TV/Film

Jamie Foxx Says He ‘Saw the Tunnel’ During Mystery Medical Issue: ‘I Wouldn’t Wish What I Went Through on My Worst Enemy’

Jamie Foxx made his first public appearance on Monday night (Dec. 4) since a mysterious “medical complication” sent him to the hospital in April, telling the audience at the Critics Choice Association’s Celebration of Cinema and Television: Honoring Black, Latino and AAPI Achievements that the incident was harrowing.

“I couldn’t do that six months ago, I couldn’t actually walk to [the stage]. And I’m not a clone, I’m not a clone. I know a lot of people saying that I was cloned out there,” the Oscar-winner joked to the crowd at the Fairmont Plaza Hotel in Century City in Los Angeles according to The Hollywood Reporter. “It feels good to be here. I cherish every single minute now, it’s different. I wouldn’t wish what I went though on my worst enemy because it’s tough when it’s almost over, when you see the tunnel. I saw the tunnel, I didn’t see the light. It was hot in that tunnel too, I don’t know where I was going. ‘S–t, am I going to the right place?’”

The appearance by the star of The Burial was an unannounced surprise to the audience and marked Foxx’s first official public appearance since his hospitalization; to date, spokespeople for Foxx, 55, have not provided any details on what medical condition prompted the actor’s hospitalization. The Association did not announce in advance that Foxx was slated to receive the Vanguard Award for his performance in the recently released Amazon Prime legal thriller The Burial, in which he co-stars with Tommy Lee Jones, Jurnee Smollett and Alan Ruck.

THR said Foxx took the stage unassisted and displayed his signature quick wit and sense of humor when describing how the medical scare gave him a new appreciation for his life and career. “I have a new respect for life, I have a new respect for my art. I watched so many movies and listened to so many songs trying to have the time go by,” he said. “Don’t give up on your art, man, don’t give up on your art. When you realize that it could be over like that… I got to tell you don’t give up on your art and don’t let them take the art from you either.”

Foxx’s daughter, Corrine, announced in April that her dad had been hospitalized while filming Back in Action in Atlanta and that he was “already on his way to recovery.” She did not provide any additional information at the time about what ailed the actor before an update a month later in which she said he had left the hospital and was “recuperating” at home.

Foxx did not appear in public during the period and in August he returned to Instagram and said he was “finally startin’ to feel like myself.”

‘Money Can Buy You Class’ After All, Luann de Lesseps Sings With Help From a ‘RHONY’ Pal in New Uber Eats Ad

To some people, living elegantly just comes naturally. For those who have to work a little harder for it, Countess Luann de Lesseps is here to make it easier. The original Real Housewives of New York City star and cabaret entertainer is the latest Bravolebrity to team up with Uber to remix one of her own hits, reworking “Money Can’t Buy You Class” just in time for the holiday gifting season.

The “Money Can Buy You Class” remix and its music video arrived Tuesday (Dec. 5). While the original insisted that no, all the cash in the world wouldn’t buy you any elegance, 13 years later, the countess’ new take points out that you can purchase a little bit of it after all.

“Showing up to a holiday party with nothing much to offer?/ You think you’re enough, but honey, you’re not,” sings the star, who’s in a stunning silver Jovani jumpsuit worthy of Beyonce’s Renaissance show. “Running late? Busy month?/ That’s no excuse/ Keep it classy with a last-minute gift from Uber Eats.”

Need some ideas? The star has some suggestions of what you can get via Uber Eats. “Scented candle? That’s cool!/ Empty-handed? Uncool!/ Place an order that makes them say ‘Oh la la,’” she continues before jumping into the reworked chorus. “Money can buy you class/ It can now!”

Her remix of “Money Can’t Buy You Class” is the second Bravo collab with Uber. Vanderpump RulesScheana Shay updated her song “Good As Gold” for the ride and delivery service in May. That commercial also featured fellow Sur-vers Ariana Madix and Lala Kent, but Shay’s video isn’t the only one with star power. De Lesseps’ “Money Can Buy You Class” features not only fellow RHONY star and good friend Sonja Morgan (who pops up with a well-timed shrug to throw a little shade at a Brooklyn housewife), but a few Easter eggs for fans as well. (Peep the “Be Cool” license plate on the black Rolls Royce!)

