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Millie Bobby Brown knows what it’s like to grow up under a microscope after catapulting to fame for her role in Netflix’s Stranger Things, so it’s no surprise she once felt a connection to pop icon Britney Spears, who also found herself navigating worldwide stardom as a teenager.
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While Brown has expressed interest in portraying the pop icon previously, she’s now making it clear: Spears’ story is one only Spears herself should tell.
Speaking at the Los Angeles premiere of The Electric State on Feb. 24, Brown revisited whether she’d like to play Spears in an upcoming biopic in an interview with Access Hollywood. “I mean, she is an absolute icon. I would love nothing more than to be a part of her story,” Brown said. “But that’s her story, and I am in full support of her bringing her story to life how she wants to.”
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Brown’s comments come after a 2022 appearance on The Drew Barrymore Show, where she first revealed that her “dream role” would be playing Spears on screen. At the time, she explained why she felt connected to the singer’s journey.
“Growing up in the public eye, watching her videos, watching interviews of her when she was young… I see the scramble for words,” she told Barrymore. “And I don’t know her, but when I look at pictures of her, I feel like I could tell her story in the right way — and hers only.”
The response from Spears was swift. The following day, the “Toxic” singer took to Instagram with a post many assumed was directed at Brown. “I hear about people wanting to do movies about my life… dude, I’m not dead!!!” she wrote.
Since then, Spears has taken control of her own narrative. Universal Pictures secured the rights to her best-selling memoir The Woman in Me and announced in August 2024 that a biopic was officially in development, directed by Wicked filmmaker Jon M. Chu.
Spears herself confirmed the news, writing on X, “Excited to share with my fans that I’ve been working on a secret project with #MarcPlatt. He’s always made my favorite movies … stay tuned.”
Meanwhile, The Electric State, Brown’s latest film, arrives on Netflix on March 14.
Tom Waits has added his talents to the final episode of Italian documentary series, Il Fattore Umano (The Human Factor), with his work accompanying stories of homelessness in America. Explore Explore See latest videos, charts and news See latest videos, charts and news The eight-part series, created by the Italian public television channel RAI3, offers […]
With RuPaul’s Drag Race bringing back their Rate-a-Queen system for season 17, Billboard decided to rate each of the new queens every week based on their performance. Below, we take a look at this season’s Rusical to see which queens brought Broadway to the main stage. Spoilers ahead for episode 8. As Jewels Sparkles aptly […]
Olivia Kuper Harris didn’t just step onto The Voice stage—she transported it to another era. Taking on Doris Day’s timeless ballad “Dream a Little Dream of Me,” the Dallas-born singer draped the room in nostalgia, delivering a performance so rich and velvety it felt like a lost recording from jazz’s golden age.
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John Legend, Adam Levine, and Kelsea Ballerini couldn’t resist.
Legend was the first to turn his chair, drawn in by Harris’ effortless control. Levine wasn’t far behind, nudging Ballerini to do the same. “What are you waiting for?” he asked, prompting her to hit her button.
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“I don’t know! You’re so right,” Ballerini admitted.
As the final note hung in the air, Levine turned to Harris with a grin. “You’re really special,” he said, making it clear she had impressed him. Then, in true Adam fashion, he took a playful jab at his fellow Coach. “And Michael Bublé is a fool.”
Legend, ever the strategist, made his pitch. “What got me at first was just the beauty of your tone,” he said on the warmth and elegance Harris brought to the song. Ballerini added that Harris’ voice had a rare quality—something that could transcend genres and connect with all types of listeners.
Harris, overwhelmed with emotion, took a deep breath. She had come looking for a sign, a confirmation that this was the path she was meant to follow. “Being on stage, I feel like it’s my purpose in life,” she said. “It makes me emotional because I’ve looked for so many other things I could possibly do… and this is it, man.”
With three Coaches vying for her, the decision was hers.
Ultimately, it was Legend’s pitch that resonated most with Harris. She joined his team, adding another unique voice to his roster for The Voice Season 27.
Harris’ audition stood out not just for its technical precision but for its ability to evoke an era long past. While many hopefuls lean into pop, R&B, or powerhouse ballads, Harris took a different route—one that paid off in a big way.
