Touring
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South by Southwest Music Festival 2024 has revealed a second slate of artists set to perform in Austin next year. Among the highlights are Glasser, SPRINTS, GRÓA, Gruff Rhys, Ho99o9, Holly Macve, Kikuo, LAIR, Pink Pablo, PVA, Pylon Reenactment Society and Ralphie Choo, all of whom will showcase their talents during the six-day festival.
Next year’s SXSW Music Festival will take place from March 11-16 throughout the Austin area. Other emerging acts announced on Wednesday (Dec. 6) include RUBIO, Sinkane, Sofia Kourtesis, Sycco, Tamera, TENGGER, 250, Alexander Biggs, Enola Gay, DICE, HALLEY, HIEN, Skateland, Yo Diablo, Water Damage, TENGGER, Sui Zhen and RUBIO. The festival has created playlists on Spotify and YouTube featuring the music of the showcasing artists.
The list of showcase partners for the 38th annual SXSW has also grown, with labels like New West Records and Bayonet Records, as well as promoter High Road Touring and agency Mint Talent Group, being announced. Elsewhere, newly announced presenters include Adult Decisions, All The Vibes, ATC Live, Atomic Music Group, Breakout West, CareFreeBlackGirl, Chicken Ranch Records, City Slang, Dear Life Records, Dedstrange, Don Giovanni Records, Everything R&B, Father/Daughter Records, Fierce Panda, FOCUS Wales, Island Wave, Italians Do It Better, Gorilla vs. Bear, Jazz Re:Freshed, The Line of Best Fit, The Loyalty Firm, M for Montreal, Music from Ireland, Now Wave, Pop Montreal, Reeperbahn Festival, The Smoke Out, Space Agency, The Spanish Wave, Synásthesie Festival, Taiwan Beats, Tokyo Calling, Traffic Music and Wide Days Scotland.
Founded in 1987 in Austin, SXSW has grown to encompass tech, film and TV, music, education and culture. The entirety of the 2024 conference and festival will run from March 8-16.
In April 2021, it was announced that SXSW signed a “lifeline” deal with P-MRC, a joint venture between Penske Media Corporation and MRC, making P-MRC a stakeholder and long-term partner with the Austin festival. P-MRC is the parent company of Billboard.
See below for the full list of showcasing artists announced on Wednesday.
250 (Seoul SOUTH KOREA)Afternoon Bike Ride (Montreal CANADA)Akira Galaxy (Los Angeles CA)Ako(a子) (Himeji City JAPAN)Alexander Biggs (Melbourne AUSTRALIA)Alex Nicol (Montreal CANADA)Amis du Teche (Breaux Bridge LA)Angelo Moore and the Brand New Step (Austin TX)Anna Smyrk (Melbourne AUSTRALIA)Anna Vaverková (Prague CZECHIA)Another Sky (London UK-ENGLAND)Arches (Hong Kong HONG KONG)Askew (London UK-ENGLAND)Axel Flóvent (Reykjavik ICELAND)Äyanna (London UK-ENGLAND)The Ayoub Sisters (London UK-ENGLAND)Bad Bad Hats (Minneapolis MN)The Beatbox Collective (London UK-ENGLAND)beccs (Warehan MA)Bee Bee Sea (Castel Goffredo ITALY)Being Dead (Austin TX)Benjamin Walker (Chile MEXICO)Bess Atwell (Brighton UK-ENGLAND)Bleach Lab (London UK-ENGLAND)BLK JKS (Johannesburg SOUTH AFRICA)Bloomsday (Brooklyn NY)Blue Lake (Copenhagen DENMARK)Boy With Apple (Gothenburg SWEDEN)BROTHER DEGE (Lafayette LA)Buffalo Nichols (Milwaukee WI)Caleb Landry Jones (Garland TX)Camidoh (Accra GHANA)Carla Geneve (Perth AUSTRALIA)Certainly So (Nashville TN)Cha’keeta B (Austin TX)Chalk (Belfast UK-N. IRELAND)Chartreuse (The Black Country UK-ENGLAND)Chelsea Carmichael (London UK-ENGLAND)Chiaki Mayumura (Setagya JAPAN)Chief Cleopatra (Austin TX)China Bears (Bridgwater UK-ENGLAND)Chxrry22 (Toronto CANADA)CLT DRP (Brighton UK-ENGLAND)Conchur White (Portadown UK-N. IRELAND)CURRLS (Brighton UK-ENGLAND)Danny Bonilla (Dallas TX)Dasom Baek (Seoul SOUTH KOREA)Daydream Twins (Austin TX)Dead Tooth (Brooklyn NY)Delights (Manchester UK-ENGLAND)DICE (Perth AUSTRALIA)Dirt Buyer (Brooklyn NY)Discovery Zone (New York NY)Divorce (Nottingham UK-ENGLAND)Dobrawa Czocher (Warsaw POLAND)DOMICO (Tokyo JAPAN)Do Nothing (Nottingham UK-ENGLAND)Dream Nails (London UK-ENGLAND)Dumb Buoys Fishing Club (London UK-ENGLAND)dust (Newcastle AUSTRALIA)Earth Tongue (Wellington NEW ZEALAND)Eleni Drake (London UK-ENGLAND)Elisapie (Salluit CANADA)Elle Shimada (Melbourne AUSTRALIA)Ellie Bleach (London UK-ENGLAND)Emily Barker (Perth AUSTRALIA)Emily Frembgen (Brooklyn NY)Emma Aibara (Yokohama JAPAN)Enola Gay (Belfast UK-N. IRELAND)Etta Bond (London UK-ENGLAND)fantasy of a broken heart (Brooklyn NY)Fat Dog (London UK-ENGLAND)FAZI 法兹 (Xi’an CHINA)Field Guide (Winnipeg CANADA)Folk Bitch Trio (Melbourne AUSTRALIA)FONTINE (Winnipeg CANADA)Forest Claudette (Melbourne AUSTRALIA)Friedberg (Berlin GERMANY)Fust (Durham NC)Gavin James (Dublin IRELAND)Glasser (New York NY)Glixen (Phoenix AZ)Good Looks (Austin TX)Grandbrothers (Berlin GERMANY)GRÓA (Reykjavik ICELAND)Gruff Rhys (Cardiff UK-WALES)Gurriers (Dublin IRELAND)HALLEY (Waseda JAPAN)Harvest Thieves (Austin TX)Hause Plants (Lisbon PORTUGAL)The HawtThorns (Nashville TN)HIEN (Budapest HUNGARY)HighSchool (Melbourne AUSTRALIA)Hinako Omori (London UK-ENGLAND)HMS Morris (Cardiff UK-WALES)Ho99o9 (Newark NJ)Holly Macve (Brighton UK-ENGLAND)Hooks & The Huckleberries (Albuquerque NM)Hour (Philadelphia PA)The Howdies (Athens GA)Humour (Glasgow UK-SCOTLAND)HYPNOSIS THERAPY (Seoul SOUTH KOREA)IFE (New Orleans LA)Iona Zajac (Glasgow UK-SCOTLAND)Iris Jean (Alkmaar NETHERLANDS)Izo FitzRoy (London UK-ENGLAND)Jack Barksdale (Fort Worth TX)Jack Harris (Cleveland OH)JADA (London UK-ENGLAND)Jad Fair and the Placebos (Manor TX)Jaimee Harris (Nashville TN)JÁNA (Stockholm SWEDEN)Jazz re:freshed DJs (London UK-ENGLAND)Jeannel (Berlin GERMANY)Jeshi (London UK-ENGLAND)JFDR (Reykjavík ICELAND)JM Stevens (Austin TX)Jon Muq (Austin TX)Jon Vinyl (Toronto CANADA)Juani Mustard (Viña Del Mar CHILE)JUANPALITOSCHINOS (Mexico City MEXICO)Justin Webb (Nashville TN)Kali Claire (London UK-ENGLAND)Ken Yates (London CANADA)Kikuo (Tokyo JAPAN)Kroi (Tokyo JAPAN)LAIR (Jatiwangi INDONESIA)Laney Tripp (New Smyrna Beach CA)Larry Seaman (Austin TX)Laura-Mary Carter (Brighton UK-ENGLAND)Laura Misch (London UK-ENGLAND)Lauren Housley & The Northern Cowboys (Sheffield UK-ENGLAND)Lauren Lakis (Austin TX)L E M F R E C K (Newport UK-WALES)Library Card (Rotterdam NETHERLANDS)Lindsay Beaver & Brad Stivers (Austin TX)Lisa Morales (Austin TX)Logan Crosby (Milledgeville GA)Logan Halstead (Powell County KY)Los Cogelones (Mexico MEXICO)Lottery Winners (Leigh UK-ENGLAND)Madam