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Top Album Sales

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Taylor Swift once again crowds the top 10 of Billboard’s Top Album Sales chart, as the superstar has five titles lodged in the top 10 of the Dec. 23-dated tally. It’s the fifth time she’s held at least half of the top 10, with three of those weeks happening this month.

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Her most recent release, 1989 (Taylor’s Version), is a non-mover at No. 2 with 65,000 copies sold (up 21%) in the tracking week ending Dec. 14, according to Luminate. Folklore rises 5-4 (24,000; up 17%), Midnights climbs 8-5 (24,000; up 29%), Speak Now (Taylor’s Version) steps 7-6 (22,000; up 15%) and Lover returns to the top 10, ascending 12-8 (20,000; up 50%). The five former No. 1s all experience gains largely due to sales of their vinyl configurations, as retailers continue to promote music on vinyl during the holiday shopping season.

Swift isn’t the only big news in the top 10 of the new Top Album Sales chart, as Nicki Minaj’s Pink Friday 2 debuts at No. 1 with 92,000 copies sold. As earlier reported, that marks the biggest sales week for any rap album by a woman in the 2020s decade and the largest sales week for an R&B/hip-hop album by a woman in 2023. In total, Pink Friday 2 is Minaj’s third No. 1 on Top Album Sales, following Pink Friday: Roman Reloaded in 2012 and Pink Friday in 2011.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

As for the rest of the top 10 on the new Top Album Sales chart, ATEEZ’s The World EP. Fin: Will moves to No. 3 (30,000; down 79%) after debuting on top a week ago, Stray Kids’ former leader ROCK-STAR falls 4-7 (20,000; down 8%), Olivia Rodrigo’s chart-topping Guts rises 11-9 (19,000; up 40%, mostly from vinyl sales) and Dolly Parton’s former No. 1 Rockstar is a non-mover at No. 10 (18,000; down 4%).

In the week ending Dec. 14, there were 3.075 million albums sold in the U.S. (up 13.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 2.713 million (up 15.8%) and digital albums comprised 362,000 (up 1.1%).

There were 1.058 million CD albums sold in the week ending Dec. 14 (up 4.7% week-over-week) and 1.640 million vinyl albums sold (up 24.3%). Year-to-date CD album sales stand at 34.921 million (up 3.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 46.149 million (up 16.4%).

Overall year-to-date album sales total 99.256 million (up 6.2% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 81.604 million (up 10.3%) and digital album sales total 17.652 million (down 9.2%).

ENHYPEN score their sixth top 10 on Billboard’s Top Album Sales chart (dated Dec. 2), as the Korean pop ensemble’s Orange Blood bows at No. 2. The set sold 87,000 copies in the U.S. in the week ending Nov. 23, according to Luminate.

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Also in the top 10 of the new Top Album Sales chart, Dolly Parton notches her first No. 1 on the 32-year-old list with the arrival of Rockstar; Taylor Swift has half of the top 10 thanks to sale pricing and promotions for Black Friday, and Cher’s Christmas vaults 23-10 after its release on vinyl.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of the 87,000 copies sold of Orange Blood, physical sales comprise 86,000 (all on CD) and digital download album sales comprise 1,000. Its sales were bolstered by its availability across a dozen collectible CD packages (including exclusive versions sold by Barnes & Noble, Target and Walmart; all with branded merchandise inside, some with randomized elements).

As previously reported, Parton’s Rockstar rules Top Album Sales with her biggest sales week of the modern era (since Luminate began electronically tracking sales in 1991), with 118,500 copies sold. Its sales were enhanced by a variety of iterations available on vinyl and CD.

Swift has half of the top 10 on Top Album Sales for a third time, thanks to sale pricing and promotions previewing the Black Friday shopping holiday on Nov. 24. (Swift previously had five of the top 10 on the Nov. 11-dated list, and six of the top 10 on the July 22-dated chart.) On the latest Top Album Sales ranking, Swift’s 1989 (Taylor’s Version) falls 2-3 (64,000; down 7%), Folklore jumps 14-6 (20,000; up 77%), Midnights rallies 11-7 (19,000; up 57%), Lover leaps 16-8 (18,000; up 80%) and Speak Now (Taylor’s Version) shoots 15-9 (17,000; up 72%). All are former No. 1s on the tally.

Stray Kids’ ROCK-STAR falls 1-4 in its second week on Top Album Sales, selling 46,000 copies (down 78%). Jung Kook’s chart-topping Golden dips 4-5 with 20,000 sold (down 42%).

