Top Album Sales
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Singer-songwriter beabadoobee scores her first top 10 on Billboard’s Top Album Sales chart as her latest studio album, This Is How Tomorrow Moves, bows at No. 6 on the Aug. 24-dated chart. The set, her third full-length studio effort, launches with her best sales week ever – selling nearly 9,000 copies in the U.S. in the week ending Aug. 15, according to Luminate.
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Also in the top 10 of the latest Top Album Sales chart, Chappell Roan’s The Rise and Fall of a Midwest Princess hits a new peak, climbing 7-3; while King Gizzard and The Lizard Wizard’s Flight b741 debuts at No. 7 and Logic’s Ultra 85 arrives at No. 8.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Of the nearly 9,000 copies sold of This Is How Tomorrow Moves in its opening week, vinyl sales comprised the majority of that figure – 5,000 sold. The album was available across six different editions (color variants and a picture disc). The set also premieres at No. 5 on the Vinyl Albums sales chart.
Tomorrow also arrives in the top 10 on a host of other Billboard album charts: Indie Store Album Sales (No. 2), Top Alternative Albums (No. 5), Independent Albums (No. 6), Top Rock Albums (No. 7) and Top Rock & Alternative Albums (No. 10). The set also launches at No. 34 on the overall Billboard 200 – her first top 40-charting effort on that tally.
Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums and rank, respectively, the week’s most popular rock and alternative, rock, and alternative albums by equivalent album units. Indie Store Album Sales measures the top-selling titles at independent and small chain record stores. Independent Albums ranks the most popular independently released albums of the week, by units.
At No. 1 on Top Album Sales, Taylor Swift’s The Tortured Poets Department captures an eighth non-consecutive weeks atop the list, selling 28,000 copies (down 67%). Stray Kids’ chart-topping ATE rises 3-2 with 18,000 (down 29%), Chappell Roan’s The Rise and Fall of a Midwest Princess jumps 7-3 (a new peak) with 14,000 (up 71%), ENHYPEN’s former leader Romance: Untold is a non-mover at No. 4 with 10,000 (down 16%) and Billie Eilish’s Hit Me Hard and Soft is stationary at No. 5 with nearly 10,000 (down 8%).
King Gizzard and The Lizard Wizard’s Flight b741 flies in at No. 7 on Top Album Sales, scoring the act its fourth top 10, and matches the band’s highest rank on the tally. The new studio album sold nearly 8,500 copies in its first week, largely from vinyl sales. Its two variants combined to sell 7,000 – enough for its No. 2 debut on the Vinyl Albums chart.
Logic logs his 10th top 10-charting set on the Top Album Sales ranking as Ultra 85 bows at No. 8 with nearly 7,000 sold. About 5,500 of that sum was from vinyl album purchases (across four variants), and the set launches at No. 4 on the Vinyl Albums chart. The album was only available to purchase as a vinyl LP or as a digital download.
Rounding out the top 10 on Top Album Sales: Charli XCX’s Brat bounces 12-9 with 6,000 sold (up 2%) and Twisters: The Album climbs 17-10 with nearly 5,500 sold (up 9%).
Jack White scores his seventh solo top 10-charting set on Billboard’s Top Album Sales chart as his latest release, No Name, debuts at No. 8 on the chart dated Aug. 17. The effort was initially secretly released on July 19 as a free, unlabeled vinyl to unsuspecting customers at Third Man Records stores in Detroit, Nashville and London. It was then commercially released on Thursday, Aug. 1 as a blue-colored vinyl LP, exclusive to independent record stores, and then widely as a digital download album on August 2.
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In the tracking week of Aug. 2-8 (all Billboard album charts reflect a Friday-Thursday tracking week), No Name sold 7,000 copies – with nearly 4,500 on vinyl. (In the week ending Aug. 1, the album sold about 1,000 copies – all on vinyl.)
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No Name will garner a wider release on Sept. 13 when a standard black vinyl and a CD are due out.