As the competition heats up, it remains to be seen how Harris will evolve under Legend’s mentorship. But if her Blind Audition was any indication, The Voice might have just found its next great jazz revivalist.
Six powerhouse women – Doja Cat, Cynthia Erivo, Ariana Grande, LISA of BLACKPINK, Queen Latifah and Raye – will perform at the 2025 Oscars on Sunday, March 2, at the Dolby Theatre at Ovation Hollywood. The show also will feature a special appearance by the Los Angeles Master Chorale.
Erivo and Grande are 2025 Oscar nominees for their roles in Wicked. Queen Latifah was nominated in 2003 for her role in Chicago.
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Erivo and Grande are expected to open the Oscar telecast with one or more songs from Wicked. All of the songs featured in Wicked were taken from the Broadway musical, so none were nominated for best original song, but the score by John Powell and Stephen Schwartz was nominated for best original score. Wicked received a total of 10 nominations.
The other women are expected to participate in “performances celebrating the filmmaking community and some of its legends.”
When the Oscars announced that this year’s nominees for best original song would not be performed on the telecast (but that there would instead be a single spot focused on the songwriters of those songs), some feared that music would get short shrift on the awards show. This announcement proves that that is not the case.
Oscar producers historically have focused on the best original song nominees, but they have been known to pivot when doing so would yield a prized booking. Three years ago, the Oscars featured a performance of the Encanto song “We Don’t Talk About Bruno,” which topped the Billboard Hot 100 for five weeks, even though that song had not been submitted for Oscar consideration and was not nominated.
Raye performed her song “Oscar Winning Tears,” from her album My 21st Century Blues, on the Grammy telecast on Feb. 2, where she was a best new artist nominee. Raj Kapoor, executive producer and showrunner of the 2025 Oscars, was an executive producer of this year’s Grammy telecast as well. These bookings constitute major coups for the British star, who swept the Brit Awards a year ago.
Kapoor and Oscars executive producer Katy Mullan will continue to announce talent joining the show leading up to the ceremony.
Hosted by Conan O’Brien, the 2025 Oscars will air live on ABC and stream live on Hulu on Sunday, March 2, at 7 p.m. ET/4 p.m. PT, with the official live red carpet show airing at 6:30 p.m. ET/3:30 p.m. PT.
Selena Gomez is giving the glory of the Only Murders in the Building cast’s 2025 Screen Actors Guild award to costars Steve Martin and Martin Short. The day after their murder-mystery Hulu series took home outstanding performance by an ensemble at this year’s SAG honors Sunday (Feb. 23), the singer-actress shared a couple older photos […]
The 2025 American Music Awards (AMAs) is set to air live from Las Vegas on Memorial Day, Monday, May 26. The special will air live coast-to-coast at 8 p.m. ET/5 p.m. PT on CBS and stream on Paramount+.
It will be the first yearly AMAs show since the one that aired on ABC on Nov. 20, 2022, with Wayne Brady hosting.
The 2025 AMAs will broadcast globally across linear and digital platforms and will honor the most popular songs and artists of the year while paying tribute to our country’s troops. CBS’ intention is for the AMAs to air on Memorial Day going forward.
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The AMAs franchise moved to CBS on Oct. 6, 2024, with a star-studded retrospective special, American Music Awards 50th Anniversary Special. As the most-streamed AMAs in the show’s history, the special surpassed 13 million in reach and averaged over 6.1 million viewers, an increase of +53% from the last show in 2022 on ABC, the largest year-over-year growth of a music special or award show.
The anniversary show featured an all-star lineup that included Jennifer Lopez, Mariah Carey, Gloria Estefan, Jennifer Hudson, Carrie Underwood, Green Day, Brad Paisley, Chaka Khan, Sheila E., Gladys Knight, Kane Brown, Nelly, Nile Rodgers & CHIC, RAYE, Stray Kids, AJ McLean, Jimmy Kimmel, Kate Hudson, Lance Bass, Reba McEntire, Samuel L. Jackson, and Smokey Robinson.
The American Music Awards bills itself as the world’s largest fan-voted award show. Nominees are based on key fan interactions as reflected on the Billboard charts – including streaming, album sales, song sales and radio airplay.
