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Wicked is dominating pre-Thanksgiving weekend at the box office.
Universal’s live-action adaptation of the Broadway musical, starring Ariana Grande and Cynthia Erivo, debuted at No. 1 with an estimated $114 million domestically, according to The Hollywood Reporter.
That figure makes it the third-biggest opening of the year, behind Deadpool & Wolverine and Inside Out 2, the Associated Press reports. It also sets a new record for a Broadway musical adaptation and ranks among the biggest opening weekends ever for a big-screen musical.
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Directed by Jon M. Chu, Wicked has grossed $164.2 million globally.
Meanwhile, Paramount’s Gladiator II, the sequel to Ridley Scott’s Oscar-winning 2000 film, is projected to open domestically with $55.5 million, according to THR. Starring Paul Mescal, Denzel Washington, Pedro Pascal, Connie Nielsen and Fred Hechinger, the movie has already earned $165.5 million internationally.
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There was speculation that the two major releases might recreate the Barbenheimer effect, referencing the simultaneous box office success of Barbie and Oppenheimer in 2023. Nicknamed “Glicked” (a blend of Gladiator II and Wicked), the two films didn’t quite reach the domestic openings of Barbie ($162 million) and Oppenheimer ($82.5 million), but still performed strongly.
With Erivo starring as the green-skinned Elphaba and Grande as her pink-loving counterpart, Galinda (aka Glinda the Good), Wicked has already earned praise from critics, particularly for the performances of its lead actresses in these iconic roles. Part two of the adaptation is slated for release in November 2025.
Accompanying the film’s release is Wicked: The Soundtrack, which includes the movie’s 11 songs as well as a new orchestral track. The second half of the musical’s songs will be released with part two in 2025.
When director Jon M. Chu shared that Ariana Grande and Cynthia Erivo had been cast as Galinda and Elphaba, respectively, in the long-awaited movie adaptation of Broadway’s smash musical Wicked back in Nov. 2021, reactions were mixed. No one doubted Erivo’s thespian credentials: She’d won a Tony (lead actress, musical) for The Color Purple in 2016 and been nominated for a best actress Oscar in 2019 for playing abolitionist Harriet Tubman in Harriet. But Grande? Well, Ari’s pop career was unimpugnable – she’d released the acclaimed, Billboard 200-topping Positions a year prior to the announcement and topped the Billboard Hot 100 just months earlier on a remix of The Weeknd’s “Save Your Tears” – but her acting credits were a different matter entirely.
It wasn’t that her résumé was slim. Between Victorious and Sam & Cat, Grande had been a consistent presence on Nickelodeon in the first half of the ‘10s. During the second half of that decade, Grande – who by then had earned her spot on pop music’s A-list – continued to flex her acting chops in small parts, getting killed in 2015’s Scream Queens, co-starring in Hairspray Live!, hosting Saturday Night Live and making a cameo in Zoolander 2 (all 2016).
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So it wasn’t that audiences hadn’t seen her act – it was that we hadn’t seen her act too far afield of the bubbly, ditzy Cat Valentine of her Nickelodeon days. A month after the Wicked casting was revealed, Grande showed a bit more range in the love-it-or-hate-it Netflix comedy Don’t Look Up, but considering that she was playing a pop star, it didn’t exactly assuage Wicked fan fears that Grande wasn’t qualified for one of the most beloved, sought-after roles in modern musical history.
Yes, Galinda/Glinda (the “Ga” is silent by the end of the musical) is both giddy and scatterbrained – two traits Grande excels at portraying – but Kristin Chenoweth’s iconic, Tony-nominated work in Wicked established that to play the role, you needed depth, layers and razor-sharp comedic timing. No one with ears could question Grande’s pipes, but based on her acting credits, we simply didn’t know if she was capable of filling Chenoweth’s small but mighty heels.
Well, having seen Wicked: Part 1 in theaters, I can say without exaggeration that Grande isn’t just a good witch – she’s sinceriously astonishing. From her first scene – when she descends from the sky to tell the overjoyed Munchkins that the Wicked Witch of the West is dead – it’s abundantly clear that Grande has figured out how to make the role her own.
