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Taylor Swift and Kenny Chesney have long had a very sweet mutual admiration society. But when the “Take Her Home” country star appeared on The Tonight Show on Thursday night (Jan. 16), he revealed that the early stages of their friendship famously got off to a rocky start.
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Chesney recalled the oft-repeated story about how when Swift was 17 she was booked to open a tour for him that was sponsored by a beer company. “They came to us right before the tour started and said, ‘We can’t have a minor on the tour,’” Chesney recalled. “Which made sense. But I had to call Taylor personally and tell her she couldn’t go on tour with me, which now seems absurd, right?”
Chesney said he made the difficult call and told Swift he felt terrible about the bait-and-switch because he knew she was going to lose money from the scotched gig. “I gave her a specific amount of money… it was quite a bit of money, because I wanted to make it up to her,” said Chesney.
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Later, both singers were nominated for CMAs entertainer of the year. “Well, she won,” explained Chesney, a four-time winner of the award, of Swift’s first of two CMA top honors in 2009. “So, backstage, I went up to her and gave her a big hug. I said ‘congratulations, but gimme my money back.’”
The question came after Fallon mentioned that Swift gave Chesney a shout-out in her TIME magazine Person of the Year essay in 2023, noting that she got kicked off his tour when she was 17, at a time when she thought the outing was “going to change my career… I was so excited.”
She confirmed then that the generous country star sent her a card and a check for her 18th birthday, “for more money that I’d ever seen in my life. I was able to pay my band bonuses. I was able to pay for my tour buses. I was able to fuel my dreams.” Chesney was one of the first to congratulate Swift her her Person of the Year honor, writing on Instagram at the time, “Taylor, I knew looking in your eyes that first time on stage with us, you had ‘it.’ It’s been awesome watching you shine!”
During the chat, Chesney also shared a funny pic from his summer tour with Megan Moroney, when the “Am I Okay?” singer surprised the headliner by going to his tour bus and put on one of his signature tank tops and whit cowboy hats before taking the stage dressed as him. “It just goes to show you that not only is Megan a great songwriter, she’s got a really good personality,” he said.
Chesney also talked about his long friendship with Jimmy Buffett, his tribute to the “Cheeseburger in Paradise” singer at last year’s Rock and Roll Hall of Fame induction ceremony alongside James Taylor and and longtime Coral Reefer Band member Mac McAnally. “That was a tough night. It really was,” Chesney said. “Jimmy taught a lot of us how to paint pictures with words. For that reason I’ve always looked up to Jimmy Buffett.”
The singer who just announced an upcoming residency gig at the immersive Sphere in Las Vegas, told Fallon that he signed up for the run despite never seeing a show at the eye-popping, state-of-the-art venue. But when he went to check it out, he said, “it’s like we’re all just… the band, the audience, is all in a completely different state of consciousness. And I looked at my crew and my team and I went, ‘There’s no way we’re not not doing this!’”
The only downside he said, is that because all the mind-bending visuals are shot in super hi-def 36K, all the visuals and footage Chesney has used over the years during his stadium shows were not gonna cut it. “Which is good, because it just makes it really new and fresh,” he promised of the show that he’s already in rehearsals for.
Chesney’s Sphere residency will kick off on May 24.
Watch Chesney on The Tonight Show below..
Bad Bunny came to play on Monday night (Jan. 13). The singer celebrated the release of his Debí Tirar Más Fotos album by doing it all on The Tonight Show. In addition a typically unique performance of his new single, “Voy a Llevarte Pa Pr” — in which he sang the track while doing his laundry and having a mug of coffee — Benito kicked off the takeover by, literally, crashing the stage.
As Fallon worked through his monologue jokes at the top of the show, Bad Bunny burst from behind the curtain with a rollicking, joyous parranda featuring two dozen drummers and dancers from Los Sobrinos and Los Pleneros de la Cresta, who worked their way through the audience singing the joyous new track “Café con ron.”