Legendary producer Dick Clark created the AMAs in 1973 as a fan-based alternative to the Grammys. The first two Grammy live telecasts in March 1971 and March 1972 aired on ABC. When the Grammys shifted to CBS for the March 1973 telecast, ABC looked for a show to fill that void and went with Clark’s fan-based show.
The show on Memorial Day will be the 51st yearly AMAs broadcast. (There were two shows in 2003 and none at all in 2023 or 2024.)
That first show in 1974 ran just 90 minutes. The show in the first five years had a tight focus on three broad genres – pop/rock, soul/R&B and country. It now recognizes far more genres, including hip-hop, Latin, inspirational, gospel, Afrobeats and K-pop.
Clark, a master showman, was a legend in both music and television. He received a trustees award from the Recording Academy in 1990 and was inducted into the Television Academy Hall of Fame in 1992. He died in 2012 at age 82.
The 2025 American Music Awards will air concurrently on both coasts. The AMAs previously aired on the West Coast on tape delay. This welcome change was introduced on the anniversary show last October.
Dick Clark Productions is owned by Penske Media Corporation. PMC is also the parent company of Billboard.
Wicked, A Complete Unknown and I Saw the TV Glow won for best music supervision in major budget, mid-level budget and low-budget films, respectively, at the 15th annual Guild of Music Supervisors Awards, which were held at The Wiltern Theatre in Los Angeles on Sunday, Feb. 23.
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Wicked fans had further cause to rejoicify: Wicked creator Stephen Schwartz received the Icon Award to celebrate his contributions to the music and film industries. Schwartz performed “Beautiful City” from the 1973 film adaptation of his 1971 musical Godspell.
The GMS Awards honors achievements in the craft of music supervision in film, television, documentaries, advertising, trailers and video games.
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“Like a Bird” from the film Sing Sing won best song written and/or recorded for a film. But that doesn’t necessarily mean it’s headed for an Oscar victory for best original song on March 2. Of the nine songs to win in this category at the GMS Awards, just three went on to win the Oscar – “City of Stars” from La La Land, “Shallow” from A Star Is Born and “What Was I Made For?” from Barbie.
The field of nominees in this category at the two shows was very different this year. Just one other song, Diane Warren’s “The Journey” from The Six Triple Eight, was nominated at both shows. The other Oscar nominees are “El Mal” from Emilia Pérez (Clément Ducol, Camille and Jacques Audiard), “Mi Camino” from Emilia Pérez (Camille and Clément Ducol) and “Never Too Late” from Elton John: Never Too Late (Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin).
GMS awarded three songwriters for “Like a Bird” — Abraham Alexander, Brandon Marcel and Adrian Quesada – while the Oscars nominated just Alexander and Quesada.
Music producer and supervisor Bonnie Greenberg took the stage to accept the Legacy Award for her career in music supervision. Greenberg has worked on dozens of films, including Hairspray, My Best Friend’s Wedding, Pleasantville, What Women Want and It’s Complicated.
Kristen Anderson-Lopez and Robert Lopez won the GMS Award for best song written and/or recorded for television for “The Ballad of the Witches’ Road (Sacred Chant Version)” from Agatha All Along. The Lopezes’ previous collaborations have brought them two Oscars, two Grammys, a Primetime Emmy and assorted other awards.
Steve Schnur, music supervisor and executive at EA Games, won the most awards on the night – two for his work on video games EA Sports FC 25 and Dragon Age: The Veilguard.
Alexander and Quesada performed “Like a Bird” at the GMS Awards. Danielle Ponder performed her nominated song “Egún” from Apple TV’s MANHUNT, and Role Model performed “Sally, When the Wine Runs Out” as the Spotlight artist of the evening.
The event was produced by the GMS Awards production committee: president Lindsay Wolfington, vp Heather Guibert, Janet Lopez, Priya Autrey and Joel C High. Show production was handled by Angelia Shepperd from ABS Collective with talent producer Julie Donsky, and technical production by Nick Urbom from Big Push Media Group.
Here’s a complete list of nominations for the 2025 Guild of Music Supervisor Awards, with winners marked.
