Top Album Sales
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Eagles fly back onto Billboard’s charts with the band’s new best-of, To the Limit: The Essential Collection. The retrospective debuts at No. 9 on Top Album Sales, No. 6 on Top Rock Albums, No. 8 on Top Rock & Alternative Albums and No. 8 on Top Current Album Sales (all charts dated April 27). It also launches at No. 30 on the Billboard 200 – the group’s 12th top 40-charting effort on the tally.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Top Rock Albums and Top Rock & Alternative Albums rank, respectively, the week’s most popular rock, and rock and alternative albums by equivalent album units. Top Current Album Sales ranks the week’s top-selling new/current albums (non-catalog/older titles).
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To the Limit: The Essential Collection sold 7,000 copies in the U.S. in the week ending April 18 (as reflected on the charts dated April 27). Physical sales comprise 6,500 of the album’s first-week sales (5,000 on CD and 1,500 on vinyl) while digital download sales comprise 500.
At No. 1 on Top Album Sales, Beyoncé’s Cowboy Carter rises two spots to capture its second week atop the list (28,000 sold; up 37%). The album’s physical edition (on CD and vinyl) became widely available to all retailers during the tracking week, after previously been sold exclusively through the artist’s webstore.
Linkin Park’s first greatest hits album, Papercuts, debuts at No. 2 on Top Album Sales with 20,500 copies sold. The album’s sales were bolstered by its availability across eight vinyl variants, as well as a CD, cassette and digital download. It’s the 11th top 10-charting effort on Top Album Sales for the band.
TOMORROW X TOGETHER’s minisode 3: TOMORROW falls 1-3 in its second week with 19,000 sold (down 82%).
Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd re-enters Top Album Sales at No. 4 with 10,000 sold (797%), largely from sales of a new vinyl variant, an “festival orange”-colored edition.
Maggie Rogers’ Don’t Forget Me opens at No. 5 with 10,000 sold, marking the artist’s third top 10-charting effort. Its sales were supported by its availability across eight physical iterations (among them were two signed editions) and a digital download.
Noah Kahan’s Stick Season surges 28-6 with nearly 10,000 sold, following the release of the Stick Season (We’ll All Be Here Forever) deluxe edition across four vinyl variants and on CD. The deluxe set was originally released on June 9, 2023, as a digital download and streaming album.
Mark Knopfler is back on Top Album Sales with his first new entry since 2018, as his latest studio effort, One Deep River, starts at No. 7 with 8,000 copies sold. It’s his first entry on the list since his last studio album Down the Road Wherever debuted and peaked at No. 6 on the Dec. 1, 2018-dated list.
Rounding out the top 10 of the new Top Album Sales chart are Taylor Swift’s chart-topping Lover (9-8 with nearly 8,000; up 4%), Eagles’ To the Limit at No. 9 and Swift’s former leader 1989 (Taylor’s Version) (holding at No. 10 with nearly 7,000; up 2%).
In the week ending April 18, there were 1.117 million albums sold in the U.S. (down 13.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 828,000 (down 14.1%) and digital albums comprised 289,000 (down 12.4%).
There were 422,000 CD albums sold in the week ending April 18 (down 19.6% week-over-week) and 401,000 vinyl albums sold (down 7.5%). Year-to-date CD album sales stand at 7.121 million (down 31.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 7.259 million (down 49.9%).
Overall year-to-date album sales total 19.293 million (down 37.3% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 14.454 million (down 42.5%) and digital album sales total 4.839 million (down 14.7%).
TOMORROW X TOGETHER lands its sixth No. 1 on Billboard’s Top Album Sales chart, as minisode 3: TOMORROW opens atop the tally (dated April 20). The set sold 103,500 copies sold in the U.S. in the week ending April 11, according to Luminate. Also, the top 10 welcomes debuts from Conan Gray, The Black Keys, Vampire Weekend, Khruangbin and J. Cole.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
TOMORROW X TOGETHER’s minisode 3: TOMORROW enters with 103,500 copies sold. Of that sum, physical sales comprise 101,500 (all from CD sales), while digital downloads comprise 2,000. The album’s sales were supported by its availability across 17 collectible CD editions (including exclusive editions sold by Barnes & Noble, Target and the act’s webstore), all containing randomized paper merchandise (but with the same audio tracklist). It was also issued across multiple digital download variations, including five iterations that each contained a different voice memo as a bonus track, plus an edition that boasted bonus remixes.