The singer went all out to promote his new album — whose title translates into “I should have taken more photos” — which became his ninth straight to hit No. 1 on Billboard’s Top Latin Albums chart dated Jan. 18. He kicked things off by watching a replay of the time last week when he did all the jobs on a popular Puerto Rican morning news show and talking about his role in Adam Sandler’s upcoming Happy Gilmore 2.
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“Now he’s my friend,” Benito said of co-starring with the Sandman in his first attempt at comedy. “Now he’s my uncle, Tio Sandler. It’s been so crazy. It was one of the best experiences ever.”
Saying the album title is about taking time to appreciate the moment he’s in, Bad Bunny expressed his gratitude for the love he’s gotten for his latest project, which NPR dubbed “his most Puerto Rican and most political album yet,” one that puts a bright spotlight on the island’s distinctive musical rhythms and styles. Bunny explained that the LP is focused on the “plena” rhythm, one of the island’s oldest and most beloved percussion sounds.
Bunny also joined Fallon for one of his recurring gags: a trip down to the subway in disguise for some impromptu busking. They opened with a cover of the Backstreet Boys’ “I Want It That Way,” followed by a run through Bunny’s new track “Nuevayol.” With Bunny kitted out in a bushy beard and a curly red wig and Fallon rocking long hair and an equally impressive beard, they crooned the BSB tune to a group of excited commuters with some help from members of Tonight Show house band the Roots, before taking off their disguises and heating things up with the high-energy track from Benito’s new album.
The two also reminisced about Bunny’s many appearances on the Tonight Show, with Fallon busting out a photo of the singer from this very first appearance, where he sat alongside a Madame Tussauds wax figure of the host. Over the years, they have recreated that image several more times, including in 2018 and 2020, and then again on Monday night. But since he was co-hosting, Bunny suggested he switch places with Fallon and remake the pic again, but this time he pretended to be a waxy Fallon.
The pair also did some shots of Puerto Rican rum, pitorro, which Bunny brought along to share with his pal before they co-interviewed Emilia Pérez star Karla Sofía Gascón.
Watch Bad Bunny on The Tonight Show below.
When you love the place you live, you keep it in your heart, even if that place isn’t there anymore. That was the monumental task for Dawes singer Taylor Goldsmith and brother drummer Griffin Goldsmith when they performed “Time Spent in Los Angeles,” a 2011 homage to their hometown, on Jimmy Kimmel Live! on Monday night (Jan. 13).
The emotional, stripped-down take on the song from the band’s Nothing Is Wrong album came less than a week after Taylor lost his home studio and most of the band’s musical gear and equipment and Griffin’s home in Altadena burned to the ground in one of the biggest wildfires still burning in Los Angeles.
Sitting on a chair and strumming an acoustic guitar, Taylor sang the tune’s melancholy opening lines, “These days my friends don’t seem to know me/ Without my suitcase in my hand/ Where I am standing still/ I seem to disappear,” as an image of a “Welcome to Altadena” postcard flashed behind them.
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As they played, images of firefighters battling the blazes, displaced Angelenos assessing the damage and the unimaginable destruction caused by the Santa Ana wind-fueled conflagrations rolled behind them, with Taylor, his eyes shut tight, singing, “But you got that special kind of sadness/ You got that tragic set of charms/ That only comes from times spent in Los Angeles/ Makes me wanna wrap you in my arms.”
The performance was in support of MusiCares, which, in coordination with the Recording Academy has launched the Los Angeles Fire Relief Effort to support musicians impacted by the crisis. In an Instagram post before the appearance, they wrote, “In an incredibly dark time, @jimmykimmellive has asked us to come sing a song about the city we love tonight. It’s not a joyous occasion for music, but hopefully a cathartic one amidst all this chaos.”
In an earlier post featuring images of the ashen remnants of their homes and properties, Griffin wrote, “It’s impossible to express how much we’re feeling right now. We’ve lost everything. 8 years of memories made in our house. 20 years of gear. My wife @quintessentiallykit was applying the finishing touches to the nursery for our baby boy who’s due in a few weeks. She had, throughout the years, poured her heart and soul into making the property a literal piece of paradise.”
