State Champ Radio Top Album Sales
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YEONJUN’s debut solo project NO LABELS: PART 01 debuts at No. 1 on Billboard’s Top Album Sales chart (dated Nov. 22). The TOMORROW X TOGETHER member’s album sold 27,000 copies in the United States in the week ending Nov. 13, according to Luminate.
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Plus, Hayley Williams, ROSALÍA, sombr and Wings all arrive in the top 10 with their latest releases.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Hayley Williams’ Ego Death at a Bachelorette Party vaults 18-2 on Top Album Sales following its wide release on physical formats during the tracking week. It sold a little over 22,000 copies — the best sales week ever for a solo project from Williams. ROSALÍA also claims her best sales week, with the No. 3 debut of LUX, selling 19,000 copies.
Taylor Swift’s chart-topping The Life of a Showgirl is a non-mover at No. 4 with nearly 19,000 (up 7%) while Stray Kids’ former leader KARMA climbs 7-5 with 13,000 (up 39%). The KPop Demon Hunters soundtrack slips 5-6 with nearly 13,000 (down 6%).
The physical release of sombr’s I Barely Know Her propels the album to a No. 7 debut with 11,000 sold. The album was initially released on Aug. 22 as a digital download, and via streaming services.
The new Wings anthology compilation, WINGS, flies in at No. 8 with a little more than 10,000 sold. Tyler, The Creator’s former No. 1 CHROMAKOPIA falls 2-9 with 10,000 (down 75%) and Vince Guaraldi Trio’s A Charlie Brown Christmas soundtrack is steady at No. 10, with 9,000 sold (up 37%).
Trending on Billboard TWICE scores its eighth top 10 on Billboard’s Top Album Sales chart (dated Oct. 25) as TEN: The Story Goes On debuts at No. 2 with 23,000 copies sold in the United States in the tracking week ending Oct. 16, according to Luminate. The group’s last eight chart entries have all debuted […]
SEVENTEEN achieves its seventh No. 1 on Billboard’s Top Album Sales chart as the group’s latest release, SEVENTEEN 5th Album ‘HAPPY BURSTDAY’ debuts atop the list dated June 14. The set sold 46,000 copies in the United States in the week ending June 5, according to Luminate.
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SEVENTEEN scored its first No. 1 on Top Album Sales in 2021. In turn, with seven No. 1s in the 2020s, the act ties TOMORROW X TOGETHER for the most No. 1s among groups, and the second-most among all acts in the 2020s. Only Taylor Swift, with nine No. 1s on Top Album Sales in the 2020s, has more this decade.
Also in the top 10, the region gets shaken up by albums from Miley Cyrus, Taylor Swift, Kendrick Lamar, Sufjan Stevens, Garbage and Aesop Rock.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Miley Cyrus’ Something Beautiful debuts at No. 2 on Top Album Sales with 27,000 copies sold, marking her 15th top 10 (inclusive of titles credited to her Disney Channel character Hannah Montana). Morgan Wallen’s I’m the Problem falls to No. 3 (16,000; down 45%) after two weeks atop the list.
Two Swift albums return to the top 10 after an outpouring of fan support following the news that Swift had acquired her Big Machine Records-era music catalog. Her 2017 album reputation reenters at No. 4 (15,000; up 1,183%) and her self-titled 2006 self-titled debut reenters at No. 6 (8,000; up 955%).
Kendrick Lamar’s chart-topping To Pimp a Butterfly reenters at No. 5 on Top Album Sales (11,000; up 639%) after a 10th anniversary reissue on multiple vinyl variants, as well as a cassette tape. Another 10th anniversary reissue, this time from Sufjan Stevens, also impacts the chart, as his Carrie & Lowell reenters at No. 7 (8,000; up 2,656%). (For both Lamar and Stevens, all versions of their respective albums, old and new, are combined for tracking and charting purposes.)
Garbage’s Let All That We Imagine Be the Light debuts at No. 8 with just over 7,000 sold, securing the band its fourth top 10-charting set. Lamar’s former No. 1 GNX falls 5-9 (a little more than 7,000; down 15%) and Aesop Rock nabs his first top 10-charting effort with his new release Black Hole Superette debuting at No. 10 (7,000).
Joe Jonas scores his first solo top 10-charting effort on Billboard’s Top Album Sales chart as his second solo album, Music for People Who Believe in Love, debuts at No. 3 on the chart dated June 7. The set sold 17,000 copies in the United States in the week ending May 29, according to Luminate. Of that sum, vinyl purchases comprise 4,000 – a personal best sales week for Jonas as a soloist on vinyl.