Best Music Supervision in Major Budget Films
Jordan Carroll – Better Man
Dave Jordan – Deadpool & Wolverine
Julianne Jordan – The Instigators
Rachel Levy – Twisters
Tom MacDougall, Matt Walker – Moana 2
WINNER: Maggie Rodford – Wicked
Best Music Supervision in Mid-Level Budget Films
Deva Anderson, Rachel Lautzenheiser – The Piano Lesson
Iain Cooke – Back to Black
Pierre-Marie Dru – Emilia Pérez
WINNER: Steven Gizicki – A Complete Unknown
Frankie Pine – The Idea of You
Mary Ramos – The Greatest Hits
Best Music Supervision in Low Budget Films
WINNER: Jessica Berndt, Chris Swanson – I Saw the TV Glow
James Cartwright – Dandelion
Csaba Faltay, Milena Fessmann – Maria
Kier Lehman – Los Frikis
James A. Taylor – The Brutalist
Scotty Taylor – My Old Ass
Best Music Supervision in a Non-Theatrically Released Film
Joel C. High, Sami Posner – Meet Me Next Christmas
Susan Jacobs, Jackie Mulhearn – Out of My Mind
Rob Lowry – Sweethearts
Aminé Ramer – Lonely Planet
Morgan Rhodes – Thelma the Unicorn
WINNER: Robin Urdang – The Supremes at Earl’s All-You-Can-Eat
Best Song Written and/or Recorded for a Film
“The Idea of You” – The Idea of You; Songwriters: Carl Falk, Savan Kotecha, Albin Nedler; Performers: Anne-Marie, Nicholas Galitzine; Music Supervisor: Frankie Pine
“The Journey” – The Six Triple Eight; Songwriter: Diane Warren; Performer: H.E.R.; Music Supervisor: Joel C. High
“Kiss the Sky” – The Wild Robot; Songwriters: Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi; Performer: Maren Morris; Music Supervisor: Natalie Hayden
WINNER: “Like a Bird” – Sing Sing; Songwriters: Abraham Alexander, Brandon Marcel, Adrian Quesada; Performers: Abraham Alexander, Adrian Quesada; Music Supervisor: Dan Wilcox
“Out of Oklahoma” – Twisters; Songwriters: Luke Dick, Shane McAnally, Lainey Wilson; Performer: Lainey Wilson; Music Supervisor: Rachel Levy
“Why I’m Here” – Shirley; Songwriters: Samara Joy, Paul Sylvester Morton Jr.; Performer: Samara Joy; Music Supervisor: Madonna Wade-Reed
Best Music Supervision in a Television Drama
Deva Anderson, Rachel Lautzenheiser – Masters of the Air Season 1
Matt Biffa – One Day Season 1
Linda Cohen – The Sympathizer Season 1
Stephanie Diaz-Matos – Fight Night: The Million Dollar Heist Season 1
WINNER: Catherine Grieves – Baby Reindeer Season 1
Trygge Toven – Fallout Season 1
Best Music Supervision in a Television Comedy
George Drakoulias, Ian Herbert – Palm Royale Season 1
Kerri Drootin, Charlie Haggard – Loot Season 2
Christa Miller, Tony Von Pervieux – Bad Monkey Season 1
Javier Nuño, Joe Rodríguez – Acapulco Season 3
WINNER: Jen Ross – English Teacher Season 1
Best Music Supervision in Reality Television
Brandon Boucher, Peter Davis – The Challenge: All Stars Season 4
Jon Ernst – Love Is Blind Season 6
WINNER: Meryl Ginsberg, Sara Torres, Jordan Young – Love Island USA Season 6
Carrie Hughes – Love & Hip Hop: Atlanta Season 11
Best Song Written and/or Recorded for Television
WINNER: “The Ballad of the Witches’ Road (Sacred Chant Version)” – Agatha All Along; Songwriters: Kristen Anderson-Lopez, Robert Lopez; Performers: Agatha All Along Cast (Ali Ahn, Kathryn Hahn, Patti LuPone, Debra Jo Rupp, Sasheer Zamata); Music Supervisors: Dave Jordan, Justine von Winterfeldt
“Do You See Me Now” – Sweetpea; Songwriters: Daisy Bertenshaw, Isobel Waller-Bridge; Performers: CHINCHILLA, Isobel Waller-Bridge; Music Supervisor: Ollie White
“Egún” – Manhunt; Songwriter: Danielle Ponder; Performer: Danielle Ponder; Music Supervisors: Lindsey Driscoll, Brienne Rose