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Conan Gray notches his third top 10-charting effort on Top Album Sales as Found Heaven starts at No. 2 with 27,000 copies sold. It also matches his chart-high, as Kid Krow peaked at No. 2 in 2020. Vinyl sales powered more than half of the set’s first week (58%), with nearly 16,000 copies sold of the album across 10 vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target and Gray’s official webstore; the latter also offered a signed edition). The album also launches at No. 1 on the Vinyl Albums chart. Seven different iterations of the CD edition of the album were available (most with the same tracklist, just with different cover art) including one that was signed by the artist. Found Heaven was also issued as a standard digital download album, along with an alternative version, with different cover art, sold through the artist’s webstore.
Beyoncé’s Cowboy Carter falls to No. 3 after debuting at No. 1 a week earlier. The set sold 21,000 copies in its second week (down 88%). While Cowboy Carter’s CD and vinyl editions were available to purchase only via Beyoncé’s official webstore in the set’s first two weeks of release, those physical configurations became widely available to all retailers beginning on April 12. (The album has also been purchasable as a digital download, widely, since its release on March 29.)
The Black Keys’ Ohio Players debuts at No. 4 on Top Album Sales with 20,000 copies sold, marking the seventh top 10-charting effort for the band. The set was available in seven vinyl variants, a standard CD, standard cassette, standard digital download, and a deluxe boxed set containing branded merchandise (a T-shirt and sticker set) and a CD.
Vampire Weekend’s Only God Was Above Us bows at No. 5 on Top Album Sales, with 16,000 copies sold. It’s the act’s fourth top 10-charting effort and brings the group its first debut on the ranking since 2019’s Father of the Bride bowed at No. 1 (May 18, 2019 chart). The new album was available in four vinyl variants, a standard CD, standard download, and two deluxe boxed sets (each containing a branded T-shirt and a copy of the CD).
Khruangbin’s A La Sala steps in at No. 6 on Top Album Sales with 14,000 copies sold, garnering the act its fourth top 10-charting effort. 80% of the album’s first-week sales were from vinyl offerings, six in total. It was also issued as a standard CD, cassette and digital download.
J. Hope’s Hope On the Street, Vol. 1 falls 2-7 in its second week on the chart, with 9,000 sold (down 80%).
J. Cole’s Might Delete Later rounds out the six debuts in the top 10 on Top Album Sales, as the surprise release from the rapper bows at No. 8 with 9,000 sold (all from a standard digital download). It’s the seventh top 10-charting set for the artist.
Closing out the top 10 are a pair of former No. 1s from Taylor Swift, as Lover falls 3-9 (7,000; down 28%) and 1989 (Taylor’s Version) drops 4-10 (6,500; down 28%).
In the week ending April 11, there were 1.294 million albums sold in the U.S. (down 3.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 964,000 (down 3.3%) and digital albums comprised 329,000 (down 4.9%).
There were 525,000 CD albums sold in the week ending April 11 (up 1.4% week-over-week) and 433,000 vinyl albums sold (down 8.7%). Year-to-date CD album sales stand at 6.698 million (down 31.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 6.858 million (down 49.3%).
Overall year-to-date album sales total 18.177 million (down 36.8% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 13.626 million (down 41.9%) and digital album sales total 4.551 million (down 14.5%).
J-Hope notches his second top 10-charting effort on Billboard’s Top Album Sales chart (dated April 13), as Hope On the Street, Vol. 1 bows at No. 2. He previously visited the region with Jack in the Box in 2023, which debuted and peaked at No. 2.
Hope On the Street, Vol. 1 is one of five debuting titles in the top 10 on the latest chart, as it’s joined by Beyoncé’s Cowboy Carter (No. 1), Sum 41’s Heaven :X: Hell (No. 5), Aaron Lewis’ The Hill (No. 5) and mgk and Trippie Redd’s collaborative set Genre: Sadboy (No. 7).
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Cowboy Carter gallops onto the chart with 168,000 copies sold in the U.S. in the week ending April 4, according to Luminate. Of that sum, physical sales comprise 125,500 (63,500 on CD and 62,000 on vinyl) and digital download sales comprise 42,500.
Cowboy Carter’s sales were supported by the album’s availability across a number of configurations, released on March 29. It was issued as standard 19-track edition on vinyl (across four variants, each pressed on different color vinyl [black, red, white and blue] with alternate back cover artwork), a CD with an additional song (“Flamenco”) and a digital download and streaming edition (both in clean and explicit versions, with three bonus songs “Flamenco,” “Spaghetti” and “Ya Ya,” plus two interludes). The CD edition was issued in four variants (each with different back cover art). Two of the variants were sold as stand-alone items, while two of the CDs were only available inside two deluxe boxed sets (each with a different branded T-shirt contained inside a branded box). All physical configurations of the album were sold exclusively through Beyoncé’s official webstore, while the digital download and streaming editions were widely available.
