Top Album Sales
TWICE scores its sixth top 10 in a row on the Top Album Sales chart as STRATEGY debuts at No. 2 on the Dec. 21-dated list. The set sold 81,000 copies in the U.S. in the week ending Dec. 18, according to Luminate. Also shaking up the top 10: ROSÉ’s solo debut rosie enters at No. 3, Sabrina Carpenter’s year-old Fruitcake debt at No. 4, J. Cole’s 2014 Forest Hills Drive reenters at No. 5 following a 10th anniversary reissue and Vince Guaraldi Trio’s A Charlie Brown Christmas soundtrack jumps 17-10.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.
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Of STRATEGY’s first-week sales of 81,000, CD sales comprise 72,000, with the remaining sales comprising vinyl and digital download albums. The album’s first-week sales were aided by its availability across more than 15 CD and vinyl editions, all inclusive of collectible paper ephemera (some randomized).
At No. 1 on Top Album Sales, Taylor Swift’s The Tortured Poets Department nets a 10th nonconsecutive week on top, with 201,000 copies sold (down 45%), as it continues to profit from the Target-exclusive release of the CD and vinyl editions of the Anthology version of the album.
ROSÉ’s solo debut set rosie arrives at No. 3 on Top Album Sales with 70,000 copies sold. Pop group BLACKPINK, of which she is a member, has logged three top 10s, including two No. 1s: THE ALBUM in 2020 and BORN PINK in 2022. Of rosie’s first-week sales of 70,000, CD sales comprise 30,000, vinyl sales comprise 29,000 and the remaining sales are comprised of digital download album purchases and cassettes. The set’s first-week sales were bolstered by its availability across more than 15 physical variants of the album across CD and vinyl editions, many including collectible ephemera (some randomized).
Sabrina Carpenter’s 2023 holiday effort Fruitcake debuts at No. 4 on Top Album Sales (39,000 sold) following its wide release on CD, vinyl (in three variants) and cassette on Dec. 6. The set scores the biggest sales week for a holiday album in four years, and the largest sales week in the modern era for a holiday album on vinyl.
J. Cole’s chart-topping 2014 Forest Hills Drive returns to the top 10, reentering at No. 5 (33,000; up 2,648%), following its 10th anniversary reissue on CD, vinyl and digital download – with some versions including bonus tracks. The Wicked film soundtrack, a former No. 1, falls 2-6 with 30,000 (down 41%); Carpenter’s Short n’ Sweet slips 5-7 with 28,000 (though, up 25%); Chappell Roan’s former leader The Rise and Fall of a Midwest Princess falls 3-8 (nearly 21,000; down 16%) and Billie Eilish’s Hit Me Hard and Soft falls 4-9 (18,000; down 21%).
Closing out the top 10 is Vince Guaraldi Trio’s A Charlie Brown Christmas TV soundtrack, jumping 17-10 with nearly 14,000 copies sold (up 13%). The set, which peaked at No. 2 in Dec. 2022, returns to the top 10 for the first time since the Jan. 7, 2023-dated list when it ranked at No. 8.
TOMORROW X TOGETHER lands its seventh No. 1 on Billboard’s Top Album Sales chart as The Star Chapter: SANCTUARY opens atop the tally with 95,500 copies sold in the United States in the week ending Nov. 14, according to Luminate. The pop group notched its first No. 1 on the chart in 2020 and has logged at least one new No. 1 in every year since. The only other act to do that is Taylor Swift.
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Also in the top 10 of the latest Top Album Sales chart, ILLIT’s I’ll Like You bows at No. 6 while Kep1er’s Tipi-Tap jumps 35-7 in its second week.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. All charts dated Nov. 14 will be posted to Billboard’s website on Nov. 19.
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The Star Chapter: SANCTUARY’s first-week sales were bolstered by its availability across 23 CD variants (all containing collectible branded paper ephemera, some randomized), eight digital download variants (seven were exclusive to the act’s official webstore; all included bonus tracks).
Tyler, The Creator’s chart-topping CHROMAKOPIA is a non-mover at No. 2 with 28,000 sold (down 37%). Chappell Roan’s former leader The Rise and Fall of a Midwest Princess rises 4-3 with 12,000 (up 9%). Sabrina Carpenter’s Short n’ Sweet steps 6-4 with nearly 12,000 (up 18%) and The Cure’s Songs of a Lost World falls 1-5 in its second week with nearly 12,000 (down 78%).