This isn’t Grande the impressionist recreating Chenoweth’s Glinda for the big screen; this is a fresh interpretation delivered with nuance and pathos. As a traditionally beautiful pop star, it’s no surprise that Grande captures Glinda’s more-perfect-than-perfection aura; and as a Nickelodeon veteran, Grande can milk the humor of the Ozian mispronunciations (“confusifying,” etc.) without batting an eyelash. But when a Munchkin confrontationally inquiries about Glinda’s past friendship with the Wicked Witch, forcing the Good Witch to literally burst her own pink bubble, Grande is a revelation.
Caught off guard by the question, Grande’s Glinda falters, struggling to deliver a PR-acceptable reply without betraying a deeply felt kinship with the so-called Wicked Witch. Forcing a smile to cover up the pain and haunted loneliness in her eyes, Grande demonstrates from the go that she knows exactly what makes the Glinda character work: It’s not just about satirizing her superficiality — it’s conveying the sense that the experience of knowing Elphaba has fundamentally changed Glinda’s unthinking faith in institutions, public opinion and people in power. Glinda is a gently tragic figure in many ways, ultimately getting exactly what she wants while simultaneously realizing how hollow it all is.
As with the stage musical, the Wicked film plays out primarily as one lengthy flashback, which takes us back to a pre-epiphany Galinda: narcissistic, ambitious, a bit cruel, self-promoting and unhindered by one iota of self-awareness. Wicked touches on weighty themes, yes, but it’s not a Shakespearean tragedy, so all of that is naturally played for laughs, and Grande eats up every syllable, hair flip and vapid smile. She soars in the vocal showcase “Popular” – nailing some hair-raising high notes toward the end while putting her own stamp on Chenoweth’s best-known song – but more importantly, she delivers the laughs. Like a Golden Era Hollywood pro, Grande is luminous onscreen while balancing choreography and comedy, alternately subtle and silly in her performance of this winking celebration of conformity. When Wicked hits streamers, expect viewers to hit rewind more than once on this scene.
Any successful staging of Wicked needs a push-pull chemistry between the two leads, and Erivo’s Elphaba exudes a potent mixture of warmth, longing and self-loathing in the role. (It goes without saying that Erivo sings the absolute hell out of every song.) From bristling irritation to empathy and affection, her feelings toward Galinda evolve in a way that feels real and relatable — even in a musical with talking goats and Winkie princes.
When it’s time for Elphaba’s signature song, “Defying Gravity,” Erivo is stunning, overcoming disillusionment to find her self-confidence and purpose while giving the film it’s pounding, wounded heart. Grande provides deft, subtle support; these characters are on the same page morally but wired too differently to follow the same path, and that tension is magnificently acted. (Grande obviously knows “Yes, And?” as more than just a song title.)
Skeptics of Grande’s acting abilities might insist that while she soars in this role, it’s more a case of perfect casting than impressive acting. But from the opening scene to the climatic finale, Grande goes so much deeper than just playing a shallow, popular girl for laughs – she takes us on a journey that reveals the hopes, disappointments, compromises and realizations of a surprisingly three-dimensional character. Some pop stars turned actors acquit themselves competently on the big screen, but like Lady Gaga in A Star Is Born, this performance signals the arrival of a formidable cinematic talent with a lot more to show us.
Maroon 5’s “Memories” tops the second Top Movie Songs chart, powered by Tunefind (a Songtradr company), following its synch in the latest installment in the Venom film series, Venom: The Last Dance.
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Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of October 2024. The ranking includes newly released films from the preceding three months.
“Memories” leads a sweep of the top two spots on Top Movie Songs for Venom: The Last Dance, which was released Oct. 25 and is the first film in the series since 2021’s Venom: Let There Be Carnage. The song earned 8.8 million official on-demand U.S. streams in October 2024, plus 1,000 downloads sold, according to Luminate.
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Released in 2019, “Memories” is Maroon 5’s most recent top 10 on the Billboard Hot 100, peaking at No. 2 in January 2020.
It’s followed by Queen’s “Don’t Stop Me Now,” from 1978’s Jazz, allowing Venom: The Last Dance to become the first film to occupy the top two of the chart, coming in its second month of existence. Bee Gees’ “Tragedy” from Beetlejuice Beetlejuice led the inaugural ranking, followed by Taylor Swift’s “My Tears Ricochet” from It Ends With Us.
