Travis Scott
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Future made sure his daughter Londyn’s Sweet 16 was a night to remember, pulling out all the stops to give her the ultimate birthday experience.
The trap superstar didn’t just throw a party, he turned it into a full-blown concert, bringing some of his famous friends along for the ride. Travis Scott had the crowd going wild with his high-energy performance of “Goosebumps,” turning the venue into a mini-festival as fans moshed and raged. Sexyy Red kept the energy alive, with the ladies screaming “Get It Sexyy” at the top of their lungs, turning the party into a viral moment.
Then, Mariah The Scientist switched up the vibe, bringing everyone into their feelings with her emotional rendition of “Spread Thin.” Of course, Future himself had to bless the stage for his baby girl. He performed some of his biggest hits, including “Type Sh*t,” proving once again why he’s one of the greatest in the game. With a lineup like that, Londyn just might be the coolest kid in school by a landslide.
Let’s be real, who do you know that can say they had all their favorite artists perform at their Sweet 16? Probably no one. But when your dad is Pluto? Anything is possible. This was more than just a lit party, it was a moment that his daughter and all of her friends will forever remember.
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A few weeks ago at WWE’s Elimination Chamber event, Travis Scott made his “in-ring” debut where he accidentally injured WWE Champion, Cody Rhodes, with a Southern pimp slap from hell. But that isn’t deterring Scott from continuing to work towards his newfound WWE dreams as he’s gearing up for some future matches.
According to Newsweek, the “SICKO MODE” rapper is officially in training for future WWE events and while his physical degree may lack in comparison to other WWE superstars, Snoop Dogg himself did participate in some wrestling matches over the years, so anything is possible. Looking to really get into the groove of things, AEW’s Swerve Strickland revealed that Travis Scott is apparently training with the legendary Booker T to unlock whatever wrestling skills that Cactus Jack may have in him. And if Scott can at least become a quarter of the wrestler that Booker T was, he might be good for a match or two against someone like Dominik Mysterio.
Per Newsweek:
Booker T owns a wrestling school/promotion, Reality of Wrestling, in Houston, Texas. The top AEW star shared this information during an interview on The Bootleg Kev Podcast, where he was also asked about his thoughts on Scott’s recent involvement in the Cody Rhodes situation.
“That’s a very excited artist who finally got to do his dream, you know what I mean? You’re in there, and you’re in there with the two biggest icons that we have left…that’s ever done it,” he said. “So of course, you’re excited, and you’re with the world champion. So this is the guy that’s gonna be the one for this era moving forward.”
“So that’s a lot of excitement, that’s a lot of pressure, and that’s what happens when you get excited with someone who’s not in our industry. It’s an exciting moment. It’s like, what the hell would we do if a wrestler got on the stage? They would do dumb sh*t too on a concert. But that’s not industry etiquette. So it’s just a crossover thing. He doesn’t know.”
We don’t know if Travis Scott will actually be able to convincingly bodyslam another human being or fly off the top rope and stick the landing. But if Booker T can at least get him to nail his famous “spinaroonie,” we’d be good with that. Just sayin’.
What do y’all think about Travis Scott actually joining the WWE roster as an active wrestler? Do y’all think the man can pull it off? Who would you like to see him go up against? Let us know in the comments section below.
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Over the weekend, the talk of the wrestling town was about how John Cena turned heel and beat WWE Champion, Cody Rhodes “within an inch of his life” with the help of Travis Scott (LOL), and while we all know this is all fake and rehearsed, it seems like Travis Scott might’ve actually done some real life damage to the American Nightmare.
According to wrestling website Caged Side Seats, the pimp slap that Travis Scott delivered to Cody Rhodes as he laid bloody on the wrestling mat during Saturday night’s Elimination Chamber PPV event might’ve actually been a bit too hard and legitimately injured the WWE World Heavyweight Champion. Taking a swipe at Rhodes like he owed him money, Scott ultimately left the Champion with a busted eardrum and a black eye.
Yeah, that looked pretty bad. But given the kind of headshots and DDT’s and body slams that these wrestlers endure on a weekly basis, you’d figure this was just more performative roughhousing. Unfortunately, Travis Scott isn’t exactly a seasoned wrestler and doesn’t know how to pull his punches, so to say, and ended up doing more harm to Rhodes than any wrestler has done in the past year.