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Jonas has issued one solo studio album previously, 2011’s Fastlife, which debuted and peaked at No. 15 on Top Album Sales. Jonas is also a member of Jonas Brothers, and that trio has logged seven top 10s on Top Album Sales (including four No. 1s). DNCE also counts Joe as a member, and that group has reached Top Album Sales once, with its self-titled project, reaching No. 14 in 2016.
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Elsewhere in the top 10 of the Top Album Sales chart, Playboi Carti, BAEKHYUN and Stereolab all shake-up the region with moves reentries and debuts.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Morgan Wallen’s I’m the Problem holds at No. 1 on the Top Album Sales chart for a second week (28,000; down 79% from its debut of 133,000). Playboi Carti’s MUSIC reenters the list at No. 2 with nearly 18,000 (up from a negligible sum the week previous) following the fulfillment of deluxe boxed sets, exclusively sold via his webstore, to customers during the tracking week. BAKHYUN’s Essence of Reverie debuts at No. 4 with nearly 10,500. Kendrick Lamar’s chart-topping GNX rises two spots to No. 5 with 8,000 (up 16%).
Rounding out the rest of the top 10: Jin’s Echo falls 2-6 in its second week (just over 6,000; down 82%), BOYNEXTDOOR’s 4th EP: No Genre dips 3-7 in its second week (6,000; down 57%), Sabrina Carpenter’s chart-topping Short n’ Sweet rises 11-8 (nearly 6,000; up 2%), Stereolab’s Instant Holograms on Metal Film debuts at No. 9 (almost 6,000) and Sleep Token’s former leader Even in Arcadia falls 4-10 (5,500; down 29%).
Linkin Park’s 2024 album From Zero returns to a bevy of Billboard’s album charts (dated May 31) following its deluxe reissue with additional tracks on May 16. The set reenters Top Album Sales (at No. 5), Top Hard Rock Albums (No. 4), Vinyl Albums (No. 8), Top Alternative Albums (No. 9), Top Rock Albums (No. 15), Top Rock & Alternative Albums (No. 17), Indie Store Album Sales (No. 17) and the Billboard 200 (No. 71).
From Zero debuted at No. 1 on all of the above charts last November, save for the Billboard 200 and Top Album Sales, where it arrived at No. 2.
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The album was bolstered with three new studio recordings (“Up From the Bottom,” “Unshatter” and “Let You Fade”) on its digital and streaming editions, while physical formats (two double-CD sets and two double-vinyls) also added in five live tracks. The same week From Zero’s deluxe impacted the album charts, one of the new songs added to the project, “Up From the Bottom,” hit No. 1 on both the Alternative Airplay and Mainstream Rock Airplay charts.
In the tracking week ending May 22, From Zero earned 14,000 equivalent album units (up 173%), with traditional album sales comprising 7,500 of that sum (up 531%). The latter figure pushes the album’s reentry on Top Album Sales at No. 5.
Elsewhere in the top 10 of the all-genre Top Album Sales chart, five albums debut in the region from Morgan Wallen, Jin, BOYNEXTDOOR, Sleep Theory and MEOVV.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Wallen’s I’m the Problem launches at No. 1 on Top Album Sales with a career-best 133,000 sold, marking his fourth top 10-charting effort (all have reached the top three). Jin’s Echo enters at No. 2 with 35,000 sold, garnering the singer his second effort to reach the top three. BOYNEXTDOOR’s 4th EP: No Genre starts at a career-high No. 3 with nearly 14,000 sold; it’s the fourth top 10 for the act.
Sleep Token’s Even in Arcadia falls 1-4 in its second week on the chart (nearly 8,000; down 90%), while the aforementioned From Zero reenters the list at No. 5.
Kali Uchis’ Sincerely. retreats 2-6 in its second week (just over 7,000; down 81%), Kendrick Lamar’s chart-topping GNX climbs 8-7 (7,000; up 6%) and P1Harmony’s DUH! dips 3-6 in its second week (nearly 7,000; down 69%).
Rounding out the latest top 10 is Sleep Theory’s first full-length set Afterglow, which scores the band its first top 10 (and chart entry) with its No. 9 debut (6,500) and MEOVV, who sees their debut EP My Eyes Open VVIDE start at No. 10 (6,000).
Pink Floyd’s archival live album Pink Floyd at Pompeii: MCMLXXII debuts in the top 10 across multiple Billboard charts (dated May 17), following its release on May 2, including a No. 3 arrival on Top Album Sales with the band’s biggest sales week in over a decade.