Rounding out the top 10 is Cher’s Christmas, which returns to the region, zipping 23-10 with 14,000 sold (up 82%) following the set’s release on vinyl on Nov. 17. It sold a little over 6,000 copies on vinyl. Christmas debuted and peaked at No. 5 on the Nov. 4-dated chart.

In the week ending Nov. 23, there were 2.34 million albums sold in the U.S. (up 1.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.98 million (up 2.6%) and digital albums comprised 361,000 (down 3.1%).

There were 923,000 CD albums sold in the week ending Nov. 23 (down 3.4% week-over-week) and 1.046 million vinyl albums sold (up 8.6%). Year-to-date CD album sales stand at 31.921 million (up 2.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 41.441 million (up 17.1%).

Overall year-to-date album sales total 90.474 million (up 6.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 73.857 million (up 10.4%) and digital album sales total 16.617 million (down 9.4%).

Taylor Swift’s third re-recorded album, Speak Now (Taylor’s Version), was a hot seller in its first week of a release in the U.S., according to the data tracking firm Luminate. In the week ending July 13, the set sold 507,000 copies across all of its physical and digital retail formats (CD, vinyl, cassette and digital download album). That sum represents nearly a quarter of all album sales in the U.S. that week (2.131 million).

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Speak Now (Taylor’s Version)’s share of the album sales market is similar to when she dominated the landscape during the debut week of Midnights in 2022. That album sold 1.14 million copies in the week ending Oct. 27, 2022 – accounting for 41% of all albums sold in the U.S. that week (2.79 million).

Swift can capture a large chunk of the album sales market in a given week because she remains a solid seller at a time when yearly album sales have declined in 10 of the last 11 years, as more music fan adopt streaming services as their primary means of consuming music. Thus, Swift’s outsized album sales dwarf the rest of the industry.

In 2022, Swift was the top-selling act for the year in terms of total album sales, with 2.93 million copies sold across her entire catalog – about 3% of total album sales across all albums from all artists (100.09 million). She also had the year’s top-selling album, with Midnights selling 1.818 million copies (more than twice the sum of the year’s second biggest seller, Harry Styles’ Harry’s House, with 757,000).

In 2023 so far, through July 13, Swift’s total album sales across all of her releases stands at 2.096 million – 3.8% of all album sales this year, by all artists (54.519 million).

Swift’s selling power is further evidenced on Billboard’s latest 100-position Top Album Sales chart (dated July 22, reflecting the sales week ending July 13), where Speak Now (Taylor’s Version) debuts at No. 1 with 507,000 copies sold, the Nos. 2-100 titles – combined – sold just 381,000.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new July 22, 2023-dated chart will be posted in full on Billboard‘s website on July 18. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Speak Now (Taylor’s Version) is a re-recorded version of Swift’s 2010 studio album Speak Now, which topped both the Billboard 200 and Top Album Sales chart. The 22-track re-recorded edition includes new recordings of the original album’s 14 standard tracks, along with bonus cuts and previously unreleased “From the Vault” recordings. Speak Now (Taylor’s Version) follows Swift’s re-recorded Red and Fearless albums, released in 2021.

Of Speak Now (Taylor’s Version)’s 507,000 copies sold, physical sales comprise 410,000 (268,000 on vinyl; 134,000 on CD and 8,000 on cassette) while digital album download purchases comprise 97,000. The album’s vinyl sales mark the second-largest week for a vinyl album since Luminate began tracking data in 1991 – only the debut week of Midnights posted a bigger vinyl week (575,000).

Swift announced the release of Speak Now (Taylor’s Version) on May 5, the same day she began taking pre-orders for the album via her official webstore. The set sold as a digital download album, double-CD, double-cassette and in three color vinyl LP variants (orchid marbled, violet marbled and a Target-exclusive lilac marbled color). The iTunes Store also carried an exclusive edition of the album with a short video clip as a bonus feature. On the final day (July 13) of the album’s debut tracking week, Swift released a deluxe digital album download of the set exclusively sold through her official webstore, which added two bonus live tracks recorded during her ongoing The Eras Tour (“Dear John” and “Last Kiss,” both of which were originally released in their studio form on the Speak Now album in 2010).

All told, Speak Now (Taylor’s Version) is the 12th No. 1 on Top Album Sales for Swift.