No word on whether or not the injury is severe enough to keep Rhodes out of the main event of WrestleMania 41 on April 19, but given that the man once wrestled with a torn pectoral tendon, we’re pretty sure he’s still gonna give this one a go come next month.
As for La Flame’s newfound career in the WWE, it doesn’t seem like this little slip-up will be hurting his chances at getting another shot in the ring in the coming future.
Per Caged Side Seats:
Scott is said to be training for more in-ring work in the future, possibly even matches. If so, hopefully the next few lessons will focus on worked shots and protecting your opponent.
And since this is pro wrestling — and because WWE has gotten quite good at using leaks to the so-called dirt sheets to disguise or advance storylines — it’s also worth mentioning the possibility this is information Chief Content Officer Paul “Triple H” Levesque and his collaborators want us to have. Rock’s Hollywood entitlement is already a big part of his heel character; allowing an outsider like Scott to shoot on a second-generation pro wrestler will only generate more heat for The Final Boss and his new squad… and possibly set up the Astroworld hitmaker’s first match.
How crazy would it be if Bad Bunny came out of wrestling retirement to go one-on-one with Travis Scott in the squared ring at some point in the future? We’d sign up for that one.
What do y’all think about Travis Scott slapping Cody Rhodes onto the injured reserve list of the WWE? Let us know in the comments section below.
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It finally happened.
After decades of being the baby face of the WWE, John Cena finally shocked the world when he finally turned heel and betrayed Cody Rhodes at Saturday night’s PPV event, Elimination Chamber. At the behest of Dwayne “The Rock” Johnson, John Cena suckered Rhodes into a bear hug before he kicked Cody Rhodes in the family jewels and proceeded to beat him with a gold watch, microphone, and the WWE Championship belt until he drew blood from his platinum blonde wig.
To make matters even worse (and hilarious), Travis Scott actually partook in the universal beatdown, and for whatever reason, put hands on the “American Nightmare” as he laid bloody and beaten in the squared ring. While we know all of this is theater and scripted, La Flame blessed Cody Rhodes with quite the pimp slap that would’ve made Iceberg Slim proud, as fans as far back as the 10th row heard the impact as soon as it landed on Cody Rhodes’ face.
Not bad, sir. We’re just glad he didn’t get any blood on those Jordan Jumpman Jack TRs. That would’ve hurt us.
While we don’t know if Cactus Jack will continue to play any role in the upcoming beef between Rhodes, The Rock, and John Cena, in a post-PPV interview, The Rock said that Scott actually wanted to get some blood on his hands, and truth be told, we enjoyed it.
Variety reports:
“He wanted to get his hands bloody,” The Rock said during a press conference after the event about Scott. “I whispered to him as he was going out [to the ring]. I said, ‘if you’re gonna get your hands bloody, make it count. Make it count. He slapped the shit of Cody tonight. He was really, really hyped up.”
“He loves the business,” the Rock said. “We get guys and girls like that who want to come in and who are already tapping in culture and disrupting culture in their own cool way. Maybe they want to sit and enjoy, maybe they want to be on camera.
“But then some want to get involved,” the Rock continued, “and then some, like Travis, deeply want to get involved. And that’s what you saw tonight.”
Now this begs the question, will Rhodes respond by bringing out a rapper of his own to help him neutralize the threat of Travis Scott? Might sound corny but with the way WWE does business you just never know. Either way, it was a helluva night for the WWE universe.
What do y’all think about John Cena going heel and Travis Scott putting hands on the WWE Champion, Cody Rhodes? Let us know in the comments section below.
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Ramadan, the ninth month of the Islamic calendar, is a time when Muslims around the world come together for fasting, reflection, and spiritual growth.
From dawn until sunset, they fast, not just from food, but from drink and other physical needs, to cleanse the body and soul. It’s about building self-discipline, showing empathy for the less fortunate, and strengthening one’s bond with God. In the world of hip-hop, more and more artists are using their platform to shout out Ramadan.
For Muslims, hearing mentions of the holy month in rap is powerful, it’s a reminder that their faith, culture, and traditions matter. Rap has always been about speaking truth, telling stories, and representing where you come from, and for many Muslim artists, Ramadan is an essential part of their identity. It’s a way to highlight the spiritual grind and the mental discipline that comes with fasting.