He continued, “Anyone who had the chance the visit can attest. We often would say to each other ‘I want to live together in this house for the rest of our lives’. We had convinced our whole family and closest friends to join us in Altadena. Our parents were around the corner. They lost their house as well. Taylor and [wife] Mandy [Moore] are just down the street. Kit’s best childhood best friend Chelsey and her husband Michael live about six blocks away. Wylie and his wife Clara are two blocks from us. Our first crew member and very old friend, Jake, and his wife Andy are just down the street. All of these houses are gone. The thing we mourn the most is the loss of the community.”
Last week, Moore posted about fleeing the fires that have raged across the L.A. region for the past week, grateful that she and her family were able to make it out safely, while mourning the destruction of her children’s school, friends and family who lost everything and the unimaginable toll on their beloved city of Altadena, which has been decimated by the Eaton Fire. To date, that blaze has burned more than 14,000 acres and killed 16 people while only being 33% contained at press time, even as officials warn of another round of fierce windstorms in the days ahead; to date the fires have killed at least 24, with officials saying the death toll could rise once they are able to assess the damage.
A number of resources are available for those who have lost their homes or need assistance in other ways. The MusiCares and the Recording Academy Los Angeles Fire Relief Effort will help music professionals impacted by the crisis, with a combined pledge of $1 million to kick off the efforts. People who have worked in the music industry for more than five years may qualify for immediate assistance, including up to $1,500 in financial aid and $500 in food vouchers.
Monday night’s Kimmel! was the show’s first after a week off in the midst of the fires that have become the most destructive in the state’s history. Host Jimmy Kimmel opened the show with an emotional monologue about the impact of the fires on his staff and fellow Angelenos, verging on tears as he praised the brave firefighters who have been working around the clock to save lives and property. Kimmel has opened an L.A. fire resource donation center on the backlot of his shot to gather essential items for those displaced by the fires.
Watch Dawes on Kimmel below.
As Saturday Night Live continues to celebrate its 50th anniversary, Peacock has shared the first look of its upcoming four-part docuseries, SNL50: Beyond Saturday Night. An immersive undertaking that honors the vast legacy of SNL, the new docuseries features over 60 contributors, including current and former SNL alumni, and covers decades of the iconic show’s history.
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“Anybody could do comedy,” says former cast member Tracy Morgan in the new trailer. “I could teach all of y’all in here how to tell jokes and do comedy, but are you funny?”
Morgan is joined by some of the show’s most notable cast members, hosts, and writers – including Julia Louis-Dreyfus, Jimmy Fallon, Al Franken, Amy Poehler, Bobby Moynihan, Bowen Yang, Pete Davidson, Tom Hanks, Kevin Nealon, Andy Samberg, Dana Carvey, Bob Odenkirk, Seth Meyers, Jon Lovitz, Keenan Thompson, and more – as they reflect upon the history and impact that SNL has had over the decades.
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“It’s an American institution,” adds former writer and host Larry David.
The first episode of the series, “Five Minutes”, goes deep into the SNL audition process, including previously unseen audition footage and firsthand accounts of the nerve-wracking affair from some of the show’s most notable names. The writing process, including the oft-overlooked writers of the historic sketches, is the focus of the second episode, fittingly titled “Written By: A Week Inside The SNL Writers Room.”
Episode three goes deep into the titular “More Cowbell” sketch and the lasting impact that the 2000 segment had upon comedy, while the fourth and final episode lifts the curtain on “Season 11: The Weird Year,” as it examines the pivotal year which helped to reset the show’s trajectory and cemented its place in television history with Lorne Michaels at the helm.
The broadcast is directed by Robert Alexander, Marshall Curry, Neil Berkeley, and Jason Zeldes, and produced by Tremolo Productions, Jonathan Formica, and Allison Klein. Academy and Emmy Award winner Morgan Neville also serves as executive producer alongside Caitrin Rogers.