Radar (Austin TX)Malugi (Berlin GERMANY)Mama Terra (Glasgow UK-SCOTLAND)The Manatees (Southampton UK-ENGLAND)maxime. (Montreal CANADA)May Rio (Brooklyn NY)Meagre Martin (Berlin GERMANY)Mia June (Perth AUSTRALIA)Mick Flannery (Cork IRELAND)Minas (Cardiff UK-WALES)Miranda and the Beat (Brooklyn NY)Miranda del Sol (New York NY)MØAA (Seattle WA)Moody Bank$ (Austin TX)Nagasaki Swim (Rotterdam NETHERLANDS)Natalie Jane Hill (Asheville NC)Native Harrow (Brighton UK-ENGLAND)néomí (Den Haag NETHERLANDS)NeOne Wonderer (Wolverhampton UK-ENGLAND)Neon Waltz (John O’groats UK-SCOTLAND)Night Lunch (Montreal CANADA)NOBRO (Montreal CANADA)O. (London UK-ENGLAND)Omni (Atlanta GA)OSKA (Vienna AUSTRIA)PAPISA (São Paulo BRAZIL)Pelvis Wrestley (Austin TX)Perennial (Amherst MA)Pink Pablo (San Juan PUERTO RICO)Planet Giza (Montreal CANADA)Plastic Palms (Turin ITALY)poolblood (Toronto CANADA)Population II (Montreal CANADA)Presence (Camarillo CA)The Psychotic Monks (Saint-Ouen FRANCE)PVA (London UK-ENGLAND)Pylon Reenactment Society (Athens GA)Rainbow Girls (Bodega CA)Ralphie Choo (Madrid SPAIN)The Rare Occasions (Los Angeles CA)Redbud (Austin TX)rEDOLENT (Edinburgh UK-SCOTLAND)Robby Hecht (Nashville TN)Rodeo Boys (Lansing MI)Rory James (Edinburgh UK-SCOTLAND)RUBIO (Mexico City MEXICO)Sam Williams (Paris TN)San Gabriel (Austin TX)San Saba County (Austin TX)Seafoam Walls (Miami FL)Selfish Sons (Brisbane AUSTRALIA)She’s In Parties (Colchester UK-ENGLAND)Sinkane (Brooklyn NY)Skateland (Austin TX)SNACKTIME (Philadelphia PA)Soda Blonde (Dublin IRELAND)Sofia Kourtesis (Berlin GERMANY)Sofi Paez (Berlin GERMANY)Softee (Moorhead MN)South Summit (Perth AUSTRALIA)SPRINTS (Dublin IRELAND)Stuck in the Sound (Paris FRANCE)Styrofoam Winos (Nashville TN)Sui Zhen (Melbourne AUSTRALIA)The Sully Band (San Diego CA)Sultan Stevenson (London UK-ENGLAND)Swallow the Rat (Auckland NEW ZEALAND)Sycco (Brisbane AUSTRALIA)Talia Goddess (Brooklyn NY)Tamera (London UK-ENGLAND)Teenage Sequence (Fort-Worth TX)Telehealth (Seattle WA)TENGGER (Seoul SOUTH KOREA)t e s t p r e s s (Glasgow UK-SCOTLAND)Texas String Assembly (Austin TX)TFD (Total Fucking Darkness) (Vancouver CANADA)This Is Lorelei (New York NY)THUS LOVE (Brattleboro VT)The Tiarras (Austin TX)Tokyo Syoki Syodo (Shimokitazawa JAPAN)TRACY DE SA (Sevres FRANCE)Tufan Derince (Diyarbakir TURKEY)twst (Barry UK-WALES)Venus Twins (Brooklyn NY)Vera Sola (Los Angeles CA)The Vices (Groningen NETHERLANDS)The View (Dundee UK-SCOTLAND)VLURE (Glasgow UK-SCOTLAND)Vulva Voce (Manchester UK-ENGLAND)Water Damage (Austin TX)William The Conqueror (Newquay UK-ENGLAND)Wyldest (London UK-ENGLAND)The XCERTS (Aberdeen UK-SCOTLAND)Yb. (Brisbane AUSTRALIA)YHWH Nailgun (New York NY)Yo Diablo (Valencia SPAIN)Yogetsu Akasaka (Tokyo JAPAN)YU-KA (Tokyo JAPAN)Zheani (Brisbane AUSTRALIA)Zoon (Winnipeg CANADA)ZÓRA (Budapest HUNGARY)zouz (Montréal CANADA)
Iron Maiden‘s first show scheduled in Bogota, Colombia, in 13 years drove fans to snatch up 42,000 tickets in 21 minutes to sell out El Campín Stadium 11 months before the Nov. 24, 2024, date. It is the first show in Colombia to sell out so far in advance, according to promoter Move Concerts.