Also in the top 10 of the new Top Album Sales chart, Taylor Swift’s The Tortured Poets Department returns to No. 1 for a seventh nonconsecutive week, Ye (formerly Kanye West) and Ty Dolla $ign’s Vultures 2 debuts at No. 2, Red Velvet’s Cosmic starts at No. 6, Orville Peck’s Stampede gallops in at No. 9 and X’s Smoke & Fiction launches at No. 10.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
The Tortured Poets Department jumps 6-1 on Top Album Sales with a 606% gain to 84,000 copies sold. The set’s sales were bolstered by a number of drivers during the tracking week. It was released in five new digital album variants via Swift’s official webstore for a limited time, each containing the standard album’s 16 songs, along with one exclusive bonus track for $4.99 each (one album contained a “first draft phone memo” version of “My Boy Only Breaks His Favorite Toys,” while the other four contained one live track each from recent stops during her The Eras Tour). In addition, for a limited time, the store restocked three previously available digital album variants with exclusive bonus cuts, and a signed CD edition. Her store also staged a brief sale pricing promotion, whereby 16 previously available physical variants of the album were all discounted by 13% (as 13 is Swift’s favorite number).
At No. 2 on Top Album Sales, Ye and Ty Dolla $ign’s delayed Vultures 2 lands with 60,500 sold in its first week. The set’s opening-week sales were aided by its availability across a widely available standard explicit edition, and a late-in-the-week-released clean edition (on Aug. 8), but no physical formats. Vultures 2 was originally slated for release on March 8, but was released with little advance warning on Saturday, Aug. 3.
Ye’s official webstore also issued five additional explicit digital album variants of Vultures 2 on Wednesday (Aug. 7) and Thursday (Aug. 8), each containing the standard album’s 16 tracks, along with one exclusive studio bonus track per album. All digital albums on Ye’s webstore sold for $5 each. The Vultures 2 album, both clean and explicit, was also discounted to $4.99 in the iTunes Store in the tracking week.
Stray Kids’ ATE falls 1-3 on Top Album Sales in its third week after spending its first two weeks atop the chart. ATE sold a little more than 26,000 copies in the latest tracking frame (down 41%). ENHYPEN’s Romance: Untold is a non-mover at No. 4 with just over 12,000 sold (down 20%).
Billie Eilish’s Hit Me Hard and Soft climbs 11-5 with nearly 10,500 sold and a 35% increase – the set’s first weekly sales gain in its 12 weeks of release. (The gain is largely owed to sales generated by non-traditional retailers, inclusive of Internet-based sellers like Eilish’s official webstore.)
Red Velvet claims its first top 10-charting effort on Top Album Sales as Cosmic debuts at No. 6 with 8,500 sold – the group’s best sales week yet. The Korean pop ensemble previously got as high as No. 40 in 2020 with The Reve Festival: Finale. Cosmic was released as a digital download album, and through streaming services, on June 24. Its physical release, across five CDs, came on Aug. 2. The CD variants include collectible paper ephemera, including a photocard, sticker and a poster (some randomized).
Chappell Roan’s The Rise and Fall of a Midwest Princess returns to the top 10 after three weeks, as the album bolts 17-7 with nearly 8,500 (up 34%). The album’s ascent comes after Roan’s rousing reception at Lollapalooza on Aug. 1.
Orville Peck notches his second top 10 on Top Album Sales as his new studio effort Stampede bows at No. 9 with 6,500 sold in its first week. The set’s sales were bolstered by its availability across eight vinyl variants, which collectively sold nearly 4,500 – enabling its debut at No. 4 on the Vinyl Albums chart.
Closing out the top 10 on the new Top Album Sales chart is X’s new studio album Smoke & Fiction, debuting at No. 10 with the veteran band’s best sales week in the modern era (since 1991, when Luminate began tracking sales), nearly 6,500 sold. It’s also the first top 10 for the act on the Top Album Sales chart. The new set is promoted as the final studio album from the band, which first dented a Billboard chart in 1981 when Wild Gift reached No. 165 in June of that year on the Billboard 200. Smoke & Fiction’s first-week sales were aided by the set’s availability across five vinyl variants, which collectively sold a little over 4,000 copies (enabling its debut at No. 6 on the Vinyl Albums chart).
aespa achieves its fifth top 10-charting effort on Billboard’s Top Album Sales chart as the female K-pop quartet’s new Armageddon – The 1st Album debuts at No. 2 on the chart dated July 20. All five of the act’s entries on the chart have debuted in the top 10.