“I’ve been obsessed with Saturday Night Live as long as I can remember,” says Neville. “For SNL50, I’ve been lucky to collaborate with some of my favorite independent filmmakers to tell some deeper stories of SNL. Taken together, these standalone episodes give a new perspective of SNL and what makes it work.”
SNL50: Beyond Saturday Night will premiere on Jan. 16 as a streaming exclusive on Peacock. The documentary is part of a collection of celebratory programming, including the Questlove-directed Ladies & Gentlemen… 50 Years of SNL Music NBC documentary on Jan. 27 and a live primetime special on Feb. 16 on NBC and Peacock.
Check out the trailer below.
There is a very good reason you never seen Spider-Man star Tom Holland walking the red carpet with longtime girlfriend Zendaya. In a new cover story interview with Men’s Health the 28-year-old actor explained that for the same reason he can’t just drop in to see an afternoon matinee play without being swarmed by fans — or pulling attention from the actors on stage — he doesn’t want to distract from Z’s big day.
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“Because it’s not my moment, it’s her moment, and if we go together, it’s about us,” he told the magazine about why he tends to skip most non-mandatory public events and attends Zendaya’s premieres, but doesn’t do the step-and-repeat with her.
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Holland is re-emerging from a year-long break from acting and told the magazine that for the first time in nearly two decades he doesn’t have anything to promote (well, except for his new line of nonalcoholic beers, Bero). “It was just something I needed to do,” he said. “I had been acting flat out since I was 11.” The latter refers to his audition for Billy Elliot: The Musical in London, which was followed a few years later with a role in The Impossible with Naomi Watts, and then his first run at Spider-Man in 2016’s Captain America: Civil War.
In addition to the fourth Spider-Man film, he is also slated to join Matt Damon and Zendaya in the upcoming Christopher Nolan adaptation of Homer’s epic poem, The Odyssey. The star who has gotten into killer shape for his Marvel films is notorious for his dedication and focus, as well as for his signature parlor trick: a backflip. But even as he hovers at the edge of 30, Holland said age feels like it’s starting to catch up to him.
While visiting Cornwall with Zendaya and his family recently a cousin asked him to bust out one of his flips. “So I went outside and I was getting ready, and I was thinking, I can do this. I can totally do this. I’ve done this thousands of times. And Z was there, and she was like, ‘Are you sure you can still do this?,’” he recalled. After assuring her he could, Holland said he bent down and landed a perfect one. Well, almost perfect. “I actually did land it, but I pulled every muscle in my stomach, because when you do a backflip, it’s all about extending up as much as you can and then tucking,” he said. “For weeks, I could not laugh because my stomach was so sore.”
The actor also revealed that his new go-to workout anthem is Linkin Park 2.0’s comeback single, “The Emptiness Machine,” his favorite movie is, no shame, Avatar, but said he will not share his patented euphemism for sex. “That’s my lady,” he said. “I’m not getting into that!”
SPOILER ALERT: The following story contains the name of the winner and runner-up from Wednesday night’s (Dec. 18) season 12 finale of The Masked Singer.
It was another wild and wooly season on The Masked Singer, with the 12th go-round of the series welcoming everyone from former superstar NFL QB John Elway (Leaf Sheep) and surfer Bethany Hamilton (Macaron), to actors Yvette Nicole Brown (Showbird), Laverne Cox (Chess Piece), Jana Kramer (Royal Knight) and Drake Bell (Ice King), as well as former Conan O’Brien sidekick Andy Richter (Dust Bunny).
There were, of course, some professional singers in the mix too, including Paula Cole (Ship), Natalie Imbruglia (Bluebell) and AJ Michalka (Strawberry Shortcake). But when the last notes rung out, it was one of the all-time-great vocal groups that won out over one of their fellow R&B crooners.
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On their route to the winner’s circle, three-person masked marvels Buffalos were all over the map when it came to their musical choices, from an impressive early take on Cutting Crew’s 1986 hit “(I Just) Died in Your Arms Tonight,” to a soulful run through Foreigner’s ultimate power ballad “Waiting for a Girl Like You” and a no-notes, touching cover of Shania Twain’s “You’re Still the One.”