The vinyl edition of Cowboy Carter sold 62,000 copies (across its four variants combined), marking Beyoncé’s biggest week on vinyl and the largest week for any vinyl album in 2024.
J-Hope’s Hope On the Street, Vol. 1 debuts at No. 2 on Top Album Sales, scoring the second top 10-charting effort for the singer. The set bows with a little over 44,000 copies sold in the tracking week. Of that sum, a little more than 38,000 were driven by CD sales. The album’s sales were supported by eight collectible CD editions (including exclusive variants for Target, Walmart and the Weverse store), all containing branded paper merchandise.
A pair of former No. 1s from Taylor Swift follow J-Hope, as Lover rises 7-3 (10,000; up 8%) and 1989 (Taylor’s Version) bumps 5-4 (9,000; down 6%).
Sum 41’s Heaven :X: Hell starts at No. 5 with a little over 7,000 sold, marking the fifth top 10-charting set and highest-charting effort ever for the act. The set’s sales were bolstered by its availability across eight vinyl variants, which combined to sell nearly 4,000 copies – the act’s best sales week on vinyl.
Aaron Lewis’ The Hill debuts at No. 6 with just under 7,000 sold – mostly from sales of its digital download album (about 4,000). It was also available as a standard CD and in two vinyl variants. The Hill is the fifth top 10-charting set for Lewis.
The first collaborative album from mgk and Trippie Redd, Genre: Sadboy, starts at No. 7 with nearly 7,000 sold (largely from its digital download). It’s the seventh top 10 for mgk and sixth for Trippie Redd.
Closing out the top 10 on Top Album Sales are three former chart-toppers: Swift’s Folklore (13-8 with nearly 6,500; down less than 1%), Ariana Grande’s Eternal Sunshine (10-9 with just over 6,000; down 19%) and TWICE’s With YOU-th (12-10 with 6,000; down 15%).
In the week ending April 4, there were 1.343 million albums sold in the U.S. (up 11.9% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 997,000 (up 11.8%) and digital albums comprised 346,000 (up 12.1%).
There were 518,000 CD albums sold in the week ending April 4 (up 21.4% week-over-week) and 475,000 vinyl albums sold (up 2.9%). Year-to-date CD album sales stand at 6.173 million (down 32% compared to the same time frame a year ago) and year-to-date vinyl album sales total 6.425 million (down 48.9%).
Overall year-to-date album sales total 16.883 million (down 36.9% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 12.661 million (down 41.9%) and digital album sales total 4.221 million (down 15.1%).
Fletcher’s second full-length studio album In Search of the Antidote debuts at No. 3 on Billboard’s Top Album Sales chart (dated April 6), giving the singer her highest-charting set yet on the tally. The effort launches with just over 13,000 copies sold in the U.S. in the week ending March 28, according to Luminate. Fletcher previously visited the chart with her debut full-length, Girl of My Dreams, debuting and peaking at No. 4 in 2022.
Also in the top 10 of the Top Album Sales chart, the latest efforts from Kenny Chesney, Shakira and Sierra Ferrell debut, while André 3000’s New Blue Sun and Alice In Chains’ Jar of Flies re-enter the chart largely due to new vinyl releases.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Fletcher’s first-week sales of In Search of the Antidote were bolstered by its availability across six vinyl variants (including one signed edition, and exclusive versions for Target and indie retailers), four CD editions (including a Target-exclusive edition with alternate cover art and a poster, a signed CD and a deluxe “Archives” edition in expanded packaging), a standard digital album and a deluxe digital album with bonus tracks. Vinyl sales accounted for 7,500 of Antidote’s first-week sales – or, 57% of the album’s total sales for the week. That 7,500 figure also represents Fletcher’s biggest sales week for a vinyl album.
Meanwhile, Kenny Chesney clocks his 12th No. 1 on Top Album Sales as Born bows atop the list with 18,500 copies sold. The set was available as a standard CD, signed CD, standard digital album, and deluxe digital album with additional bonus live tracks.
Shakira’s Las Mujeres Ya No Lloran debuts at No. 2 on Top Album Sales, marking the seventh top 10-charting effort for the entertainer. The project sold 14,500 copies in its opening week, supported by four vinyl variants (each with a different color vinyl and alternate cover art), four CD variants (each with different cover art) and a digital album.