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Also in the top 10 of the latest Top Album Sales chart, Taylor Swift’s The Tortured Poets Department nets a sixth week at No. 1 (and with a 154% sales increase), the 30th anniversary reissue and first vinyl pressing of Selena’s Amor Prohibido pushes it back onto the chart at No. 4 and Agust D (aka BTS’ SUGA) sees his D-Day album re-enter at No. 8 after its release on vinyl.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Armageddon arrives with 18,000 copies sold in the U.S. in the week ending July 11, according to Luminate. The album was released widely on CD on July 5 after previously being available as a digital download and via streaming services. CD sales power nearly all of the 18,000 sales in the week ending July 11, and the set was issued in eight collectible CD variants, all containing paper merchandise.
Meanwhile, Swift’s The Tortured Poets Department holds at No. 1 on Top Album Sales with 90,000 copies sold – up 154% for the week. CD sales comprise 67,000 (up 127%), digital album download sales comprise 19,000 (up 1,266%) and vinyl sales comprise 4,000 (down 10%).
The Tortured Poets Department’s overall weekly increase was bolstered in part by sales generated from Swift’s official webstore, which restocked seven earlier-released CD variants of the album (including a signed edition). The restocked items were available to purchase for a few hours on Sunday, June 7 and shipped shortly afterwards. In addition, Swift released three new digital album download variants of the album on Thursday, July 11, sold exclusively in her webstore for $4.99 each, and were only available to purchase that day. Each contained the original standard 16-song album tracklist, along with one bonus live acoustic track, recorded during her The Eras Tour stop in Stockholm (“Guilty as Sin?,” “How Did It End?” or “Peter”).
ATEEZ’s former No. 1 Golden Hour: Part.1 rises 7-3 with nearly 13,000 copies sold (up 3%).
Following its 30th anniversary reissue, Selena’s Amor Prohibido re-enters Top Album Sales at No. 4 with 11,000 sold – its best sales week since 1995. The set, which was initially released in 1994 and spent 20 weeks at No. 1 on Top Latin Albums in 1994-95, was reissued on July 4 across digital and physical configurations, including its first pressing on vinyl.
Amor debuts at No. 1 on the Vinyl Albums chart with 10,000 sold on wax – Selena’s best sales week ever on vinyl. It’s her second leader on the 13-year-old Vinyl Albums ranking. The album was available in four vinyl variants – a standard clear color edition, a Target-exclusive pink color (containing a poster), a Spotify-exclusive coke bottle clear edition and a picture-disc variant sold via Selena’s webstore.
Amor was also reissued on CD and as a cassette tape, with the latter exclusively sold in Selena’s webstore.
Billie Eilish’s Hit Me Hard and Soft rises 9-5 on Top Album Sales with 10,000 (down 12%), Chappell Roan’s The Rise and Fall of a Midwest Princess steps 8-6 with 9,000 (down 26%) and Zach Bryan’s The Great American Bar Scene shoots 21-7 after its first full tracking week, with 8,500 sold (up 66%). The set was released on July 4, the final day of the tracking week for the July 13-dated chart, and sold 5,000 copies that day (enabling it debut at No. 21). The album is only available to purchase as a digital download; its CD and vinyl are due out on Oct. 11.
Agust D’s chart-topping D-Day re-enters Top Album Sales at No. 8 with nearly 8,000 sold following the set’s vinyl release on July 5. Rounding out the top 10 are a pair of former No. 1s from Swift, as Lover jumps 19-9 with just over 5,000 sold (though down 3%) and 1989 (Taylor’s Version) vaults 20-10 with nearly 5,000 (down 5%).