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The digitally remastered and remixed set is the audio companion the concert film of the same name, which was originally recorded in 1971, and garnered a limited theatrical release in April 2025 after it was digitally remastered. A version of the film was first briefly released in 1972, and has been issued a number of times since then. However, the audio from the film has never been issued as a stand-alone album until now.
In total, it sold just over 20,000 copies in the United States in the week ending May 8, according to Luminate. The album contains the eight performances from the film and was available to purchase as a two-CD set and a double-vinyl package or as a digital download. The CD and vinyl editions have two bonus tracks, while the digital edition has a third bonus cut. (The film itself, separate from the album, was also sold as stand-alone Blu-ray, DVD and digital download.)
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The Pink Floyd at Pompeii: MCMLXXII album also debuts at No. 1 on Indie Store Album Sales, No. 2 on Vinyl Albums (with 12,500 copies sold in its first week), No. 2 on Top Rock Albums, No. 3 on Top Rock & Alternative Albums and No. 28 on the overall all-genre Billboard 200. On the latter, Pompeii marks the 15th top 40-charting set for the band and 30th charting album overall.
With the No. 3 debut on Top Album Sales with 20,000 copies, Pink Floyd captures its largest sales week for an album in over 10 years. The act last sold more copies of a single album on the Jan. 10, 2015-dated chart, when the band’s final studio album, The Endless River, sold 29,000 copies in its seventh week of release.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
It’s a busy week in the top 10 on Top Album Sales, as the Pompeii project is one of six debuts in the region. At the top of the list, Bad Bunny’s Debí Tirar Más Fotos reenters at No. 1, for its first week in the lead, following its vinyl release. Fuerza Regida’s 111XPANTIA bows at No. 2, while Eric Church’s Evangeline Vs. The Machine motors in at No. 4. Ghost’s Skeletá falls to No. 5 after its debut at No. 1 a week ago, while Josh Groban’s first U.S.-released hits retrospective Gems jumps in at No. 6. Kendrick Lamar’s chart-topping GNX descends 5-7, Car Seat Headrest’s The Scholars starts at No. 8 and Key Glock’s Glockaveli bows at No. 9. Sabrina Carpenter’s former leader Short n’ Sweet rounds out the top 10, falling 9-10.
Julien Baker and TORRES’ Send a Prayer My Way debuts at No. 5 on Billboard’s Top Album Sales chart (dated May 3), and also takes a bow in the top 10 on both the Vinyl Albums and Indie Store Album Sales rankings. The set – the first collaborative effort from the duo – was released April 18 and sold about 6,500 copies in the United States in the week ending April 26, according to Luminate.
Previously, Baker has placed two solo titles on Top Album Sales. Baker is also a member of the group Boygenius, which has notched a trio of titles on the list.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
In addition to the No. 5 bow on Top Album Sales for Send a Prayer My Way, it also starts at No. 4 on Vinyl Albums, No. 6 on Indie Store Album Sales, No. 16 on Americana/Folk Albums and No. 34 on Independent Albums.
Elsewhere on Top Album Sales, Doechii scores her biggest sales week yet, and first No. 1, as Alligator Bites Never Heal reenters atop the chart with 14,000 sold. Until April 18, the set was only available to purchase as a download and in two vinyl variants. On April 19, it garnered a wider availability on vinyl, including two new vinyl editions (both color variants) exclusively available via Target and Urban Oufitters, along with a widely available CD.
A trio of former No. 1s are next up on Top Album Sales: Sabrina Carpenter’s Short n’ Sweet rises 7-2 (8,500; down 14%), Kendrick Lamar’s GNX climbs 8-3 (8,000; down 16%) and Lady Gaga’s MAYHEM ascends 14-4 (nearly 7,000; down 11%). Many titles on the chart vault up the tally with big positional climbs, but with declines in sales, as the chart adjusts back to normal following a crowded Record Store Day-infused chart a week ago.
Childish Gambino’s 2024 album Bando Stone and the New World reenters Top Album Sales at No. 6 with nearly 6,500 copies sold following its first physical release, on vinyl. It’s the best sales week and first week in the top 10 for the title.
Chappell Roan’s chart-topping The Rise and Fall of a Midwest Princess jumps 19-7 (5,500; down 20%), Elton John and Brandi Carlile’s Who Believes In Angels? steps 10-8 (just over 4,500; down 50%), Fleetwood Mac’s Rumours races 36-9 (4,500; down 3%) and Billie Eilish’s Hit Me Hard and Soft flies 38-10 (nearly 4,500; down 2%).
Tracy Chapman’s 1988 self-titled debut album comes charging back onto Billboard’s album charts (dated April 19), following its vinyl reissue on April 4. The Billboard 200 chart-topper and Grammy Award-winning effort had been out-of-print on vinyl in the United States since at least the early 1990s.
