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As soon as the NFL announced Kendrick Lamar as the Super Bowl LIX Halftime Show headliner, fans and haters alike began to surmise just what the Compton MC would do with the 10 to 15 minutes allotted to him. Would he take time to honor some of rap legends who hailed from the Super Bowl host city of New Orleans? A small contingent believed Lil Wayne should have gotten the tap instead of Lamar, so, some thought, perhaps Lamar would bring out 504’s own as a show of respect.
Or would Lamar go the complete other direction and take time to really beef up his pop-star bonafides by bringing out some friends who are much more famous than he is? After learning that Jack Antonoff helped to produce his latest album, GNX, some thought maybe Taylor Swift would make her way down from the Chiefs box to the field. But, nah. What we got instead was an unadulterated Kendrick Lamar show. That is to say: Over 120 million people were treated to the first ever real and true rap concert masquerading as a Super Bowl Halftime Show.
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During his Apple Music interview with Ebro Darden and Nadeska Alexis, Lamar said all the success of the past year was “just a continuum of who I am.” And if you’ve somehow missed out on what happened in rap in 2024, here’s a quick rundown: On the first of Future and Metro Boomin’s two collaboration albums, Kendrick Lamar hopped on a tracked called “Like That” and called out Drake, and, to a lesser extent, J. Cole for claiming to be the best. The song went No. 1 on the Billboard Hot 100 and reignited a long simmering beef with Drake that resulted in over six diss tracks between the two. The highlight of the battle was the DJ Mustard-produced “Not Like Us,” which also went No. 1 on the Hot 100 and saw Lamar cap off the beef with an incredible West Coast-tinged party track that garnered him five Grammys.
But, as Kendrick said, this was just a continuum of who he is. Almost more than any other rapper working today, Lamar embodies the ethos of hip-hop. He works to make each album and song count — making sure they not only make a statement about the times and the people living them, but say something different than the ones that came before them. He realizes the power of the position he holds and tries to make the most of the opportunities afforded to him. So it wasn’t a surprise to see Kendrick Lamar put on the most hip-hop halftime show we’ve ever seen. Only Kendrick Lamar would start a show on the biggest stage in the world with a verse from an unreleased song, a verse that ended with him rapping, “the revolution about to be televised, you picked the right time, but the wrong guy,” a bar that gives a wink and a nod to the situation at hand: Lamar being the first rapper to headline the Super Bowl Halftime Show on his own.
After performing “Squabble Up,” Samuel L. Jackson, playing an Uncle Sam character, chastised Lamar for making his performance “too ghetto” and asked him if he really knew “how to play the game.” The rapper answered by performing two of his other Hot 100 chart toppers, “Humble” and “DNA” before going straight into “Euphoria.”
The conversation leading up to the show was whether or not Lamar would perform “Not Like Us.” In the months since its release, Drake has sued Universal Music Group — Kendrick Lamar and Drake’s record label — for allegedly defaming him by releasing and promoting a song that claims he fraternizes with pedophiles. Very few people thought for a moment that he would perform “Euphoria,” despite the release reaching No. 3 on the Hot 100. But he did, with a group of dancers stepping to impeccable choreography. From there he went into a GNX medley including “Man at the Garden” and “Peekaboo” before telling the audience, “I want to perform their favorite song, but you know they love to sue” as the beat for “Not Like Us” quickly pulsated in and out.
He took the temperature down by instead going into his and SZA’s most recent hit “Luther” from GNX, and their former hit “All the Stars” from the Black Panther soundtrack. “Tell me what you gone do to me, confrontation is nothing new to me,” he rapped before SZA belted the cinematic chorus. As that wrapped, Uncle Sam popped back up, pleased that Lamar opted for a more pop-oriented direction. It was then that Kendrick began to freestyle a call-and-response verse with some of the dancers asking him, “You really about to do it?” and Lamar answering, “They tried to rig the game, but you can’t fake influence.”