Fasting isn’t just about skipping meals; it’s about purifying the mind, body, and spirit. By bringing that into their music, rappers give listeners a peek into what Ramadan means — patience, gratitude, and a deeper connection with God. It also sparks curiosity and encourages non-Muslim listeners to learn more about the month. When rap references Ramadan, it’s more than just a shout-out; it’s a way to normalize faith, spread understanding, and remind everyone about the importance of self-reflection and growth.
So, to celebrate this connection between hip-hop and faith, here are some of the best times rappers mentioned Ramadan in their lyrics.
1. Kanye West – Power Remix
“Now everything I’m rhyming on cause a Ramadan”
2. Method Man- Another Winter
“Smashing, make it jump like everlasting God body Ramadan, thirty-day fasting”
3. Meek – 1942 Flows
“Had to starve all day just to get to it fast. Like Ramadan“
4. Gucci Mane – Stomach Grumbling
“Claim that they fastin’ but no it ain’t Ramadan (damn)”
5. Travis Scott – Grey
“Ooh, around this time, was starving, no Ramadan”
6. Notorious B.I.G – Kick in The Door
“Quick fast like Ramadan, it’s the rap phenomenon, Don Dada”
7. MF Doom – Kon Karne
“Take your cash, Karma, or break your fast, Ramadan.”
8. Jay Electronica – Exhibit C
“Jay Elect-Ramadan, Muhammad as-salaam-alaikum RasoulAllah Subhanahu wa ta’ala through your monitor”
9. Dusty Locane – REWIND
“He won’t eat, Ramadan On his knees, pray to God”
10. Logic – D3ad Presidents III
“Fasting every night, I ain’t talking ’bout no Ramadan”
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It looks like Travis Scott is once again in a legal pickle as he’s just been hit with a new lawsuit from a man claiming to have had hands put on him by Cactus Jack’s personal security.
According to TMZ, Omar Muhanna is suing Travis Scott after he says that one of his security guards “violently injured him” near a concert venue in which La Flame was performing at in Manhattan back in August, 17, 2024. In the lawsuit Muhanna claims that he did nothing to provoke the security guard to put hands on him that left him with “serious and permanent injuries.” Though we don’t know the extent of the injuries he’s suffered, Muhanna felt it was enough to bring a case against the “Highest In The Room” rapper.
Per TMZ:
A rep for Travis tells TMZ … Travis was not present because he was inside a restaurant and the alleged incident happened outside.
The suit doesn’t allege Travis did anything wrong here other than hiring a security company that employed the security guard at the center of the dispute … and Travis’ reps are blasting the lawsuit as “frivolous.”
Muhanna claims the security guard has a “propensity for the type of behavior” that resulted in his alleged injuries. He says Travis never should have hired the guy and he’s seeking damages.
We’re not trying to choose sides on this one but suing someone for hiring someone else seems like a bit of a stretch even if that hire left you in life-long pain, but hey, to each his own.
Naturally Travis Scott’s team is denying any responsibility for the incident and is hoping to get the charges against the popular rapper dismissed. Whether or not they’ll be successful in their attempt remains to be seen.
What do y’all think of Omar Muhanna’s lawsuit against Travis Scott? Should Travis have to pay for something one of his security guards did to the victim in this case? Is the lawsuit a bit of a stretch? Should Jordan Brand finally release any of those dope Air Jordan IV’s that they made for Travis Scott and his fam? Let us know in the comments section below.
When WWE Superstar Damian Priest learned that one of the biggest matches of his career would be held in Puerto Rico, he was overjoyed. For Priest, who was raised in Vega Baja, a small town just 26 miles from San Juan, it was more than a match — it was a long-awaited homecoming. But for this no-holds-barred San Juan Street Fight, the former World Heavyweight Champion would be lacing up his boots to face an unusual opponent: one of music’s brightest stars and arguably Puerto Rico’s favorite son, Bad Bunny.
“Here he is doing all these moves and being able to take them,” Priest recalls of the May 6, 2023, barn burner, where he lost by pinfall. “The fact that he could take all these hits and get back up — and I know he was in a lot of pain — that drive to succeed and entertain, he has it, like we all do.”