NAYEON scores her second No. 1 on Billboard’s Top Album Sales chart (dated June 29) as NA enters atop the list, with 43,000 copies sold in the U.S. in the week ending June 20, according to Luminate. The TWICE member previously led the list with her first solo entry, IM NAYEON, in 2022.
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Also in the top 10 of the new Top Album Sales chart, the newest releases from $uicideboy$, Don Toliver, Luke Combs and Paul McCartney & Wings debut, while the Twilight soundtrack returns.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new June 29, 2024-dated chart will be posted in full on Billboard‘s website on June 25. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Sales of NAYEON’s NA were largely powered by CD sales (34,500 of its total 43,000). Vinyl accounted for 7,500, while digital download album purchases totaled 1,000. The album’s first-week sales were bolstered by its availability across 15 CD variants and two vinyl variants, all containing branded paper merchandise.
Taylor Swift’s former leader The Tortured Poets Department climbs 4-2 with 33,000 sold. The album’s sales grew 42% in the tracking week thanks largely to two new CD variants of the set that shipped to customers. The two CDs, which were sold exclusively in Swift’s webstore, were briefly available to pre-order in early June. Both CDs contain the standard album’s 16 songs and an acoustic bonus track (one includes “Down Bad” and one includes “Guilty as Sin?”).
$uicideboy$ notch their highest-charting effort on Top Album Sales as New World Depression debuts at No. 3 with nearly 20,000 sold. The set’s sales were aided by its availability across six vinyl variants, which sold a combined 16,000 – the hip-hop duo’s best week ever on vinyl. It also debuts at No. 1 on Vinyl Albums – marking the act’s first leader on the tally.
Don Toliver logs his biggest sales week ever, as his new studio album Hardstone Psycho arrives at No. 4 with 19,500 sold – all from digital download album sales. The album’s first-week sales were bolstered by a mid-week release of a deluxe digital download album, sold exclusively through Toliver’s webstore, for $5, containing four additional bonus tracks exclusive to this download version and features from Lil Uzi Vert and Yeat.
Billie Eilish’s Hit Me Hard and Soft is a non-mover at No. 5 on Top Album Sales with nearly 17,000 sold (down 16%).
Luke Combs’s Fathers & Sons starts at No. 6 with 14,000 sold. The set marks his sixth consecutive top 10 – the entirety of his charting entries. The album, which was announced just a week before it was released, was widely available as a digital download purchase, but had just one CD and one vinyl LP (both sold exclusively via Combs’ webstore).
The chart-topping Twilight soundtrack re-enters Top Album Sales at No. 7 with 13,000 sold (up from a negligible sum the previous week), following the set’s reissue on vinyl in three different color variants. Vinyl sales comprise essentially all of the sales for the week, and the album, first released in 2008, debuts on the Vinyl Albums chart at No. 2.
The first official release of Paul McCartney & Wings’ One Hand Clapping debuts at No. 8 with nearly 13,000 sold. The set, which was recorded in August of 1974, was issued as a digital download, CD and in two vinyl editions.
Closing out the top 10 of the latest Top Album Sales chart are Charli XCX’s Brat (falling 3-9 in its second week with 12,000; down 69%) and ATEEZ’s chart-topping Golden Hour: Part.1 (2-10 with nearly 12,000; down 72%).
Bon Jovi’s new studio album Forever enters at No. 1 on Billboard’s Top Album Sales chart (dated June 22), with 50,000 copies sold in the U.S. in the week ending June 13, according to Luminate. Of that sum, vinyl sales accounted for 9,000 copies – the band’s biggest week on vinyl since Luminate began tracking sales in 1991.
Also in the top 10 of the new Top Album Sales chart, the latest albums from Charli XCX, Meghan Trainor and NxWorries debut.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new June 22, 2024-dated chart will be posted in full on Billboard‘s website on June 18. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Since the Top Album Sales chart launched in 1991, Bon Jovi has placed 20 titles on the ranking, with five of them hitting No. 1. The band’s overall Billboard chart history pre-dates 1991, having first reached a Billboard chart in 1984.