Kacey Musgraves’ Deeper Well dips 1-4 in its second week on Top Album Sales (10,500; down 84%) and Taylor Swift’s chart-topping 1989 (Taylor’s Version) falls 4-5 (9,500; down 4%).
Alice In Chains’ EP Jar of Flies, originally released in 1994, re-enters the chart at No. 6 following its 30th anniversary reissue on vinyl and cassette. The set was reintroduced across four vinyl variants (including a vinyl edition with actual flies in the vinyl) which, together with existing earlier released vinyl versions, sold a little over 9,000 copies in the tracking week (of its total 9,500 sold across all configurations). Jar of Flies debuted at No. 1 on the Feb. 12, 1994-dated Top Album Sales chart and marked the first of two leaders for the rock band. The set was last on the list in April of 1995.
Taylor Swift’s former No. 1 Lover descends 6-7 on Top Album Sales with nearly 9,500 copies sold (up 5%).
André 3000’s New Blue Sun re-enters Top Album Sales at No. 8, a new peak (and its first week in the top 10), following its release on physical configurations on March 22. The set (his first solo charting effort on Top Album Sales) was originally released via digital download and streaming services last November, and then saw its release on vinyl, CD and cassette on March 22. Combined, all configurations of the album sold nearly 9,000 copies for the week (up from a negligible sum in the previous week).
Sierra Ferrell captures her first top 10 on Top Album Sales as Trail of Flowers blooms at No. 9 in its debut frame, selling 8,500 copies. The set was supported by eight vinyl variants, a standard CD and a digital album download. Vinyl sales accounted for 6,000 of the album’s total first-week sales, marking Ferrell’s best week ever on vinyl.
Rounding out the top 10 of the new Top Album Sales chart is Ariana Grande’s former No. 1 Eternal Sunshine, falling 3-10 in its third week with nearly 8,000 sold (down 39%).
In the week ending March 28, there were 1.201 million albums sold in the U.S. (down 0.5% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 892,000 (down 1%) and digital albums comprised 309,000 (up 0.9%).
There were 427,000 CD albums sold in the week ending March 28 (down 2.5% week-over-week) and 461,000 vinyl albums sold (up 0.6%). Year-to-date CD album sales stand at 5.656 million (down 32.2% compared to the same time frame a year ago) and year-to-date vinyl album sales total 5.951 million (down 48.4%).
Overall year-to-date album sales total 15.54 million (down 36.9% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 11.664 million (down 41.7%) and digital album sales total 3.875 million (down 16.5%).
Kacey Musgraves’ Deeper Well album makes a splash on Billboard’s charts (dated March 30), as the set debuts at No. 1 on Top Album Sales, Top Country Albums, Americana/Folk Albums, Vinyl Albums, Top Current Album Sales and Tastemaker Albums.
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With 66,000 copies sold in the tracking week ending March 21 in the U.S., according to Luminate, Deeper Well notches Musgraves her biggest sales week ever. And, of that sum, vinyl sales account for 37,000 – her biggest sales week on vinyl, the largest vinyl week of 2024, and the fourth-largest week for a country album on vinyl since Luminate began tracking sales in 1991. (The only bigger sales weeks on vinyl for country sets were all registered by Taylor Swift’s re-recordings.)
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Also in the top 10 of the new Top Album Sales chart: Justin Timberlake’s Everything I Thought It Was starts at No. 2 while The Black Crowes’ Happiness Bastards bows at No. 5.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Top Country Albums and Americana/Folk Albums rank the week’s most popular country and Americana/folk albums, respectively, by equivalent album units. Vinyl Albums tallies the top-selling vinyl albums of the week. Top Current Album Sales ranks the week’s top-selling new/current albums (non-catalog/older titles). Tastemaker Albums ranks the week’s best-selling albums at independent and small chain record stores.
Of Deeper Well’s 66,000 sold, physical album sales comprise 48,000 (37,000 on vinyl, 11,000 on CD and negligible sum on cassette) and digital album sales comprise 18,000.
Deeper Well’s first-week sales were supported by its availability across nine vinyl variants, including eight different-colored versions and exclusive editions for Amazon, Spotify and Target. Deeper Well was also issued in four different CD versions, three different digital editions (two were exclusive to her webstore – one with a bonus track, and another with the same bonus track an alternate cover art) and as a cassette tape.