Bad Bunny actually made his WWE debut in January 2021, at the Royal Rumble in St. Petersburg, Fla., where he faced off against former WWE and UFC heavyweight champion Brock Lesnar. That April, he showcased more daredevil moves and aerial tactics — and turned skeptics into believers — at WrestleMania. And since then, he has continued to solidify his heavyweight status in the wrestling world with his unwavering passion for the craft.
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“Music and WWE have always run parallel,” Priest says. “When I describe how to make it in this business through the grind and the struggle, it’s always easier to explain it to musicians because they get it. It’s the same grind. You start performing in front of little to nobody in these greasy clubs, try to get noticed and then build up a reputation and a bit of a following. Hopefully, you get noticed by a record label or an artist who puts you on a tour, [and] it’s the same thing here.”
Bad Bunny and Damian Priest wrestle during the WWE Backlash at Coliseo de Puerto Rico José Miguel Agrelot on May 6, 2023 in San Juan, Puerto Rico.
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Though the WWE has been around for 70 years, the wrestling conglomerate is enjoying a renaissance — and the music industry has played a significant role in its post-pandemic resurgence. WWE president Nick Khan, who joined the company in 2020, has been at the forefront, connecting the dots between music and the WWE by bringing artists like Bad Bunny, Travis Scott, Metro Boomin, Cardi B, Meek Mill, Jelly Roll and Sexyy Red to collaborate with the company. Whether through actual matches, live TV segments or commercials for future premium live events, the strategic pairing has brought a fresh and diverse audience to WWE while elevating these artists’ status in the wrestling world.
In early January, WWE officially partnered with Netflix to present Monday Night Raw, its 34-year-old flagship show and the longest-running weekly episodic program without reruns in TV history. (The show most recently aired on USA Network from 2005 through the end of 2024.) The three-hour star-packed extravaganza featured wrestling immortals The Rock, John Cena and Hulk Hogan, and celebrities from Vanessa Hudgens and Tiffany Haddish to Travis Scott, Wale and Blxst attended. But unlike his peers, Scott wasn’t just a spectator — he escorted WWE Superstar Jey Uso ahead of his match. Scott — whom WWE chief content officer Paul Levesque (aka wrestler Triple H) gifted a Hardcore Championship belt during the rapper’s ComplexCon performance last November — wore the title draped around his shoulders and fed off the crowd’s electric energy as his own “Fein” reverberated throughout Los Angeles’ Intuit Dome. Sunglasses on and joint in hand, Scott sauntered out alongside Uso with the aura of a ’90s wrestler — a picture-perfect moment for both stars.
“The energy out there was crazy,” Scott tells Billboard. “I was talking to Triple H and was like, ‘Yo. This s–t is wild.’ In my shows, I try to create that maximum energy level and have the people feel they can reach the highest level of ecstasy as far as being happy and free. And in those environments — things like wrestling, and even in sports where the characters can be so free and create this livelihood for kids, adults and families — it’s dope.”
“When I found out I was coming out with Travis, I asked him, ‘Are you ready? Because this s–t is about to pop off,’ ” Uso adds. “I just didn’t expect that the brother was about to light one up before we walked out. He can do what he wants to do.”
This wasn’t the first time Uso had rubbed shoulders with a hip-hop superstar. Last April, at WrestleMania 40, he and Lil Wayne walked down the entranceway together at Philadelphia’s Lincoln Financial Field before a roaring crowd as the rapper’s “A Milli” and Uso’s entrance theme, “Main Event Ish,” played. It was a surreal moment for Uso: Before his WWE debut in 2007, he’d wrestled on the independent circuit alongside his twin brother, Jimmy, and they’d chosen Wayne’s 2004 hit “Go DJ” as their entrance music.
“We all grew up on Wayne in the late ’90s and early 2000s,” Uso says. “I’m talking about when he was with Hot Boyz and all that. It’s crazy how life comes full circle.” Before they walked out, Uso even cajoled Wayne into wearing some Uso merchandise: “He was real dope and cool with everything. He asked if I needed anything from him, and I said, ‘S–t, brother. Can you wear these “YEET” glasses for me? Here, put these on.’ ”
As artists rush to step inside the squared circle, wrestlers are moving with similar intention toward recording studios. Compelling entrance songs are vital in developing their characters, and since the ’90s, revered WWE Superstars like “Stone Cold” Steve Austin, The Rock and The Undertaker have placed fans in a choke hold with not only their iconic visual presentation but also their magnetic theme music. At the heart of those entrance songs is former WWE composer Jim Johnston, who used popular ’90s genres like hip-hop and rock to create songs based on the wrestlers’ characters.
