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Top Album Sales

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GloRilla nabs her second top 10-charting effort on Billboard’s Top Album Sales chart (dated Oct. 26), and with her best sales week yet, as Glorious debuts at No. 6. The title arrives at No. 6 with nearly 12,000 copies sold in the U.S. in the week ending Oct. 17, according to Luminate. The album was available in both a standard and bonus track digital download edition, as well as a signed CD edition.
GloRilla previously visited the top 10 with Anyways, Life’s Great… in 2022, debuting and peaking at No. 6.

Glorious additionally opens in the top 10 across multiple other charts: Top R&B/Hip-Hop Albums (No. 2), Top Rap Albums (No. 2), Top Streaming Albums (No. 4) and the Billboard 200 (No. 5) – all with her best ranks yet on each chart.

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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.

Elsewhere on the Top Album Sales chart, Jelly Roll racks up his best sales week ever, and first No. 1, as Beautifully Broken bows atop the list with 114,000 sold. The album’s opening week sales were bolstered by its availability across seven vinyl variants, three CD variants (the CDs sold a combined 65,000, including a signed edition sold through the artist’s webstore), a cassette tape and three download album variants (the downloads sold 32,000). Net profits from pre-orders of the CD and vinyl in his webstore benefitted four charity organizations.

Charli XCX’s Brat flies 25-2 with 48,000 (up 1,281%) for its highest rank and best sales week yet. The surge follows the album’s two deluxe reissues released in the week ending Oct. 17. All versions of the album are combined for tracking and charting purposes. For the deluxe reissues (dubbed Brat and it’s completely different but also still brat), the album’s original tracklist was supersized on Oct. 11 to add in 16 remixes of the set’s songs (with guests including The 1975 and Ariana Grande; available on vinyl, CD, cassette and digital download). Then, on Oct. 14, the deluxe was plussed, adding a remix of “Spring Breakers” featuring Kesha (available as a digital download purchase).

Chappell Roan’s former No. 1 The Rise and Fall of a Midwest Princess dips 2-3 (14,000; up 6%), Sabrina Carpenter’s Short n’ Sweet is steady at No. 4 (14,000; up 6%), Coldplay’s Moon Music falls 1-5 in its second week (12,000; down 89%), Stray Kids’ chart-topping ATE rises 8-7 (9,000; up 7%), Billie Eilish’s Hit Me Hard and Soft jumps 12-8 (8,000; up 14%) and ENHYPEN’s chart-topping Romance: Untold rises 13-9 (7,000; up 10%).

Rounding out the top 10 is Myles Kennedy with the arrival of The Art of Letting Go, bowing at No. 10 with nearly 7,000. It’s the sixth top 10 for the artist.

Lady Gaga scores her third No. 1 on Billboard’s Jazz Albums and Traditional Jazz Albums charts, as Harlequin debuts atop both tallies (dated Oct. 12). The companion set to her film Joker: Folie à Deux, earned 25,000 equivalent album units in the U.S. in the week ending Oct. 3, according to Luminate. Of that sum, 16,000 are traditional album sales.

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Gaga previously topped both rankings with her collaborative albums with Tony Bennett: Love for Sale (in 2021) and Cheek to Cheek (2014).

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Harlequin earns the biggest debut week, by units earned, for any jazz album, or traditional jazz album, since Love for Sale earned 41,000 units in its opening week (Oct. 16, 2021-dated charts).  

Equivalent album units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. All Oct. 12, 2024-dated charts will be posted in full on Billboard‘s website on Tuesday, Oct. 8. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Harlequin’s first-week units, streaming equivalent album-units comprise nearly 9,000 – equaling 11.34 million official on-demand streams of the album’s songs. The latter figure marks the biggest debut streaming week for a jazz album in over a year, since Laufey’s Bewitched bowed with 22.36 million clicks (Sept. 23, 2023-dated chart).

Harlequin also debuts at No. 20 on the overall Billboard 200 and No. 3 on both Vinyl Albums and Top Album Sales.

Jazz Albums and Traditional Jazz Albums rank the week’s most popular jazz and traditional jazz albums, respectively, by equivalent album units earned. The Billboard 200 ranks the week’s most popular albums across all genres, by units. Vinyl Albums and Top Album Sales tally the week’s top-selling vinyl albums, and overall albums, by traditional album sales.