Forever’s first-week sales were supported by its availability across 11 vinyl variants (mostly color variants; three had collectible paper ephemera contained inside, one of which was a signed edition), four CD editions (a standard set, two with alternative cover art, and one that was signed), a cassette tape, a standard digital download album, and a deluxe digital download edition with two bonus tracks that was sold via the band’s official webstore starting June 8.
At No. 2 on Top Album Sales, Charli XCX’s new Brat bows with 45,000 copies sold – the singer-songwriter’s largest sales week yet.
The album’s first-week sales were supported by its availability across 14 vinyl variants (mostly color variants, two were issued in deluxe editions containing collectible paper ephemera, one of which also housed a bonus 7-inch vinyl), which added up to 34,000 copies sold on vinyl – Charli XCX’s biggest week on vinyl. The set was also issued as a standard CD, a signed CD and as a deluxe boxed set containing a branded T-shirt and a CD. On June 10, the album was reissued as a deluxe digital download and streaming album with three bonus tracks.
ATEEZ’s chart-topping Golden Hour: Part.1 falls 1-3 in its second week on Top Album Sales (43,000; down 66%), Taylor Swift’s former No. 1 The Tortured Poets Department dips 2-4 (23,000; down 13%) and Billie Eilish’s Hit Me Hard and Soft slips 3-5 (20,000; down 18%).
Meghan Trainor collects her largest sales week since 2016, as Timeless starts at No. 6 with 15,000 sold. Of that sum, 4,000 were on vinyl – Trainor’s best week on vinyl ever. The album’s overall sales were supported by 11 vinyl variants (including a signed edition), five CD variants (including two signed editions, and a Target-exclusive with a bonus track), a standard digital download album, a deluxe edition with a bonus track, and two further deluxe versions (one containing bonus “sped up” mixes, and one containing bonus “slowed down” mixes).
Superduo NxWorries (comprising Anderson .Paak and Knxwledge) sees its new album Why Lawd? debut at No. 7 with 11,000 sold (its best sales week ever) – exclusively from sales of its physical configurations. It was released on June 7 on CD, vinyl and cassette, and then reached digital retail and streaming services a week later on June 14. The album was initially available across five vinyl variants, one CD and one cassette tape. Vinyl sales accounted for 9,000 of Why Lawd?’s first-week – the act’s best week on vinyl.
Rounding out the top 10 on the new Top Album Sales chart: Chappell Roan’s The Rise and Fall of a Midwest Princess rallies 17-8 with 8,000 sold (the album’s best week, up 87% — the rise follows her buzzy performance at the Governor’s Ball), Twenty One Pilots’ former leader Clancy falls 5-9 (nearly 8,000; down 32%) and The Marias’ Submarine slips 4-10 (7,000; down 58%).
New Kids On the Block’s first full-length studio album in over a decade, Still Kids, debuts at No. 4 on Billboard’s Top Album Sales chart (dated June 1). The set also arrives at No. 9 on the Independent Albums chart, and No. 12 on the Vinyl Albums tally.
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The set sold 14,000 copies in the U.S. in the week ending May 23, according to Luminate. The effort is the vocal group’s first full-length studio project since 2013’s 10.
New Kids On the Block’s overall Billboard chart history runs almost exactly 38 years, to when the single “Be My Girl” debuted on the now-named Hot R&B/Hip-Hop Songs chart dated June 7, 1986. The group would later rack up 13 hits on the all-genre Billboard Hot 100 songs chart, including a trio of No. 1s. Over on the all-genre Billboard 200 albums chart, the act has logged a dozen entries (among them two No. 1s), including the new set, which bows at No. 56.
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Also in the top 10 of the new Top Album Sales chart, Taylor Swift’s The Tortured Poets Department holds atop the list for a fourth nonconsecutive week, while albums debut from Billie Eilish, Zayn, Slash, Cage the Elephant, The Avett Brothers, Kerry King and Kate Hudson.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
The Tortured Poets Department holds at No. 1 with 201,000 copies sold (up 413%) after an array of drivers helped the set post its first weekly sales gain. Eilish’s Hit Me Hard and Soft launches at No. 2 with 191,000 – marking Eilish’s best sales week ever.