Then, the moment millions were waiting for: Kendrick Lamar performed “Not Like Us” to over 100 million people around the world. There was a lot to take in as this was all happening: The dancers draped in the colors of the American flag all stepping in metronomic precision. The camerawork reminiscent of his “Pop Out” concert from last year. Serena Williams crip walking. Or Lamar looking directly at the camera as he rapped, “Say, Drake, I hear you like ‘em young.” After months of speculation, it felt like an incredible cap on an incredible run that started nearly a year ago.
Was it a perfect halftime performance? Perhaps not. Despite him seemingly rapping without a backing track, playing a few of his chart-topping hits and bringing out a fellow chart-topper in SZA, the set would have benefited from a real and true surprise — something that would have made even the most hardened Kendrick hater say “wow.” But even without pulling a rabbit out of a hat, Kendrick Lamar managed to pull of the rarest feat: He brought an unfiltered hip-hop show to the Super Bowl. Who knows when we’ll see something like this again.

In the weeks leading up to the Super Bowl, fans have been wondering whether or not Kendrick Lamar would perform his Grammy Award-winning Drake diss “Not Like Us.” Not only did K.Dot perform a section of the track during his set, but he may have thrown a little extra shade at Drizzy. During Lamar’s fiery […]

Nearly 400 Taco Bell fans are the stars of the brand’s 2025 Super Bowl commercial, even though the familiar faces of Doja Cat and LeBron James make an appearance.
The 30-second, Dave Meyers-directed ad, which aired during the third quarter of the game Sunday (Feb. 9), is part of the company’s “Live Más at Taco Bell” campaign. More than 3,000 customers went through the Taco Bell drive-thru, and that footage was whittled down to the final Super Bowl Sunday cut. Just barely making the cut, it seems, were Doja and LeBron.
“Behold: A bunch of randos, not famous people,” a voice announces as screenshots of people at the Taco Bell drive-thru are shown.
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“Wait, what?” LeBron says.
“But I’m Doja—!” adds the rapper, popping her head out from her trailer.
“Yeah, but celebs don’t make Taco Bell Taco Bell. Fans do,” says the voice.
“How about now?” says Doja, who looks to be devouring a Mexican Pizza, only to be told, “Yeah, no.”
“Big Game commercials tend to only lean on big-name celebrities, but we decided to flip the approach knowing very well the best Taco Bell moments don’t need a script,” said Taco Bell chief marketing officer Taylor Montgomery in a statement released on Sunday. “Our fans bring incredible Live Más spirit to the drive-thru every day, with families, pets and celebrations in tow, so we’re putting them in the spotlight as a reminder that the most authentic representation of our brand isn’t staged — it’s lived.”
The celebs might have been upstaged in this particular clip, but it’s all good. They’re still into Taco Bell.
In 2022, Doja helped bring back Taco Bell’s Mexican Pizza after she petitioned for the item to return to menu on social media and beyond.
“I’ve already made history with Taco Bell — you’re welcome for the Mexican Pizza comeback — so when I heard Taco Bell was featuring its biggest fans, I assumed that I would be part of the action,” Doja said back in January, when a teaser for the2025 Super Bowl commercial was released. “Don’t get me wrong, I should be the star, but my fellow Taco Bell fans really showed out … I guess I’ll just have to wait and see what happens during the Big Game.”
Watch Taco Bell’s Super Bowl ad starring Doja Cat and LeBron James below:
Kendrick Lamar‘s 2025 Super Bowl Halftime Show is in the books, and it definitely didn’t strike a minor chord with audiences. In fact, the 13-minute showcase between halves of the Philadelphia Eagles vs. Kansas City Chiefs game kept fans — both in the stadium and at home watching on TV — riled up from start […]

After a triumphant Grammys night on Feb. 2 during which he clinched five awards — including the coveted record and song of the year for “Not Like Us” — hip-hop powerhouse Kendrick Lamar made his way to the Caesars Superdome in New Orleans on Sunday (Feb. 9) to bask in his well-deserved victory lap at the Super Bowl 2025 Halftime Show.