ILLIT lands its second top 10-charting effort on Top Album Sales and its best sales week yet, as I’ll Like You bows at No. 6 with 10,500 copies sold. Its opening-week sales were aided by its availability across 14 CD variants (all containing collectible branded paper ephemera, some randomized). Kep1er’s first charting title, Tipi-Tap, soars 35-7 in its second week on the list with 9,000 sold (up 218%; the act’s best sales week). Its first-week sales were bolstered by its availability across eight CD variants (containing collectible paper ephemera, some randomized).
Rounding out the top 10 of the new Top Album Sales chart is Charli XCX’s Brat (16-8 with 9,000 sold; up 82% a white-colored vinyl edition of the album became widely available), SEVENTEEN’s chart-topping SPILL THE FEELS (5-9 with nearly 9,000; down 16%) and Billie Eilish’s Hit Me Hard and Soft (13-10 with 7,000; up 23%).
Weezer’s self-titled debut album, first released in 1994, returns to Billboard’s album charts (dated Nov. 16) following its 30th-anniversary deluxe reissue on Nov. 1. The set, referred to as the Blue Album due to its blue-colored cover, boasts the top 10-charting Alternative Airplay hits “Undone – The Sweater Song,” “Buddy Holly” and “Say It Ain’t So.” For its anniversary, it was reissued across five vinyl variants (including a deluxe four-LP set), a deluxe three-CD set and a deluxe digital download edition. The deluxe vinyl, CD and download sets included a wealth of bonus tracks.
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All versions of the album, old and new, are combined together for tracking and charting purposes. On the Top Album Sales chart, the set reaches the top 10 for the first time, re-entering at No. 10 with 8,000 copies sold in the U.S. in the week ending Nov. 7 (up 719%), according to Luminate. The album previously peaked at No. 16 in early 1995. With its delayed arrival to the top 10, the album marks the 14th top 10-charting effort for the band on Top Album Sales.
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The Blue Album also re-enters at No. 3 on Indie Store Album Sales, No. 4 on Vinyl Albums, No. 10 on Top Alternative Albums, No. 13 on Top Rock Albums, No. 17 on Top Rock & Alternative Albums and No. 87 on the Billboard 200.
Elsewhere on the Top Album Sales chart, The Cure’s Songs of a Lost World debuts at No. 1, Jimmy Fallon’s Holiday Seasoning jingles in at No. 3, Skillet’s Revolution bows at No. 7 and the Saltburn soundtrack enters at No. 8.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.
At No. 1 on Top Album Sales, The Cure’s Songs of a Lost World arrives with 53,000 copies sold in its first week – marking the band’s best sales week since 2004. Tyler, The Creator’s CHROMAKOPIA falls 1-2 in its second week, with 44,000 sold (down 69%). Fallon’s first festive album, Holiday Seasoning, opens at No. 3 with 12,000 sold; it’s Fallon’s first top 10-charting set on Top Album Sales. Rounding out the top five is Chappell Roan’s The Rise and Fall of a Midwest Princess (jumping 16-4 with 11,000 sold; up 22%, following her turn on NBC’s Saturday Night Live on Nov. 2) and SEVENTEEN’s chart-topping SPILL THE FEELS (7-5 with nearly 11,000; down 40%).
Sabrina Carpenter’s Short n’ Sweet steps 13-6 (10,000; down 2%), Skillet snares its sixth top 10 with the debut of Revolution at No. 7 (nearly 10,000), the Saltburn soundtrack debuts at No. 8 (nearly 10,000; largely from vinyl sales), Jelly Roll’s former leader Beautifully Broken rises 11-9 (8,000; down 30%) and Weezer’s self-titled debut re-enters at No. 10.
The Cure make a striking return to Billboard’s album charts (dated Nov. 16) with the arrival of Songs of a Lost World. It’s the band’s first No. 1 on the 33-year-old Top Album Sales chart and the act’s highest-charting effort on the Billboard 200 (No. 4) since 1992. It also bows at No. 1 on Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums, Vinyl Albums and Indie Store Album Sales.
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Songs of a Lost World is the group’s first album of new material since 2008. The new album is the act’s third top 10-charting set on the Billboard 200, following its self-titled effort (No. 7 in July 2004) and Wish (No. 2 in May 1992).
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Equivalent album units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. Nov. 16, 2024-dated charts will be posted in full on Billboard’s website on Tuesday, Nov. 12.
Songs of a Lost World bows with 57,000 equivalent album units earned (the act’s best week by units) in the United States in the week ending Nov. 7, according to Luminate. Of that sum, album sales comprise 53,000 (The Cure’s biggest sales week since 2004, when its self-titled album launched with 91,000), SEA units comprise 4,000 (equaling 5.02 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum.