Zayn returns to the chart with his first new album since 2021, and his best sales week since 2016, as Room Under the Stairs starts at No. 3 with 24,000 sold. Slash’s new blues covers project Orgy of the Damned, boasting an array of guest artists such as Gary Clark Jr and Chris Stapleton, bows at No. 5 with a little over 10,000 sold.
Cage the Elephant’s Neon Pill enters at No. 6 (9,000), The Avett Brothers’ self-titled album debuts at No. 7 (8,000), SEVENTEEN’s SEVENTEEN Best Album ‘17 Is Right Here’ falls 4-8 (7,000), guitarist Kerry King’s solo debut From Hell I Rise arrives at No. 9 (7,000) and Kate Hudson’s debut studio album Glorious bows at No. 10 (nearly 7,000).
Kings of Leon scores its sixth top 10-charting effort on Billboard’s Top Album Sales chart, as the band’s latest studio release, Can We Please Have Fun, bows at No. 3 on the May 25-dated tally. The set also makes a splash on a number of other rankings, including top 10 debuts on Top Rock & Alternative Albums, Top Alternative Albums, Top Rock Albums, Top Current Album Sales, Indie Store Album Sales and Vinyl Albums.
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Can We Please Have Fun sold 14,000 copies in the U.S. in the week ending May 16, according to Luminate.
Also in the top 10 of the new Top Album Sales chart, Taylor Swift’s The Tortured Poets Department holds atop the list for a third nonconsecutive week, Knocked Loose scores its best sales week ever and highest charting album with the No. 2 debut of You Won’t Go Before You’re Supposed To, and Scotty McCreery’s Rise & Fall starts at No. 6 – marking his sixth top 10 set.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Swift’s Poets captures a third nonconsecutive weeks at No. 1 on Top Album Sales (41,000; down 19%), while Knocked Loose logs its best sales week and highest charting effort yet, as You Won’t Go Before You’re Supposed To enters at No. 2 with 18,000 sold.
SEVENTEEN’s SEVENTEEN Best Album ‘17 Is Right Here’ slips 3-4 with 11,000 (down 78%), Swift’s chart-topping 1989 (Taylor’s Version) is a non-mover at No. 5 (8,000; up 9%), McCreery’s Rise & Fall bows at No. 6 (7,000), Swift’s former leader Lover is stationary at No. 7 (nearly 7,000; up 7%), Dua Lipa’s Radical Optimism falls 1-8 in its second week (6,000; down 89%) and Swift’s chart-topping Midnights motors 11-9 (just over 5,000; up 4%).
Rounding out the top 10 is Hozier’s Wasteland, Baby!, which jumps 16-10 with 5,000 (up 30%), following the recent release of a new Amazon-exclusive vinyl edition of the album.
Dua Lipa achieves her first No. 1 on Billboard’s Top Album Sales chart, as her third full-length studio effort, Radical Optimism, debuts atop the list dated May 18. In the week ending May 9, the album sold 51,500 copies in the U.S. according to Luminate – marking the singer-songwriter’s biggest sales week yet. Her previous best week, both in terms of sales and chart rank, came when her last studio set, Future Nostalgia, debuted at No. 4 with 18,000 sold on the April 11, 2020-dated chart.
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Also making waves in the top 10 of the new Top Album Sales chart: the latest releases from SEVENTEEN, NCT Dream and Sia arrive, while vinyl releases prompt big re-entries for Ye and Ty Dolla $ign’s Vultures 1 and Dave Matthews’ Some Devil.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new May 18, 2024-dated chart will be posted in full on Billboard‘s website on May 14. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Radical Optimism’s 51,500 copies sold, physical sales comprise 39,000 (20,000 on vinyl – her best week ever, 18,000 on CD and less than 1,000 on cassette) and digital download sales comprise 12,500.