Deeper Well is Musgraves’ second No. 1 on Top Album Sales, fifth leader on Top Country Albums, third on both Americana/Folk and Vinyl Albums and second on both Top Current Album Sales and Tastemaker Albums.
At No. 2 on Top Album Sales, Justin Timberlake’s Everything I Thought It Was debuts with 41,000 copies sold. It’s the sixth consecutive top two-charting effort for Timberlake, the entirety of his full-length studio albums. Of the 41,000 sold, physical sales comprise 27,000 (15,000 on CD and 12,000 on vinyl) and digital album sales comprise 14,000.
Everything’s first-week sales were aided by its availability across four different vinyl variants (including exclusives for Amazon, Target and his webstore), four different deluxe CD boxed sets (each with a piece of branded clothing and a CD) and a standard CD.
Ariana Grande’s Eternal Sunshine falls 1-3 (13,000; down 84%) after debuting atop the tally a week ago. Taylor Swift’s chart-topping 1989 (Taylor’s Version) rises 6-4 with 10,000 sold (up 14%).
The Black Crowes collect its first top 10 in 16 years as Happiness Bastards enters at No. 5 with 9,000 sold. The band was last in the top 10 with 2008’s Warpaint, which debuted and peaked at No. 5 on the March 22, 2008-dated list. The new album sold 3,500 on vinyl, 2,500 on CD and about 3,000 copies via digital download. All told, Happiness is the fourth top 10-charting effort, and 16th total entry, on Top Album Sales for The Black Crowes.
Three former No. 1s are next up on the list: Swift’s Lover (7-6 with nearly 9,000; up 16%), TWICE’s With YOU-th (4-7 with nearly 9,000; down 15%) and Swift’s Folklore (10-8 with 7,000; up 7%). LE SSERAFIM’s Easy falls 8-9 with just over 6,000 (down 16%) and Swift’s chart-topping Midnights rises 12-10 with 6,000 (up 13%).
In the week ending March 21, there were 1.207 million albums sold in the U.S. (up 0.9% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 901,000 (down 0.9%) and digital albums comprised 306,000 (up 6.7%).
There were 437,000 CD albums sold in the week ending March 21 (down 7.8% week-over-week) and 458,000 vinyl albums sold (up 6.5%). Year-to-date CD album sales stand at 5.229 million (down 30.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 5.489 million (down 47.9%).
Overall year-to-date album sales total 1 million (down 36.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 10.773 million (down 40.8%) and digital album sales total 3.566 million (down 16%).
Norah Jones’ Visions bows at No. 9 on Billboard’s Top Album Sales chart (dated March 23) and at No. 1 on both the overall Jazz Albums and Contemporary Jazz Albums rankings. It’s the eighth top 10 on the Album Sales tally for Jones, and her fourth leader on both Jazz Albums and Contemporary Jazz Albums.
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Visions also enters at No. 40 on the Top Rock & Alternative Albums chart, her first debut on the list since Dec. 2013, when Foreverly, her collaborative album with Billie Joe Armstrong, opened at No. 7 on its way to a No. 4 peak in Jan. 2014.
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Visions was preceded by the radio-promoted single “Running,” which has so-far peaked at No. 7 on the Adult Alternative Airplay chart – marking her eighth top 10 and highest-charting song on the list in over a decade, since “Happy Pills” hit No. 4 in 2012.
Also in the top 10 of the new Top Album Sales chart: the latest releases from Ariana Grande, Judas Priest, xikers and Bleachers arrive.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
In the tracking week ending March 14 (which is reflected on the March 23-dated Top Album Sales chart), Visions sold 7,000 copies in the U.S., according to Luminate. Of that sum, physical sales comprise 5,500 (3,500 on CD and 2,000 on vinyl) and digital download sales comprise 1,500. The album was available in four vinyl variants (including exclusive iterations for Barnes & Noble, indie retailers and Spotify), a standard CD, a Target-exclusive CD (with a bonus track and a poster) and a signed CD (available in Jones’ webstore).
At No. 1 on Top Album Sales, Ariana Grande’s Eternal Sunshine starts with 77,000 copies sold – earning Grande her sixth chart-topper. The set was available in a dozen physical configurations and two digital download offerings.
Veteran rock band Judas Priest starts at No. 2 with Invincible Shield (23,000 sold), scoring the group its third top 10-charting set on Top Album Sales. (The list began in 1991, well after Judas Priest began its overall Billboard chart career in 1978 on the Billboard 200 with Stained Class.) The new album’s first-week sales were bolstered by its availability across six vinyl variants, a standard CD and a Target-exclusive CD with a lenticular cover.