Speaking of It Ends With Us, Post Malone’s “White Iverson” (13.3 million streams) ranks at No. 3. It’s followed by Jungle’s “Back on 74” at No. 4. “Back on 74,” with 8.1 million streams and 1,000 downloads, was featured in Netflix’s Lonely Planet, released Oct. 11. It’s the first time a movie that premiered on a streaming service reaches the chart, as the films represented on the September 2024 tally all had theatrical releases.
A pair of songs from Maren Morris released as part of Dreamworks’ The Wild Robot also make the chart, with “Kiss the Sky” (No. 6; 1.4 million streams, 1,000 downloads) and “Even When I’m Not” (No. 9; 790,000 streams, 1,000 downloads) representing the second and third chart appearances for animated films, after Transformers One made the September 2024 list with Quavo, Ty Dolla $ign and ARE WE DREAMING’s “If I Fall.”
See the full top 10 below.
Rank, Song, Artist, Film1. “Memories,” Maroon 5, Venom: The Last Dance2. “Don’t Stop Me Now,” Queen, Venom: The Last Dance3. “White Iverson,” Post Malone, It Ends With Us4. “Back on 74,” Jungle, Lonely Planet5. “Tragedy,” Bee Gees, Beetlejuice Beetlejuice6. “Kiss the Sky,” Maren Morris, The Wild Robot7. “Right Here Waiting,” Richard Marx, Beetlejuice Beetlejuice8. “Margaritaville,” Jimmy Buffett, Beetlejuice Beetlejuice9. “Even When I’m Not,” Maren Morris, The Wild Robot10. “Nothing’s Gonna Hurt You Baby,” Cigarettes After Sex, It Ends With Us
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With Thanksgiving just around the corner, if you’ll be spending the day with friends and family eating turkey and watching plenty of NFL action, then Sling TV has got a deal for you.
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NFL Thanksgiving 2024 happens on Thursday, Nov. 28 at 12:30 p.m. ET/9:30 a.m. PT.
How to Watch the NFL Thanksgiving on Sling TV
A subscription to Sling TV Blue — which comes with Fox and NBC for NFL Thanksgiving — gets you access to live TV, local and cable channels, starting at $22.50 per month for the first month of service ($45 per month afterwards).
You can watch local networks such as ABC, while you can also watch many cable networks, including NFL Network, FS1, Lifetime, FX, AMC, A&E, Bravo, BET, Cartoon Network, Fuse, CNN, Food Network and many others. However, CBS isn’t available on Sling TV.
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Please note: Prices and channel availability depends on your local TV market.
What NFL Teams Are Playing on Thanksgiving?
There are three games scheduled for Thanksgiving Day on Thursday, Nov. 28. Scroll down for the matchups, below:
Chicago Bears vs. Detroit Lions at Ford Field in Detroit, Michigan (12:30 p.m. ET/9:30 a.m. PT, CBS)
New York Giants vs. Dallas Cowboys at AT&T Stadium in Arlington, Texas (4:30 p.m. ET/1:30 p.m. PT, Fox)
Miami Dolphins vs. Green Bay Packers at Lambeau Field in Green Bay, Wisconsin (8:20 p.m. ET/5:20 a.m. PT, NBC)
NFL Thanksgiving 2024 broadcasts on CBS, Fox and NBC, while most of the games are also available to livestream with Sling TV on Thursday, Nov. 28.
Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
Cynthia Erivo had some gratitude to share on Friday morning (Nov. 22) as she and Wicked co-star Ariana Grande reached the end of an exhaustive, full-court-press media tour promoting the first part of the Broadway-to-big-screen musical.
“This journey has been long, and paved with bright, yellow brick. We have laughed and cried, held hands and walked side by side, our lives intertwined, and because of that, we were irrevocably changed for good,” the Emmy, Grammy and Tony-winning singer/actress wrote in an Instagram post about the yearslong process of bringing the beloved Broadway re-telling of The Wizard of Oz onto movie screens.
