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Tres Generaciones Tequila, a 50 year old brand introduced by the family that elevated tequila to a symbol of Mexican pride, and Billboard are partnering together for a year-long celebration of music’s transformative power to unveil the top songs that have energized, uplifted and excited six select cities, known as the ‘Get Up Anthems.’ These playlists are curated through a mix of editorial insight and data analytics, and honor the songs that define each city’s history and culture.
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We’re at the last stop of the six city Get Up Anthem’s tour: Los Angeles—quintessential for the city of dreams. Inside a Glendale studio, adorned with moodiness and odes to the city’s star quality, hip-hop heavyweights The Game and D Smoke sat alongside Billboard editor Carl Lamarre. Hosted by Rocsi Diaz, the roundtable celebrated LA’s storied musical legacy, with “It Was a Good Day” serving as the focal point. Over glasses of Tres Generaciones Tequila, the group delved into the song’s enduring impact, debating its place within the pantheon of West Coast classics and its role in shaping the cultural identity of Los Angeles.
Ice Cube’s “It Was a Good Day” distills the essence of West Coast hip-hop into a singularly iconic track. Released in 1993 on The Predator, its smooth production, vivid storytelling, and cultural resonance immortalize it as a cornerstone of Los Angeles’ musical legacy. Over a soulful, nostalgic beat, Ice Cube captures a rare day of peace and joy amidst the turbulence of South Central LA, embodying the broader West Coast aesthetic of the era.
The track’s production, helmed by DJ Pooh, achieves emotional depth through masterful simplicity. Built around a sample from The Isley Brothers’ “Footsteps in the Dark, Pts. 1 & 2,” the beat reimagines its dreamy guitar riffs in a hip-hop framework, exuding nostalgia and serenity. Understated elements—a mellow bassline, restrained drum programming, and sparse melodic keys—amplify Cube’s narrative, letting his words drive the track. The relaxed tempo and sunlit vibe epitomize G-funk’s laid-back yet resonant sound, placing it firmly in the lineage of West Coast greats like Dr. Dre while maintaining Ice Cube’s unique identity.
More than a song, “It Was a Good Day” offers a snapshot of early ’90s Los Angeles, blending realism and escapism. Ice Cube’s lyrics chronicle a dreamlike day—basketball games, favorite fast food, cruising the streets—untainted by violence or adversity. The specificity of his imagery, from local radio shoutouts to South Central landmarks, grounds the track in LA’s cultural fabric, rendering it both personal and universal. This fusion of optimistic storytelling and authentic detail makes the song a heartfelt ode to the city.
The cruising imagery and relaxed beat capture LA’s sun-soaked, car-driven ethos, cementing the track as a sonic emblem of West Coast life. It contrasts sharply with gangsta rap’s grittier portrayals, providing a moment of respite that resonated deeply with audiences and expanded the emotional scope of hip-hop.
Decades later, “It Was a Good Day” remains a benchmark for storytelling and production in hip-hop, inspiring countless artists. Its iconic status has led to numerous samples and references, from Beyoncé’s “Partition” to Kendrick Lamar’s “DUCKWORTH.,” which mirrors its narrative focus on transformative moments. Beyond direct interpolations, the track’s introspective yet celebratory tone continues to influence music across genres, solidifying its place as a timeless masterpiece.
The song’s genius lies in its balance of realism and aspiration. Ice Cube’s vivid storytelling invites listeners into a world where, for one day, everything aligns perfectly. Its production—a perfect marriage of G-funk’s smoothness and hip-hop’s grit—encapsulates Los Angeles’ essence. As both a personal narrative and cultural artifact, “It Was a Good Day” stands as a testament to hip-hop’s power to encapsulate time, place, and emotion, securing its legacy as a cornerstone of West Coast music and one of the most beloved tracks in Ice Cube’s storied career.
Some songs have the rare ability to define eras, celebrated for their infectious beats, groundbreaking production, vivid storytelling, and timeless appeal, earning them the status of true classics. In partnership with Tres Generaciones Tequila, a brand that champions the journey and not just the destination, we continue our exploration to round up the top Get Up Anthems over this next year from six iconic cities: Houston, Atlanta, New York, Chicago, Los Angeles, and Miami. Guided by curated panels, we dive deep into each city’s vibrant sonic history, highlighting tracks that embody resilience, authenticity, and innovation while celebrating the power of music to inspire listeners to rise and chase their passions.