South Korean pop group xikers nabs its highest-charting effort on Top Album Sales, and second top 10-charting set, as House of Tricky: Trial and Error debuts at No. 3 with 12,500 copies sold (the act’s best sales week). The set’s sales were almost entirely from CDs, with a minimal number of sales from digital downloads. The album was issued in 10 collectible CD editions, all including branded paper merchandise (some randomized).
TWICE’s With YOU-th falls 1-4 in its third week on the chart, selling 10,500 copies (down 37%).
Bleachers’ new self-titled album opens at No. 5 with 9,500 copies sold. It’s the second top 10-charting effort the for the act, led by Jack Antonoff. The album was available in a standard 14-track edition on digital download, CD and cassette. It was also available on 10 vinyl editions, all boasting bonus tracks and most pressed on colored vinyl.
Rounding out the rest of the top 10 on the new Top Album Sales chart: Taylor Swift’s chart-topping 1989 (Taylor’s Version) falls 3-6 (9,000; up 2%), Swift’s former leader Lover is steady at No. 7 (8,000; up 8%), LE SSERAFIM’s Easy falls 2-8 (7,000; down 30%) and Swift’s chart-topping Folklore dips 8-10 (6,000; up 4%).
In the week ending March 14, there were 1.196 million albums sold in the U.S. (up 3.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 909,000 (up 7%) and digital albums comprised 287,000 (down 5.5%).
There were 474,000 CD albums sold in the week ending March 14 (up 7.3% week-over-week) and 430,000 vinyl albums sold (up 6.7%). Year-to-date CD album sales stand at 4.792 million (down 30.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 5.031 million (down 48%).
Overall year-to-date album sales total 13.132 million (down 36.3% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 9.872 million (down 40.9%) and digital album sales total 3.260 million (down 16.5%).
(G)I-DLE collects its fourth top 10-charting album on Billboard’s Top Album Sales chart (dated March 16), as the South Korean pop group’s latest release, 2, debuts at No. 4 with 8,500 copies sold in the U.S. in the week ending March 7, according to Luminate.
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Also in the top 10 of the latest Top Album Sales chart, Iron Maiden frontman Bruce Dickinson lands his first solo top 10 as his new set The Mandrake Project bows at No. 5. Plus, ScHoolboy Q’s new Blue Lips starts at No 6, marking his fourth top 10-charting effort.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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TWICE’s With YOU-th holds at No. 1 on Top Album Sales with nearly 17,000 sold (down 82%), after debuting atop the list a week ago. LE SSERAFIM’s Easy is also a non-mover, sitting at No. 2 in its second week with 10,500 (down 69%). Taylor Swift’s chart-topping 1989 (Taylor’s Version) rises 6-3 with nearly 9,000 (down 5%).
(G)I-DLE’s 2 debuts at No. 4 with 8,500 sold – essentially all from CD sales. The set was available in four collectible CD editions, including one Target-exclusive variant. All packages contained branded paper merchandise, some of which is randomized.
Dickinson’s The Mandrake Project starts at No. 5 with 8,000 sold, landing the Iron Maiden singer his first solo top 10 effort. The set was available to purchase as a standard digital album, in four CD variations (a standard edition, two with enhanced packaging, and one with a signed insert), and a pair of vinyl LPs (including one with a signed insert).
ScHoolboy Q’s Blue Lips debuts at No. 6 with nearly 8,000 sold – with more than half of that sum from vinyl sales (4,000 – his best week ever on vinyl). The set was issued in just one vinyl edition, pressed on translucent blue-colored vinyl.
Four former No. 1s round out the latest top 10: Swift’s Lover is steady at No. 7 (7,000; down 2%), Swift’s Folklore rises 9-8 (6,000; up 2%), Olivia Rodrigo’s Guts jumps 16-9 (5,500; up 14%) and Swift’s Midnights dips 8-10 (nearly 5,500; down 10%).
In the week ending March 7, there were 1.153 million albums sold in the U.S. (down 9.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 850,000 (down 12.9%) and digital albums comprised 304,000 (up 1.4%).
There were 442,000 CD albums sold in the week ending March 7 (down 17.1% week-over-week) and 403,000 vinyl albums sold (down 7.9%). Year-to-date CD album sales stand at 4.318 million (down 30.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 4.601 million (down 47.8%).