“Sonja and I always have a GREAT time!” de Lesseps tells Billboard, noting that she “jumped” on the chance to work with Uber on remixing her song. “When I started discussing the remake and music video with Uber, we knew we wanted her to make a cameo. And I’m so glad she was able to join us. We had a blast on set, as we always do when she pops into my [touring show] Countess Cabaret!”

As for those Easter eggs? The countess credits the ride-share company. “The Uber team had a few really creative ideas and we worked together to sort of sprinkle them throughout — within the song lyrics as well as on set!” de Lesseps shares. “I of course had to wear Jovani, and my favorite Easter egg is the ‘Chateau C’est La Vie’ sign within the decor, an ode to one of my favorite songs.”

The star — whose Countess Cabaret show hits Alberta, Canada, on Dec. 15-16 — also wants to help make shopping easier and more fun during this busy time of year by sharing some classy, countess-approved ideas. “We pulled together lists of some of my favorite holiday gifts that you can find directly in the Uber Eats app,” she says, “including ‘Gifts for Real Housewives,’ ‘Gifts for Cabaret Queens,’ ‘Gifts for Ultimate Girls Trips’ and more.”

But what would she give someone who has everything, such as Andy Cohen, who helped develop the wildly successful Housewives franchise and hosts all the juicy tell-alls? “I’d send him a bottle of champagne that he can enjoy with Anderson Cooper during New Year’s Eve,” says de Lesseps, who competed as Hibiscus on the most recent season of The Masked Singer. (Cohen and Cooper — who host CNN’s popular new year’s countdown program — did not drink during the most recent special due to the network’s new ban on on-air drinking.)

As for what she’d have Uber deliver to former RHONY castmate Bethenny Frankel? “A bag of coal,” de Lesseps quips. “She’s already got the gift of gab.”

With this second remix of “Money Can’t Buy You Class” (she previously worked with VPR‘s James Kennedy on a dance-club-ready version), the star is aiming high for potential new collaborators in the future. “I’d kill to work with Stevie Nicks. I’m a big fan and love all of her music” de Lesseps tells Billboard. “Manifesting that for 2024!”

Until that collab happens, check out Luann de Lesseps “Money Can Buy You Class” remix with Uber Eats below:



John Lennon’s Killer Told Cab Driver ‘You’ll Remember My Name’: Watch Exclusive ‘Murder Without a Trial’ Clip

The new Apple TV+ documentary series John Lennon: Murder Without a Trial includes new eyewitness interviews with those who had a front-row seat to an unspeakable tragedy back in December 1980: the fatal shooting of John Lennon in New York City.

One of those people was Mark Snyder, a cab driver who happened to pick up the Beatles legend’s eventual shooter, Mark David Chapman, and recalled explicit details about the notorious passenger.

“The first thing he said to me was, ‘I’m a producer for The Rolling Stones. I just got back from a recording session with The Beatles. They all got back together again,’” Snyder remembers of Chapman’s bizarre behavior in a clip from the three-part series, premiering exclusively on Billboard below. “What am I gonna say to that? ‘OK, yeah, sure.’”

Snyder also remembered Chapman carrying a duffel bag and furiously flipping through pages in his backseat. “It was a notebook, and I looked in the rearview mirror and there was nothing but empty pages.”

But the most chilling part of Snyder’s remembrance is when the ride came to an end and Chapman came around to the driver’s-side window to pay his fare.

“He said, ‘My name is Mark David Chapman,’” Snyder recalls. “‘You’ll remember my name.’”

In the upcoming series — which premieres globally Wednesday (Dec. 6) on Apple TV+ and is narrated by Kiefer Sutherland — Snyder is one of many new interviews, including Elliot Mintz, a confidant of Lennon and wife Yoko Ono’s; Jay Hastings, a doorman at Lennon’s building who heard his last words; David Suggs, Chapman’s defense attorney; Dr. Naomi Goldstein, a psychiatrist who first assessed Chapman; and Richard Peterson, another NYC taxi driver who witnessed the shooting.

Watch the exclusive clip below, and tune in to the series starting Wednesday on Apple TV+.