As the Philadelphia Eagles unexpectedly surged ahead of the Kansas City Chiefs with a resounding 24-0 halftime lead, the stage was set for Lamar to electrify. With a birds-eye view of the stage, a massive tic-tac-toe board awaited viewers as they were greeted by Uncle Sam — well, Samuel L. Jackson. Dressed in a patriotic ensemble, the actor welcomed fans to “The Great American Game.”
Lamar began his lyrical exhibition by rapping to “Bodies” on top of a GNX. A frenetic Lamar is swarmed by an army of dancers dressed in red and white before segueing into his Billboard Hot 100 chart-topper “Squabble Up.” Flanked by his dancers, Lamar’s surgical precision and breath control remained on par until he reached the hook and is interrupted by Jackson. “No, no, no. Too loud, too reckless, too ghetto,” declared Jackson. “Mr. Lamar, do you really know how to play the game? Then tighten up.”
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Lamar took heed of Jackson’s words of wisdom and entered a quick medley of 2015’s DAMN, during which he dishes out “Humble” and “DNA.” Lamar continued to blitz fans with surprises, mainly when he performed “Euphoria,” his searing diss track against Drake, which also doubles as a subtle sign that maybe he’d detonate “Not Like Us.” Shortly after, Lamar veered to a pseudo-street corner, where he rapped “Man in the Garden” in front of his homies to the disdain of Jackson.
“I see you brought your homeboys with you,” sneered the actor. “The old culture cheat code. Scorekeeper, deduct one life.”
Lamar kept the GNX buzz intact as the stage shapeshifted again, this time into the form of an X, where he performed “peekaboo.” “Ladies, I wanna make a move,” Lamar rapped to his female dancers before tantalizing them with “their favorite song.” The instrumental for “Not Like Us” hummed through the speakers. Instead of succumbing to the pressure, Lamar slowed things down and brought out his one-time TDE compatriot SZA for “Luther” and “All the Stars.”
“That’s what I’m talking about. That’s what America wants,” cheered Jackson. You’re almost there. Don’t mess this up.”
Jackson’s cautionary warning came on the heels of “Not Like Us,” as Lamar gave an impromptu freestyle, positioning his reasoning for ultimately performing the song. “You really ’bout to do it?/ Yeah, they tried to fake the game, but you can’t fake influence,” said Lamar before pressing go on “Not Like Us.” With the cameras focused on Lamar’s face, he didn’t lose eye contact and delivered the controversial verse with fury, name-dropping Drake and having the crowd rap back the now popular “a minor” line with fervor.
After “Not Like Us,” Lamar seamlessly pivoted to “TV Off,” with the song’s producer, Mustard, alongside him. The now-classic yell of “Mustard” reverberated through Caesars Superdome, allowing the rapper to cap off a monumental set with a lit-up sign reading “Game Over” set up in the crowd, punctuating his efforts.
The impact of Lamar’s performance is indisputable, leaving hip-hop and pop culture awestruck once again.

Jon Batiste helped kick off the Super Bowl 2025 festivities with a jazzy rendition of the “The Star-Spangled Banner” on Sunday (Feb. 9) in New Orleans. Wearing a black suit by Paul Smith, the Louisiana native sat in front of a white piano painted by his wife, Suleika Jaouad, as part of the local art […]

The Dunkin’ Super Bowl commercial starring Ben Affleck that aired during the game on Sunday (Feb. 9) is a 60-second cut, but there’s much more to see: The hilarious 7-minute version titled DunKings 2: The Movie expands on the battle of the bands story. Joining Ben is his brother Casey, plus Jeremy Strong, Bill Belichick […]
R&B star Ledisi performed on one of the biggest stages in her Grammy-winning career with a compelling live rendition of “Lift Every Voice and Sing” during the pre-game festivities for Super Bowl LIX in New Orleans. The occasion marked the fifth time that the song — also known as the Black national anthem — has been performed at the Super Bowl.