The new album’s first-week sales were bolstered by its availability across five vinyl variants (which sold a combined 23,000 copies; the band’s best week on vinyl since Luminate began tracking sales in 1991), a standard CD, a CD/blu-ray audio package, two cassettes, a standard digital download and a deluxe digital download with five bonus live tracks (exclusive to the band’s webstore).
The set’s “A Fragile Thing” rises 25-22 on Alternative Airplay (a new peak and its highest charting song since 2004) and 12-10 on Adult Alternative Airplay (The Cure’s first top 10, and third charting hit, since the list began in 1996).
GloRilla nabs her second top 10-charting effort on Billboard’s Top Album Sales chart (dated Oct. 26), and with her best sales week yet, as Glorious debuts at No. 6. The title arrives at No. 6 with nearly 12,000 copies sold in the U.S. in the week ending Oct. 17, according to Luminate. The album was available in both a standard and bonus track digital download edition, as well as a signed CD edition.
GloRilla previously visited the top 10 with Anyways, Life’s Great… in 2022, debuting and peaking at No. 6.
Glorious additionally opens in the top 10 across multiple other charts: Top R&B/Hip-Hop Albums (No. 2), Top Rap Albums (No. 2), Top Streaming Albums (No. 4) and the Billboard 200 (No. 5) – all with her best ranks yet on each chart.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.
Elsewhere on the Top Album Sales chart, Jelly Roll racks up his best sales week ever, and first No. 1, as Beautifully Broken bows atop the list with 114,000 sold. The album’s opening week sales were bolstered by its availability across seven vinyl variants, three CD variants (the CDs sold a combined 65,000, including a signed edition sold through the artist’s webstore), a cassette tape and three download album variants (the downloads sold 32,000). Net profits from pre-orders of the CD and vinyl in his webstore benefitted four charity organizations.
Charli XCX’s Brat flies 25-2 with 48,000 (up 1,281%) for its highest rank and best sales week yet. The surge follows the album’s two deluxe reissues released in the week ending Oct. 17. All versions of the album are combined for tracking and charting purposes. For the deluxe reissues (dubbed Brat and it’s completely different but also still brat), the album’s original tracklist was supersized on Oct. 11 to add in 16 remixes of the set’s songs (with guests including The 1975 and Ariana Grande; available on vinyl, CD, cassette and digital download). Then, on Oct. 14, the deluxe was plussed, adding a remix of “Spring Breakers” featuring Kesha (available as a digital download purchase).
Chappell Roan’s former No. 1 The Rise and Fall of a Midwest Princess dips 2-3 (14,000; up 6%), Sabrina Carpenter’s Short n’ Sweet is steady at No. 4 (14,000; up 6%), Coldplay’s Moon Music falls 1-5 in its second week (12,000; down 89%), Stray Kids’ chart-topping ATE rises 8-7 (9,000; up 7%), Billie Eilish’s Hit Me Hard and Soft jumps 12-8 (8,000; up 14%) and ENHYPEN’s chart-topping Romance: Untold rises 13-9 (7,000; up 10%).
Rounding out the top 10 is Myles Kennedy with the arrival of The Art of Letting Go, bowing at No. 10 with nearly 7,000. It’s the sixth top 10 for the artist.
Lady Gaga scores her third No. 1 on Billboard’s Jazz Albums and Traditional Jazz Albums charts, as Harlequin debuts atop both tallies (dated Oct. 12). The companion set to her film Joker: Folie à Deux, earned 25,000 equivalent album units in the U.S. in the week ending Oct. 3, according to Luminate. Of that sum, 16,000 are traditional album sales.
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Gaga previously topped both rankings with her collaborative albums with Tony Bennett: Love for Sale (in 2021) and Cheek to Cheek (2014).
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Harlequin earns the biggest debut week, by units earned, for any jazz album, or traditional jazz album, since Love for Sale earned 41,000 units in its opening week (Oct. 16, 2021-dated charts).
Equivalent album units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. All Oct. 12, 2024-dated charts will be posted in full on Billboard‘s website on Tuesday, Oct. 8. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Harlequin’s first-week units, streaming equivalent album-units comprise nearly 9,000 – equaling 11.34 million official on-demand streams of the album’s songs. The latter figure marks the biggest debut streaming week for a jazz album in over a year, since Laufey’s Bewitched bowed with 22.36 million clicks (Sept. 23, 2023-dated chart).
Harlequin also debuts at No. 20 on the overall Billboard 200 and No. 3 on both Vinyl Albums and Top Album Sales.
Jazz Albums and Traditional Jazz Albums rank the week’s most popular jazz and traditional jazz albums, respectively, by equivalent album units earned. The Billboard 200 ranks the week’s most popular albums across all genres, by units. Vinyl Albums and Top Album Sales tally the week’s top-selling vinyl albums, and overall albums, by traditional album sales.