The Official ‘Barbie’Screenplay is Coming & You Can Preorder it On Sale Now: Shop Here

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It’s time to return to Barbleland as the official Barbie screenplay is coming to paperback. Now, film enthusiasts can dive further into the making of the blockbuster hit film — while also watching the movie on repeat at home. The book will be released on Dec. 26, but preorders for the paperback copy are open on Amazon (and for a discounted price of $17) as well as on Target and Barnes & Noble for $20.

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Written by Greta Gerwig and Noah Baumbach and published by Faber & Faber, the screenplay includes an exclusive introduction by Gerwig and Baumbach, eight full-color photos from the film and the entire script of the film starring Margot Robbie, Ryan Gosling, Will Ferrell and Simu Liu.

Rather than wait until the book is released, preordering a copy will help ensure you get your hands on the it and have the screenplay on your doorstep as soon as the day of release. Plus, with Amazon’s current deal, you can save 17% off — a deal that may not last forever.

Keep reading to preorder the book now.

Amazon

‘Barbie’ Screenplay by Greta Gerwig & Noah Baumbach

$16.56

$19.95

17% off

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$19.95

Featuring 138 pages, the Barbie screenplay makes the perfect collector’s piece to display as a coffee table book and to give you more insight into the creation of the hit movie. The cover features a chic gold design with the iconic Barbie logo that’ll make a stellar gift for the friends always showing off their best Barbiecore outfits.

Whether you’re the fan or you know someone always quoting the movie back to you, there is a plethora of giftable collectables you can surprise your loved one with on top of the new screenplay. Fans can enjoy the collectable Barbie dolls wearing iconic outfits from the movie or if they’re a Funko collector, make sure to gift them the Barbie Funko Pops!

For more product recommendations, check out our roundups of the best female musician memoirs, dorm essentials and the best music books.

Beyoncé’s ‘Renaissance’ Is No. 1 at the Box Office With $21 Million Debut

Beyoncé ruled the box office this weekend.

Her concert picture, Renaissance: A Film by Beyoncé, opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday (Dec. 3).

The post-Thanksgiving, early December box office is notoriously slow, but Renaissance defied the odds. Not accounting for inflation, it’s the first time a film has opened over $20 million on this weekend in 20 years (since The Last Samurai).

Beyoncé wrote, directed and produced Renaissance, which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.

“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”

Though Renaissance did not come close to matching the $92.8 million debut of Taylor Swift: The Eras Tour in October, it’s still a very good start for a concert film. No one expected Renaissance to match The Eras Tour, which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.

The 39-city, 56-show Renaissance tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing Eras Tour, with 151 dates, is expected to gross some $1.4 billion.

Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (Miss Americana and Homecoming). And both are reported to be receiving at least 50% of ticket sales.

Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.

Critics and audiences gave Renaissance glowing reviews — it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.

Lionsgate’s The Hunger Games: The Ballad of Songbirds & Snakes fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.

Godzilla Minus One is expected to take third place on the North American charts. The well-reviewed Japanses blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho’s 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.

Trolls Band Together landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.

Noah Kahan Performs ‘Dial Drunk’ & ‘Stick Season’ in ‘SNL’ Debut: Watch

Noah Kahan made his Saturday Night Live debut on Dec. 2, performing songs from his latest album, Stick Season (We’ll All Be Here Forever).

The Vermont-born singer-songwriter, who snagged a best new artist nominee at next year’s Grammys, opened with his Post Malone collaboration “Dial Drunk” and closed with his breakthrough song “Stick Season,” which recently got the cover treatment from Olivia Rodrigo.

The pair of tracks — which currently sit at No. 25 and No. 31 on the Billboard Hot 100 chart, respectively — appear on the deluxe version of Kahan’s third album, Stick Season. The expanded version of the 2022 set dropped over the summer and peaked at No. 3 on the Billboard 200 albums chart.

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“It’s been an unbelievable year-and-a-half now … a whirlwind of attention and wonderful outpouring of love from fans,” Kahan told Billboard in September.

After appearing on the Emma Stone-hosted episode of SNL, Kahan called the experience “one of the greatest moments of my career.” “Had some fun with my buddies and sang for a few people last night,” he wrote on X. “@nbcsnl thank you for one of the greatest moments of my career.”

