TV/Film
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In a new trailer for Paramount+’s new film Dear Santa, Post Malone dances with the devil — literally.
The two-minute teaser released Thursday (Nov. 7) opens with a young boy named Liam (played by Robert Timothy Smith) addressing a letter to Santa. However, as the narrator explains, he’s a “crappy speller” and accidentally writes “To: Satan” instead. Once summoned, the devil — played by a bearded Jack Black with pointy horns — promises to grant Liam three wishes.
But there’s a catch. “By the way, after you make your wishes I’m taking your soul,” Black tells his new companion. “Let me show you a few of the things I can do for you.”
One of those things, apparently, is getting Liam into the backstage area of a Post Malone concert, where the “Psycho” musician — seemingly under Black’s spell — greets the young fan like an old friend before inviting both Liam and Satan to join him on stage during the show. In addition to shots of Posty hamming it up for the crowd with the two main characters showing off their lasso dance moves, Black also introduces the little boy to gambling at a casino, making “snow angels” in a pile of cash and playing beer pong.
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Dear Santa is set to premiere on Paramount+ Nov. 25. The cast also features Keegan-Michael Key, Brianne Howey, Hayes MacArthur, P.J. Byrne, Jaden Carson Baker and Kai Cech.
The movie isn’t the first onscreen project Posty has lent his star power to, with the 10-time Grammy nominee previously appearing in Road House, Wrath of Man and Spenser Confidential. Earlier this year, he also made a cameo in Jennifer Lopez’s This Is Me… Now: A Love Story.
The star’s latest film will arrive just a few months after his most recent album, F-1 Trillion, which debuted at No. 1 on the Billboard 200. He’s also fresh off of a video of the year win at the 2024 VMAs thanks to his part in Taylor Swift’s visual for their “Fortnight” duet, which spent two weeks at No. 1 on the Billboard Hot 100.
Watch the Dear Santa trailer featuring Post Malone below.
Cynthia Erivo has said that she was definitely changed for the better after working with Ariana Grande on Wicked, and in a new interview, the Tony winner hinted that she wouldn’t have necessarily felt the same if anyone else had gotten the pop star’s role in the films.
When the two costars — who play Elphaba and Glinda in Jon M. Chu’s upcoming film adaptations of the Broadway musical, which was based on Gregory Maguire’s novel of the same name — were asked by The New York Times to share their initial reactions to each other’s casting in the project, Erivo was frank.
“Absolutely no surprise whatsoever,” the Harriet star recalled of learning Grande had nabbed the part of Glinda in the joint interview published Wednesday (Nov. 6). “Thank goodness, because it was not the two ladies that I was auditioning with.”
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In reaction to Erivo’s subtle shade, the “We Can’t Be Friends” musician replied, “Oh my God!”
Grande also shared her reaction to the “I Might Be in Love With You” artist landing Elphaba in the films, the first of which arrives Nov. 22. “I said, ‘Thank God,’” she revealed.
News that Erivo and the two-time Grammy winner had been cast in Wicked arrived in November 2021. At the time, the duo sent each other congratulatory flowers, with the Pinocchio star writing in a note to Grande, “Congratulations Miss A, The Part Was Made For You, I Look Forward To Sharing This Musical Journey With You.”
The leading ladies went on to work on the duology for two years in London alongside cast members Michelle Yeoh, Jonathan Bailey, Jeff Goldblum, Ethan Slater, Bowen Yang and Marissa Bode. A year after Wicked part one arrives at the end of the month, the second installment will hit theaters in November 2025.
Grande has previously been open about the intensive audition process for Wicked, for which she recently said she had to “erase” her public persona in a recent interview on the Sentimental Men podcast. “People sometimes say to me, ‘You had to audition?’ Of course, are you out of your gourd?” she continued on the Nov. 1 episode. “It’s Wicked! And it requires a totally different skill set than people know me for and have ever seen me do anything like.”