The album’s sales were bolstered by its availability across 20 physical variants, all with the same 11 songs. There were 11 vinyl editions in assorted colors (one of which was signed, and most variants were exclusive to specific retailers) and two cassette tapes. In terms of CDs, there was a widely available standard CD with a lenticular cover, and then multiple CD iterations sold exclusively in Lipa’s webstore (a signed standard CD, a zine CD package, and four deluxe CD boxed sets – each containing a branded T-shirt and a CD, and two of the boxes also included a signed art card).
In addition, the album was issued as a widely available standard 11-song digital download and a deluxe digital album with two live bonus tracks sold exclusively in Lipa’s webstore.
Taylor Swift’s The Tortured Poets Department falls 1-2 (51,000; down 53%) after spending its first two weeks atop the list.
SEVENTEEN’s retrospective compilation SEVENTEEN Best Album ‘17 Is Right Here’ bows at No. 3 with 49,000 copies sold. It’s the seventh top 10-charting effort from the group. The set’s sales were supported by its availability across a dozen CD variants, all containing branded paper merchandise like posters and photocards (some randomized). Exclusive iterations were sold by Barnes & Noble and Target, while signed editions were also available.
Ye and Ty Dolla $ign’s Vultures 1 re-enters Top Album Sales at No. 4 following the set’s arrival on vinyl. The effort sold 31,000 copies across all available configurations (up 37,841%). Essentially all of its sales were from vinyl – nearly 31,000, which marks the biggest sales week on vinyl for both Ye and Ty Dolla $ign. The vinyl edition of the album was exclusively sold via Ye’s official webstore, and was initially sold as a pre-order when the album was first released on Feb. 10 (as a paid download and via streaming services). At that time, when customers pre-ordered the vinyl, the webstore stated the vinyl would ship in “2024.”
Swift’s chart-topping 1989 (Taylor’s Version) climbs 7-5 with 7,000 sold (though down 20%).
NCT Dream’s DREAM()SCAPE debuts at No. 6 with nearly 7,000 sold, marking the third top 10-charting set for the act. Effectively all of the album’s sales were on CD, and the set was available in three iterations (all containing branded paper merchandise, with some randomized elements).
Swift’s former leader Lover steps 8-7 with just 6,500 (down 19%).
Dave Matthews’ Some Devil, originally released in 2003, returns to the chart for the first time since 2004, following the set’s release on vinyl for the first time. The set sold 6,000 copies, with basically all of that from vinyl sales. It was issued in three vinyl variants – a widely available black edition, a blue colored version sold through Matthews’ webstore, and an Amazon-exclusive “fog colored vinyl.”
TOMORROW X TOGETHER’s chart-topping minisode 3: TOMORROW rises one spot to No. 9 with 5,500 sold (down 25%).
Sia rounds out the top 10 with the No. 10 debut of her new album, Reasonable Woman. It sold a little more than 5,000 copies, and was available across eight vinyl variants, as well as a standard CD, cassette and digital download album. It’s the third top 10-charting effort for Sia, and the first since 2016’s This Is Acting debuted and peaked at No. 4.
Taylor Swift’s The Tortured Poets Department has surpassed 2 million in U.S. album sales after only two weeks in release, according to Luminate. It’s her 11th album to sell at least 2 million copies. (Album sales are purchases of both digital download albums and physical albums, like CDs, cassette tapes and vinyl LPs.)
In the week ending May 2, The Tortured Poets Department sold 107,000 copies, which was down 94% compared to the previous week, its opening frame, when it bowed with 1.914 million sold. Sales of the album loom so large, the 2.021 million it has sold in its first two weeks represents 8.4% of all U.S. album sales year-to-date (24.05 million).
The Tortured Poets Department is the first album to sell at least 2 million copies in its first two weeks since Adele’s 25 sold 4.49 million in its first two frames in 2015 (3.378 million in its first week, and 1.112 million in week two).