Also on Top Album Sales, Billy Strings’ Highway Prayer debuts at No. 1 with 19,000 sold in its first week – the act’s biggest sales week ever. It’s also the first No. 1 for the artist. Chappell Roan’s The Rise and Fall of a Midwest Princess slips one spot to No. 2 (18,000; down 67%), Sabrina Carpenter’s Short n’ Sweet is steady at No. 4 (14,000; down 3%), Katy Perry’s 143 falls 2-5 (9,000; down 77%), Luke Bryan’s Mind of a Country Boy bows at No. 6 (nearly 8,000), Taylor Swift’s chart-topping Folklore vaults 33-7 (7,500; up 153% after a stock replenishment of its CD at retail), Stray Kids’ former leader ATE is a non-mover at No. 8 (7,000; down 6%), P1Harmony’s Sad Song falls 3-9 (6,000; down 77%) and Billie Eilish’s Hit Me Hard and Soft climbs 15-10 (nearly 6,000; up 8%).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.

Katy Perry lands her sixth top 10-charting set on Billboard’s Top Album Sales chart (dated Oct. 5), as her latest studio album, 143, debuts at No. 2 with 38,000 copies sold in the U.S. in the week ending Sept. 26 – her best sales week since 2017.

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She previously visited the top 10 with her five earlier major label full-length studio releases: Smile (No. 3 in 2020), Witness (No. 1, 2017), Prism (No. 1, 2013), Teenage Dream (No. 1, 2010) and One of the Boys (No. 9, 2008).

Also in the top 10 of the latest Top Album Sales chart, Chappell Roan lands her biggest sales week yet – and first week at No. 1 – as The Rise and Fall of a Midwest Princess jumps 6-1. Meanwhile, the latest releases from P1Harmony, Lil Tecca, Keith Urban, Future, Grateful Dead and Seether arrive in the region.

Trending on Billboard

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Perry’s first-week sales were aided by 143’s availability across eight vinyl variants (including a signed edition), four CD variants (including a signed edition), a cassette tape and multiple digital download variants (including two exclusive to her webstore, each with bonus tracks).

As for Roan at No. 1, her album garnered a 328% week-over-week sales increase, selling 56,000 copies. The growth is owed to the release of four new vinyl variants and a cassette tape in celebration of the album’s first anniversary on Sept. 22. Of the album’s sales, vinyl comprises 50,000 – easily Roan’s best week on vinyl and the sixth-largest week for any vinyl album in 2024.

P1Harmony collects its best sales week yet, as Sad Song starts at No. 3 with 28,000 copies sold. It’s also the third top 10-charting set for the pop ensemble. The first-week sales were helped by the album’s availability across 24 collectible CD variants, a vinyl edition and a cassette. All variants contain branded paper ephemera like photocards and postcards.

Sabrina Carpenter’s Short n’ Sweet rises one spot to No. 4 with 15,000 sold (up 1%).

Lil Tecca nabs his best sales week ever, and first top 10, as his new album Plan A arrives at No. 5 with 13,000 sold. Previously, the rapper had never sold more than 4,500 copies of an album in a week. The new set’s sales were encouraged by two CD variants (including a signed edition) and multiple digital download variants (including three exclusive to the artist’s webstore, two of which included bonus tracks).

Keith Urban clocks his ninth top 10 on Top Album Sales as High bows at No. 6 with 12,000 sold. Its first week was helped by four vinyl variants, three CD variants – with some retail-exclusives containing branded paper ephemera.

Future’s Mixtape Pluto enters at No. 7 with 10,000 sold – his best sales week since 2020. Nearly 7,500 of that sum was driven by vinyl sales – aided by three vinyl variants. The set was also available on CD and as a digital download. The album was issued as an 11-song standard album (on vinyl, CD and download) and as an expanded 17-song set (on download).

Stray Kids’ former No. 1 ATE rises one rung to No. 8 with nearly 8,000 sold (down 13%).

Rounding out the top 10 of the new Top Album Sales chart are debuts from the Grateful Dead’s expansive archival live boxed sets, Friend of the Devils: April 1978, which starts at No. 9 (7,500) and Seether’s The Surface Seems So Far at No. 10 (just over 7,000).

The Dead package – sold exclusively via the band’s official webstore – captures eight concerts staged in April 1978 and is available either as a digital download or 19-CD boxed set, with pricing ranging from $159.98 to $199.98.