Elsewhere on the latest Top Album Sales chart, Swift has five more titles in the top 10, as her former No. 1s Midnights (a non-mover at No. 3 with 18,000; up 49%), Folklore (8-6 with 13,000; up 45%), Lover (10-7 with 12,000; up 50%), Fearless (Taylor’s Version) (14-9 with 11,000; up 81%) and Red (Taylor’s Version) (19-10 with 10,000; up 89%). It’s the second time Swift has placed at least six titles in the top 10 concurrently. She did it previously on the July 22-dated list. No other act has charted six or more albums in the top 10 at the same time.  

As for the non-Swift titles in the top 10: Stray Kids’ former No. 1 5-STAR is a non-mover at No. 2 (27,000; up 70% after the release of a new CD edition), aespa’s MY WORLD falls 1-4 in its second week (14,000; down 65%), Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd. jumps 33-5 (13,000; up 265% after a new vinyl edition of the album was released) and King Gizzard and the Lizard Wizard’s PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation debuts at No. 8 (11,000).

In the week ending July 13, there were 2.131 million albums sold in the U.S. (up 22% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.729 million (up 21.8%) and digital albums comprised 402,000 (up 23.2%).

There were 705,000 CD albums sold in the week ending July 13 (up 8% week-over-week) and 1.008 million vinyl albums sold (up 33.4%). Year-to-date CD album sales stand at 18.893 million (up 4.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 25.371 million (up 21.7%).

Overall year-to-date album sales total 54.519 million (up 8.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 44.556 million (up 13.4%) and digital album sales total 9.962 million (down 10.5%).

aespa achieves its second No. 1 on Billboard’s Top Album Sales chart (dated July 15) as the Korean group’s latest release MY WORLD: The 3rd Mini Album debuts atop the list with 39,000 copies sold in the U.S. in the week ending July 6, according to Luminate.
Also in the top 10 of the new Top Album Sales chart, Lil Uzi Vert’s Pink Tape bows at No. 4, Phish nets its highest-charting album ever as its 2000 studio album Farmhouse re-enters at No. 5 after a vinyl reissue, and Lucinda Williams earns her best sales week in over seven years as Stories From a Rock N Roll Heart debuts at No. 9.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of MY WORLD’s 39,000 copies sold in its first week, physical sales comprise effectively all of that sum – and all on the CD format. Like many K-pop releases, the CD edition of MY WORLD was issued in collectible CD packages (more than 16, including exclusive editions for Amazon, Barnes & Noble, Target, Walmart and the act’s webstore), each containing a standard set of branded merchandise items and randomized branded elements (such as photo cards, posters and stickers).

Stray Kids’ chart-topping 5-STAR rises 3-2 on Top Album Sales with 16,000 sold (down 17%) while Taylor Swift’s former No. 1 Midnights climbs 5-3 with 12,000 (up 9%). Lil Uzi Vert’s latest studio set Pink Tape arrives at No. 4 with a little over 11,000 sold, marking their third top 10-charting effort.

Phish’s studio album Farmhouse, released in 2000, returns to Top Album Sales at a new peak, as the set re-enters at No. 5 with a little over 11,000 sold (up 26,731%) – basically on in vinyl LP sales – after a new vinyl reissue. The set was reissued on 180-gram colored (blue and nebulous green) double-vinyl on June 30. Farmhouse also debuts at No. 1 on the Vinyl Albums chart (a little over 11,000 copies sold) – marking the band’s third leader on the list and its best sales week on vinyl ever.

Farmhouse originally debuted and peaked at No. 12 on the Top Album Sales chart in 2000. With its re-entry at No. 5, it marks Phish’s eighth top 10 on the tally.

ATEEZ’s former leader The World EP.2: Outlaw falls 2-6 on Top Album Sales with 11,000 sold (down 65%), ENHYPEN’s Dark Blood dips 4-7 with 9,000 (down 19%) and Swift’s chart-topping Folklore is pushed down 7-8 with nearly 9,000 (despite an 11% gain).

Lucinda Williams’ Stories From a Rock N Roll Heart bows at No. 9 on Top Album Sales with the singer’s best sales week in over seven years – 8,500. She last sold more in a week when The Ghosts of Highway 20 launched at No. 16 on the Feb. 27, 2016-dated chart with 16,000 sold. Stories is Williams’ third top 10 on Top Album Sales.

Rounding out the top 10 on the new Top Album Sales chart is Swift’s former No. 1 Lover, which falls 8-10 with nearly 8,000 (though up 10%).