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Los Angeles’ music scene is the heartbeat of West Coast hip-hop, defined by G-funk grooves, cinematic storytelling, and a celebration of street culture, freedom, and pride. From the smooth funk-infused beats of “It Was a Good Day” and “Nuthin’ But a G Thang” to the anthemic energy of “California Love” and “Still D.R.E.,” these songs capture the soul of LA—a city where ambition meets artistry, and struggle gives rise to triumph. LA’s playlist reflects a rich legacy of innovation and influence, blending the grit of South Central with the sunny vibes of the West Coast.
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The Top 10 Get Up Anthems from Los Angeles were crafted through a blend of editorial expertise, data-driven analytics, social impact, and personal sentiment to create a ranked list of songs that have inspired, captivated, and energized the City of Angels. Spanning decades from 1992 to the present day, LA’s playlist [click HERE to play] features tracks that represent the city’s vibrant cultural history and unmistakable sound, hand-selected by local icons The Game and D Smoke, Billboard editors Carl Lamarre, and moderated by Rocsi Diaz.
Did they get it right? Or were they off the mark?
Check out the Top 10 Get Up Anthems from Los Angeles:
10. “BPT” – YG (2014)
“BPT” from YG’s debut album My Krazy Life is a raw, unapologetic tribute to his roots in Bompton (a nickname for Compton). Produced by DJ Mustard, the track features a minimalist, hard-hitting beat driven by claps and menacing synths. YG’s aggressive delivery and vivid storytelling capture the reality of gang life and his rise in the rap game. The song’s unfiltered depiction of LA street culture resonated deeply within Compton and other parts of Los Angeles, while commercially, it helped establish YG as one of the leading voices of West Coast hip-hop’s new generation.
9. “Regulate” – Warren G feat. Nate Dogg (1994)
“Regulate” is a storytelling masterpiece that combines Warren G’s vivid narrative with Nate Dogg’s melodic hooks. Produced by Warren G, the track samples Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near),” giving it a smooth, soulful feel. The lyrics recount a night of danger and triumph on the streets of Long Beach, showcasing the duo’s chemistry. Released on the Above the Rim soundtrack, the song became a massive commercial hit and a defining moment for G-funk. Locally, it solidified Warren G and Nate Dogg as pillars of the West Coast sound, while globally, it introduced a broader audience to the genre’s laid-back yet gritty appeal.
8. “We Can Freak It” – Kurupt (1998)
Kurupt’s “We Can Freak It” is a smooth West Coast anthem that blends G-funk with soulful production by Battlecat. The track features atmospheric synths, a hypnotic bassline, and Kurupt’s laid-back delivery, creating a vibe-perfect for cruising through LA. Lyrically, it explores themes of nightlife, relationships, and escapism, capturing the essence of West Coast living. Though not as commercially successful as other G-funk hits, it resonated deeply within LA, becoming a staple in local hip-hop circles. Its mellow yet infectious sound remains a favorite among fans of ’90s West Coast rap.
7. “Nuthin’ But a G Thang” – Dr. Dre feat. Snoop Dogg (1992)
“Nuthin’ But a G Thang” is a definitive G-funk anthem that introduced the world to the chemistry between Dr. Dre and Snoop Dogg. Built around a sample of Leon Haywood’s “I Want’a Do Something Freaky to You,” the production features lush synths, a funky bassline, and a laid-back groove. Snoop’s effortless flow and Dre’s polished delivery made the track an instant classic. Released as the lead single from The Chronic, it became a commercial juggernaut, bringing West Coast hip-hop to mainstream audiences. Locally, it encapsulated the essence of LA’s party culture and street life, while globally, it redefined the sound of hip-hop in the early ’90s.