For Seether, the new Surface marks the band’s ninth studio album and seventh top 10-charting effort on Top Album Sales.

Chappell Roan’s The Rise and Fall of a Midwest Princess has a banner week on the Billboard charts (dated Oct. 5), reaching No. 1 on Top Album Sales for the first time (rising 6-1), returning to the top of Vinyl Albums (up 4-1), as well as rising 3-2 on the Billboard 200 for a third nonconsecutive week at its peak position. She also leads the Billboard Artist 100 chart for the first time, ascending 3-1. The tally ranks the most popular artists of the week.

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The new Oct. 5-dated charts will be posted in full on Billboard‘s website on Tuesday, Oct. 1.

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The Rise and Fall of a Midwest Princess earned 105,000 equivalent album units in the U.S. in the week ending Sept. 26 (up 64%) according to Luminate, marking its biggest week yet by units earned.* Traditional album sales comprise a career weekly-best 56,000 (up 328%). Vinyl sales were red-hot for the set, with 50,000 sold (up 548%), easily Roan’s best week on vinyl and the sixth-largest week for any vinyl album in 2024.

The week-over-week growth is owed to the release of four new vinyl variants and a cassette tape in celebration of the album’s first anniversary on Sept. 22.

The set also returns to No. 1 on the Indie Store Album Sales chart (up one spot), for a seventh nonconsecutive frame, continuing as the title with the most weeks atop the ranking in 2024. The album sold 15,500 copies at independent record stores – the second-biggest week for any album in the indie sector this year. Only Taylor Swift’s The Tortured Poets Department had a bigger week with indies in 2024, when it sold 17,000 copies in its opening week.

Midwest Princess’ total year-to-date sales now rise to 248,000 sold, making it the 10th-biggest selling album of 2024. The Tortured Poets Department has a runaway lead as the year’s top-seller, with 2.77 million. Her 2024 vinyl sales climb to 167,000 – the third-biggest selling vinyl title of the year thus far. Poets is also the top-selling vinyl album of 2024, with 1.03 million.

* Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

BOYNEXTDOOR achieves its third consecutive top 10 on Billboard’s Top Album Sales chart, as the act’s latest release, 19.99, arrives at No. 4. The set sold 16,500 copies in the U.S. in the week ending Sept. 19, according to Luminate. With the debut, the act nets its highest charting album and best sales week.
Also in the top 10 of the latest Top Album Sales chart, Travis Scott’s Days Before Rodeo rallies 25-1 after its vinyl editions were shipped to customers, Eminem’s The Death of Slim Shady (Coup de Grâce) re-enters at No. 2 after its deluxe reissue and CD release, Miranda Lambert’s Postcards From Texas opens at No. 3, keshi’s Requiem arrives at No. 7, Jack White’s No Name re-enters at No. 8 after its wide physical release, and the Hazbin Hotel, Season One soundtrack debuts at No. 10 after its vinyl release.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

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Of the 16,500 copies sold of 19.99 in its first week, physical album sales comprise nearly all of that sum – and all on CD. Its sales were bolstered by the album’s availability across more than 15 collectible CD editions, all containing collectible branded paper ephemera.

Travis Scott’s 2014 mixtape Days Before Rodeo rallies 25-1 in its fourth week on the list, for its second week on top. (It debuted atop the list.) The album sold 150,000 copies in the tracking week (up 4,608%) after its vinyl editions – exclusively sold through Scott’s webstore – shipped to customers. Vinyl sales comprise 149,000 of that sales figure – Scott’s largest week on vinyl ever. It’s also the biggest week on vinyl for a rap album, as well as the sixth-largest week on vinyl across all genres, since Luminate began tracking sales in 1991.

The vinyl sales pushing Scott to No. 1 began generating pre-orders via his official webstore before the album was released on Aug. 23 via streamers, as a digital download and on CD. It was available in two vinyl variants (a standard edition and a deluxe edition in expanded packaging), as well as two boxed sets (one containing a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl), and in two Fan Pack offers (one with a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl).

A wide retail release beyond Scott’s webstore for any physical formats of the album has not been announced.

Eminem’s The Death of Slim Shady (Coup de Grâce) re-enters the chart at No. 2 (matching its debut and peak), following its deluxe reissue and CD release. The album was reissued via digital download services on Sept. 13 with bonus tracks, while on the same day its original standard album was issued in two CD variants. It sold 24,000 (up 3,328%) across all of its configurations (all versions are combined for tracking and charting purposes).