In the week ending July 6, there were 1.746 million albums sold in the U.S. (up 2.2% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.420 million (up 4.2%) and digital albums comprised 327,000 (down 5.5%).

There were 652,000 CD albums sold in the week ending July 6 (up 5.2 % week-over-week) and 756,000 vinyl albums sold (up 2.9%). Year-to-date CD album sales stand at 18.189 million (up 4% compared to the same time frame a year ago) and year-to-date vinyl album sales total 24.362 million (up 21.2%).

Overall year-to-date album sales total 52.387 million (up 7.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 42.827 million (up 13.2%) and digital album sales total 9.560 million (down 11.3%).

Kelly Clarkson earns her fourth No. 1 on Billboard’s Top Album Sales chart (dated July 8) as her latest studio effort, Chemistry, debuts atop the list. The set sold 43,000 copes in the U.S. in the week ending June 29, according to Luminate. Clarkson previously led the tally with Piece by Piece (2015), All I Ever Wanted (2009) and Thankful (2003). All told, Chemistry is her 10th top 10-charting title on Top Album Sales.

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Also in the top 10 of the new Top Album Sales chart, Young Thug nabs his sixth top 10 set as Business Is Business bows at No. 6.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new July 8, 2023-dated chart will be posted in full on Billboard‘s website on July 5, one day later than usual, owed to the Independence Day holiday in the U.S. on July 4.  For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Chemistry’s 43,000 copies sold in its first week, physical sales comprise 25,500 (18,000 on CD and 7,500 on vinyl) and digital album sales comprise 17,500. The set also enters at No. 1 on the Vinyl Albums chart (her first leader there), and with 7,500 sold, Chemistry lands Clarkson her best week ever on vinyl.

Chemistry’s sales were bolstered by its availability across multiple vinyl variants, including exclusive color editions for Amazon, Barnes & Noble, Clarkson’s webstore, Spotify, Target, Urban Outfitters and Walmart. (Target’s edition also had an alternative cover.) Clarkson’s CD sales were enhanced by multiple editions, including a signed version sold through her webstore, an Amazon-exclusive that contained a poster and a Target-exclusive variant with an alternative cover.

ATEEZ’s The World EP.2: Outlaw falls to No. 2 in its second week, with 32,000 sold (down 68%) after debuting atop the list a week ago. Stray Kids’ former No. 1 5-STAR is a non-mover at No. 3 with 19,000 (down 28%) and ENHYPEN’s Dark Blood is also stationary at No. 4 with 11,000 (down 10%). Taylor Swift’s chart-topping Midnights is steady at No. 5 with nearly 11,000 sold (down 4%).

Young Thug’s Business Is Business is the second and final debut in the top 10, as it starts at No. 6 with 8,500 sold, with 97% of that figure from digital album sales. A small number of sales were generated by a CD edition of the album that was released late in the tracking week to a limited number of independent record stores. Business is the sixth top 10-charting set for the rapper.

Swift has two more albums in the top 10, as her former No. 1s Folklore (10-7 with 8,000; up 4%) and Lover (16-8 with 7,000; up 16%) both climb. Two more chart-topping sets round out the top 10, as SEVENTEEN’s SEVENTEEN 10th Mini Album: FML is a non-mover at No. 9 (nearly 7,000; down 19%) and TWICE’s Ready to Be rises 13-10 (6,000; down 9%).

In the week ending June 29, there were 1.708 million albums sold in the U.S. (down 13.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.363 million (down 17%) and digital albums comprised 346,000 (up 3.1%).

There were 620,000 CD albums sold in the week ending June 29 (down 14.4% week-over-week) and 735,000 vinyl albums sold (down 19.1%). Year-to-date CD album sales stand at 17.537 million (up 3.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 23.606 million (up 21.7%).

Overall year-to-date album sales total 50.641 million (up 7.9% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 41.407 million (up 13.3%) and digital album sales total 9.234 million (down 11.2%).

Ed Sheeran scores his fifth No. 1 on Billboard’s Top Album Sales chart (dated May 20) as – (pronounced Subtract) debuts in the top slot. Further, it does so with his largest sales week since 2017 – thus bigger than any week posted by Sheeran’s last two albums (2021’s Equals and 2019’s No. 6 Collaborations Project).

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Subtract starts with 81,000 copies sold in the United States in the week ending May 11, according to Luminate. It’s the 10th-largest sales week of 2023 for any album, and the fifth-largest for a non-K-pop title.