6. “Last Time That I Checc’d” – Nipsey Hussle feat. YG (2018)
“Last Time That I Checc’d,” from Nipsey Hussle’s Grammy-nominated album Victory Lap, is a celebration of independence and success. Produced by Mike & Keys, the track features an infectious, hard-hitting beat that complements Nipsey’s assertive delivery and YG’s fiery guest verse. The lyrics emphasize self-made success and maintaining authenticity, a recurring theme in Nipsey’s music. The song resonated deeply within Los Angeles, highlighting the city’s entrepreneurial spirit and gang unity, as Nipsey and YG represented rival factions coming together. Commercially, it solidified Nipsey’s rise as a major force in hip-hop, while locally, it became an anthem of empowerment and pride for the streets of LA.
5. “Not Like Us” – Nipsey Hussle feat. YG (2018)
“Not Like Us,” one of Nipsey Hussle’s reflective tracks, exemplifies his dedication to empowerment and authenticity. Produced by Mike & Keys, the beat features soulful undertones and crisp percussion, allowing Nipsey’s motivational lyrics to take center stage. Released during a pivotal moment in his career, the track underscores his focus on self-reliance, entrepreneurship, and community upliftment. While it didn’t achieve widespread commercial acclaim, its message resonated deeply within Los Angeles, particularly in South Central, where Nipsey was a hometown hero. The song’s themes reflect Nipsey’s broader cultural impact, inspiring a generation of artists and entrepreneurs to prioritize legacy over fame.
4. “Still D.R.E.” – Dr. Dre feat. Snoop Dogg (1999)
“Still D.R.E.” marked Dr. Dre’s triumphant return to the forefront of hip-hop after a brief hiatus. Produced by Dre and Scott Storch, the track’s minimalist piano riff and crisp drum pattern became instantly recognizable. Snoop Dogg’s laid-back hook complements Dre’s confident verses, reasserting his dominance in the rap game. Released as the lead single from 2001, the song was both a critical and commercial success, signaling the resurgence of West Coast hip-hop at the turn of the millennium. Locally, it reinforced Dre’s status as an LA legend and pioneer of G-funk, while its sleek production and enduring appeal cemented it as a global hip-hop classic.
3. “California Love” – 2Pac feat. Dr. Dre and Roger Troutman (1995)
“California Love” is an iconic West Coast anthem that captured the grandeur and diversity of California’s culture. Produced by Dr. Dre, the track samples Joe Cocker’s “Woman to Woman” and features Zapp frontman Roger Troutman on the talkbox, adding a funk-driven, futuristic flair. Lyrically, the song celebrates the vibrant lifestyle of California, from the streets of LA to the Bay Area, with 2Pac’s fiery verses contrasting Dre’s cool, confident delivery. Released as 2Pac’s comeback single after his release from prison, it became an instant commercial hit and an enduring cultural staple. Locally, it was a rallying cry for West Coast pride during the height of the East Coast-West Coast rivalry, while globally, it solidified California’s place as a central hub for hip-hop culture.
2. “Gin and Juice” – Snoop Dogg (1993)
Snoop Dogg’s “Gin and Juice,” produced by Dr. Dre, is a cornerstone of West Coast G-funk. Its funky bassline, lush synths, and signature high-pitched whines, combined with Snoop’s smooth, laid-back delivery, create a quintessential party anthem. The lyrics reflect a carefree lifestyle centered around drinking, smoking, and enjoying life with friends—a sharp contrast to the gangsta rap narratives dominating the scene at the time. Released as the second single from Doggystyle, the track was both a commercial success and a cultural phenomenon. Locally, it represented the quintessential LA party vibe, from house parties in Compton to BBQs in Long Beach, while nationally, it introduced mainstream audiences to G-funk’s irresistible groove and Snoop’s effortless charisma, marking a new chapter in hip-hop.
1. “It Was a Good Day” – Ice Cube (1992)
“It Was a Good Day” is a quintessential track that perfectly encapsulates the relaxed yet gritty essence of Los Angeles in the early ’90s. Produced by DJ Pooh, the smooth, soulful sample of The Isley Brothers’ “Footsteps in the Dark” provides a mellow, nostalgic backdrop for Ice Cube’s reflective lyrics. The track’s narrative vividly describes a rare, violence-free day in South Central LA, showcasing the stark contrast between everyday struggles and moments of peace. Its debut on the The Predator album resonated deeply with audiences, both commercially and culturally, offering a rare positive perspective amidst the turmoil of the post-Rodney King riots era. Locally, it became an anthem for LA residents, a celebration of fleeting joys in a city plagued by systemic challenges, while nationally, it solidified Ice Cube’s status as a master storyteller.