“Feel It” – Invincible; Songwriters: David Burke, Noah Ehler, Sam Homaee, Gray Toomey; Performer: d4vd; Music Supervisors: Gabe Hilfer, Henry van Roden
“The First Cut Is the Deepest” – The Brothers Sun; Songwriter: Cat Stevens; Performer: Bo Wang; Music Supervisor: Angela Asistio
Best Music Supervision in a Documentary Film
Maureen Crowe, Lisa Moberly, Janet Billig Rich – Stevie Van Zandt: Disciple
Justin Feldman – Music by John Williams
Jonathan Finegold – Gaucho Gaucho
Dawn Sutter Madell – Eno
WINNER: Aminé Ramer – Yacht Rock: A Dockumentary
Best Music Supervision in a Docuseries
WINNER: Sam Carlin, Drew Kramer – Lolla: The Story of Lollapalooza Season 1
Alexandra Eckhardt – Kings from Queens: The Run DMC Story Season 1
Ed Gerrard – Gospel Season 1
Gary Welch – Camden Season 1
Allison Wood – Breath of Fire Season 1
Best Music Supervision in Advertising (Synch)
Abbey Hendrix, Jonathan Wellbelove – iPhone 15 Storage – “Don’t Let Me Go”
Andrew Kahn, Morgan Thoryk – “Two-Step”
Mike Ladman, Mara Techam – “Breaking Moves the World”
WINNER: Peymon Maskan, Gemma Schladow, Alec Stern, Jenna Wilson – “Power of She”
Nicole Palko, Jonathan Wellbelove – “iPhone 15 Plus Battery – One More”
Best Music Supervision in Advertising (Original Music)
Danielle Beauvoir, Nick Maker – “Out of This World: The Official Anthem of the Men’s T20 Cricket World Cup”
Abbey Hendrix, Jonathan Wellbelove – “iPhone 16 – Imagine It. Genmoji It.”
Scott McDaniel – “1 Performance, 30 Years in the Making”
WINNER: Patrick Lawrence Zappia – “Give Your Gift.”
Best Music Supervision in Advertising (Long-Form)
Codie Childs – “PS5 | Play Has No Limits”
Connie Edwards, Sunny Kapoor – “Spot it Early”
Mike Ladman, Mara Techam – “A Mountain of Entertainment – Hail Patrick”
Mike Ladman, Mara Techam – “H.O.R.S.E. on a Horse”
Nellie Rajabi, Jonathan Wellbelove – “The Relay”
WINNER: Al Risi – “An American Love Story”
Best Music Supervision in a Trailer (Film)
Megan Barbour, Greg Smith, Tyler Torrison – 28 Years Later – Official Trailer
WINNER: Maggie Baron – Anora – Official Redband Trailer
Deric Berberabe, Jordan Silverberg – Thunderbolts* – Trailer 2
Anny Colvin – We Live in Time – Official Trailer
Will Quiney – Cuckoo – Official Trailer
Best Music Supervision in a Trailer (Series)
WINNER: Deric Berberabe, Hudson Saxe, Jordan Silverberg – Severance: Season 2 – Official Trailer
Bobby Gumm – 3 Body Problem – Final Trailer
Vanessa Jorge Perry – Skeleton Crew – Official Trailer
Scenery Samundra, Gregory Sweeney – DISCLAIMER* – Official Trailer
Naaman Snell – The Last of Us: Season 2 – Official Teaser
Best Music Supervision in a Trailer (Video Game & Interactive)
WINNER: Jonny Altepeter, Jackie Palazzolo, Vitaly Shenderovsky – “VALORANT” – Clove Agent Trailer – 2 WORLDS
Alex Hackford, Lindsey Kohon, Naaman Snell – “Destiny 2: The Final Shape” – Launch Trailer
Lindsey Kohon – “Black Ops 6” – Gameplay Reveal Trailer
Raphaella Lima, Steve Schnur – “College Football 25” – Official Reveal Trailer
Raphaella Lima, Michael Sherwood – “Apex Legends: Upheaval” – Gameplay Trailer
Best Music Supervision in a Video Game (Synch)
Benjamin Beladi – The Sandbox – Alpha Season 4
Maya Halfon Cordova, Kyle Hopkins – Forza Horizon 5 – Retrowave
Nora Felder – Stranger Things VR
Alex Hackford – MLB The Show 24
WINNER: Raphaella Lima, Cybele Pettus, Steve Schnur – EA SPORTS FC 25
Ryan Tomlin, Brandon Young – Call of Duty: Black Ops 6
Best Music Supervision in a Video Game (Original Music)
Manu Bachet, Raphaël Joffres – Prince of Persia: The Lost Crown; Composers: Gareth Coker, Mentrix
