news” alert published by a fictional paper called The Sunshine Spotlight.

The Sunshine Spotlight cover story linked to a sign-up page to request information about catching a Brighter Days Ahead screening. The sign-up form, hosted on Universal Music Group’s website, gives the direction to “sign up with your contact info below before 9:00 am et on March 26, 2025 to be the FIRST to hear all the details!” and clarifies that the “information request does not guarantee entry.”

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On the page is also a movie poster for Brighter Days Ahead, as seen below, crediting it as a film written and directed by Christian Breslauer and Ariana Grande, and as a London Alley and The Lucky Bastards Inc production in association with Grande and Republic Records. Music for the short is from Grande’s new Eternal Sunshine Deluxe. Additional film credits go to costume designer Mimi Cutrell, editor Luis Caraza, production designer Alex Delgado and director of photography Jeff Cronenweth, ASC.

Breslauer previously directed a trio of Grande’s music videos for tracks from the standard Eternal Sunshine album: “Yes, And?,” “We Can’t Be Friends (Wait for Your Love)” and “The Boy Is Mine”; Caraza and Delgado also worked on the latter two videos. Cronenweth’s known for his work on films like Fight Club, One Hour Photo, The Girl With the Dragon Tattoo, Gone Girl and more.

The Eternal Sunshine deluxe album features six new songs: “Intro (End of the World) Extended,” “Twilight Zone,” “Warm,” “Dandelion,” “Past Life” and “Hampstead.” “Intro (End of the World)” (non-extended version) is the opening track of the original release, Grande’s 2024 album that spent two weeks at No. 1 on the Billboard 200.

Both the Eternal Sunshine deluxe album and the companion film Brighter Days Ahead are expected on March 28.

Two teaser clips for Brighter Days Ahead have been released so far.

Ariana Grande Brighter Days Ahead poster

Ariana Grande’s Brighter Days Ahead will be released on March 28 and have screenings in select cities on March 30.

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‘Snow White’ Opens to Sleepy $43M at Domestic Box Office

Snow White is off to an underwhelming start at the box office.

Disney‘s live-action remake of the 1937 animated classic, starring Rachel Zegler in the titular role and Gal Gadot as the Evil Queen, opened to a lackluster $43 million domestically, according to The Hollywood Reporter.

Amid controversy and lukewarm reviews, the opening weekend haul falls short of Tim Burton’s Dumbo, which opened to $45 million in 2019.

Despite the sluggish debut, Snow White claimed the top spot at the box office, outperforming Warner Bros.’ mob movie The Alto Knights, which disappointed with an estimated $3.2 million opening.

Overseas, Snow White earned $44.3 million, bringing its total global launch to $87.3 million, falling short of its projected $100 million goal.

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Final weekend numbers will be released on Monday morning.

Snow White, which had a $250 million production budget, is a rare Disney live-action remake to receive a B+ CinemaScore from audiences. Nearly every other film of its kind has earned an A grade, according to THR.

To put Snow White‘s disappointing debut into perspective, other Disney live-action princess remakes have performed much better: Beauty and the Beast launched to $174.6 million domestically in 2017 (not adjusted for inflation), Cinderella opened to $67.9 million domestically in 2015, and Maleficent debuted to $69 million in 2014.

Snow White has been marred by controversy, beginning with backlash over casting Zegler in the lead role due to the color of her skin, despite her Colombian heritage. The 23-year-old actress and singer has also been outspoken in her support for the Palestinian people. Meanwhile, Gadot, who is Israeli, has faced criticism for her comments about the Gaza conflict.

Snow White is directed by Marc Webb, known for The Amazing Spider-Man films, and features songs by Benj Pasek and Justin Paul, the duo behind The Greatest Showman and Dear Evan Hansen.