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“We all expected strong sales given the long wait since they last performed here, which was on March 20, 2011, but never in our wildest dreams did we think it would blow out in 21 minutes and smash sales records,” Alfredo Villaveces, Managing Director of Move Concerts Colombia, said in a press release. “And if we factor in the fact we went up so far ahead of the show date – something no other artist had done here – it is truly amazing.”
According to the press release, the time span clocked for tickets sold broke the sales velocity records of all previous international acts who have performed in the past in Colombia, including The Rolling Stones, Coldplay, Madonna, Ed Sheeran and The Weeknd.
But compared to all performing artists, including Latin American, Iron Maiden’s sellout pace was exceeded by Colombian superstar Karol G, who recently performed two sellout stadium shows in her hometown of Medellín as part of her Mañana Será Bonito Tour.
Formed in Leyton, East London, in 1975, the English heavy metal band is known for classics such as “The Trooper,” “Hallowed Be Thy Name” and “The Number of the Beast.” On the Billboard charts, the band has had four top 10 albums on the Billboard 200.
Iron Maiden’s 2024 Future Past World Tour will also include two shows in Chile, at the 60,000-seat Estadio Nacional in Santiago, on Nov. 27 and 28, 2024. Tickets for those dates are on sale now and, according to Move Concerts, more than 95,000 have been sold so far.
Find more info on the tour below:
Last week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues and promoters of 2023. That coverage included analysis of the new wave of genre diverse artists crashing stadium stages, and in turn, our charts. This week, we are breaking down the year’s biggest tours, genre by genre. Today, we begin with Latin.
Throughout the 2010s, Latin acts – here, defined as artists who primarily perform in Spanish – were consistently supporting players on the Boxscore charts. Strong supporting players, with generally a combined 3-6% share of the yearly top 100 tours’ total gross, but supporting, nonetheless. But as the many subgenres that comprise Latin music’s growing global footprint gained international recognition and popularity, acts from Puerto Rico, Colombia, Mexico and more returned from the pandemic with a strengthened touring audience.
Latin’s top-100 share rose from 5.3% in 2019 to 12.1% in 2022. That was thanks, in large part, to Bad Bunny’s record-breaking year atop the year-end Top Tours chart, plus fumes from Daddy Yankee’s farewell tour. In 2023, the genre dips to 11.5% in 2023. But in the absence of Bad Bunny’s $373.5 million from last year, Latin’s deepening bench picked up the slack to remain relatively steady, signaling the potential for even more growth in the years to come.
While reggaetón and pop acts continued to power Latin touring, 2023 marked the rise of regional Mexican music, on streaming services and on stages. Eslabon Armado, Fuerza Regida and Peso Pluma conquered Billboard’s global charts, while those acts, Grupo Firme and others were selling out arenas across the U.S. and Central America.
Scroll to check out the top 10 highest grossing tours by Latin artists, according to figures reported to Billboard Boxscore. All reported shows worldwide between Nov. 1, 2022 – Sept. 30, 2023 are eligible.
Carin Leon
Image Credit: Kevin Winter/Getty Images for Latin Recording Academy
Sphere Entertainment provided the first inside glimpse at the finances of James Dolan‘s $2 billion Sphere project in Las Vegas in a new Securities and Exchange Commission filing on Tuesday (Dec. 5).
Spun off from Madison Square Garden Entertainment in April and now trading on the NYSE as SPHR, the company is expected to report positive adjusted income this quarter thanks to the opening of the venue and a successful run of shows including U2:UV’s Achtung Baby Live At Sphere.
According to Billboard Boxscore, U2‘s 17-show run beginning in September at Sphere generated nearly $110 million in ticket sales. The SEC filing notes that those shows generated a total of $30.7 million in revenue for Sphere Entertainment through Nov. 30. Meanwhile, Sphere Entertainment’s own content offering, Darren Aronofsky’s Postcard from Earth, has generated approximately $44.5 million in total revenue from ticket sales from 111 showings.
U2 played its first show at Sphere on Sept. 29, 2023, kicking off a multi-month run at the venue. Due to the strong demand, 15 more shows have been added in January, February and March 2024, bringing the band’s planned number of performances to 40.
Also in the SEC filing, the company announced plans to raise money through the sale of $225 million in convertible senior notes that are due to mature in 2028, as well as the option for purchasers to buy an additional $33.75 million in notes.