Subtract’s sales were aided by its availability in both a standard 14-track and 18-track edition (digital download, CD and vinyl). The set was also available in nine vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target, Urban Outfitters and Walmart) and multiple CD iterations in collectible packages (including a signed CD, a version with a lenticular cover, a “textured sand” cover and a “Zine” CD package).

Also in the top 10 of the new Top Album Sales chart, LE SSERAFIM’s Unforgiven debuts at No. 2, the Guardians of the Galaxy, Vol. 3: Awesome Mix Vol. 3 soundtrack bows at, appropriately, No. 3, and The Smashing Pumpkins’ ATUM: A Rock Opera in Three Acts enters at No. 8.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new May 20, 2023-dated chart will be posted in full on Billboard‘s website on May 16. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Subtract’s 81,000 sold, physical sales comprise 59,000 (45,000 on CD, 14,000 on vinyl – Sheeran’s largest sales week on vinyl – and a couple hundred on cassette) and digital download sales comprise 22,000. Subtract also enters at No. 1 on the Vinyl Albums chart, his third leader on that list, as well as No. 1 on Tastemaker Albums and Top Current Album Sales. Vinyl Albums tallies the top-selling vinyl albums of the week. Tastemaker Albums lists the week’s top-selling albums at independent record stores. Top Current Album Sales lists the week’s best-selling current (not catalog, or older albums) albums by traditional album sales.

Korean pop girl group LE SSERAFIM debuts at No. 2 on Top Album Sales with Unforgiven, selling 38,500 copies in the week ending May 11. It’s the second top 10, highest charting effort, and best sales week for the act. The album was released to digital retail on May 1 and sold less than 500 copies in the week ending May 4. Its debut on Top Album Sales was prompted by its CD release on May 5.

Like many K-pop releases, the CD edition of Unforgiven was issued in collectible CD packages (11 total, including exclusives for Target, Walmart and the Weverse webstore), each containing a standard set of bonus items and randomized photocards. Effectively all of Unforgiven’s album sales in the week ending May 11 were CDs, with a negligible sum generated by digital download album sales. The set was not available in any other retail format (such as vinyl or cassette).

The Guardians of the Galaxy, Vol. 3: Awesome Mix Vol. 3 soundtrack bows at No. 3 on Top Album Sales, with 29,000 copies sold. Of that sum, vinyl sales comprise 11,000 (enabling its debut at No. 2 on the Vinyl Albums chart).

The multi-artist Guardians soundtrack (comprised entirely of previously released pop and rock songs) also debuts at No. 1 on Billboard’s Soundtracks chart and Top Rock Albums tally. All three of the Guardians theatrical film soundtracks have reached No. 1 on both the Soundtracks chart and the Top Rock Albums chart.

Soundtracks and Top Rock Albums ranks the week’s most popular soundtracks and rock releases, respectively, by equivalent album units.

A quartet of former No. 1s is next on Top Album Sales, as SEVENTEEN’s SEVENTEEN: 10th Mini Album: FML falls 1-4 in its second week (27,000; down 80%), Agust D’s D-Day dips 2-5 (14,000; down 46%), Taylor Swift’s Midnights is a non-mover at No. 6 (12,000; up 7%) and Metallica’s 72 Seasons descends 5-7 (10,000; down 20%).

The Smashing Pumpkins’ ATUM: A Rock Opera in Three Acts debuts at No. 8 on Top Album Sales, selling 9,000 copies. Of that sum, vinyl sales comprise 4,000 – and the set bows at No. 8 on the Vinyl Albums chart. On Top Album Sales, ATUM marks the eighth top 10-charting effort for the rock act, and first since 2012’s Oceania debuted and peaked at No. 4.

Rounding out the top 10 of the new Top Album Sales chart is Swift’s chart-topping Lover (13-9 with 7,000; up 17%) and Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd (12-10 with nearly 7,000; up 2%).

In the week ending May 11, there were 2.021 million albums sold in the U.S. (up 10.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.661 million (up 12%) and digital albums comprised 360,000 (up 4.5%).

There were 737,000 CD albums sold in the week ending May 11 (up 3.5% week-over-week) and 914,000 vinyl albums sold (up 19.8%). Year-to-date CD album sales stand at 12.673 million (up 5.7% compared to the same time frame a year ago) and year-to-date vinyl album sales total 17.972 million (up 27.9%).

Overall year-to-date album sales total 37.554 million (up 10.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 30.842 million (up 17.6%) and digital album sales total 6.713 million (down 12.7%).