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In the week ending April 10 in the U.S., Tracy Chapman sold 14,000 copies across all configurations, with about 13,500 on vinyl.
On the Top Album Sales chart, which launched in 1991, the set reenters at a new peak of No. 4. It also debuts on Vinyl Albums (No. 2) and Indie Store Album Sales (No. 3); and reenters Americana/Folk Albums (No. 4), Top Rock Albums (No. 10), Top Rock & Alternative Albums (No. 11, new peak), Catalog Albums (No. 12) and the Billboard 200 (No. 51). On the latter chart, the set – which spent a week atop the list in 1988 – reaches its highest position since 1989.
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Tracy Chapman yielded three Billboard Hot 100-charting songs in 1988: the Grammy-winning “Fast Car” (No. 6), “Talkin’ Bout a Revolution” (No. 75) and “Baby Can I Hold You” (No. 48).
The new vinyl reissue was prepared for release by Chapman and the album’s original producer, David Kershenbaum and sourced from an analogue master. It was released as a widely-available 180 gram black vinyl edition, along with three retailer-exclusive color variants (opaque deep red for Walmart, transparent orange for indie stores, and opaque orange for Urban Outfitters).
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Chapman’s album is one of seven debuts or reentries in the top 10 on the latest Top Album Sales chart, which is led by the debuting Preacher’s Daughter from Ethel Cain at No. 1. It’s her first No. 1 and chart entry. The 2022 album was released on vinyl for the first time on April 4, and in total, the set sold 37,000 copies for the week – nearly all from vinyl purchases.
Elton John and Brandi Carlile’s Who Believes in Angels? enters at No. 2 with 36,500 sold; ZEROBASEONE’s Blue Paradise starts at No. 3 with nearly 20,500 and Ariana Grande’s eternal sunshine rounds out the top five, falling 1-5 with 10,500 (down 83%).
Black Country, New Road’s Forever Howlong debuts at No. 6 (nearly 9,000), Djo’s The Crux starts at No. 7 (8,000), xikers’ House of Tricky: Spur bows at No. 8 (nearly 8,000), Sabrina Carpenter’s former leader Short n’ Sweet slips 6-9 (a little over 7,500; down 16%) and Kendrick Lamar’s chart-topping GNX falls 5-10 (about 7,500; down 19%).
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Selena Gomez and benny blanco’s first collaborative album, I Said I Love You First, debuts at No. 1 on Billboard’s Top Album Sales chart (dated April 5). It’s the fourth leader for Gomez and first for blanco. The set sold 71,000 copies in the U.S. in the week ending March 27, according to Luminate. It’s the best sales week for Gomez since 2015 and blanco’s best sales week ever.
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Of the 71,000 sold, vinyl purchases comprise 21,000 – the biggest week on vinyl for either artist. The title – the first album pairing from the real-life couple – also enters at No. 1 on the Vinyl Albums chart.
In total, I Said I Love You First is Gomez’s eighth top 10 on Top Album Sales, and the first for blanco.
Also debuting in the top 10 on the latest Top Album Sales chart: Japanese Breakfast’s For Melancholy Brunettes (& Sad Women) and My Morning Jacket’s is.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Of the 71,000 copies sold of I Said I Love You First, physical sales comprise 38,000 (21,000 on vinyl and 17,000 on CD) and digital download sales comprise 33,000.
The opening-week sales of I Said I Love You First were bolstered by its availability across seven vinyl variants (different color editions, some with alternate covers; including a signed version), three CD versions (a standard CD, a signed edition, and a zine/CD version with expanded packaging), a deluxe box set containing branded merch and a CD, and 10 different digital download iterations.
Of the download editions, firstly, there was a widely available standard set at digital retail. Then, through the album’s opening week, nine additional download variants were issued, all initially exclusively available through Gomez’s webstore, and each sold for $5. All of the variants included the standard album’s 14 songs, plus bonus material. Five of the variants each had one bonus track (“Stained,” “Talk,” “That’s What I’ll Care [Seven Heavens Version],” “Scared of Loving You [Live From Vevo]” and “How Does It Feel To Be Forgotten [Live From Vevo],” respectively) and one contained two bonus cuts (an acoustic version and extended version of the album single “Call Me When You Break Up”). There was also an Explained: Narrated by Selena Gomez edition (with 14 bonus tracks with Gomez providing commentary on each of the set’s 14 songs), a Slowed & Reverbed edition (with 14 bonus slowed and reverbed versions of the album’s songs) and an Instrumentals edition (with 14 bonus instrumental versions of the tracklist).