For Austin, famously known as “The Texas Rattlesnake,” his hard-rocking entrance song, “I Won’t Do What You Tell Me,” became known for its glass-shattering sound effects. Austin didn’t record vocals for it, but Cena, whose earlier wrestling persona was a punchline-driven rapper, stepped inside the booth and rapped his “The Time Is Now.” That bold move paved the way for future superstars like Uso and Priest to infuse their entrances with their own personalities, adding a fun new element for fans to enjoy.
“It helps to have someone like [Slayer’s] Kerry King play guitar on my track,” says Priest, whose character has a darker, goth-like personality. “It’s pretty cool. While doing my own vocals on my song is pretty simple, it’s cool because it comes from me and what I wanted to say and feel during certain moments. People can bop their heads to it, and it adds to that aura.”
Bad Bunny, representing Latino World Order, takes the ring as he prepares to wrestle Dominik Mysterio during the WWE SmackDown at Coliseo de Puerto Rico José Miguel Agrelot on May 5, 2023 in San Juan, Puerto Rico.
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Uso’s hip-hop-influenced “Main Event Ish” is arguably the WWE’s most popular entrance song, with a simple but fiery hook (“It’s just me, Uce”), his unbridled energy and sharp ad-libs. His signature wave — now a staple at all WWE shows where he’s competing, in which he climbs the top rope and waves his hands up and down, controlling the crowd like a hip-hop maestro — accompanies the song.
“I flew to New York one day, sat [down with the writing team], put it together, knocked it out and it was on TV the next week,” Uso says of the track. “I knew I wanted to get on there and bring the energy. We always been musical, my whole family. We got hidden talents the world don’t know about.”
And as WWE enters WrestleMania season — with arguably its deepest roster since the ’90s — more musicians are looking to walk down the entrance ramp and pose a challenge, just like Bad Bunny first did four years ago. Fortunately for Bad Bunny, he had a great teacher in Priest, who, prior to their one-on-one showdown in Puerto Rico, served as his in-ring mentor and tag-team partner at WrestleMania 37, where they were victorious.
“A good match with another good wrestler is expected,” Priest says. “What I did with Bad Bunny was magic because nobody expected it. That’s not something you get to do all the time. I don’t know if I’ll ever get that chance again.”
This story appears in the Feb. 8, 2025, issue of Billboard.
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The Weeknd’s latest album ‘Hurry Up Tomorrow’ offers a rollercoaster of styles, moments of brilliance, and a few missteps. From the jump, the intro gives a clear nod to Michael Jackson with a “Thriller”-esque switch-up, setting the tone for what’s to come: an eclectic blend of R&B, drill, and even a little bit of trolling.
The second track, “Cry For Me”, introduces a unique R&B drill sound. The Weeknd croons over the hard-hitting drill beat, expressing his hopes that she’ll cry for him the way he once cried for her. It’s emotionally raw, but the heavy rhythm creates a bit of distance from the sentiment, adding an interesting juxtaposition. “I Can’t F**g Sing” is an unapologetic 10-second interlude that serves as The Weeknd’s playful response to critics who’ve questioned his vocal abilities. It’s a brief but sharp moment of self-aware trolling, letting fans know he’s confident in his talent.
Moving to “São Paulo”, this track feels overloaded with too many ideas. There’s an ambitious mix of sounds, but it ends up feeling disjointed and hard to follow. “Baptized in Fear” suffers the same fate—it’s forgettable and doesn’t make much of an impact. On “Open Hearts”, The Weeknd tries to recapture the magic of “A Lonely Night”, but the result feels like a knockoff. It’s good, but not quite up to par. Meanwhile, “Reflections Laughing” stands out with its raw honesty about mental struggles, featuring a surprise verse from Travis Scott.