Also on Top Album Sales, Billy Strings’ Highway Prayer debuts at No. 1 with 19,000 sold in its first week – the act’s biggest sales week ever. It’s also the first No. 1 for the artist. Chappell Roan’s The Rise and Fall of a Midwest Princess slips one spot to No. 2 (18,000; down 67%), Sabrina Carpenter’s Short n’ Sweet is steady at No. 4 (14,000; down 3%), Katy Perry’s 143 falls 2-5 (9,000; down 77%), Luke Bryan’s Mind of a Country Boy bows at No. 6 (nearly 8,000), Taylor Swift’s chart-topping Folklore vaults 33-7 (7,500; up 153% after a stock replenishment of its CD at retail), Stray Kids’ former leader ATE is a non-mover at No. 8 (7,000; down 6%), P1Harmony’s Sad Song falls 3-9 (6,000; down 77%) and Billie Eilish’s Hit Me Hard and Soft climbs 15-10 (nearly 6,000; up 8%).
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.
Katy Perry lands her sixth top 10-charting set on Billboard’s Top Album Sales chart (dated Oct. 5), as her latest studio album, 143, debuts at No. 2 with 38,000 copies sold in the U.S. in the week ending Sept. 26 – her best sales week since 2017.
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She previously visited the top 10 with her five earlier major label full-length studio releases: Smile (No. 3 in 2020), Witness (No. 1, 2017), Prism (No. 1, 2013), Teenage Dream (No. 1, 2010) and One of the Boys (No. 9, 2008).
Also in the top 10 of the latest Top Album Sales chart, Chappell Roan lands her biggest sales week yet – and first week at No. 1 – as The Rise and Fall of a Midwest Princess jumps 6-1. Meanwhile, the latest releases from P1Harmony, Lil Tecca, Keith Urban, Future, Grateful Dead and Seether arrive in the region.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Perry’s first-week sales were aided by 143’s availability across eight vinyl variants (including a signed edition), four CD variants (including a signed edition), a cassette tape and multiple digital download variants (including two exclusive to her webstore, each with bonus tracks).
As for Roan at No. 1, her album garnered a 328% week-over-week sales increase, selling 56,000 copies. The growth is owed to the release of four new vinyl variants and a cassette tape in celebration of the album’s first anniversary on Sept. 22. Of the album’s sales, vinyl comprises 50,000 – easily Roan’s best week on vinyl and the sixth-largest week for any vinyl album in 2024.
P1Harmony collects its best sales week yet, as Sad Song starts at No. 3 with 28,000 copies sold. It’s also the third top 10-charting set for the pop ensemble. The first-week sales were helped by the album’s availability across 24 collectible CD variants, a vinyl edition and a cassette. All variants contain branded paper ephemera like photocards and postcards.
Sabrina Carpenter’s Short n’ Sweet rises one spot to No. 4 with 15,000 sold (up 1%).
Lil Tecca nabs his best sales week ever, and first top 10, as his new album Plan A arrives at No. 5 with 13,000 sold. Previously, the rapper had never sold more than 4,500 copies of an album in a week. The new set’s sales were encouraged by two CD variants (including a signed edition) and multiple digital download variants (including three exclusive to the artist’s webstore, two of which included bonus tracks).
Keith Urban clocks his ninth top 10 on Top Album Sales as High bows at No. 6 with 12,000 sold. Its first week was helped by four vinyl variants, three CD variants – with some retail-exclusives containing branded paper ephemera.
Future’s Mixtape Pluto enters at No. 7 with 10,000 sold – his best sales week since 2020. Nearly 7,500 of that sum was driven by vinyl sales – aided by three vinyl variants. The set was also available on CD and as a digital download. The album was issued as an 11-song standard album (on vinyl, CD and download) and as an expanded 17-song set (on download).
Stray Kids’ former No. 1 ATE rises one rung to No. 8 with nearly 8,000 sold (down 13%).
Rounding out the top 10 of the new Top Album Sales chart are debuts from the Grateful Dead’s expansive archival live boxed sets, Friend of the Devils: April 1978, which starts at No. 9 (7,500) and Seether’s The Surface Seems So Far at No. 10 (just over 7,000).
The Dead package – sold exclusively via the band’s official webstore – captures eight concerts staged in April 1978 and is available either as a digital download or 19-CD boxed set, with pricing ranging from $159.98 to $199.98.
For Seether, the new Surface marks the band’s ninth studio album and seventh top 10-charting effort on Top Album Sales.