Dressed in a white pantsuit complemented by a floor-length long-sleeved coat, Ledisi was accompanied by a yellow-robed choir of 121 students from schools in the greater New Orleans area. Starting off slow and measured, the singer-songwriter-actress built up to a soaring crescendo that ended in her full-bodied voice sustaining the note on the last word in the song’s final verse: “Let us march on till victory is won.”
Earning hearty applause, her moving performance underscored the song’s message of hope, faith, resilience and unity amid the recent Los Angeles wildfires, last month’s act of terrorism on Bourbon Street in New Orleans and current challenges to such initiatives as DEI.
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While not a household name for some, New Orleans native Ledisi is heralded among fans for her potent vocals and colorful riffs integrated within a spirited fusion of R&B, soul, gospel and jazz. She counts legendary artist and civil rights activist Nina Simone as one of her major influences. Ledisi Sings Nina, released in 2021, was nominated for a Grammy for best traditional pop vocal album and an NAACP Image Award for outstanding jazz vocal album. Ledisi also portrayed another civil rights advocate, gospel singer Mahalia Jackson, in two projects: the 2022 biopic Remember Me: The Mahalia Jackson Story and in 2014’s Ava DuVernay-directed film Selma.
Ledisi recently released a new single “Love You Too.” A 2021 Grammy winner for best traditional R&B performance for “Anything for You,” Ledisi released 11th studio album, Good Life, last March.
In a statement prior to her pregame performance, Ledisi commented, “Performing at the Super Bowl is one of the most significant moments of my career. I’m honored to bring my voice and my story to such a monumental event, and I hope to inspire unity and pride with this performance.”
After partnering with Roc Nation in 2019, the NFL inaugurated its Super Bowl pre-game tradition of including “Lift Every Voice” in the wake of George Floyd’s murder. Alicia Keys first performed the song in a video that premiered for the NFL in September 2020 that was later re-aired ahead of Super Bowl LV in 2021. Since then, gospel duo Mary Mary, Sheryl Lee Ralph and, last year, Andra Day have delivered their own interpretations on the global sports stage.
The hymn originated as a poem written by NAACP leader James Weldon Johnson in 1900, with its verses paired with music composed by Johnson’s brother, John Rosamond Johnson. The song was later adopted by the NAACP as a clarion call during the civil rights movement of the ‘50s and ‘60s.
Preceding Kendrick Lamar’s highly anticipated Super Bowl LIX halftime performance, the pregame lineup also included performances by Lady Gaga (“Hold My Hand”), Lauren Daigle and Trombone Shortly (“America the Beautiful”) and Jon Batiste (“The Star-Spangled Banner”).

Lady Gaga cast a spell at the 2025 Grammys with “Abracadabra,” and for the 2025 Super Bowl, she showed up to bring audiences together with another rousing performance.
In a special segment ahead of Super Bowl LIX, Gaga appeared alongside sports legends Tom Brady, Michael Strahan, Terry Bradshaw and others in a pre-filmed segment on New Orleans’ iconic Bourbon Street to pay tribute to the victims of multiple disasters over the last year, including the New Orleans terror attack, Hurricane Helene and the Los Angeles wildfires.
“Here on Bourbon Street, always the heart and soul of New Orleans, this year began with a terror attack that tried to shatter its spirit,” Strahan said while walking down the iconic thoroughfare sporting a “NOLA Strong” shirt. Brady, wearing an L.A. Fire Department T-shirt, joined in, adding that New Orleans’ resilience is “matched by the resolve of our country. When tragedy strikes, we don’t break — we come together, we rise above and we never let evil win.”
