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A federal jury in Brooklyn on Tuesday (Feb. 27) found two New York City men guilty in the 2002 murder of Run-DMC‘s Jam Master Jay, setting the stage for potential decades-long prison sentences.

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Following a three-week trial, the jury returned guilty verdicts against both Karl Jordan, Jr., 40, and Ronald Washington, 59, who were charged in 2020 with the rap pioneer’s long-unsolved killing in Queens.

The convictions came after prosecutors called more than 30 witnesses to the stand to prove their case, in which they accused Jordan and Washington of killing the rapper as payback after he cut them out of a cocaine deal. The defense called just one witness of their own: an expert on memory.

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“This case is not complicated,” Assistant U.S. Attorney Artie McConnell said during his closing arguments last week. “It’s about greed, it’s about money, it’s about jealousy.”

Following Tuesday’s conviction, Jordan and Washington each face a minimum sentence of 20 years in prison. They will be able to challenge the verdict, first to the judge and then to a federal appeals court, but such appeals face long odds.

Attorneys for both defendants and the prosecution did not immediately return requests for comment on the verdict.

Run-DMC, a trio consisting of Jason “Jam Master Jay” Mizell, Joseph “Rev. Run” Simmons and Darryl “DMC” McDaniels, is widely credited as one of the most influential early acts in hip-hop history. The trio’s 1985 release, King of Rock, was hip-hop’s first platinum album, and the group’s 1986 cover of Aerosmith’s “Walk This Way” reached No. 4 on the Billboard Hot 100.

Jay’s shocking killing, on Oct. 30, 2002, had long been one of hip-hop’s famous cold cases, joining the unsolved murders of Tupac Shakur and The Notorious B.I.G. Though witnesses were in the room when the murder happened and police generated a number of leads, no charges were filed until August 2020, when prosecutors finally unveiled the case against Washington and Jordan.

Over the three-week trial, prosecutors told jurors that Jay had turned to the drug trade as Run-DMC’s popularity had waned. They argued that Washington, a childhood friend, and Jordan, Jay’s godson and neighbor, had helped Jay sell the drugs, but eventually plotted his murder after he allegedly cut them out of a deal.

Jurors heard testimony from two alleged eyewitnesses, Uriel “Tony” Rincon and Lydia High, who say they were in the studio on the night of the shooting. Rincon identified both men and named Jordan as the shooter; High identified Washington and said he had been joined by an unknown shooter. Both said they had withheld such information from investigators for years for fear of retaliation.

As is common in criminal cases, neither Washington nor Jordan testified in their own defense. Their attorneys called only an expert witness to testify on human memory, who told the jury that memories can fade and change over time and can be affected by stress.

The jury began deliberating on Thursday (Feb. 22) before being dismissed for a three-day weekend. They initially resumed deliberations on Monday (Feb. 26), but then were ordered to restart from scratch after a juror was excused because they claimed they could not be impartial.

Sentencing and post-trial motions will take place in future proceedings. Jay Bryant, a third man allegedly involved in the killing who prosecutors charged with murder last May, will have a separate trial later this year.

Beyond Tuesday’s guilty verdict, the case over Jay’s killing could have a lasting effect on the law.

In a ruling near the beginning of the trial, the federal judge overseeing the case ruled that prosecutors could not cite violent rap lyrics written by Jordan as evidence against him. Warning that “music artists should be free to create without fear that their lyrics could be unfairly used against them,” the judge said such materials should only be used as evidence if they have a clear and direct connection to the crime at issue in the case.

The ruling came amid a broader debate over the use of rap lyrics in criminal trials, a controversial practice that has drawn backlash from the music industry and efforts by lawmakers to stop it. A high-profile gang trial in Atlanta, in which prosecutors are using Young Thug’s lyrics against him, has drawn particular scrutiny to the issue.

Don Henley said Monday that he never gave away handwritten pages of draft lyrics to “Hotel California” and other Eagles hits, calling them “very personal” in testimony that also delved into an ugly but unrelated episode: his 1980 arrest.
Henley, the Grammy-winning co-founder of one of the most successful bands in rock history, is prosecutors’ star witness in an unusual criminal trial surrounding the lyrics sheets.

Henley says they were stolen decades ago from his barn in Malibu, California. He testified Monday that he was appalled when the material began turning up at auctions in 2012.

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“It just wasn’t something that was for public viewing. It was our process. It was something very personal, very private,” he said in a raspy drawl. “I still wouldn’t show that to anybody.”