And though the judges were sure they were members of a soul singing crew, Buffalos kept trying to keep Jenny McCarthy-Wahlberg, Ken Jeong, Robin Thicke and Rita Ora off the scent with sing-alongs and sing-offs on Fall Out Boys’ “High Hopes,” Fleetwood Mac’s “Go Your Own Way” and a slam-dunk semifinal torching of Toto’s yacht rock anthem “Africa.”
In the end, though, after nearly being eliminated while trying to keep viewers and the judges guessing, they pulled out an absolutely stunning take on Sam Smith’s “Too Good at Goodbyes” on Wednesday night’s finale, leaving little doubt that their old pal McCarthy-Wahlberg was right all along.
When the wooly heads came off, it was none other than Boyz II Men‘s Nathan Morris, Shawn Stockman and Wanya Morris who triumphed over Wasp, fellow R&B singer Mario. Billboard spoke with the trio before their elimination to talk about how the show challenged their nearly four-decade onstage rhythm, why they kept picking such seemingly out-there songs, and how they ended up on a Christmas tune with football’s Kelce brothers.
Why Buffalos? Those costumes seemed crazy heavy and hot.
Nathan: I like the power. I like the strength, I like the unity, the whole crew, the herd. … It’s everything about who we are. Everybody had their roles, but at the same time we know what we need to do to make the pack stronger.
Wanya: Extremely [hot in there]. I’m talking about water, sweat running down every aspect, every orifice.
Nathan: I almost hyperventilated in that joint and I’m normally not like that. When you’re in there you have to give a lot more energy than you would to get the costume to have personality. You’re like a mascot. It’s hell in there, bro. Doing that, and singing and staying in key and doing routines? That sh– ain’t easy!
You all have been in sync for decades, but on the show you couldn’t see each other or watch each other’s mouths move. Was that a challenge?
Shawn: It was almost like wearing a football helmet, where you only have a certain line of sight. You had to turn your whole body to communicate and then turn around and all you saw was what the mask allowed you to see. We had in-ears [monitors], so we could hear the mix, but then the music and the crowd are going, it gets your adrenaline up and you’re trying to put on a character. It’s a lot of information in those few minutes, outside of trying to sound good and stay on key.
Wanya: The only thing you could see through was the nose. The eyes were up here [points to forehead], so it was like a cone.
We’re used to smooth R&B from you, but you really stretched out with songs by Toto, The Verve, OneRepublic, Shania Twain, Fall Out Boy — were you trying to throw people off the scent?
Nathan: We tried to trick people. We all thought, “They’re gonna know us right away,” so we had to pick different songs and each guy had to sing a different part than they normally do. So we did that and as we got further along in the battles, we almost got kicked off, so it didn’t work and we decided, “Just let ’em have it!”
Shawn: The cool thing was the irony that with the masks on we were able to be ourselves. Those songs were representative of who we are, not just an R&B group. All those songs you hear us sing are ones we listened to as kids, the genres we love and songs that allowed us to display who Boyz II Men really is.
Your voices are so instantly recognizable apart and together. Were there people who figured it out right away?
Wanya: Yeah, Jenny [McCarthy-Wahlberg] knows us. We’ve been on the road with her a few times with [husband] Donnie [Wahlberg]. She knowns our mannerisms and has heard our voices night after night when we were on a package tour with the New Kids [on the Block]. She knew right away. We tried to be less recognizable, but then we were pushed to the bottom two and were like, “Hell no!”
You’ve had some many unique experiences in your career. Was this one of the most unusual things you’ve done?
Wanya: Absolutely. It really fits up there with one of the most different things Boyz II Men have done in our career, with the closing ceremonies of the Olympics when we did the national anthem [at the 1996 Games].
What was it about being behind a mask that appealed to you? What did you want to prove?