The track “Enjoy the Night” would’ve been lackluster if not for Future’s guest verse, which brings a vintage Pluto energy to the song, elevating it significantly. Similarly, “Given Up On Me” is enhanced by Future’s backing vocals, as The Weeknd reflects on his self-doubt and the woman who refuses to leave him.“Timeless” is easily one of the album’s highlights, featuring Playboi Carti. It’s a nearly flawless track, rich in sound and melody, perfectly crafted to be a single. “Niagra Falls” will please longtime fans with its throwback feel, tapping into the “old Weeknd” vibe that made him a star.
The production on “Big Sleep” is undeniably amazing, making it one of the album’s standout tracks. However, “Hurry Up Tomorrow”, the outro, feels like the weakest point of the entire project—forgettable and lacking the emotional punch that usually defines his closers. Overall, Hurry Up Tomorrow is a mixed bag with flashes of brilliance but also a few bumps along the way.
Check out the overall score for The Weeknd’s latest album ‘Hurry Up Tomorrow’ below.
1. Wake Me Up – 7/10
2. Cry For Me – 8.5/10
3. I Can’t F****g Sing – Ten second Interlude
4. São Paulo – 4/10
5. Until We’re Skin & Bones – Another ten second interlude
6. Baptized In Fear – 4.5/10
7. Open Hearts – 4.5/10
8. Opening Night – 5.5/10
9. Reflections Laughing ft. Travis Scott – 6/10
10. Enjoy The Show ft Future – 6.5/10
11. Given Up On Me ft Future (again) – 7/10
12. I Can’t Wait to Get There – 6/10
13. Timeless – 9/10
14. Niagra Falls – 7/10
15. Take Me Back to LA – 6.5/10
16. Big Sleep – 7.5/10
17. Give Me Mercy – 6.5/10
18. Drive – 5/10
19. The Abyss – 6.5/10
20. Red Terror – 5/10
21. Without a Warning – 5/10
22. (Outro) Hurry Up Tomorrow – 4.5/10
23. The Weeknd’s ‘Hurry Up Tomorrow’ Overall Rating: 6
Source:Getty
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It’s been a hot minute since Travis Scott blessed his fans with new material but last night (Jan. 20) Cactus Jack finally gave his day-ones a taste of what he’s been cooking up in the studio as he debuted his latest cut “4×4” at the College Football National Championship game.
During his halftime performance at the Ohio State vs. Notre Dame game, Travis premiered his new song and needless to say fans were left in awe as Trav gave them something they’ve never heard before. While the song was all good and bouncy, heads were disappointed as we couldn’t get a good look at which kicks Travis was rocking as he’s known to pull out some never before seen Jordans that may never see the light of day again.
They looked like some Air Jordan 1 Low’s but that’s just an educated guess.
As for the song it will be releasing this Friday (Jan. 24) and is up for pre-order right now on his website shop.travisscott.com with a some merchandise and physical editions of the single.
Check out Travis Scott perform his latest song “4×4” and let us know if you like what you hear in the comments section below.
https://x.com/DailyRapFacts/status/1881530324536205467
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With Donald Trump officially taking back the Oval Office next week many feel like it’s only a matter of time before the apocalypse hits and we’re all left to fend for ourselves, but Travis Scott may be more ready for the doomsday scenario than most as the music superstar done went and got himself a monster of a machine to get around in should the worst come pass.
According to TMZ, the Highest In The Room rapper dropped a King Kong sized grip to pimp out and customize a Apocalypse Omega Rex truck to roll hard in. Dropping an estimated $160,000 (which isn’t much given his net worth), the limited edition Hemi Hellcat V8 Horsepower Apocalypse Omega Rex truck comes with 717 horsepower and is basically built like a tank should the world go to sh*t and we all end up in an This Is The End movie situation.
Still, it should be a sweet ride.
TMZ reports:
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The truck’s interiors are as plush as they come, so Travis can cruise into town in style … or head off-road without sacrificing comfort.
Looks like Travis is ready for the apocalypse — whether it’s a wild night out or the end of the world!
While that’s all good and gravy, can Travis Scott convince Nike and Jordan brand to drop those purple or Mocha “Cactus Jack” Air Jordan 4’s that were reserved for friends and family a few years ago before the world ends? Heck, we’ll even take the mustard yellow “Cactus Jack” Air Jordan 6 that he gifted Offset.
Just sayin.’
What do y’all think about Travis Scott’s new ride? Let us know in the comments section below.