Sphere Entertainment plans to use a portion of the proceeds from the notes sale to fund capped call transactions designed to reduce the potential dilution of its common stock from the conversion of debt into equity. The remainder of the net proceeds will be used for general corporate purposes, including capital for Sphere-related growth initiatives, according to a release announcing the offering. The initial conversion rate, interest rate and certain other terms of the notes will be negotiated between Sphere Entertainment and the initial purchasers.
Sphere Entertainment began the quarter (starting Sept. 30) with $433.5 million in cash on hand, with $123 million coming from advance ticket sales. The principal balance of the company’s total debt at the beginning of the quarter was approximately $1.2 billion, including $932.3 million of debt under the MSGN Credit Facilities. Under the terms of the MSGN deal, $103.1 million in required quarterly amortization payments are due between Sept. 30, 2023, and Oct. 11, 2024.
Shares of Sphere Entertainment dropped nearly 20% in trading after the company announced the debt offering, but bounced back slightly and were down 15.5% to $28.41 at the market’s close.
TikTok announced that it will bring its in-app ticketing feature, a collaboration with Ticketmaster, to an additional 20 countries on Monday (Dec. 4).
The feature allows artists to put Ticketmaster event links in the clips they post on TikTok, making it easy for their followers to click and buy tickets in the app. TikTok started testing the feature in the U.S. in August 2022.
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The two companies didn’t share any information about the results of the test, though they said Niall Horan, The Kooks, Burna Boy, and Shania Twain have all tried it out. TikTok opened access to the feature this week to certified artists in the U.K., Ireland, Australia, Germany, France, Canada, Mexico, Austria, Belgium, Czech Republic, Denmark, Finland, Italy, Netherlands, New Zealand, Norway, Poland, Switzerland, Spain and Sweden.
In a statement, Michael Chua, Ticketmaster’s vp global business development and strategic partnerships, said the partnership will allow artists to “easily connect their content to event discovery and ticket purchase in-app making it easier than ever for fans around the world to experience their favorite artists live.”
“By enabling fans to buy tickets directly through TikTok, we’re giving artists the opportunity to reach ticket buyers in a whole new way,” added Michael Kümmerle, TikTok’s global music partnership development lead. “We hope to deliver further value to all artists throughout all stages of their careers and provide more opportunities for a growing fanbase.”
TikTok has been busy rolling out features lately. Last week, the platform added official artist labels (available once a user has released four songs) and a “new” tag that can be used to highlight an act’s latest release (14 days before the song comes out and for another 30 days after it drops). “These features can deepen engagement whilst creating unique opportunities for fans to connect with their favorite artists in meaningful ways, driving music discovery on the platform,” said Paul Hourican, TikTok’s global head of music partnerships and programming, in a statement.
It’s been more than 27 years since Sublime performed its final show with Bradley Nowell, but recent moves by the late frontman’s family have paved the way for the band’s possible return with Nowell’s son Jakob Nowell as the famed Long Beach punk-ska-reggae trio’s next generation singer.
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Jakob Nowell — who was 11 months old when his father died in 1996 — has been performing and touring for more than a decade, and this year signed a record deal with Epitaph Records for his group Jakob’s Castle and made a surprise appearance with Stick Figure at Coachella. On Dec. 11, he will perform at a benefit concert for Bad Brains frontman H.R. at the Teragram Ballroom in Los Angeles alongside Sublime’s original members, bassist Eric Wilson and drummer Bud Gaugh, for the first time ever. The trio are not calling themselves Sublime for the benefit show, but Jakob’s manager Kevin Zinger with Regime Music Group and musician-turned-executive Joe Escalante have already been selected by the original band members, along with Bradley Nowell’s wife (and Jakob’s mom) Troy Dendekker Nowell, to manage the rights and intellectual property for Sublime.
Kevin Zinger
Fabrice Henssens
Zinger and Escalante have been hired to manage the “legacy assets, the licensing and all the business in Sublime going forward for Jake, Troy, Bud and Eric,” Escalante tells Billboard. “The guys plan to jam together in support of H.R. at the Teragram Ballroom on Dec. 11. Beyond that we’re not prepared to make any announcements.”
Zinger is a veteran music executive and documentary filmmaker whose clients include House of Pain, Tower of Power, Everlast and Steele Pulse. Escalante is bassist for the famed Orange County punk band The Vandals, as well as a music executive and Hollywood showrunner.