Billboard and Tres Generaciones Tequila are partnering to find out the Get Up Anthems of select cities, and for the final stop, we’re in Los Angeles. In conversation with Rocsi Diaz, L.A. natives D Smoke and The Game sat with Billboard’s Carl Lamarre to curate their top 10 Get Up Anthems for L.A. The list includes songs that inspired and energized their city, by L.A. artists, presented by Tres Generaciones Tequila.
The Game:I’m gonna go, I’m throwing it. I’m throwing two.
D Smoke:Two? I was about to say.
The Game:Because somebody in there.
D Smoke:It’s not one, something’s one.
The Game:It’s not one.
D Smoke:That’s two, that’s two for sure.
Rocsi Diaz:Hey there. I’m Rocsi Diaz, alongside Billboard and Tres Generaciones Tequila. We’re embarking on a journey to celebrate the profound impact of music, both personally and within communities. Our mission? To uncover the Ultimate Get Up Anthems for cities across the nation, and today we’re on the West Coast in the beautiful city of Los Angeles. Thanks, Jess.
Contributing to this discussion, I’m joined by L.A.’s very own The Game and D Smoke alongside Billboard‘s hip-hop and R&B guy Carl Lamarre. Just a few days ago, we began the selection process for L.A.’s Get Up anthems, and it was challenging, but with Billboard‘s exclusive chart data, we narrowed it down to just a few tracks that are in this bowl right now. They’re all up for discussion as we finalize the top 10 list and crown L.A.’s No. 1 Get Up Anthem. Before we jump into our exciting discussions, let’s toast L.A.’s diverse and illustrative musical legacy with a glass of Tres Generaciones Tequila. So here’s to the city where dreams come true. Cheers, fellas. This is good, Jess.
Wow, “We Can Freak It” Kurupt. Favorite backyard party song for sure, period.
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Billboard and Tres Generaciones Tequila are partnering to find out the Get Up Anthems of select cities, and the last stop is Los Angeles, California. Ahead of the curated list, in this ‘Man on the Street,’ we tapped LA locals to help share some of their favorite hometown hits that have inspired and energized their city, including artists like Snoop Dogg, Dr. Dre, Kendrick Lamar and so many more! Be sure to check out the official Get Up Anthems for Chicago presented by Tres Generaciones Tequila.
Tetris Kelly:
Billboard and Tres Generaciones Tequila teamed up to find the best Get Up Anthems in each city. Today, we’re in Los Angeles, the home of sun, Hollywood and West Coast hip-hop. What song energizes this city? We talk to locals to find out. All right, I’m hanging out trying to find the biggest Get Up Anthem in LA, so what song do you feel like reps this city?
Guest 1:
Off the back, they “Not Like Us,” bro.
Tetris Kelly:
I mean, that just came out. It’s already a classic?
Guest 1:
Yeah, it is, bro. I mean, they got people playing it everywhere.
Tetris Kelly:
What song do you feel like charges the city?
Guest 2:
I’mma say Montell [Jordan]’s “This Is How We Do It.”
Tetris Kelly:
Hey, the party’s here on the west side. What’s the song that represents Los Angeles?
Guest 3:
“It Was a Good Day.” Ice Cube.
Tetris Kelly:
Nice! Okay, what you know about Ice Cube, man?
Guest 3:
When I hit the switch, I can make that drop.
Tetris Kelly:
So tell me, what do you like about living in LA?
Guest 4:
The sunshine, 75-degree weather, the beaches.
Tetris Kelly:
But you gotta tell me what song represents the city the most?
Guest 4:
Anything I say from Dr. Dre, Snoop Dogg. Them two together, anything, that’s just chef’s kiss.
Tetris Kelly:
Which is like “Gin and Juice”?
Guest 4:
Of course, “Gin and Juice.”
Tetris Kelly:
What’s the best part about living in LA?
Guest 5:
South Central, you know what I mean? The girls, the cars, the money, the hustle, the culture, the environment.