All nine of the variants became available in the iTunes Store on Wednesday (March 26). The variants were only sold in the iTunes Store through March 27, the final day they were also sold in Gomez’s store.
Lady Gaga’s chart-topping MAYHEM is a non-mover at No. 2 on Top Album Sales with a little over 13,000 sold (down 44%).
Japanese Breakfast lands its best sales week ever and highest charting title on Top Album Sales as For Melancholy Brunettes (& Sad Women) debuts at No. 3 with 13,000 sold. (It’s the second top 10 for the act.) The album’s sales were aided by its availability across eight vinyl variants (including a signed version), along with a standard download, CD and cassette edition. Vinyl sales tallied up to just over 10,000 – the act’s best week on vinyl, and it yields at No. 2 debut on the Vinyl Albums chart.
Kendrick Lamar’s former No. 1 GNX is steady at No. 4 on Top Album Sales (a little more than 11,000; down 9%) while The Weeknd’s chart-topping Hurry Up Tomorrow jumps 15-5 (11,000; up 92% following the release of a deluxe CD boxed set edition of the album sold in the artist’s webstore).
My Morning Jacket’s latest studio album, titled is, debuts at No. 6 on Top Album Sales with nearly 10,000 sold – with 7,000 of that sum on vinyl. It’s the fifth top 10-charting effort for the act. It also launches at No. 4 on the Vinyl Albums chart. The set was available across five vinyl variants, along with a standard CD and download edition.
Rounding out the rest of the top 10 on Top Album Sales: Sabrina Carpenter’s former leader Short n’ Sweet slips 6-7 (nearly 10,000; down 5%), LE SSERAFIM’s HOT falls 1-8 in its second week (8,000; down 80%), Playboi Carti’s MUSIC drops 3-9 (just over 7,000; down 51%) and Chappell Roan’s chart-topping The Rise and Fall of a Midwest Princess dips 9-10 (7,000; down 13%).
LE SSERAFIM scores its second No. 1 on Billboard’s Top Album Sales chart (dated March 29) as the ensemble’s new HOT debuts atop the tally. The set sold 38,500 copies in the U.S. in the week ending March 20, according to Luminate, marking the best sales week yet for the act. It’s the fifth top 10 in total for the group, which previously reached No. 1 with its last chart entry, 2024’s Crazy.
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Also debuting in the top 10 of the latest Top Album Sales chart: new releases from Playboi Carti, Coheed and Cambria, Steven Wilson, Charli xcx and Charley Crockett.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
The first-week sales of LE SSERAFIM’s Crazy were bolstered by its availability across more than 20 CD variants (all containing collectible paper ephemera, some randomized). 98% of the album’s first-week sales were from CD purchases. (The album was only available to buy as a CD and a digital download.)
Lady Gaga’s MAYHEM falls to No. 2 with 24,000 sold (down 82%) after debuting at No. 1 a week ago.
Playboi Carti’s MUSIC debuts at No. 3 with 14,500 copies sold – the rapper’s best sales week. It was available to purchase only as a digital download in its opening week – a widely available standard 30-song set, as well as three variants exclusive to the artist’s official webstore (the variants each have between one or two bonus tracks each).
Kendrick Lamar’s chart-topping GNX climbs 6-4 with nearly 13,000 sold (though down 18%).
Coheed and Cambria clocks its 11th top 10-charting effort on Top Album Sales, as the rock outfit’s latest album The Father of Make Believe bows at No. 5 with 12,000 sold. Its first-week sales were aided by the album’s availability across five vinyl variants, a CD, a widely available download edition and two cassette tapes.
Sabrina Carpenter’s former No. 1 Short n’ Sweet rises a rung to No. 6 with 10,000 sold (though down 13%).
Steven Wilson lands his first top 10-charting set on Top Album Sales as his new studio effort The Overview enters at No. 7 with nearly 10,000 sold – his best sales week since 2015. The album was available in three vinyl variants, a standard CD, a deluxe boxed set, a blu-ray audio, a cassette tape and two download editions.
Charli xcx’s remix album Brat and It’s Completely Different – comprising only remixes of material from her Brat studio album – debuts at No. 8 with just over 8,000 sold, solely from vinyl sales.
Chappell Roan’s former leader The Rise and Fall of a Midwest Princess dips 8-9 on Top Album Sales with 8,000 sold (down 8%).
Charley Crockett rounds out the top 10 with his new album, Lonesome Drifter, debuting at No. 10 with nearly 8,000 sold – his best sales week ever. It’s the first top 10 for the artist, and eighth charting set overall. The set was available across four vinyl variants (including a signed edition), a standard CD, download and a cassette tape.