News of a relaunched Sublime has generated significant interest from festival talent buyers who have already begun submitting offers for festival bookings, Zinger tells Billboard. But for now, he says, the three men remain focused on rehearsing for the Dec. 11 show.
Joe Escalante
Aki Yamazaki
“We’re patiently waiting and doing the right thing,” says Zinger. “If the vibe’s there, the vibe’s there.”
Wilson is also a member of Sublime with Rome, a popular touring outfit led by singer Rome Ramirez that plays songs from Sublime’s catalog as well as Ramirez’s originals. The name Sublime with Rome was created as legal a compromise between Ramirez, Wilson and Troy Dendekker Nowell in 2010 after Nowell sued to stop the men from touring under the name Sublime.
Further complicating matters for Sublime relaunch with Jakob Nowell is that Sublime With Rome have a New Zealand tour and a number of big festivals booked in 2024;, as does Jakob’s Castle, who’s opening for G Love & Special Sauce on a tour running through the end of March.
Tickets are still available for Positive Mental Attitude: A Benefit For HR of Bad Brains at the Teragram Ballroom on Dec. 11, priced at $30 apiece. There is also a GoFundMe set up to benefit H.R. here.
Doja Cat isn’t too happy with her performance at her Thursday night (Nov. 30) concert. After leaving the stage in Newark, N.J., the 28-year-old rapper posted an apology to fans on her Instagram Story. “I’m so f–kin sorry New Jersey,” Doja wrote, placing text over a seemingly random photo of a crushed-up chip. “I don’t […]
The Black Opry has revealed the initial slate of shows for its 2024 The Black Opry Revue tour, with tickets on sale now at blackopryrevue.com. The shows run from January through April.
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Each show of mostly acoustic performances features a unique lineup of Black artists in the country, Americana, folk and roots music scenes. Newly announced shows for 2024 will feature performers including Sug Daniels, King Jester, Nick Tabron, Crystal Rose, Denitia, Layna, Autumn Nicholas, Justin Reid, Lori Rayne, Deidre Hall, Naomi Wachira, Grace Givertz, LW Watterson, Mehuman, Tylar Bryant, Mia Borders, Jared Michael Cline, Gary Blackchild, Nicky Diamonds, Julie Williams, Rachel Maxann, Ally Free, Roberta Lea, Jett Holden, Whitney Mongé, Nathan Graham, Christine Melody, Isaiah Cunningham, Carmen Dianne, The Kentucky Gentlemen, Leon Timbo, and Ping Rose & the Anti-Heroes.
The Black Opry was formed with a mission to create equity and opportunities for Black artists within the country, Americana, folk and roots music industries and form a space that is safe and helpful to Black artists and creating an inclusive version of these genres for Black artists, fans and executives.
The Black Opry Revue first held three stand-alone shows in 2021, before launching in earnest in January 2022. The Black Opry Revue has been featured in more than 100 venues and festivals across the United States, including CMA Fest, Newport Folk Fest, Americanafest and more.
See the list of 2024 tour dates below:
Black Opry Revue 2024 Tour Dates
Jan. 6, 2024 – Lancaster, PA @ Zoetropolis Cinema featuring Sug Daniels | King Jester
Jan. 11-14, 2024 – South Walton, FL @ 30A Songwriters Fest featuring Nick Tabron | Crystal Rose | Denitia | Layna | Autumn Nicholas | Justin Reid
Feb. 9, 2024 – Berkeley, CA @ Freight & Salvage featuring Layna | Lori Rayne | Deidre Hall | Naomi Wachira
Feb. 9, 2024 – Barre, VT @ Barre Opera House featuring Sug Daniels | Grace Givertz | LW Watterson | Mehuman | Tylar Bryant
Feb. 10, 2024 – Keene, NH @ Showroom featuring Sug Daniels | Grace Givertz
Feb. 15, 2024 – Jacksonville, FL @ JAX Music Experience featuring Layne | Lori Rayne | Mia Borders | Jared Michael Cline
Feb. 16, 2024 – Fort Collins, CO @ Lincoln Center featuring Garry Blackchild | Nicky Diamonds | Rachel Maxann | Ally Free | Nick Tabron
Feb. 16, 2024 – Virginia Beach, VA @ Sandler Center featuring Roberta Lea | Julie Williams | Jett Holden | Whitney Mongé | Tylar Bryant
Feb. 23, 2024 – Detroit, MI @ Detroit Institute of Arts featuring Nathan Graham | Christine Melody | Jett Holden | Isaiah Cunningham
Feb. 29, 2024 – Aspen, CO @ Wheeler Opera House featuring Tylar Bryant | Carmen Dianne | Nick Tabron | Jett Holden | Julie Williams
March 1-8, 2024 – Cayamo Journey Through Song Leon Timbo | The Kentucky Gentlemen | Accompanied by Ping Rose & The Anti-Heroes
March 29, 2024 – Wolf Trap, VA @ The Barns at Wolf Trap featuring Sug Daniels | Grace Givertz | Tylar Bryant | Rachel Maxann | Roberta Lea
April 6, 20024 – Ft. Lauderdale, FL @ Tortuga Music Fest featuring Tylar Bryant | The Kentucky Gentlemen | Julie Williams | Roberta Lea
A decade ago, the top eight acts on the 2013 Billboard Boxscore Top Tours chart each took in more than $100 million in ticket sales. Of those, Taylor Swift and Rihanna were young superstars; Pink and Beyoncé were each in their second decade as solo performers; and three — Bruce Springsteen, Bon Jovi and The Rolling Stones — were legacy rock acts. (The eighth was Cirque du Soleil’s Michael Jackson show.) Those results were typical for the time, which was why concert industry executives feared for years that their business wouldn’t have a steady supply of superstars that could fill stadiums and arenas after acts like the Stones and Elton John retired.