There will be two more SNL episodes this year: Dec. 9 with host Adam Driver and musical guest Olivia Rodrigo and Dec. 16 with host (and SNL alum) Kate McKinnon and musical guest Billie Eilish.

Watch Kahan’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.


https://youtube.com/watch?v=JZ9NavfzLvE&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent


https://youtube.com/watch?v=npc9qws28CY&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Taylor Swift Reacts to Mariska Hargitay Naming Her New Cat ‘Karma’

Mariska Hargitay recently introduced her new cat Karma to the world, and no one is more thrilled than Taylor Swift.

The Law & Order: Special Victims Unit star shared a photo of her sweet pet on Instagram earlier this week. “Karma is a Cat @taylorswift Meet Karma. My Cat. #MeAndKarmaVibeLikeThat #AndIKeepMySideOfMyPawClean #KarmaIsACat,” Hargitay wrote, revealing the inspiration behind her cat’s name is, of course, a lyric from a song by Swift.

On the chorus of the Midnights track “Karma,” Swift sings, “Sweet like honey, karma is a cat purring in my lap ’cause it loves me.”

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On Saturday (Dec. 2), two days after Karma the cat made their debut on social media, Swift publicly shared her reaction to the kitty’s arrival.

“Are you serious?!!!! Nothing has ever come more full circle,” Swift wrote in the comments section of Hargitay’s post. “LOVE THIS SO MUCH!!”

Hargitay and Swift — who in 2014 named one of her own cats Olivia Benson after the actress’ starring role on SVU — have been connected for years.

After becoming friendly, Swift invited Hargitay to appear in 2015’s “Bad Blood” music video alongside Ellen Pompeo, whose Grey’s Anatomy character Meredith Grey inspired the name of Swift’s first cat in 2011. In June 2015, Hargitay walked the catwalk as one of Swift’s celebrity guests on the 1989 World Tour. More recently, Hargitay’s taken in more than one Eras Tour show and showed her support for the singer at the premiere of the Taylor Swift: The Eras Tour film.

“She’s pure magic,” Hargitay told Entertainment Tonight in October. “There’s nothing she can’t do. It’s been so beautiful to reconnect to that innocence, you know? I think Taylor gives such a beautiful message to kids and unlocks these girls’ emotions.”

“I see how it affects my daughter, and she cries and just opens up like a flower,” Hargitay said of Swift’s impact. “And [I see] how meaningful it is, and I’m grateful to be part of it and watch that journey.”

“It’s been so beautiful [to see] how she gracefully walked through her journey and allowed herself to evolve and truly step into her power pose, her talent and all of her glory. And she’s got quite a bit of it … I think she is a magicmaker,” she added.

Swift released a remixed version of “Karma” featuring Ice Spice in May, giving the track a boost to No. 2 on the Billboard Hot 100.

Beyoncé’s ‘Renaissance’ Concert Film Headed Toward $22M-Plus Opening at Box Office

Beyoncé‘s new concert film is headed for a big opening weekend at the box office.

The superstar singer’s Renaissance: A Film By Beyoncé is likely to earn between between $22 and $24 million in its domestic debut, giving it the largest early December opening in two decades, according to The Hollywood Reporter.

The film’s distributor, AMC Theatres, is playing it on the safe side with a projected domestic opening of $20 million. Renaissance, which hit theaters on Friday (Dec. 1), is also rolling out globally, where it’s reportedly tracking to open in the $20 million range for a global start of $40 million.

The post-Thanksgiving period is typically slow at the box office. The largest opening for the first weekend of December is Tom Cruise’s The Last Samurai with $24.3 million, not adjusted for inflation, THR reports.

Prior to its Friday opening, Renaissance enjoyed star-studded premieres in Los Angeles (Nov. 25) and London (Nov. 30). The latter was attended by Taylor Swift and other celebs, including Michelle Williams, Blake Lively and will.i.am.

The concert documentary was written, executive produced and co-directed by the 32-time Grammy winner, and chronicles her record-breaking Renaissance World Tour.