Miranda Lambert logs her ninth top 10, all tallied consecutively, as her new studio album Postcards From Texas, taps in at No. 3 with 19,000 sold. Its first week sales were aided by the set’s availability across four vinyl variants (including a signed edition), three CD editions (including a signed version) and a download album.

Sabrina Carpenter’s Short n’ Sweet is steady at No. 5 on Top Album Sales (14,500; down 6%) while Chappell Roan’s The Rise and Fall of a Midwest Princess rises 7-6 (13,000; up 25%).

Requiem, from keshi, debuts at No. 7 with nearly 10,500 sold, marking the second top 10-charting effort for the artist. The album’s sales were bolstered by its availability across six vinyl variants (including a signed edition) and a signed CD edition.

Jack White’s No Name returns to the top 10, re-entering the chart at No. 8 (matching its debut and peak position), following its wide vinyl release on Sept. 13. The album sold a little more than 10,000 copies in the tracking week ending Sept. 19 – its best sales week yet – earning a 695% gain over the previous week.

Stray Kids’ chart-topping ATE is a non-mover at No. 9 on Top Album Sales, with nearly 9,000 sold (up 8%).

Rounding out the top 10 is the debut of the Hazbin Hotel, Season One soundtrack, entering at No. 10 with 8,500 sold. Nearly all of that sum is from vinyl sales, as the album made its vinyl debut on Sept. 13 after only being available to purchase as a digital download.

David Gilmour lands his first No. 1 on Billboard’s 33-year-old Top Album Sales chart, as his first studio album in nine years, Luck and Strange, debuts atop the tally dated Sept. 21. The set, which also marks his third top 10-charting effort on the list, sold 30,000 copies in the U.S. in the week ending Sept. 12, according to Luminate.

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Gilmour has reached the Top Album Sales chart seven times as a soloist, beginning with 2006’s No. 6-peaking On an Island. He reached the top 10 a second time with 2015’s No. 4-peaking Rattle That Lock.

Also arriving in the top 10 of the latest Top Album Sales chart are the newest releases from TZUYU, George Strait, Paris Hilton, LL COOL J and xikers.

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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Luck and Strange’s first-week sales of 30,000, physical sales comprise 25,000 copies (14,500 on CD; 8,500 on vinyl and about 2,000 on Blu-ray Audio) and digital download sales comprise 5,000. The album’s first-week vinyl sales were bolstered by its availability across four variants, helping it debut at No. 1 on the Vinyl Albums chart. The set was also a sturdy seller at independent record stores, with nearly 4,500 sold through that retail sector. It debuts at No. 2 on the Indie Store Album Sales chart.

Luck and Strange additionally starts at No. 3 on Top Rock Albums, No. 4 on Top Rock & Alternative Albums. Top Rock Albums and Top Rock & Alternative Albums rank, respectively, the week’s most popular rock albums, and rock and alternative albums, by equivalent album units.

On the Billboard 200, Luck and Strange arrives at No. 10, marking Gilmour’s third top 10 set on the ranking. Gilmour is also a member of Pink Floyd, and all 10 of Pink Floyd’s top 10-charting albums on the Billboard 200 (from 1973’s No. 1 The Dark Side of the Moon through 2014’s The Endless River) reached the region after Gilmour joined the band in 1967.

TZUYU sees her debut solo project abouTZU arrive at No. 2 on Top Album Sales with nearly 23,000 copies sold. The TWICE member’s album sold 22,000 physical copies (16,000 on CD and 6,000 on vinyl) and about 1,000 digital downloads. The set’s opening-week sales was bolstered by its availability across 11 CD variants and two vinyl variants, all containing branded paper ephemera such as photocards, stickers, and posters.

George Strait’s Cowboys and Dreamers debuts at No. 3 on Top Album Sales with 22,000 copies sold. The set was available across three CD variants (two containing branded paper ephemera), a deluxe CD boxed set containing a branded T-shirt, three vinyl variants and a digital download.

Paris Hilton’s second album – and first in 18 years – Infinite Icon, debuts at No. 4 on Top Album Sales with 16,000 copies sold. Sabrina Carpenter’s Short n’ Sweet slips 2-5 with 15,000 sold (down 45%). LL COOL J’s first studio album in over 10 years, THE FORCE, arrives at No. 6 with 12,000 sold, bolstered by the availability of signed editions.