While speaking to NYT, Grande echoed those remarks. “Some members of my team at the time were like, ‘You shouldn’t even have to audition,’ and I was like, ‘You don’t understand, of course I have to. This is something that has to be earned,’” she told the paper. “I have so much to prove, and I threw myself at it in every way that I could.”
When you’re just one member of a genre-defining pop band such as BTS, how do you make room for just yourself? That’s the question RM finds himself pondering in the newest trailer for his forthcoming documentary RM: Right People, Wrong Place released on Tuesday (Nov. 5). The new clip follows RM as he performs in […]
Barry Keoghan stars in the music video for Fontaines D.C.’s new single “Bug,” which was directed by Andrea Arnold. It follows the Irish actor’s music video debut for Sabrina Carpenter’s Billboard Hot 100-topping hit “Please Please Please” earlier this year.
The track is the fifth single to be released from Fontaines D.C.’s fourth LP, Romance, which arrived in August via XL Recordings. The accompanying clip includes footage from Arnold’s soon-to-be-released film, Bird, which also stars Franz Rogowski and the Dublin band’s own Carlos O’Connell, among others.
Speaking about the video, which has been billed as a “short form reimagination” of Bird, O’Connell said in a press release, “Andrea Arnold was kind enough to cut up a sequence to our tune ‘Bug’ featuring Barry Keoghan playing the character Bug in her new movie Bird.”
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He added: “In my eyes, the character Bug, the tattoo ‘Bug’s Life,’ Andrea’s essential and romantic worlds, and the line ‘Changed my name to “Promise you, Yea”,’ when put all together make convincing needless and conviction undeniable. Big thanks to Andrea Arnold for letting us in so close to her visionary universe. She’ll be remembered how we remember Bacon or Goya.”
Bird marks the fifth feature-length film from the Academy Award and BAFTA-winning director Arnold, whose past work includes credits on HBO’s Big Little Lies and 2016’s American Honey. The film also stars Nykiya Adams and newcomer Jason Buda, and is slated for release on Nov 8. Fontaines D.C.’s music will feature prominently in its soundtrack, alongside tracks from Coldplay, Blur and The Verve.
“I’ve loved the Fontaines since I first heard them. Some music just sits in your bones like it always belonged, like you know it already, like it’s part of you,” explained Arnold in the release. “It’s why I asked to use ‘Too Real’ and ‘A Hero’s Death’ for my Bird film. Their music felt like it belonged there, in my world.”
Upon the release of Romance, Fontaines D.C. achieved its fourth consecutive top 10 studio album on the U.K.’s Official Albums Chart, while it landed at No. 97 in the U.S. – their highest entry to date on the Billboard 200. The band are currently on tour across Europe in support of the record, and will head to Japan, Australia, South America and North America in early 2025.
Speaking to Billboard earlier this year, frontman Grian Chatten discussed the creative leap the band took on Romance, which expands its sound to include elements of nu-metal, pop and string-laden ballads. “I think change was just generally a very enticing thing for us. We wanted to really indulge in something new, and we didn’t want to risk it being only a half-step,” he said. “We always think that we’re pushing the boat out, or taking some new turn, with each record. And I think probably the reality is that it was a lot less of a turn than we thought. But this time, I feel good about it being a full f–kin’ turn.”
Watch the music video for “Bug” below:
The late composer’s cinematic work earned him seven Oscar nominations and an Emmy win.
Ye (formally knows as Kanye West) has another documentary in the works, but this time it’ll be directed by a newcomer with “a billion-dollar budget” and “armed with an iPhone” instead of a couple old friends from Chicago.
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Directed by 18-year-old Nico Ballesteros, and produced by Goodfellas and Utopia, the doc will be introduced at the upcoming American Film Market in Las Vegas with a promo reel this week with a hopeful release date some time in 2025.
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Via press release, the synopsis reads as follows: “With a billion-dollar budget and a commitment to truth, Ye, formerly known as Kanye West, invites 18-year-old Nicolas Ballesteros armed with an iPhone on a six-year journey revealing unfiltered aspects of celebrity life which confront the provocative opinions, grand visions and bold contrarianism that defined him as the world’s most controversial artist.