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Luxury and glamour met cutting-edge style at Keys in West Hollywood for Billboard’s No. 1’s Party celebrating the road to the 2024 Billboard Music Awards. The club was an emerald oasis with gold accents and plenty of Tres Generaciones cocktails to level up the vibe of the exclusive soiree. Explore See latest videos, charts and […]
Billboard and Tres Generaciones Tequila are partnering to find out the Get Up Anthems of select cities, and for this stop, we’re in Miami, Fla. In conversation with Rocsi Diaz, Miami natives Alex Sensation and Trina sat with Billboard’s Heran Mamo and Jessica Roiz to curate their top 10 Get Up Anthems for Miami. The list includes songs that inspired and energized their city, by Miami artists, presented by Tres Generaciones Tequila.
Alex Sensation:It was only, like, a couple of years ago that I really found out that Flo Rida is Florida. I didn’t know that.
Rocsi Diaz:The door is over there. I’m gonna need you to exit stage left.
Alex Sensation:I never put it together.
Rocsi Diaz:Hey, guys. I’m Rocsi Diaz alongside Billboard and Tres Generaciones Tequila. We’re embarking on a journey to celebrate the profound impact of music both personally and within communities. Our mission? To uncover the ultimate Get Up Anthems for cities across the nation, and today, we’re in the vibrant beautiful city of Miami, Fla. Thank you, Hector. Contributing to this discussion, I’m joined by Miami’s very own Diamond Princess, Trina, radio phenomenon Alex Sensation and Billboard’s Heran Mamo and Jessica Roiz.
Just a few days ago, we began the selection process for Miami’s Get Up Anthems. Now, it was challenging, but with Billboard’s exclusive chart data, we narrowed it down to just a few tracks that are now in this bowl. These selections are up for discussion as we finalize the top 10 list and crown Miami’s No. 1 Get Up Anthem.
Rick Ross’ “Hustlin’.” First of all, let’s just talk about how Rick Ross came on the scene. Talk about blowing up, and I think it was his voice, Trina, that captivated the world. I think for me, it was Biggie, but then he came on and it was like a voice that filled a void that we were missing.
Billboard and Tres Generaciones Tequila are partnering to find out the Get Up Anthems of select cities, and the next stop is Miami. Ahead of the curated list, in this Man on the Street, we tapped Miami locals to help share some of their favorite hometown hits that have inspired and energized their city, including music by artists such as Bad Bunny, Rauw Alejandro and more! Be sure to check out the official Get Up Anthems for Chicago presented by Tres Generaciones Tequila.
Tetris Kelly:Billboard and Tres Generaciones Tequila are teaming up to find the best Get Up Anthems in select cities. We are in sunny Miami to find out which songs energize and influence the Magic City. Let’s see what locals have to say. We’re looking for the top Get Up anthems in Miami. How’s the vibes in Miami today?
Guest 1:The vibes are great. It’s giving. I love it.
Tetris Kelly:And what song is giving?
Guest 1:Definitely a Bad Bunny.
Tetris Kelly:“Tití Me Pregunta”?
Guest 1:No, it’s “Tití Me Preguntó.”
Tetris Kelly:See, she’s getting me, put me in my place. What is the song of Miami?
Guest 2:I think anything Rauw Alejandro sings in.
Tetris Kelly:Oh, wow, he’s so great. What’s the song for you?
Guest 2:“Santa”!
Tetris Kelly:Oh, OK, girl.
Guest 2:“Santa” goes off in the club. It goes hard.
Tetris Kelly:She’s about to go put it on right now.
Guest 2:I sure as hell am.
Tetris Kelly:Cheers! So my man, the shades are dripping. But what song makes Miami drip?
Guest 3:Adam Port with Camila Cabello.
Tetris Kelly:Oh, nice.
Guest 3:Super good song.
Tetris Kelly:What’s your song?
Guest 4:“Todavía” by Wisin y Yandel.
Tetris Kelly:Ooh. What about Wisin y Yandel do you love?
Guest 4:They always make you dance and move your hips.
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On Thursday, September 5, the heart of New York City’s music scene came alive as Tres Generaciones Tequila hosted an intimate dinner, bringing together the industry’s movers and shakers. Held ahead of the much-anticipated 2024 Hip Hop and R&B Power Players Award Celebration, this exclusive evening served as both a prelude to the prestigious awards and a celebration of the profound connection between music, culture, and community.