Now in 2023, the second full year of post-pandemic touring, 17 acts reached the $100 million mark (and 13 hit the inflation-adjusted equivalent of $132 million). Of those, nine released a debut album after 2010: Harry Styles, Morgan Wallen, Ed Sheeran, The Weeknd, BLACKPINK, Karol G, Drake, Luke Combs and Post Malone.
They look and sound differently, too. Unlike the rock acts that dominated the Boxscore charts in 2013 and for many of the years before and after, this new generation of headliners leans more toward pop, either in terms of genre (Styles, Sheeran, BLACKPINK), radio airplay (The Weeknd, Post Malone) or both. They’re more diverse, both personally and in terms of audience appeal, and more likely to score hits on the Billboard Hot 100. And they have enough drawing power to charge as much or more than legacy rock acts that appeal to an older, and presumably wealthier, audience.
To understand why so many newer acts can now gross more than $100 million, it helps to look at how that happens. To score those kinds of results, an act needs to not only sell a lot of tickets — it needs to sell them for a fairly high price. For years, most stadium acts had their roots in classic rock, and they alone could break the $100 mark for per-ticket pricing, at least partly because their audience tends to have more money and partly because fans knew they wouldn’t tour forever.
Some younger top acts use elaborate productions and cultural cachet to create that same sense of event — the fear of missing out — that makes fans willing to part with more money. That’s at the heart of the year’s top outing, Swift’s The Eras Tour, which Billboard Boxscore estimates brought in $920 million. (Swift and her team opted not to report attendance or ticket sales to Billboard Boxscore, which disqualifies her from the chart. Swift, who has previously reported her ticket sales, is not the first act to opt out, but she’s the first who would have been a contender for the top spot.)
If Swift had reported her numbers, she would certainly come in ahead of the official No. 1, Beyoncé’s Renaissance world tour, which took in $570.5 million from 55 shows during the tracking period. (Beyoncé played a final show on Oct. 1, which added $9.3 million to the tour’s overall haul.) That’s the highest single-year gross ever reported to Boxscore. Some of that success was due to pent-up demand — Beyoncé hadn’t performed as a solo artist since the 2016 Formation World Tour — and some resulted from more aggressive pricing. Many acts have raised ticket prices, apparently in order to capture more value that might otherwise go to scalpers.
Like Beyoncé’s shows, Coldplay’s Music of the Spheres world tour, which came in at No. 2 with $342.5 million from 55 concerts, had an elaborate visual component. So did Styles’ arena outing, which took in $338.2 million from 69 concerts, including nine at the Los Angeles Forum. Rounding out the top five were Wallen ($260.4 million from 44 shows) and Sheeran ($256.9 million from 46). Filling out the top 17 tours that grossed over $100 million were P!nk, John, The Weeknd, Depeche Mode, BLACKPINK, Karol G, Drake, Combs, Metallica, Dead & Company, Post Malone and George Strait.
The concert business isn’t only reacting to this trend toward younger and more diverse artists — it has played a role in making it happen. Over the last decade, the industry has shifted its focus from breaking individual acts as top touring attractions to creating a venue network that can identify artists with growth potential.