Nathan: No expectations. When you hear Boyz II Men in your mind, you expect it to sound a certain way, but when we don’t have those expectations you can go anywhere you want.
Wanya: Watching the show last night and looking at Nate, who was the green Buffalo, I swear you would never know it was Nate in that suit because Nate doesn’t perform like that — he’s mellow, smooth. He looked like me in that Buffalo suit! He was super-animated and I was so happy to see it.
Nathan: I was just trying to throw them off. I was having fun because this is what I do when I’m around my crew.
Were you able to still do some of your patented choreo in those costumes?
Wanya: We had to switch it up for sure, the feet were big, bro. The feet… and that head!
Nathan: I stepped on Shawn like three or four times.
On the finale, you impressed with Gotye’s “Somebody That I Used to Know,” which rocked. But you really made Sam Smith’s “Too Good at Goodbyes” your own. It sounded like it could have been your single.
Nathan: That’s when the gloves came off.
Shawn: We knew we had to go full-out Boyz II Men on the last show, and by that time there were a lot of people who were clued in on it being us, so we were like, “Let’s do Boyz II Men things!”
Wanya: We had an inkling of who we were going against [Wasp], and that dude is no joke!
Nathan: We weren’t supposed to know, but we [could tell] who it was.
You said Jenny knew, but she also mentioned B2K, and Robin thought it could be the Jonas Brothers or the rest of 98 Degrees [minus their show mentor Nick Lachey] or Big Time Rush. Always wrong Ken Jeong went with Bell Biv DeVoe, Bone Thugs -N-Harmony or Tony! Toni! Toné! There were also guesses of Earth, Wind & Fire and Blackstreet. Your thoughts?
Shawn: Some of that was a bit off, like Bone Thugs? No offense to the Thuggers.
Since it’s the holidays, tell us about your collab with the Kelce brothers on their “It’s Christmastime (In Cleveland Heights)” single.
Shawn: They reached out to us and they felt like we were synonymous with the idea that they had for the song and it was fun. It’s always cool to do things like that because they’re unexpected and we’ve been in this business for over 30 years. At this point, we’re just trying to do things that are interesting or fun or funny or something that pushes the boundaries of what a group at this point in our lives can do. Not only that, but it was for a good cause, for charities and some of our personal charities. And, it’s the Kelces! They’re the hottest brother duo in the country right now.
We know they can ball, but most importantly: How do you rate their vocals?
Nathan: You know… they ain’t bad! They did their thing. They are really good at football and they do that really, really good and they did that well, and I think that’s what their lot in life is. No diss, but they were great.
Wanya: How about this? They did that better than some of us would run a 9 route. I’ll tell you that!
Sofronio Vasquez is the winner of season 26 of The Voice. The Team Bublé singer gave coach Michael Bublé a win in his first season on the show on Tuesday night (Dec. 10) when the 31-year-old singer from the Philippines emerged as voters’ favorite following electric performances of Sia’s “Unstoppable” and The Greatest Showman showstopper “A Million Dreams.”
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In addition to scoring a $100,000 payday and a record deal, Vasquez said the amazing mentorship provided by the “Spicy Margarita” singer was its own prize. “Your mentorship is a blessing to me, my family and to all the dreamers out there,” Vasquez told Bublé before the final results were read. In a rare double-down, Bublé was also the only coach to have two contestants make it into the top five, as well as boasting the top two finishers thanks to his other contestant, Shye, coming in as runner-up.
Bublé joins Kelly Clarkson, Niall Horan and John Legend as the fourth new coach to score a win in their first season on the show. In addition to beating out his teammate, Vasquez also bested Team Snoop’s Jeremy Beloate and Team Gwen’s Sydney Sterlace.
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“My Filipino brother, you are the hope of so many people… it has been such an unbelievable journey to be here with you,” Bublé told Vasquez — who moved to the U.S. in 2022 to chase his music dreams — before the singer was handed his hardware. According to an NBC bio, Sofronio grew up in the Philippines with no bed or indoor plumbing and “describes his upbringing as happy because music was always there to bring his family joy.” He loved singing for his late father, but thought a music career was out of reach, so he began to study dentistry, then decided to give music a chance while taking his dental boards.