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The dinner, held in a stunning green oasis in the heart of Times Square, was graced by key decision-makers, trendsetters, and notable artists, including NLE Choppa, Toosie, Serayah, and Saint Jhn, adding to the evening’s sense of prominence. A curated guest list ensured an air of exclusivity, where conversations flowed between the stars shaping the soundtracks of today and tomorrow. The dinner also marked a toast to those shaping the future of music, showcasing the powerful partnership between Tres Generaciones and Billboard.
Rashida Zagon
As the evening began, Rocsi Diaz, celebrated host of the Get Up Anthems series, took to the stage to share heartfelt words on the enduring power of music in the community. Her speech set the tone for the night, sharing how music, much like tequila, has the power to move, inspire, and unite us, reminding everyone in the room of the shared mission of Tres Generaciones: to bring people together in celebration.
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Diaz then introduced the evening’s guest of honor, Joey Bada$$, a fellow New Yorker and Get Up Anthem participant, whose impact on the hip-hop scene has been undeniable.
Guests savored a perfectly paired, elevated culinary experience featuring signature cocktails crafted by Tres Generaciones Tequila, adding a luxurious flair to the evening. The “Trespresso Martini” and the “Tres 75,” both custom creations, perfectly complemented the sophisticated palette dinner. These drinks, like the artists in the room, were crafted with complexity and innovation, reflecting the essence of Tres Generaciones’ 50-year history of excellence. Born in 1973 to celebrate three legendary generations of distillers, Tres remains a symbol of Mexican pride, made with only three simple ingredients—agave, yeast, and water—and triple-distilled for a smoother finish.
Following the dinner, attendees were invited to descend two floors into the iconic Paradise Room, where the 2024 Hip Hop and R&B Power Players Award presentation awaited. The energy was electric as the room filled with industry titans ready to celebrate the night’s honorees. Joey Bada$$, having already captivated the dinner audience with his humility and wisdom, was honored with the prestigious Impact Award, presented by Tres Generaciones Tequila. The award recognized his enduring influence, innovative artistry, and his role in shaping the next generation of musicians and creatives.
This night, defined by intimacy, elegance, and a shared passion for the art form, set the stage for what promises to be a defining year for Hip Hop and R&B, reminding all in attendance of the cultural and creative power music holds. The Impact Dinner, like the music it celebrated, was more than just an event—it was a moment, a memory, and an ode to the voices that continue to move the world.
Continue the vibes at home and relive the night by watching Joey Bada$$’s acceptance speech HERE and check out the recap sizzle of this unforgettable evening.
Tres Generaciones’ partnership with Billboard is built on a shared mission of inspiring and uplifting communities through music and celebration. Together, they spotlight the pivotal role that both music and tequila play in bringing people together—whether through the Get Up Anthems content series, which travels city to city celebrating iconic tracks, or the Get Up Sessions concert tour, showcasing the next great generation of artists.
To keep the evening’s magic alive, try recreating the signature cocktails served at the event.
Cheers to music, culture, and continuing the celebration at home!
Izzy Nuzzo
Joey Bada$$ accepts the Impact Award from Billboard Deputy Director of R&B/Hip-Hop Carl Lamarre at Billboard’s R&B Hip-Hop Power Players 2024 event. Joey Bada$$:Can I get a yer? That’s right, you know, I’m from New York. I’m from Brooklyn, so when I yer, y’all got to yodel back. Yer! Yo listen, man, thank you to […]
Few songs withstand time, distinguished by their infectious beats, experimental sounds, poignant lyrics or enduring appeal, rendering them as classics. In partnership with Tres Generaciones Tequila, a brand that champions the journey and not just the destination, we’re on an exploration to roundup the top Get Up Anthems over this next year from these six cities: Houston, Atlanta, New York, Chicago, Miami and Los Angeles. Guided by curated panels, we delve deep into each city’s sonic history, spotlighting tracks that embody resilience, authenticity, and innovation and celebrate the power music has to inspire listeners to get up and chase their passions, in the spirit of perseverance.