Renaissance is the second one to be distributed by AMC, following the massive opening and box office for Swift’s own Taylor Swift: The Eras Tour, which has earned $250 million to date, the cinema giant reports. Those numbers cement the pop superstar’s movie as the highest-grossing concert film of all time. The three-hour-plus Eras Tour movie is headed to on-demand on Dec. 13 with three bonus songs.

Jussie Smollett’s Disorderly Conduct Convictions Upheld by Illinois Appeals Court

An appeals court upheld the disorderly conduct convictions Friday (Dec. 1) of actor Jussie Smollett, who was accused of staging a racist, homophobic attack against himself in 2019 and lying about it to Chicago police.

Smollett, who appeared in the TV show Empire, challenged the role of a special prosecutor, jury selection, evidence and many other aspects of the case. But all were turned aside in a 2-1 opinion from the Illinois Appellate Court.

Smollett had reported to police that he was the victim of a racist and homophobic attack by two men wearing ski masks. The search for the attackers soon turned into an investigation of Smollett himself, leading to his arrest on charges he had orchestrated the whole thing.

Authorities said he paid two men whom he knew from work on Empire, which filmed in Chicago. Prosecutors said Smollett told the men what slurs to shout, and to yell that he was in “MAGA Country,” a reference to Donald Trump’s presidential campaign slogan.

A jury convicted Smollett in 2021 on five felony counts of disorderly conduct, a charge that can be filed in Illinois when a person lies to police.

He now will have to finish a 150-day stint in jail that was part of his sentence. Smollett spent just six days in jail while his appeal was pending.

Lawyers for Smollett, who is Black and gay, have publicly claimed that he was the target of a racist justice system and people playing politics.

“We are preparing to escalate this matter to the Supreme Court,” Smollett spokeswoman Holly Baird said, referring to Illinois’ highest court and also noting that the opinion at the appellate court wasn’t unanimous.

Appellate Justice Freddrenna Lyle would have thrown out the convictions. She said it was “fundamentally unfair” to appoint a special prosecutor and charge Smollett when he had already performed community service as part of a 2019 deal with Cook County prosecutors to close the case.

“It was common sense that Smollett was bargaining for a complete resolution of the matter, not simply a temporary one,” Lyle said.

Special prosecutor Dan Webb was appointed to look into why the case was dropped. A grand jury subsequently restored charges against Smollett in 2020, and Webb concluded there were “substantial abuses of discretion” in the state’s attorney office during the earlier round.

Smollett was not immune to a fresh round of charges, appellate Justices David Navarro and Mary Ellen Coghlan said in the majority opinion.

“The record does not contain any evidence that (prosecutors) agreed Smollett would not be further prosecuted in exchange for forfeiting his bond and performing community service,” they said.

Kelly Clarkson Soars on ‘Kellyoke’ Cover of Eagles’ ‘Desperado’

Kelly Clarkson took the Eagles‘ classic “Desperado” to new heights on Friday’s (Dec. 1) episode of The Kelly Clarkson Show.

For her daily Kellyoke cover, Clarkson chose the title track from the band’s 1973 album, taking some creative liberties with the well-known melody and hitting some power notes much loftier than Don Henley’s original vocal.

Forgoing her typical band and backup singers, Clarkson hit the stage with only her music director Jason Halbert behind the piano. She played it pretty straight through the first two-thirds of the performance with her lush delivery, before going up a whole octave to drive home the final few phrases.

“It may be rainin’, but there’s a rainbow above you/ You better let somebody love you (Let somebody love you),” she wailed, quietly finishing with: “You better let somebody love you before it’s too late.”

“Desperado,” which was written by Eagles’ co-frontmen Henley and the late Glenn Frey, was never released as a single, though it’s one of the band’s best-remembered songs. In fact, Billboard ranked it at No. 2 on our list of the 15 best Eagles songs — updated earlier this year following the death of original bassist Randy Meisner at age 77 in July — topped only by their Billboard Hot 100 No. 1 hit “Hotel California.”

Clarkson previously covered Eagles’ 1979 rocker “Heartache Tonight” — which Henley and Frey co-wrote with Bob Seger and J.D. Souther — last year for Kellyoke.

Watch her “Desperado” cover below:


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