After his father’s sudden death, Sofronio moved to the U.S. to pursue music full-time, landing gigs at the famed Apollo Theater and racking up nearly 10 million Facebook views for his cover of Dionne Warwick’s “That’s What Friends Are For.”
“I think if people understood the strength that you have and the fact that through all of this adversity, you walk out here on a night like tonight, when it probably matters more than anything has in your whole life career-wise,” Bublé added. “You walk out here in the moment and you take the brass ring and I’m just so happy for you.”
It was a joy ride for Vasquez, who got a four-chair turn at the beginning of the season from coaches Bublé, Reba McEntire, Gwen Stefani and Snoop Dogg for his take on Mary J. Blige’s version of Rose Royce’s 1976 disco ballad “I’m Goin’ Down.”
Along the way, Vasquez proved his versatility with covers of Elvis’ “If I Can Dream,” Jennifer Rush’s “The Power of Love,” Dusty Springfield’s “You Don’t Have to Say You Love Me,” as well as a killer take on Roy Orbison’s “Crying” during the playoff rounds. He also teamed up with his coach during Tuesday night’s finale for a cover of soulful cover of Smokey Robinson and the Miracles’ “Who’s Loving You.”
After the confetti fell, Vasquez posted a picture on his Insta of himself with Bublé holding the trophy with the caption, “Dreams really do come true.”
The 27th season of The Voice will premiere on Feb. 3 with Bublé returning alongside Kelsea Ballerini, Legend and returning coach Adam Levine.
Check out video from Vasquez’s final night.
Lance Bass has had an eclectic career since *NSYNC went on hiatus in 2002. He’s acted on TV in 7th Heaven and Dancing With the Stars, in the movies in On the Line, Zoolander and I Now Pronounce You Chuck & Larry and on Broadway in Hairspray, as well as hosting the drive-time radio show Dirty Pop with Lance Bass and training for an (ultimately failed) chance to blast off into space.
But the one thing the singer could not do, apparently, was play it straight for a sitcom at a time when he said that marriage equality was beginning to bubble up in the national conversation. In a chat this week on the Politickin’ podcast, the 45-year-old pop star opened up about his lost bid at a network role after he came out in 2006.
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“I had a sitcom with The CW at the time, and we were about to shoot the pilot and this came out and they were like, ‘We can’t do the show anymore. Like, they have to believe that you’re straight to play a straight character,’” married father of twins Bass said about the unnamed show. “Every casting director I knew, they’re like, ‘Lance, we can’t cast you because they can’t look past… You’re too famous for being gay now that they can’t look at you as anything other than that.’ So, I lost everything, agents, everything.”
Bass called it a “crazy scary situation,” because, he said, “all the examples I’ve ever had of anyone coming out, especially in entertainment, was that it’s a career killer.” Bass came out in a People magazine story in 2006 and told the pod’s host, California Gov. Gavin Newsom, Super Bowl champ Marshawn Lynch and agent Doug Hendrickson that he continued to struggle to find work in Hollywood afterwards, though some of those same people have since cast him in other projects.
“I mean, I knew I was gay since I was, you know, 5-years-old,” he said. “But also knew at a young age that was something I was going to have to hide my whole entire life because, you know, it was dangerous, especially growing up in a state like Mississippi where there’s not one gay person, not one out person at all, because it, again, was dangerous.”
The singer also talked about *NSYNC’s financial struggles in the early days and their battles with late manager Lou Pearlman to get paid, which prompted Newsom to bring up the legislation he signed in September — championed by Demi Lovato — that ensures that child and teenage performers who make online content are protected from financial abuse. “Always have a great group of people around you… you have to trust someone,” Bass said.
Ice-T is a multi-hyphenate already, but the gangsta rap legend might want to consider adding diplomat to his extensive resumé. On The Tonight Show on Wednesday (Dec. 4), Ice sat down with Jimmy Fallon to explain how he managed to get two of the most bitterly divided men in rock to finally agree on something.