Chappell Roan’s The Rise and Fall of a Midwest Princess moves down 5-7 (11,000 sold; down 17%), LE SSERAFIM’s CRAZY falls 1-8 in its second week (10,000; down 74%) and Stray Kids’ former leader ATE dips 6-9 (8,000; down 24%).

Closing out the top 10 of the latest Top Album Sales chart is xikers’ House of Tricky: Watch Out, 4th Mini Album, debuting at No. 10 with nearly 8,000 sold. It’s the third top 10-charting set for the group. Its first-week sales were largely driven by CD sales, enhanced by the set’s availability across 18 variants (all containing branded paper ephemera).

Lainey Wilson scores her first top 10, with her best sales week ever, on Billboard’s Top Album Sales chart (dated Sept. 7) as her fifth studio album Whirlwind arrives at No. 3 with 34,000 copies sold in the U.S. in the week ending Aug. 29, according to Luminate. The set is the follow-up to her breakthrough album Bell Bottom Country, which was her only other charting set on Top Album Sales, peaking at No. 15 in November 2022.
Whirlwind also arrives in the top 10 across an array of Billboard album charts, including Independent Albums (No. 1), Top Country Albums (No. 3), the Billboard 200 (No. 8), Vinyl Albums (No. 3) and Indie Store Album Sales (No. 10).

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Also in the top 10 of the latest Top Album Sales chart, Travis Scott’s Days Before Rodeo charges in at No. 1 with the second-largest sales week of 2024, Sabrina Carpenter notches her biggest sales week ever – and the year’s second-largest for a vinyl album – with the No. 2 bow of Short n’ Sweet, Thomas Rhett achieves his seventh top 10 with the No. 5 debut of About a Woman, and FONTAINES D.C. land its first top 10 – and best sales week – with the No. 8 start of Romance.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Whirlwind begins with 34,000 copies sold, and of that sum, physical sales comprise 22,000 (16,000 on CD and 6,000 on vinyl) and digital download album sales comprise 12,000.

The set’s first-week sales were bolstered by its availability across eight vinyl variants, three CD editions (including a signed edition sold in Wilson’s webstore, and a Walmart-exclusive CD containing a branded patch and a bonus track), a standard digital download album, and a deluxe digital album variant with four bonus “worktape” recordings (sold via Wilson’s webstore).

Scott’s 2014 mixtape Days Before Rodeo roars at No. 1 on Top Album Sales with 331,000 copies sold – the second-largest sales week of 2024 and Scott’s best sales week ever. (The year’s largest sales week remains the debut frame of Taylor Swift’s The Tortured Poets Department, with 1.914 million copies sold.) Days was released on Aug. 23 commercially and widely through streaming services for the first time. Digital download album sales comprise 300,000 of Days’ first-week sum, while CD sales account for the remaining 31,000.

Days’ first-week sales figure was aided by its availability across eight digital album variants, seven of which included bonus tracks (ranging from unreleased studio cuts, to live tracks, to remixes), and most were sold exclusively via Scott’s official webstore. The album’s CD sales were generated by a stand-alone CD, as well as a CD that was part of a deluxe boxed set containing a branded hat – both of which were exclusive to Scott’s webstore.

In the coming weeks, the album will profit from two vinyl variants that are yet to ship to customers, in addition to two deluxe boxed sets containing the vinyl LP and branded merchandise – all of which are exclusive to Scott’s webstore.

Sabrina Carpenter’s Short n’ Sweet starts at No. 2 on Top Album Sales with 184,000 sold – her biggest sales week and the fifth-largest sales debut week of 2024.

Short n’ Sweet’s sales were enhanced by its availability across nine vinyl variants, five CD editions, two cassettes and four digital album download variants (three of which were exclusive to her webstore). Vinyl sales combined totaled 105,000  – Carpenter’s best week on vinyl and the second-largest sales week of the year for a vinyl album. Short n’ Sweet also debuts at No. 1 on the Vinyl Albums chart. (The largest vinyl sales week in 2024 for an album is owned by the debut week of Swift’s Poets, with 859,000.)

As for the rest of Short n’ Sweet’s first-week sales, it sold 33,000 on CD; 45,000 digital download albums; and 2,000 cassettes.

Chappell Roan’s The Rise and Fall of a Midwest Princess is pushed down 3-4, despite a 20% gain in sales to 18,000 sold for the week.