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On Billboard’s Top Album Sales chart dated May 11, The Tortured Poets Department remains at No. 1 for a second week.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
The rest of the top 10 on the Top Album Sales chart is busy with debuts and re-entries, led by the list’s top debut, Grateful Dead’s Dave’s Picks, Volume 50: The Palladium, New York, NY – 5/3/77 at No. 2. The live archival set sold 20,000 copies in its first week.
Lafey’s Bewitched re-enters the list at No. 2, a new high, with 15,000 sold – her best sales week yet. It jumps back onto the list following a deluxe reissue on April 26, dubbed Bewitched: The Goddess Edition, with four bonus tracks. The new Goddess Edition was released on six vinyl variants, a CD, cassette, digital download and a streaming album.
A trio of debuts round out the top six, as Yung Bleu bows at No. 4 with Jeremy (13,000), Luke Hemmings’ Boy starts at No. 5 (10,000) and St. Vincent’s All Born Screaming enters at No. 6 (nearly 10,000).
Swift’s chart-topping 1989 (Taylor’s Version) falls 4-7 (9,000; down 35%) and Lover drops 3-8 (8,000; down 42%). ILLIT’s Super Real Me debuts at No. 9 with nearly 8,000, while TOMORROW X TOGETHER’s former No. 1 minisode 3: TOMORROW rises 11-10 with 7,000 (down 25%).
BOYNEXTDOOR scores its second top 10, and highest-charting album yet, on Billboard’s Top Album Sales ranking as How? enters at No. 7 on the May 4-dated chart. The set launches with 11,000 copies sold in the U.S. in the week ending April 25, according to Luminate – the act’s best sales week ever. The South Korean pop ensemble previously visited the top 10 with the No. 10-peaking Why in 2023.
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Also in the top 10 of the new Top Album Sales chart: Taylor Swift’s The Tortured Poets Department makes a smashing debut at No. 1, Pearl Jam’s Dark Matter bows at No. 2 and Anne Wilson’s Rebel starts at No. 10.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Of the 11,000 copies sold of How?, physical sales comprise essentially all of that sum – and all from the CD configuration. The album’s sales were supported by its availability across 17 different collectible CD packages, including exclusive variants for Barnes & Noble, Target and Walmart. All editions contained branded paper merchandise, including some randomized items.
At No. 1 on Top Album Sales, Swift’s The Tortured Poets Department swoops in with a whopping 1.914 million copies sold in its first week. It’s Swift’s 14th No. 1. That volume marks Swift’s best sales week ever, and the third-largest sales week for any album since Luminate began electronically tracking sales in 1991. The set’s sales were bolstered by its availability across 19 different collectible physical editions (nine CDs, six vinyl LPs and four cassettes, some of which were exclusive to Target and Swift’s webstore) and two digital download albums. Some of the physical iterations of the album contained branded merchandise.
Swift has half of the top 10 on new Top Album Sales chart, as Poets is joined by her former No. 1s Lover (rising 8-3 with 14,000; up 79%), 1989 (Taylor’s Version) (10-4 with 13,000; up 100%), Midnights (11-5 with 12,000; up 130%) and Folklore (13-9 with 10,000; up 112%).
Pearl Jam’s Dark Matter debuts at No. 2 with 52,000 copies (with 24,000 on vinyl), marking the 18th top 10-charting effort for the band. Dark Matter’s first-week sales got a boost from its availability across 12 different color vinyl variants.
Beyoncé’s former No. 1 Cowboy Carter falls 1-6 in its fourth week on the list, selling a little over 11,000 copies (down 59%). Pink Floyd’s The Dark Side of the Moon rises 35-8 with nearly 11,000 sold (up 329%), largely thanks to sales generated by the April 19 release of a collector’s edition of the album on 180-gram crystal clear double vinyl.
Anne Wilson’s new Rebel rounds out the top 10 of Top Album Sales, as the set starts at No. 10 with 10,000 copies sold. It’s the second top 10-charting effort, and best sales week, for the artist. The album’s sales were supported by its availability across four vinyl variants and five CD variants (three of which were signed by the artist).