With the film finally opening on Friday, Erivo opened up about the transformative experience of slipping into Elphaba’s green makeup and round glasses, confiding that this was more than just a role for her. “We gained more than a movie. We gained a love letter to love, friendship, the celebration of the things that make us different, special, and beautiful, and the bravery it takes to change your mind,” she said before offering targeted shout-outs to the movie’s key players, including her own character.
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“Elphaba, Thank you for the gifts you have brought me,” she wrote before heaping praise on Grande’s Glinda. “Galinda/ Glinda/ Ariana Grande-Butera, I love you. You are the truest, kindest, human being. It has been an honor to share this experience of a lifetime with you,” she added; Grande is credited with what she’s called her “little girl name” in the movie’s credits, which is how she was referred to when she first saw the Wicked musical on Broadway as a 10-year-old.
She also thanked her “dear captain,” director Jon M. Chu, for “your trust and your belief, your heart and imagination. You lead us with love and it is all over that screen.” And, as for the many fans who’ve been waiting three long years for the movie — which has been in development with a variety of directors and actors attached to it for nearly 15 years — to open after several delays, including one caused by the COVID-19 pandemic, Erivo wrote, “Wicked is now yours, from us with love. Your Elphie.”
The post included a number of photos from set, a time-lapse video of the intensive Elphaba makeup process, choreography rehearsals and moving behind-the-scenes snaps, including one of Erivo laying her head on Grande’s shoulder.
The second part of Wicked is slated to open on Nov. 21, 2025 and a Wicked sing-along is slated to his theaters this Christmas.
Check out Erivo’s post below.
In honor of Wicked finally arriving in theaters, Ariana Grande is thanking the millions of people who have truly changed her for good.
In a heartfelt message on her Instagram Story Friday (Nov. 22) — the same day Part 1 of Wicked premiered worldwide following months of buildup — the 31-year-old pop star expressed her gratitude for her “sweet, sweet fans.” “you have held my hand and helped mend my heart time and time again over the past ten years, and i would never be here without you,” she wrote. “i mean that in every way you can interpret it.”
“thank you for your patience with me,” Grande continued. “i know i disappeared into this project for a long, long time (i believe you all called it ‘the drought’!) and i know that was hard for you all. i want to thank you for your fierce protection, your passion, and your ability to see me and love me as i evolve alongside all of you.”
“til i am old lady Peaches, i will love you this same way,” added the Grammy winner, referencing the alter ego she created amid her Eternal Sunshine album era earlier this year. “thank you for growing with me. it’s one of the greatest joys and gifts of my life.”
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Grande also commemorated the occasion by sharing a collection of behind-the-scenes snaps from the set of Wicked. In one photo, co-leading lady Cynthia Erivo leans her head on the “Yes, And?” singer’s shoulder between takes of the Ozdust ballroom sequence; in another, Grande cuddles up next to costar Jonathan Bailey while filming a classroom scene.
The Victorious alum shared a separate post that included a video of her learning the “What Is This Feeling?” choreography as well, plus a clip of herself — pre-blonde hair — and the Pinocchio actress cracking up during a rehearsal. “like a handprint on my heart,” Grande wrote. “happy Wicked day to all.”
Also starring Ethan Slater, Bowen Yang, Michelle Yeoh and Marissa Bode, Wicked arrived in theaters Friday after more than three years in the making. From the moment Grande’s casting was announced in 2021 to the film’s two-year production in London and the monthslong promotional campaign that has unfolded this year, the “We Can’t Be Friends” musician has been open about how much the opportunity has meant to her.
“It just feels like this experience was such a homecoming for me,” she said in a recent radio interview with Australia’s Hit 104.7 Canberra. “I feel like I came home to myself in a lot of ways, through what I learned from Glinda and Elphaba.”
But just because Wicked is finally out — one year ahead of Part 2’s release in 2025 — doesn’t mean Grande is done gushing about it. “this will be Ozian photo dump one out of one million,” she added on her Story. “i apologize in advance. i am nowhere near done oversharing.”
Erykah Badu is returning to a screen near you.