Thomas Rhett racks up his seventh top 10-charting effort on Top Album Sales as his latest studio album, About a Woman, arrives at No. 5 with 13,000 sold. Of that sum, nearly 4,000 were from vinyl LP sales – Rhett’s best vinyl sales week ever. Its sales were helped by its availability across more than a dozen vinyl variants.

Post Malone’s F-1 Trillion falls to No. 6 after debuting atop the list a week ago. It sold 12,000 copies in its second week (down 84%). Stray Kids’ former No. 1 ATE dips 4-7 with 12,000 sold (down 17%).

FONTAINES D.C.’s Romance starts at No. 8 with nearly 9,000 sold – the first top 10 and best sales week for the act. The set was available across six vinyl variants (which sold a combined 6,000 – the act’s best week on vinyl).

Closing out the Top Album Sales’ top 10 are EHYPEN’s chart-topping Romance: Untold (moving 5-9 with 8,000; down 19%) and Billie Eilish’s Hit Me Hard and Soft (7-10 with 7,000; down 9%).

Singer-songwriter beabadoobee scores her first top 10 on Billboard’s Top Album Sales chart as her latest studio album, This Is How Tomorrow Moves, bows at No. 6 on the Aug. 24-dated chart. The set, her third full-length studio effort, launches with her best sales week ever – selling nearly 9,000 copies in the U.S. in the week ending Aug. 15, according to Luminate.

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Also in the top 10 of the latest Top Album Sales chart, Chappell Roan’s The Rise and Fall of a Midwest Princess hits a new peak, climbing 7-3; while King Gizzard and The Lizard Wizard’s Flight b741 debuts at No. 7 and Logic’s Ultra 85 arrives at No. 8.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

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Of the nearly 9,000 copies sold of This Is How Tomorrow Moves in its opening week, vinyl sales comprised the majority of that figure – 5,000 sold. The album was available across six different editions (color variants and a picture disc). The set also premieres at No. 5 on the Vinyl Albums sales chart.

Tomorrow also arrives in the top 10 on a host of other Billboard album charts: Indie Store Album Sales (No. 2), Top Alternative Albums (No. 5), Independent Albums (No. 6), Top Rock Albums (No. 7) and Top Rock & Alternative Albums (No. 10). The set also launches at No. 34 on the overall Billboard 200 – her first top 40-charting effort on that tally.

Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums and rank, respectively, the week’s most popular rock and alternative, rock, and alternative albums by equivalent album units. Indie Store Album Sales measures the top-selling titles at independent and small chain record stores. Independent Albums ranks the most popular independently released albums of the week, by units.

At No. 1 on Top Album Sales, Taylor Swift’s The Tortured Poets Department captures an eighth non-consecutive weeks atop the list, selling 28,000 copies (down 67%). Stray Kids’ chart-topping ATE rises 3-2 with 18,000 (down 29%), Chappell Roan’s The Rise and Fall of a Midwest Princess jumps 7-3 (a new peak) with 14,000 (up 71%), ENHYPEN’s former leader Romance: Untold is a non-mover at No. 4 with 10,000 (down 16%) and Billie Eilish’s Hit Me Hard and Soft is stationary at No. 5 with nearly 10,000 (down 8%).

King Gizzard and The Lizard Wizard’s Flight b741 flies in at No. 7 on Top Album Sales, scoring the act its fourth top 10, and matches the band’s highest rank on the tally. The new studio album sold nearly 8,500 copies in its first week, largely from vinyl sales. Its two variants combined to sell 7,000 – enough for its No. 2 debut on the Vinyl Albums chart.

Logic logs his 10th top 10-charting set on the Top Album Sales ranking as Ultra 85 bows at No. 8 with nearly 7,000 sold. About 5,500 of that sum was from vinyl album purchases (across four variants), and the set launches at No. 4 on the Vinyl Albums chart. The album was only available to purchase as a vinyl LP or as a digital download.

Rounding out the top 10 on Top Album Sales: Charli XCX’s Brat bounces 12-9 with 6,000 sold (up 2%) and Twisters: The Album climbs 17-10 with nearly 5,500 sold (up 9%).