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Falllon noted that the new Body Count album features a cover of Pink Floyd’s iconic 1979 song “Comfortably Numb,” which Ice-T somehow got clearance to record despite the rock band never granting such clearance due to the long-running animosity between former singer/lyricist/bassist Roger Waters and singer/guitarist David Gilmour.
“Not only David Gilmour, but David Gilmour and Roger Waters,” Ice-T confirmed. “Who haven’t agreed on anything in 20 years!” Explaining that rappers are always listening to old tracks to find something they can sample or rap over, Ice-T said he always loved Waters’ rumbling bass part on the original, so he wrote new lyrics to rap over the song from the landmark The Wall album.
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“We lay it out and then I just don’t think about the politics. So they go, ‘Okay, you gotta send this to Pink Floyd to get it approved,’ and everybody’s like, ‘That’s not gonna happen,’” he said. So, he sent it to the band’s publishers, who immediately said no, explaining that Pink Floyd doesn’t allow samples or covers. “So it was dead in the water, I was ready to trash the song,” he said of the update that features his new narrative about his fears for humanity’s future amid perpetual war and strife.
But then his manager found a way to reach Gilmour’s manager, who sent it along to his client, who was “blown away” by the new lyrics. “He said, ‘I totally approve it’” Ice-T told Fallon of the unexpected thumbs-up. Then, they had to get Waters’ approval, with Ice-T admitting that he had no idea what the origin is of the decades long beef between the two men.
So, Waters listened and asked who was singing on the track, and when he heard it was the rapper, he approved it as well. “So now you’ve got two people on opposites sides that approved the song, which made me feel really good, ’cause that means that the song is honest and real,” Ice-T said. Then came the cherry on top: Gilmour said he wanted to perform on the cover and appear in the video as well.
“Body Count’s version of ‘Comfortably Numb’ is quite radical, but the words really struck me,” said Gilmour, 78, in a statement about the new version featuring his guitar work when the single was released in September. “It astonishes me that a tune I wrote almost 50 years ago is back with this great new approach. They’ve made it relevant again. The initial contact from Ice-T was for permission to use the song, but I thought I might offer to play on it as well. I like the new lyrics, they’re talking about the world we’re living in now, which is quite scary.”
The rapper also told Fallon about celebrating daughter Chanel’s ninth birthday on Thanksgiving and described how his wife Coco “does all” the planning for the Christmas holiday. “If it wasn’t for her there wouldn’t be no holidays as far as Ice-T is concerned,” he said. Ice then dropped a stone cold fact that might get him in trouble with the Recording Academy.
“I won a Grammy recently and I’m like, ‘It didn’t come with no money, right? It’s just a Grammy,” he said of his 2021 best metal performance award for “Bum-Rush” from Body Count’s Carnivore album. “And then all my boys were like, ‘I want a Grammy!’ So I had to actually go make duplicate Grammys — I don’t even know if that’s okay, but I did it — and it cost me money to win the Grammy!”
The long-running Law & Order: Special Victims Unit co-star later returned for a performance of Body Count’s metal-edged cover of “Comfortably Numb,” filling the Tonight Show studio with the strains of their ominous take on the Pink Floyd classic. Bathed in green light, his eyes obscured behind black wrap-around shades, Ice sang/spoke the iconic “hello, hello, is anybody out there/ can anybody hear me?” over pealing guitars and down-tuned, rumbling bass.
Body Count’s cover appears on their eighth studio album, Merciless, which features collaborations with death metal howler Corpsegrinder, Light the Torch singer Howard Jones and Soulfly vocalist/guitarist Max Cavalera.
Watch Ice-T talk “Comfortably Numb” and perform on The Tonight Show below.
Carrie Underwood will help ring in 2025 on Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest. The country superstar is the latest artist added to the list of performers on the annual countdown that will air on ABC on Dec. 31 beginning at 8 p.m. ET. The most-watched NYE countdown show will once again […]