The singer has deeply immersed herself in the upcoming film The Piano Lesson, taking part in producing the score as well as joining the cast as bandleader Lucille at the Pittsburgh Hill District’s famed jazz club the Crawford Grill. In a clip shared exclusively with Billboard, the superstar curates a high-energy jazz performance, with patrons flooding the dance floor to groove along to the melody.
Badu has previously acted in films and TV series, including What Men Want, The Land, Hand of God and more.
The Malcolm Washington-directed film, adapted from August Wilson’s 1987 Pulitzer Prize-winning play of the same name, stars Samuel L. Jackson, John David Washington, Ray Fisher, Michael Potts, Skylar Aleece Smith, Danielle Deadwyler and Corey Hawkins, in addition to Badu. The story, set in 1936 following the Great Depression, follows the Charles family as they clash over an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. As a result, they find “haunting truths about how the past is perceived and who defines a family legacy,” per the film’s logline.
Denzel Washington and Todd Black are The Piano Lesson‘s producers, while the music score was created by Alexandre Desplat.
In addition to her portrayal of Lucille, Badu also wrote an essay for The Piano Lesson‘s accompanying Assouline book that features exclusive artwork celebrating the making of the film. “Ain’t no such thing as a wrong note. That’s the first thing you gotta understand,” she begins, sharing her personal journey with her own musical family heirloom, a piano from her grandmother. “Every time I pressed down [on the keys], even when the sound wasn’t ‘right’ by some textbook standard, I felt the vibrations of truth. Those so-called wrong notes? They were the universe whispering secrets, showing me paths that nobody else could see.”
The book will be available to order here starting Friday (Nov. 22), the same day The Piano Lesson hits Netflix. Watch the exclusive clip from the film above, and read Badu’s full essay via Billboard below.
Ain’t no such thing as a wrong note. That’s the first thing you gotta understand. When my grandmama gave us a used upright piano, made of wood with gold accents and keys yellowed and slightly out of tune, she wasn’t just giving us a musical instrument. She was passing on a portal to another dimension, a way to speak with the ancestors.
I was just a little girl of seven, with tiny hands stretching to reach those ivory bones. Every time I pressed down, even when the sound wasn’t ‘right’ by some textbook standard, I felt the vibrations of truth. Those so-called wrong notes? They were the universe whispering secrets, showing me paths that nobody else could see.
Fast-forward to the set of Malcolm Washington’s adaptation of The Piano Lesson. Initially, I’m there to produce music for the score, but next thing you know, I’m acting in the club scene, feeling August Wilson’s words pulse through me like they did back in my days as a theater major at Grambling State. And there’s this scene that was really heavy. Berniece is faced with this haunted piano, a sort of family heirloom with its carved figures, carrying generations of joy and pain. She’s scared and refuses to touch it, like it might burn her fingers with all that history.
But eventually, she relents. In order to exorcise the ghost, she bands on those keys repeatedly, wailing, ‘Help me, ancestors, help me!’ That’s when the magic happens. It ain’t pretty. It ain’t polished. But it’s real. It’s raw. And in those ‘wrong’ notes, in that discord of sound and emotion, both Berniece and the trapped spirit find release.
Jason Kelce stopped by Jimmy Kimmel Live! on Thursday night (Nov. 21) to talk about his new ESPN talk show, though the conversation naturally ended up pivoting to his younger brother Travis and Trav’s girlfriend, Taylor Swift.
After some perfunctory talk about the former Philadelphia Eagles Super Bowl-winning center’s salad days with the team and how he keeps himself busy now that he’s retired, the pair got down to the really important stuff: what gifts is Jason getting Travis and Taylor for Christmas?
“At Christmastime will you buy individual gifts for Travis and Taylor, or will you buy them a couple’s gift?” Kimmel wondered. “And what do you get them?”
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“It’s tough to shop for people that can have anything that they want,” Jason admitted. “So you gotta go to handmade gifts, something sentimental maybe that is near and dear to them?” When Kimmel asked if Jason was crafty enough to make his own hand-made gifts, the former baller said he never has, but that it might work “really well” this holiday season.
“I’ve got something up my sleeve year… a macaroni necklace would be [a good gift]. It works on me with my kids,” said Kelce. “It would be funny if you make Taylor a macaroni necklace and then all of a sudden millions of girls are wearing macaroni necklaces,” Kimmel joked as Kelce coined the sure-to-be-viral-soon phrase “friendship macaroni necklaces.”