AEG and Live Nation have both adopted this strategy, and each has its own club and theater network that it uses to court artists like Wallen, Karol G, Combs and Post Malone. From there, artists can be steered into the company’s other divisions, including festivals or specialty promoters like The Messina Group, which is half-owned by AEG and this year produced tours by Swift, Strait, Eric Church and others.
This approach to developing artists as live acts focuses on boosting them to a certain level of popularity before moving on to the next. It’s paying off. The total gross of the top 10 tours is up 22% from 2022, to $2.7 billion, while the total for the top 100 is up 17%, to $7.5 billion. (These figures undercount industry growth because the time period that Boxscore used is a month shorter than in previous years — Nov. 1, 2022, to Sept. 30, 2023, rather than the previous period of Nov. 1 to Oct. 31.) That means 36% of the money taken by the top 100 tours went to the top 10 — and 51% went to the top 20.
That sharp rise in revenue partly comes from increased ticket prices, especially for younger artists. In fact, in a break with long-standing industry practice, younger acts are now charging more for some tickets than veterans. This year, it cost an average of $33 less to see the oldest of the top 10 touring acts, 76-year-old John (average: $166), than the youngest, 29-year-old Wallen (average: $199).
That might not last. The average price for the top 100 tours is now around $122, and fans may not be able to pay much more. A recent Peak Performance study by UTA Intelligence and Variety surveyed 1,500 concertgoers and found that over 62% said the biggest impediment to seeing more shows was the price, while 38% said the sole reason they didn’t go to a concert they wanted to attend was the expense.
Another year, another Boxscore recap. After Ed Sheeran scored consecutive wins in 2018-19, Elton John and The Rolling Stones led abridged COVID-flanked charts in 2020-21, and Bad Bunny broke ground in 2022, Beyoncé rules the 2023 year-end Top Tours ranking.
According to figures reported to Billboard Boxscore, the Renaissance World Tour grossed $570.5 million during the 2023 tracking period – Nov. 1, 2022-Sept. 30, 2023 – and another $9.3 million on its final show on Oct. 1. But the tour didn’t even begin until May 10 – and now, you can take a look at how the Top Tours chart took shape, from start to finish.
For the first month, Coldplay and Elton John dominated the race. John began ahead with $7.8 million on Nov. 1 from a show at Las Vegas’ Allegiant Stadium. The final shows of Coldplay’s 10-night run in Buenos Aires gave them the lead by Nov. 2, but a week later, John resumed his reign.
After dominating the 2022 year-end charts, Latin music reigned in December and into the new year. Bad Bunny took over first, before ceding to Daddy Yankee, whose farewell La Ultima Vuelta World Tour grossed $72.5 million between early November and its late December finish.
The Brits returned to the top in January, as John reclaimed the No. 1 spot, followed by Harry Styles.
Notably, figures for Taylor Swift’s The Eras Tour have not yet been reported to Boxscore. While that disqualifies her from appearing on year-end charts, Billboard’s projections place her at the center of the year’s biggest touring acts.
Based on estimates, Swift would have ended the Styles era around mid-April, becoming the first artist in 2023 to gross $200 million, $300 million, $400 million, and beyond. By the end of August, The Eras Tour played its last shows of the tracking period, with more than $800 million in the bank.
Based on official figures, Styles and John continued to flip the top spot well into the summer, until Beyoncé broke through in August. The Renaissance World Tour brought her to the top 10 within a month of launching, with $85.8 million by June 5 and $141.8 million by the end of its first leg (June 28).
Kicking off the North American leg on July 8, Beyoncé kicked into high gear, averaging nearly double the nightly grosses of her European shows. Her three shows at Atlanta’s Mercedes-Benz Stadium on Aug. 11-12 and 14 charged the tour’s overall gross from $324.8 million to $364.6 million, pushing the Renaissance World Tour to No. 1, where it’d stay through the end of the tracking period.
Ultimately, at $570.5 million, Beyoncé enjoys a 67% lead over Coldplay, which snuck by Styles at the last minute to land at No. 2.
Though they never occupied the top spot, BLACKPINK and Ed Sheeran were among the top 10 throughout most of the year. The K-pop girl-group spent the first four months of the tracking period in the top five, before dipping off the graph and returning to the top 10 for year’s end. Sheeran took the early months off from touring, and then shot onto the list by late February. For his part, Morgan Wallen blossomed in the late months with stadium shows in support of One Thing at a Time, ultimately yielding the biggest year-end gross for a country tour ever.
Click here to see the full year-end 2023 Boxscore charts.