Jack White scores his seventh solo top 10-charting set on Billboard’s Top Album Sales chart as his latest release, No Name, debuts at No. 8 on the chart dated Aug. 17. The effort was initially secretly released on July 19 as a free, unlabeled vinyl to unsuspecting customers at Third Man Records stores in Detroit, Nashville and London. It was then commercially released on Thursday, Aug. 1 as a blue-colored vinyl LP, exclusive to independent record stores, and then widely as a digital download album on August 2.

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In the tracking week of Aug. 2-8 (all Billboard album charts reflect a Friday-Thursday tracking week), No Name sold 7,000 copies – with nearly 4,500 on vinyl. (In the week ending Aug. 1, the album sold about 1,000 copies – all on vinyl.)

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No Name will garner a wider release on Sept. 13 when a standard black vinyl and a CD are due out.

Also in the top 10 of the new Top Album Sales chart, Taylor Swift’s The Tortured Poets Department returns to No. 1 for a seventh nonconsecutive week, Ye (formerly Kanye West) and Ty Dolla $ign’s Vultures 2 debuts at No. 2, Red Velvet’s Cosmic starts at No. 6, Orville Peck’s Stampede gallops in at No. 9 and X’s Smoke & Fiction launches at No. 10.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

The Tortured Poets Department jumps 6-1 on Top Album Sales with a 606% gain to 84,000 copies sold. The set’s sales were bolstered by a number of drivers during the tracking week. It was released in five new digital album variants via Swift’s official webstore for a limited time, each containing the standard album’s 16 songs, along with one exclusive bonus track for $4.99 each (one album contained a “first draft phone memo” version of “My Boy Only Breaks His Favorite Toys,” while the other four contained one live track each from recent stops during her The Eras Tour). In addition, for a limited time, the store restocked three previously available digital album variants with exclusive bonus cuts, and a signed CD edition. Her store also staged a brief sale pricing promotion, whereby 16 previously available physical variants of the album were all discounted by 13% (as 13 is Swift’s favorite number).

At No. 2 on Top Album Sales, Ye and Ty Dolla $ign’s delayed Vultures 2 lands with 60,500 sold in its first week. The set’s opening-week sales were aided by its availability across a widely available standard explicit edition, and a late-in-the-week-released clean edition (on Aug. 8), but no physical formats. Vultures 2 was originally slated for release on March 8, but was released with little advance warning on Saturday, Aug. 3.

Ye’s official webstore also issued five additional explicit digital album variants of Vultures 2 on Wednesday (Aug. 7) and Thursday (Aug. 8), each containing the standard album’s 16 tracks, along with one exclusive studio bonus track per album. All digital albums on Ye’s webstore sold for $5 each. The Vultures 2 album, both clean and explicit, was also discounted to $4.99 in the iTunes Store in the tracking week.

Stray Kids’ ATE falls 1-3 on Top Album Sales in its third week after spending its first two weeks atop the chart. ATE sold a little more than 26,000 copies in the latest tracking frame (down 41%). ENHYPEN’s Romance: Untold is a non-mover at No. 4 with just over 12,000 sold (down 20%).

Billie Eilish’s Hit Me Hard and Soft climbs 11-5 with nearly 10,500 sold and a 35% increase – the set’s first weekly sales gain in its 12 weeks of release. (The gain is largely owed to sales generated by non-traditional retailers, inclusive of Internet-based sellers like Eilish’s official webstore.)

Red Velvet claims its first top 10-charting effort on Top Album Sales as Cosmic debuts at No. 6 with 8,500 sold – the group’s best sales week yet. The Korean pop ensemble previously got as high as No. 40 in 2020 with The Reve Festival: Finale. Cosmic was released as a digital download album, and through streaming services, on June 24. Its physical release, across five CDs, came on Aug. 2. The CD variants include collectible paper ephemera, including a photocard, sticker and a poster (some randomized).

Chappell Roan’s The Rise and Fall of a Midwest Princess returns to the top 10 after three weeks, as the album bolts 17-7 with nearly 8,500 (up 34%). The album’s ascent comes after Roan’s rousing reception at Lollapalooza on Aug. 1.

Orville Peck notches his second top 10 on Top Album Sales as his new studio effort Stampede bows at No. 9 with 6,500 sold in its first week. The set’s sales were bolstered by its availability across eight vinyl variants, which collectively sold nearly 4,500 – enabling its debut at No. 4 on the Vinyl Albums chart.