Jason Kelce will debut his new ESPN talk show, They Call it Late Night, on Jan. 3, with the post-season series slated to air every Friday during the playoffs. “I’ve always loved [late night shows]. I remember sleepovers watching Conan O’Brien with my friends,” he told Kimmel. “For me, the biggest thing players say they miss when they leave the sport is being around the guys, the locker room, the banter.” Which is why the new show will feature a rotating cast of legends, friends, celebrities, former teammates and a live band, all in Philadelphia, of course.
When Kimmel asked if Travis might be on the show, Jason said the Kansas City Chiefs tight end will “probably” be busy — the Chiefs are 9-1 and are on track to cruise to the playoffs again this year — but “hopefully” he can’t make it because he’s tied up trying to win an unprecedented third straight Super Bowl.
“If he says he can’t make it on a Friday and then we see him at one of girlfriend’s concerts on a Friday, we’re gonna have a problem probably,” Kimmel joked about Travis’ frequent trips around the world to catch Swift on her soon-to-conclude Eras Tour. “We all know who the priority is,” Jason said.
Watch Jason Kelce on Kimmel below.
11/22/2024
With the long-awaited film adaptation of the Broadway finally in theaters, which songs manage to defy gravity, and which ones just aren’t as popular?
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French Montana’s new documentary is dedicated to his mom, Khadija, and other immigrant moms who have “sacrificed for their kids in this country,” the rapper shared in a TMZ Live interview on Wednesday (Nov. 20).
Montana, whose birth name is Karim Kharbouch, immigrated to America from Morocco when he was 13 years old. His mom worked three jobs to support the family after his father moved back to the North African country.
“We overstayed [our] visas,” Montana recalled. “My father was trying to create an opportunity for us to live the American dream, but he didn’t succeed at that. He got tired of it. He wanted to go back to Africa and live like a king. He told my mom ‘We can take all the kids and leave French here.’ My mother said ‘I’m not going to leave my son here,’ so he said ‘You can stay with him.’ He felt like she betrayed him.”
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“He left me, my mother, my two little brothers. None of us spoke English. I couldn’t get a job, couldn’t go to school. I didn’t have paperwork. The only thing to do was to hustle and hit the streets. It was something that happened by mistake and turned into a miracle.”
The French Montana Story: For Khadija, premiered at the Tribeca Film festival last year. The documentary has been eight years in the making, partially because the process of getting his mother a green card and reuniting her with family in Morocco for the first time in 25 years.
“She’s the real French Montana,” he said. “She’s the one that sacrificed.”
“It shining a light on a mother’s love,” he added of the film. “A light on all mothers, especially immigrant mothers that sacrificed for their kids in this country.”
Later in the interview, Montana talks U.S. immigration laws and collaborating with Lara Trump, daughter-in-law of president-elect Donald Trump. “I’m not too involved in politics, Laura Trump was somebody I knew on a personal level but honestly, I don’ t like the immigration laws. Hopefully we can do something about that,” he added. “That’s all a conversation, something I would have to speak to [Laura about] to try and talk some sense into him [Trump].”
How to Watch French Montana’s Documentary on Paramount+
The French Montana Story premiered on Paramount+ on Tuesday (Nov. 21).
If you’re not subscribed, you can join for free for the first week to stream The French Montana Story and other Paramount+ exclusive such as Ink Master, Landman, Lioness, Frasier, Seal Team and Mayor of Kingstown.
The Paramount+ Essentials plan renews at $7.99/month after the free trial and Paramount+ with Showtime is $12.99/month but the first week is free. Subscribe to an annual plan to save up to 23% off.
Amazon Prime members can enjoy two months of Paramount+ for just $2.99/month. The Black Friday deal saves you 77% off Prime Video channels and including Paramount+, AMC+, STARZ, Crunchyroll, MGM+ and Hallmark+. Amazon’s Black Friday 2024 runs from Nov. 21-29.
Want a free subscription? Walmart+ members get free Paramount+ and other membership benefits. Click here to subscribe.
Watch French Montana’s TMZ Live interview below.