“The film follows Ye’s ascent to becoming the richest Black man in American history while uncovering why the superstar risked everything he had built in the name of freedom. Examining the culture that birthed the star, ‘In Whose Name?’ explores the overlapping influences of corporate exploitation, racial complexities and psychological struggles inherent in the American dream.”
Marie Zeniter, VP of Sales at Utopia had this to say in a statement: “We’re thrilled to present In Whose Name? This powerful documentary offers an unfiltered view without narration, it invites audiences to draw their own conclusions on themes of fame, religion, and power. We believe audiences globally deserve the chance to witness how one of the world’s most influential figures navigates the complexities and contradictions of celebrity.”
Ballesteros posted a picture from the doc and a text exchange with Ye on Instagram, along with the caption, Coming to Theaters Worldwide 2025.” In the text exchange, Ye apparently told the young filmmaker, “The doc was very deep. It was like being dead and looking back on my life,” to which Ballesteros answered, “This is the most profound text message I have ever received. I love you brother.”
Aside from the doc, Ye is also working on his 11th studio album entitled Bully.
Ariana Grande is paying homage to her younger self. In an interview with Australia’s Hit 104.7 Canberra, the “We Can’t Be Friends” singer was asked why she chose to use her “grown-up name,” a.k.a. her birth name Ariana Grande-Butera, in the credits of Wicked. “Technically, it’s my little girl name! It’s technically little Ari’s name,” […]
The Weeknd‘s psychological thriller film Hurry Up Tomorrow will get worldwide theatrical distribution from Lionsgate, which was announced Monday (Nov. 4). Directed by Trey Edward Shults (Waves, It Comes At Night), Hurry Up Tomorrow will mark The Weeknd’s feature-starring debut, as well as an extension of his upcoming sixth studio album of the same title, […]
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Chappell Roan was feeling generous on Saturday (Nov. 2) during her first ever appearance on Saturday Night Live as a musical […]
After premiering at the Tribeca Film Festival earlier this year, a new documentary about late producer Avicii is set for release on Netflix Dec. 31
The documentary, I’m Tim, is narrated by the Avicii (born Tim Bergling), with this narration taken from interviews he did before his death by suicide on April 20, 2018. The documentary also features interviews with Bergling’s parents, friends, colleagues and fellow artists, tracking his rise from boyhood in Sweden to international stardom as the archetypal artist of the EDM era.
I’m Tim was directed by Henrik Burman and produced by Björn Tjärnberg. This documentary follows a previously released 2017 doc on the artist, Avicii: True Stories, directed by Levan Tsikurishvili.
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Along with the new documentary, Netflix will stream Avicii’s final performance at Ushuaïa Ibiza in August of 2016. This performance was the final live set from the dance producer after he stopped touring at age 26. In March 2016, Bergling took to his website to tell his millions of fans about the decision, writing, “Two weeks ago, I took the time to drive across the U.S. with my friends and team, to just look and see and think about things in a new way. It really helped me realize that I needed to make the change that I’d been struggling with for a while.” Two years later, he died in Muscat, Oman, at age 28.
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The releases of I’m Tim and the Ushuaïa performance come amidst a general shoring up of the Avicii legacy, with the upcoming film following the summer release of a photobook, Avicii: The Life and Music of Tim Bergling, featuring images of the producer’s early life, private life and career.
Additionally, an auction of the producer’s personal effects that happened last October in Stockholm raised $750,000 for the Tim Bergling Foundation, which works to educate young people about mental health. A biography of the artist, Tim, written by Swedish journalist Måns Mosesson was released in early 2022.
Meanwhile, in the fall of 2022, the Avicii Estate sold 75% of the Avicii catalog — which includes hits such as “Levels,” “Wake Me Up” and “Seek Bromance” — to Pophouse, the Stockholm-based music investment company co-founded by ABBA member Björn Ulvaeus.
If you or anyone you know is in crisis and/or experiencing suicidal ideation, reach out to the Suicide and Crisis Lifeline by calling 988 or visiting the website. Confidential support is available 24/7, 365 days a year.