Overall year-to-date album sales total 11.936 million (down 36% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 8.963 million (down 40.6%) and digital album sales total 2.973 million (down 16.2%).
In the first five weeks of 2024, Taylor Swift won two Grammy Awards (including a record-breaking fourth for album of the year, for Midnights), announced a new studio album (onstage at the Grammys!), got her ninth No. 1 on the Adult Contemporary chart with the revived Lover hit “Cruel Summer,” topped Billboard’s annual Power 100 list for the first time, and saw two of her albums surpass the 2 million U.S. sales mark: 1989 (Taylor’s Version) and Lover.
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1989 (Taylor’s Version), released in 2023, jumped past the 2 million mark – counting only traditional album sales (purchases of CD, vinyl, cassette and digital download copies) – in the week ending Jan. 11, according to Luminate. Meanwhile, Lover, released in 2019, flew past the 2 million threshold in the week ending Jan. 18. They mark her ninth and 10th albums to sell at least 2 million in the U.S.
Swift’s top-selling album in the U.S. is Fearless, with 7.286 million copies sold.
Plus, on the latest Top Album Sales chart, the former No. 1 Lover locks up its 200th nonconsecutive week on the tally, as it rises 8-4 on the list dated Feb. 10. It sold 8,000 copies in the week ending Feb. 1 (the tracking week captured on the Feb. 10-dated chart) – up 21% compared to its sales in the previous week. Only two other Swift albums have spent at least 200 weeks on Top Album Sales: her self-titled album, with 286 weeks (and counting), and Fearless, with 224 weeks.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Elsewhere on the new Top Album Sales chart, Grateful Dead score its first No. 1 as Dave’s Picks, Volume 49: Frost Amphitheatre, Stanford U., Palo Alto, CA (4/27/85 & 4/28/85) debuts atop the list. It sold 21,000 in its first week. Rock supergroup The Smile sees its new album Wall of Eyes starts at No. 2 (14,500) while Swift’s chart-topping 1989 (Taylor’s Version) is steady at No. 3 (10,000; down 9%). Green Day’s Saviors slips 1-5 in its second week with 7,000 (down 82%), while Alkaline Trio’s Blood, Hair and Eyeballs bows at No. 6 with just over 6,000. Stray Kids’ chart-topping ROCK-STAR is stationary at No. 7 with 6,000 (down 2%) and Swift’s former leader Midnights falls 5-9 with nearly 6,000 (down 13%).
Two debuts close out the top 10, as Static-X’s Project Regeneration, Volume 2 launches at No. 9 with nearly 5,000, and Future Islands’ People Who Aren’t There Anymore bows at No. 10 with 4,000.
In the week ending Feb. 1, there were 1.118 million albums sold in the U.S. (up 1.3% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 827,000 (up 0.5%) and digital albums comprised 291,000 (up 3.6%).
There were 404,000 CD albums sold in the week ending Feb. 1 (up 3.9% week-over-week) and 418,000 vinyl albums sold (down 2.4%). Year-to-date CD album sales stand at 2.108 million (down 31% compared to the same time frame a year ago) and year-to-date vinyl album sales total 2.413 million (down 46.4%).
Overall year-to-date album sales total 5.915 million (down 36.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 4.545 million (down 40.2%) and digital album sales total 1.370 million (down 17.7%).
Kali Uchis scores her first No. 1 on Billboard’s Top Album Sales chart (dated Jan. 27), as Orquídeas arrives atop the list with her biggest sales week ever – 31,000 copies sold in the U.S. in the week ending Jan. 18, according to Luminate. Of that sum, vinyl sales accounted for 20,000 – marking the largest week for a Spanish-language album on vinyl since Luminate began tracking sales in 1991. The effort also launches at No. 1 on the Vinyl Albums ranking, No. 1 on Top Latin Albums (her first leader there) and starts at a career-high No. 2 on the Billboard 200.
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Elsewhere in the top 10 of the new Top Album Sales chart, Jimin’s former No. 1 FACE re-enters at No. 4 following its vinyl release and Kid Cudi’s new album Insano starts at No. 5.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. All of Billboard’s new Jan. 27, 2024-dated charts will be posted in full on Billboard‘s website on Jan. 23. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of the 31,000 copies sold of Orquídeas, physical sales comprise 30,000 (20,000 on vinyl, 10,000 on CD and negligible sum on cassette) and digital download album sales comprise 1,000. Its sales were bolstered by its availability across seven vinyl variants and four CD editions, including exclusive versions sold through independent record stores, Target, Urban Outfitters and the artist’s webstore.