Codie Childs, James Marshall – LEGO Horizon Adventures; Composer: Homay Schmitz
Codie Childs, James Marshall – Until Dawn; Composer: Mark Korven
Glenn Herweijer, Ben Sumner – Life is Strange: Double Exposure; Composers: Glenn Herweijer, Nick Hill, Tessa Rose Jackson, Luciano Rossi
WINNER: Steve Schnur – Dragon Age: The Veilguard; Composers: Lorne Balfe, Hans Zimmer
Sam Yang – Delta Force; Composers: Edwin, Jason H, LUMi, Johan Söderqvist, Zio
Spring break is just around the corner — and for the first time in years, so is Spring Breakers. On Friday (Feb. 21), A24 announced that its subversive film starring Selena Gomez, Ashley Benson, Vanessa Hudgens and Rachel Korine is coming to IMAX theaters for one night only. Widely known as the project that helped […]
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Two light heavyweight boxers go head-to-head in “The Gardens” on Saturday (Feb. 22): Artur Beterbiev (21-0-0) battles Dmitry Bivol (23-1-0) in a highly-anticipated rematch. The bout — which is part of, what has been dubbed, “the greatest fight card of the century” — is scheduled for 12 rounds with the winner earning the WBA, WBC, IBF, WBO and The Ring light heavyweight title.
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The Last Crescendo: Artur Beterbiev vs. Dmitry Bivol 2 takes place at Kingdom Arena in Riyadh, Saudi Arabia, starting at 11 a.m. ET/8 a.m. PT, with the main event beginning around 6 p.m. ET/3 p.m. PT.
Want to watch the Artur Beterbiev vs. Dmitry Bivol 2 online? The Beterbiev vs. Bivol 2 PPV price is streamable for $25.99 for DAZN subscribers.
If you’re not a subscriber, you can get access to the PPV livestream for $29.99 per month. Additionally, if you’d like to go for an annual subscription, you can access to the streaming service for $19.99 per month with the service’s 12-month contract.
With DAZN, you get access to more than 100 live fights every year, along with fight replays, highlights, documentaries and much more.
Meanwhile, this is a event is also streaming on PPV.com for $25.99.
The Last Crescendo: Fight Card of the Century, 11 a.m. ET/8 a.m. PT
Artur Beterbiev (undisputed champion) vs. Dmitry Bivol: WBA, WBC, IBF, WBO, and The Ring Light Heavyweight — Main Event, Title Fight
Daniel Dubois (champion) vs. Joseph Parker: IBF Heavyweight — Co-Main Event, Title Fight
Shakur Stevenson (champion) vs. Josh Padley: WBC Lightweight — Title Fight
Carlos Adames (champion) vs. Hamzah Sheeraz: WBC Middleweight — Title Fight
Vergil Ortiz Jr (champion) vs. Israil Madrimov: WBC World Interim Super Welterweight — Title Fight
Zhilei Zhang vs. Agit Kabayel: WBC Interim Heavyweight — Title Fight
Joshua Buatsi (champion) vs. Callum Smith: WBO Light Heavyweight Interim — Title Fight
What Is Beterbiev’s and Bivol’s Walkout Music?
While Riyadh Season has yet to announce each boxer’s walkout music for the main event, they usually go out to the octagon to the same songs during their matches. Artur Beterbiev typically walks out to “Forward Akhmat!” by Russian recording artist Rizavdi Ismailov, while Dmitry Bivol prefers to walk out to “Blood Type” by Soviet post-punk band Kino. So these songs will likely make an appearance during “The Last Crescendo” event.
Fight Card of the Century: Artur Beterbiev vs. Dmitry Bivol 2 PPV is streamable on DAZN and PPV.com on Saturday, Feb. 22, starting at 11 a.m. ET/8 a.m. PT. The main event is expected to start around 6 p.m. ET/3 p.m. PT.
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