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The Get Up Anthems from New York were crafted through a blend of editorial expertise, data-driven analytics, social impact and personal sentiment, to create a stimulating conversation of the songs which inspired, captivated, and energized the city. In a historical dive from 1973 to present day, the city’s playlist [click HERE to play] features hometown hits that are synonymous with the city’s rich history and culture.
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RASHIDA ZAGON
Amidst the lively whirl of 5th Avenue, where the city’s heartbeat pulses through its bustling streets and perpetual traffic, a hidden enclave of artistic fervor thrives. In a secluded studio nestled in the heart of New York City, Method Man and Joey Bada$$ converged with Billboard editor, Carl Lamarre to celebrate the city’s unmatched musical heritage. As the conversation unfolded over Tres Generaciones Tequila’s signature serve for New York City: The Trespresso Martini, Rocsi Diaz expertly navigated the fervent conversation over some of the city’s most iconic anthems.
Take a look some of the discussed Get Up Anthems for New York City:
“Put Your Hands Where My Eyes Can See” – Busta Rhymes (1997)
Produced by Shamello and Buddah, the beat is characterized by its sparse, hypnotic production, using subtle basslines and percussion rather than the bombastic sound typical of Busta’s earlier work. It was a stylistic departure, drawing inspiration from African rhythms and early funk influences, which complemented Busta’s smooth, almost whisper-like delivery. This shift in sound helped the track stand out on When Disaster Strikes and became a signature song in New York’s late ’90s club scene.
“Hard Knock Life (Ghetto Anthem)” – Jay-Z (1998)
Jay-Z’s “Hard Knock Life (Ghetto Anthem)” is a brilliant fusion of Broadway and hip-hop that transformed the genre in 1998. Featured on the rapper’s third studio album, Vol. 2… Hard Knock Life, and produced by The 45 King, the song ingeniously samples “It’s the Hard Knock Life” from the musical Annie. Jay-Z’s sharp lyricism, detailing the trials and tribulations of street life, struck a chord with a wide audience, propelling the track to No. 15 on the Hot 100. This song not only expanded Jay-Z’s reach but also showcased his knack for innovative sampling and storytelling.
“I’ll Be There For You/ You’re All I Need to Get By” – Method Man feat. Mary J. Blige (1995)
“I’ll Be There For You/ You’re All I Need to Get By” is a timeless collaboration between Method Man and Mary J. Blige, released in 1995. Featured on Method Man’s debut album, Tical, this track, produced by RZA, Puffy, and Trackmasters, seamlessly blends hip-hop and R&B, sampling the classic Marvin Gaye and Tammi Terrell duet. The chemistry between Method Man’s gritty verses and Mary J. Blige’s soulful chorus created a magic that earned them a Grammy Award for Best Rap Performance by a Duo or Group, making it a beloved 90s classic.
“N.Y. State of Mind” – Nas (1994)
Nas’s “N.Y. State of Mind” from his landmark debut album, Illmatic, released in 1994, is a gritty, cinematic portrayal of life in New York City. Produced by DJ Premier, the track features a haunting piano loop and Nas’s razor-sharp lyricism, painting vivid pictures of urban struggle and resilience. Although not released as a single, “N.Y. State of Mind” is hailed as one of the greatest hip-hop songs of all time, showcasing Nas’s storytelling prowess and the raw, unfiltered essence of the streets.
“Quiet Storm (Remix) – Mobb Deep feat. Lil Kim (1999)
The original “Quiet Storm” was produced by Havoc, one half of Mobb Deep, known for crafting dark, brooding beats with atmospheric tension, a hallmark of East Coast hardcore rap. The remix, featuring Lil’ Kim, brought new life to the song, adding her fierce delivery and solidifying her as a key figure in New York’s rap scene. The production, with its haunting loop, matched the raw street narratives that defined Mobb Deep’s Murda Muzik album, becoming a favorite in NYC radio and clubs.
“Bodak Yellow (Money Moves)” – Cardi B (2017)
Produced by J. White Did It, the beat of “Bodak Yellow” was built around heavy 808s and a menacing piano riff, providing a hard-hitting, bass-heavy sound that matched Cardi B’s aggressive flow. The track was created while Cardi was still an emerging artist in the Bronx, and its minimalist, trap-style production echoed the sound of Southern hip-hop, which was dominating the charts at the time. “Bodak Yellow” became a historic hit, catapulting her from local fame to global stardom, marking a major moment in the city’s rap comeback.