Six Taylor Swift albums populate the top 10, all former No. 1s, led by Folklore, which pushes 3-2 with 19,000 (up 92%, owed to a replenishment of CD stock at retail). 1989 (Taylor’s Version) falls 1-3 (13,000; down 20%), Midnights dips 2-6 (8,000; down 29%), Lover descends 5-8 (7,000; down 28%), Evermore falls 7-9 (6,000; down 8%) and Speak Now (Taylor’s Version) drops 6-10 (5,000; down 25%).
Jimin’s FACE re-enters at No. 4 with nearly 10,000 sold (up 3,501%) following the set’s release on vinyl. It sold 8,000 copies on vinyl in the week ending Jan. 18, and enters at No. 2 on the Vinyl Albums chart. FACE was issued in only one vinyl edition, and included a photo book, postcard and photocard inside its packaging.
Kid Cudi scores his sixth top 10-charting effort on Top Album Sales, as his latest studio album Insano starts at No. 5 with 8,500 sold. Of that sum, physical sales comprise 7,000 (about 5,500 on vinyl and 1,500 on CD) and digital downloads comprise 1,500. The album’s sales were enhanced by its availability across four vinyl variants and four CD editions.
Stray Kids’ chart-topping ROCK-STAR falls 4-7 on Top Album Sales, with nearly 8,000 sold (down 19%).
In the week ending Jan. 18, there were 1.083 million albums sold in the U.S. (down 9.3% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 822,000 (down 12.1%) and digital albums comprised 261,000 (down 0.6%).
There were 370,000 CD albums sold in the week ending Jan. 18 (down 15.7 week-over-week) and 449,000 vinyl albums sold (down 8.8%). Year-to-date CD album sales stand at 1.316 (down 27.2% compared to the same time frame a year ago) and year-to-date vinyl album sales total 1.566 million (down 45.9%).
Overall year-to-date album sales total 3.694 million (down 35.5% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 2.895 million (down 38.8%) and digital album sales total 799,000 (down 19.5%).
Taylor Swift dominates Billboard’s Top Album Sales chart (dated Dec. 30), as she holds the entire top four titles. That marks the first time any act has claimed the entire top four at the same time, since the chart bowed in May of 1991. For good measure, Swift has five of the top six titles, and six out of the top 10, as her titles populate Nos. 1-4, 6 and 10. Swift tops the list with 1989 (Taylor’s Version), which rises 2-1 for a third nonconsecutive week on top.
Swift leads a busy Top Album Sales chart, as the latest tally reflects the tracking week of Dec. 15-21 — capturing pre-Christmas Day shopping activity. Many titles see increases thanks to general holiday purchases, retailer promotions and sale pricing. On the 50-position chart, of the 49 non-debuts, a total of 44 titles boast weekly sales gains. Only five titles see weekly declines.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
The Swift parade in the top 10 of the chart is led by 1989 (Taylor’s Version), which climbs 2-1 for its third nonconsecutive week at No. 1 (95,000 copies sold; up 47%). Swift’s Midnights rises 5-2 (43,000; up 79%), Lover ascends 8-3 (30,000; up 55%) and Speak Now (Taylor’s Version) steps 6-4 (29,000; up 32%). The latter three are also former No. 1s.
Swift is also found in the top 10 at No. 6 with her chart-topping Folklore (falling two spots with 25,000; though up 4%) and at No. 10 with former leader Fearless (Taylor’s Version) (up from No. 16 with 19,000; up 70%).
Rounding out the non-Swift titles in the top 10 are these former No. 1s: Olivia Rodrigo’s Guts (9-5 with 26,000; up 37%), Stray Kids’ ROCK-STAR (holding at No. 7 with 24,000; up 20%), ATEEZ’s The World EP.Fin: Will (down 3-8 with 22,000; down 29%) and Dolly Parton’s Rockstar (10-9 with 19,000; up 8%).
In the week ending Dec. 21, there were 3.553 million albums sold in the U.S. (up 15.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 3.219 million (up 18.7%) and digital albums comprised 334,000 (down 7.6%).
There were 1.150 million CD albums sold in the week ending Dec. 21 (up 8.7% week-over-week) and 2.055 million vinyl albums sold (up 25.3%). Year-to-date CD album sales stand at 36.072 million (up 2.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 48.203 million (up 15.1%).
Overall year-to-date album sales total 102.809 million (up 5.6% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 84.823 million (up 9.4%) and digital album sales total 17.986 million (down 9.3%).