The defendants are three collectibles experts who bought the pages years later through a writer who had worked with the Eagles on a never-published band biography. The defense maintains that Henley willingly gave them to the scribe.

Under cross-examination, Henley acknowledged that he didn’t remember “the entirety” of his conversations with the writer, Ed Sanders, who isn’t charged in the case. Nor, Henley said, could he recall whether he gave Sanders permission to take the documents off the property.

But Henley insisted he gave Sanders only access to the documents, not permanent possession of them, in the hopes that a firsthand view of “the time and effort that went into” the lyrics would improve the book.

He said he told Sanders he could look at the pages, ideally at a breakfast table in an apartment upstairs from the barn.

“I never gave him permission to keep those items,” Henley said.

At issue are about 100 sheets of legal-pad paper inscribed with lyrics-in-the-making for multiple songs on the “Hotel California” album, including “Life in the Fast Lane,” “New Kid in Town” and the title track that turned into one of the most durable hits in rock. Famed for its lengthy guitar solo and puzzlingly poetic lyrics, the song still gets streamed hundreds of millions of times a year.

The defendants — rare-book dealer Glenn Horowitz and rock memorabilia specialists Craig Inciardi and Edward Kosinski — have pleaded not guilty to charges including criminally possessing stolen property. Their lawyers say there was nothing illegal in what happened to the lyrics sheets.

The defense has signaled that it plans to question Henley, 76, about how clearly he remembers his conversations with Sanders during an era in which the rocker was living in his own fast lane. In an apparent attempt to defuse some of those questions, a prosecutor brought up Henley’s 1980 arrest.

Henley pleaded no contest in 1981 to a misdemeanor charge of contributing to the delinquency of a minor, after authorities found cocaine, quaaludes, marijuana and a 16-year-old sex worker naked and suffering from an overdose at his Los Angeles home the prior November. He was sentenced to probation and a $2,500 fine, and he requested a drug education program to get some possession charges dismissed.

Henley testified Monday that he’d been depressed about the Eagles 1980 breakup and had sought “an escape” by calling a sex worker.

“I made a poor decision which I regret to this day,” he said.

As for his memory, he said, “I can’t tell you what I had for breakfast last Friday morning, but I can tell you where we stayed when we played Wembley in 1975 and we opened for Elton John and the Beach Boys,” referring to London’s Wembley Stadium.

Sanders began working with the Eagles in 1979 on a band biography that never made it into print. He sold the documents to Horowitz, who sold them to Kosinski and Inciardi. Kosinski has a rock ‘n’ roll collectibles auction site; Inciardi was then a curator at the Rock & Roll Hall of Fame.

In a 2005 email to Horowitz, Sanders said Henley’s assistant had sent him the documents for the biography project, according to the indictment.

Henley reported them stolen after Inciardi and Kosinski began in 2012 to offer them at various auctions.

Henley also bought four pages back for $8,500 in 2012. He testified that he resented having to buy back what he contends was his own property. But he said he saw it as “the most practical and expedient” way to get the auction listing, which contained photos of the lyrics sheets, off the internet.

Kosinski’s lawyers, however, have argued that the transaction implicitly recognized his ownership.

Meanwhile, Horowitz and Inciardi started ginning up alternate stories of how Sanders got hold of the manuscripts, Manhattan prosecutors say.

Among the alternate stories were that they were left behind backstage at an Eagles concert, that Sanders received them from someone he couldn’t recall, and that he got them from Eagles co-founder Glenn Frey, according to emails recounted in the indictment. Frey had died by the time Horowitz broached that last option in 2017.

Sanders contributed to or signed onto some explanations, according to the emails. He hasn’t responded to messages seeking comment about the case.

Kosinski forwarded one of the various explanations to Henley’s lawyer, then told an auction house that the rocker had “no claim” to the documents, the indictment says.

Henley has been a fierce advocate for artists’ rights to their work. Since the late 1990s, he and a musician’ rights group that he co-founded have spoken out in venues from the Supreme Court to Congress about copyright law, online file-sharing and more. As recently as 2002, Henley testified to Congress to urge copyright law updates to fight online piracy.

Henley also sued a Senate candidate over unauthorized use of some of the musician’s solo songs in a campaign spot. Another Henley suit hit a clothing company that made t-shirts emblazoned with a pun on his name. Both cases ended in settlements and apologies from the defendants.

Henley also testified to Congress in 2020, urging copyright law updates to fight online piracy.