“Ruff Ryders’ Anthem” – DMX (1998)
“Ruff Ryders’ Anthem” is an adrenaline-fueled rallying cry from DMX’s 1998 debut album, It’s Dark and Hell Is Hot. Produced by Swizz Beatz, the track’s aggressive beat and DMX’s ferocious delivery captured the raw energy of the streets, making it an instant hit. Landing at No. 94 during its original rollout, the anthem re-entered the Hot 100 in 2021 following DMX’s untimely passing, reaching No. 16. This track remains a testament to DMX’s explosive talent and enduring influence in the genre.
“C.R.E.A.M. (Cash Rules Everything Around Me)” – Wu-Tang Clan (1993)
A cornerstone of hip-hop, “C.R.E.A.M. (Cash Rules Everything Around Me)” by Wu-Tang Clan is an indelible part of their groundbreaking 1993 album, Enter the Wu-Tang (36 Chambers). Produced by the genius of RZA, this track’s minimalist yet haunting piano riff underscores Raekwon and Inspectah Deck’s penetrating verses. The song’s exploration of economic struggle and ambition resonated with countless listeners, encapsulating the raw, unfiltered ethos of Wu-Tang Clan and the reality of street life.
“Still Not a Player” – Big Pun feat. Joe (1998)
Big Pun’s “Still Not a Player,” featuring Joe, is a quintessential late 90s hip-hop hit that radiates smooth charisma and undeniable swagger. Released in 1998 as part of his debut album, Capital Punishment, this track, produced by Knobody and Dahoud Darien, is a masterful blend of hardcore rap and R&B. Sampling Brenda Russell’s “A Little Bit of Love,” the song’s irresistible groove and Pun’s clever wordplay captivated audiences, propelling it to No. 24 on the Hot 100. This track is a testament to Big Pun’s larger-than-life persona and his extraordinary lyrical talent.
“Dior” – Pop Smoke (2019)
Features a signature dark, foreboding drill beat with pulsating 808s and a minimalist piano loop, the 2019 record, produced byUK drill producer 808Melo, set the tone for Pop Smoke’s deep, gruff vocals. This production style was instrumental in introducing the Brooklyn drill sound, heavily influenced by UK drill music, to a wider American audience. The track’s success played a pivotal role in popularizing drill music beyond New York and was a key track on Meet the Woo and Shoot for the Stars, Aim for the Moon.
“Paid In Full” – Eric B. & Rakim (1987)
The title track from Paid in Full revolutionized hip-hop production by pioneering the use of sampling. Eric B. sampled “Ashley’s Roachclip” by The Soul Searchers, adding a prominent bassline and minimalist percussion. Rakim’s smooth, complex lyricism was groundbreaking, moving away from the simpler rhymes of early rap and influencing a new generation of New York MCs. The song’s innovative production and lyrical sophistication helped establish the duo as legends in NYC’s golden age of hip-hop.
“Hot Boy” – Bobby Shmurda (2014)
Exploding onto the scene in 2014, Bobby Shmurda’s “Hot Boy” (often stylized as “Hot N—a”) was a nuclear hit in the hip-hop world, and throughout Brooklyn’s streets. Featured on his debut EP, Shmurda She Wrote, the track, produced by Jahlil Beats, showcases Bobby’s electrifying delivery over a beat that’s both infectious and relentless. The song’s virality was propelled by the iconic “Shmoney Dance,” which took social media by storm. Peaking at No.6 on the Billboard Hot 100, “Hot Boy” wasn’t just a hit—it was a cultural phenomenon that marked Bobby Shmurda entry into the rap game.
“Lean Back” – Terror Squad feat. Fat Joe & Remy Ma (2004)
Produced by Scott Storch, the beat for “Lean Back” was built around a prominent Middle Eastern-inspired string melody and a heavy, slow-rolling bassline that made it instantly recognizable. Storch was known for blending hip-hop with cinematic, orchestral elements, and this track was no exception. The production’s simplicity and infectiousness helped it become a club anthem. Released on Terror Squad’s True Story album, the song’s success was pivotal in keeping New York on the hip-hop map during a time when Southern rap was dominating the charts.
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