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The camera then cut to Gaga — sporting a wide-brimmed white hat and long white lace dress — seated at a piano and surrounded by a crowd in the middle of Bourbon Street. The singer launched into a stripped down performance of her Top Gun: Maverick single “Hold My Hand.” With various police officers and firefighters looking on, Gaga drove home the song’s inspirational message: “So cry tonight/ But don’t you let go of my hand,” she sang. “You can cry every last tear/ I won’t leave ’til I understand/ Promise you’ll just hold my hand.”
The segment aired just before the Philadelphia Eagles squared off against the Kansas City Chiefs in the 2025 Super Bowl. Music fans around the world will be tuning into the program to watch as Kendrick Lamar takes center stage at Caesars Superdome for the Super Bowl LIX Halftime Show, featuring special guest SZA.
In the pre-show, meanwhile, in addition to Gaga, performers included Ledisi, Harry Connick Jr., Lauren Daigle and Jon Batiste to deliver annual renditions of the national anthem, “Lift Every Voice and Sing” and “America the Beautiful.”
Watch Gaga’s performance of “Hold My Hand” above.
David Schwimmer is calling for Ye’s removal from X after the rapper posted a series of controversial and antisemitic remarks.
On Saturday (Feb. 8), the Friends star took to social media to address Elon Musk, urging the X owner to ban Ye — formerly known as Kanye West –from the platform.
“This is so 2022. We can’t stop a deranged bigot from spewing hate filled, ignorant bile… but we CAN stop giving him a megaphone, Mr. Musk,” the Jewish actor, 58, wrote on Instagram. “Kanye West has 32.7 million followers on your platform, X. That’s twice as many people than the number of Jews in existence. His sick hate speech results in REAL LIFE violence against Jews.”
In recent days, Ye has gone on a tweet spree filled with hate, once again praising Nazis and Adolf Hitler while targeting the LGBTQ+ community and people with disabilities. In addition to embracing antisemitic stereotypes and hate speech, the 47-year-old rapper also tweeted support for Diddy, who is currently in jail awaiting trial on sex trafficking charges.
Schwimmer continued, “I don’t know what’s worse, the fact that he identifies as a Nazi (which implies he wants to exterminate ALL marginalized communities including his own) or the fact that there is not sufficient OUTRAGE to remove and ban him from all social media at this point. Silence is complicity.”
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In his posts, Ye also referenced Musk’s repeated use of a Nazi-like salute at a Donald Trump inauguration event in January, which was widely criticized. Musk responded to the backlash, telling critics they “need better dirty tricks.” “Elon stole my Nazi swag at the inauguration… yooo my guy get your own third rale,” Ye wrote, adding, “I can say Jew as much as I want. I can say Hitler as much as I want.”
Ye was initially banned from X (formerly Twitter) in October 2022 for antisemitic posts, briefly reinstated in November, then re-suspended later that month after he posted an image of a swastika intertwined with a Star of David. Eight months later, Musk reinstated West’s account once again.
Claiming he has no interest in “adjusting nothing I do or say for anybody,” West promised to “normalize talking about Hitler they [sic] way talking about killing ni–as has been normalized,” followed by “Hitler was sooooo fresh” and “call me Yaydolf Yitler.”
Amid Ye’s earlier embrace of Hitler and Nazi propaganda, experts spoke to Billboard about the dangers of someone with such a vast social media following promoting antisemitic tropes, especially at a time when hate crimes against Jews and Jewish institutions had reached alarming levels.
“At a time when the community is dealing with this level of hatred to have one of the most well-known entertainers in our culture making statements like ‘I like Hitler’ and showing up on [Jones’] InfoWars is not just vile and offensive, but it’s also endangering Jews by giving people permission to express that kind of prejudice,” Jonathan A. Greenblatt, CEO of the Anti-Defamation League, said at the time. “People in the mainstream did not make such overtly awful, inflammatory comments before like this.”