Closing out the top 10 on the new Top Album Sales chart is X’s new studio album Smoke & Fiction, debuting at No. 10 with the veteran band’s best sales week in the modern era (since 1991, when Luminate began tracking sales), nearly 6,500 sold. It’s also the first top 10 for the act on the Top Album Sales chart. The new set is promoted as the final studio album from the band, which first dented a Billboard chart in 1981 when Wild Gift reached No. 165 in June of that year on the Billboard 200. Smoke & Fiction’s first-week sales were aided by the set’s availability across five vinyl variants, which collectively sold a little over 4,000 copies (enabling its debut at No. 6 on the Vinyl Albums chart).

aespa achieves its fifth top 10-charting effort on Billboard’s Top Album Sales chart as the female K-pop quartet’s new Armageddon – The 1st Album debuts at No. 2 on the chart dated July 20. All five of the act’s entries on the chart have debuted in the top 10.

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Also in the top 10 of the latest Top Album Sales chart, Taylor Swift’s The Tortured Poets Department nets a sixth week at No. 1 (and with a 154% sales increase), the 30th anniversary reissue and first vinyl pressing of Selena’s Amor Prohibido pushes it back onto the chart at No. 4 and Agust D (aka BTS’ SUGA) sees his D-Day album re-enter at No. 8 after its release on vinyl.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

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Armageddon arrives with 18,000 copies sold in the U.S. in the week ending July 11, according to Luminate. The album was released widely on CD on July 5 after previously being available as a digital download and via streaming services. CD sales power nearly all of the 18,000 sales in the week ending July 11, and the set was issued in eight collectible CD variants, all containing paper merchandise.

Meanwhile, Swift’s The Tortured Poets Department holds at No. 1 on Top Album Sales with 90,000 copies sold – up 154% for the week. CD sales comprise 67,000 (up 127%), digital album download sales comprise 19,000 (up 1,266%) and vinyl sales comprise 4,000 (down 10%).

The Tortured Poets Department’s overall weekly increase was bolstered in part by sales generated from Swift’s official webstore, which restocked seven earlier-released CD variants of the album (including a signed edition). The restocked items were available to purchase for a few hours on Sunday, June 7 and shipped shortly afterwards. In addition, Swift released three new digital album download variants of the album on Thursday, July 11, sold exclusively in her webstore for $4.99 each, and were only available to purchase that day. Each contained the original standard 16-song album tracklist, along with one bonus live acoustic track, recorded during her The Eras Tour stop in Stockholm (“Guilty as Sin?,” “How Did It End?” or “Peter”).

ATEEZ’s former No. 1 Golden Hour: Part.1 rises 7-3 with nearly 13,000 copies sold (up 3%).

Following its 30th anniversary reissue, Selena’s Amor Prohibido re-enters Top Album Sales at No. 4 with 11,000 sold – its best sales week since 1995. The set, which was initially released in 1994 and spent 20 weeks at No. 1 on Top Latin Albums in 1994-95, was reissued on July 4 across digital and physical configurations, including its first pressing on vinyl.

Amor debuts at No. 1 on the Vinyl Albums chart with 10,000 sold on wax – Selena’s best sales week ever on vinyl. It’s her second leader on the 13-year-old Vinyl Albums ranking. The album was available in four vinyl variants – a standard clear color edition, a Target-exclusive pink color (containing a poster), a Spotify-exclusive coke bottle clear edition and a picture-disc variant sold via Selena’s webstore.

Amor was also reissued on CD and as a cassette tape, with the latter exclusively sold in Selena’s webstore.

Billie Eilish’s Hit Me Hard and Soft rises 9-5 on Top Album Sales with 10,000 (down 12%), Chappell Roan’s The Rise and Fall of a Midwest Princess steps 8-6 with 9,000 (down 26%) and Zach Bryan’s The Great American Bar Scene shoots 21-7 after its first full tracking week, with 8,500 sold (up 66%). The set was released on July 4, the final day of the tracking week for the July 13-dated chart, and sold 5,000 copies that day (enabling it debut at No. 21). The album is only available to purchase as a digital download; its CD and vinyl are due out on Oct. 11.

Agust D’s chart-topping D-Day re-enters Top Album Sales at No. 8 with nearly 8,000 sold following the set’s vinyl release on July 5. Rounding out the top 10 are a pair of former No. 1s from Swift, as Lover jumps 19-9 with just over 5,000 sold (though down 3%) and 1989 (Taylor’s Version) vaults 20-10 with nearly 5,000 (down 5%).