Chappell Roan’s The Rise and Fall of a Midwest Princess has a banner week on the Billboard charts (dated Oct. 5), reaching No. 1 on Top Album Sales for the first time (rising 6-1), returning to the top of Vinyl Albums (up 4-1), as well as rising 3-2 on the Billboard 200 for a third nonconsecutive week at its peak position. She also leads the Billboard Artist 100 chart for the first time, ascending 3-1. The tally ranks the most popular artists of the week.
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The new Oct. 5-dated charts will be posted in full on Billboard‘s website on Tuesday, Oct. 1.
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The Rise and Fall of a Midwest Princess earned 105,000 equivalent album units in the U.S. in the week ending Sept. 26 (up 64%) according to Luminate, marking its biggest week yet by units earned.* Traditional album sales comprise a career weekly-best 56,000 (up 328%). Vinyl sales were red-hot for the set, with 50,000 sold (up 548%), easily Roan’s best week on vinyl and the sixth-largest week for any vinyl album in 2024.
The week-over-week growth is owed to the release of four new vinyl variants and a cassette tape in celebration of the album’s first anniversary on Sept. 22.
The set also returns to No. 1 on the Indie Store Album Sales chart (up one spot), for a seventh nonconsecutive frame, continuing as the title with the most weeks atop the ranking in 2024. The album sold 15,500 copies at independent record stores – the second-biggest week for any album in the indie sector this year. Only Taylor Swift’s The Tortured Poets Department had a bigger week with indies in 2024, when it sold 17,000 copies in its opening week.
Midwest Princess’ total year-to-date sales now rise to 248,000 sold, making it the 10th-biggest selling album of 2024. The Tortured Poets Department has a runaway lead as the year’s top-seller, with 2.77 million. Her 2024 vinyl sales climb to 167,000 – the third-biggest selling vinyl title of the year thus far. Poets is also the top-selling vinyl album of 2024, with 1.03 million.
* Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
BOYNEXTDOOR achieves its third consecutive top 10 on Billboard’s Top Album Sales chart, as the act’s latest release, 19.99, arrives at No. 4. The set sold 16,500 copies in the U.S. in the week ending Sept. 19, according to Luminate. With the debut, the act nets its highest charting album and best sales week.
Also in the top 10 of the latest Top Album Sales chart, Travis Scott’s Days Before Rodeo rallies 25-1 after its vinyl editions were shipped to customers, Eminem’s The Death of Slim Shady (Coup de Grâce) re-enters at No. 2 after its deluxe reissue and CD release, Miranda Lambert’s Postcards From Texas opens at No. 3, keshi’s Requiem arrives at No. 7, Jack White’s No Name re-enters at No. 8 after its wide physical release, and the Hazbin Hotel, Season One soundtrack debuts at No. 10 after its vinyl release.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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Of the 16,500 copies sold of 19.99 in its first week, physical album sales comprise nearly all of that sum – and all on CD. Its sales were bolstered by the album’s availability across more than 15 collectible CD editions, all containing collectible branded paper ephemera.
Travis Scott’s 2014 mixtape Days Before Rodeo rallies 25-1 in its fourth week on the list, for its second week on top. (It debuted atop the list.) The album sold 150,000 copies in the tracking week (up 4,608%) after its vinyl editions – exclusively sold through Scott’s webstore – shipped to customers. Vinyl sales comprise 149,000 of that sales figure – Scott’s largest week on vinyl ever. It’s also the biggest week on vinyl for a rap album, as well as the sixth-largest week on vinyl across all genres, since Luminate began tracking sales in 1991.
The vinyl sales pushing Scott to No. 1 began generating pre-orders via his official webstore before the album was released on Aug. 23 via streamers, as a digital download and on CD. It was available in two vinyl variants (a standard edition and a deluxe edition in expanded packaging), as well as two boxed sets (one containing a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl), and in two Fan Pack offers (one with a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl).
A wide retail release beyond Scott’s webstore for any physical formats of the album has not been announced.
Eminem’s The Death of Slim Shady (Coup de Grâce) re-enters the chart at No. 2 (matching its debut and peak), following its deluxe reissue and CD release. The album was reissued via digital download services on Sept. 13 with bonus tracks, while on the same day its original standard album was issued in two CD variants. It sold 24,000 (up 3,328%) across all of its configurations (all versions are combined for tracking and charting purposes).
Miranda Lambert logs her ninth top 10, all tallied consecutively, as her new studio album Postcards From Texas, taps in at No. 3 with 19,000 sold. Its first week sales were aided by the set’s availability across four vinyl variants (including a signed edition), three CD editions (including a signed version) and a download album.
Sabrina Carpenter’s Short n’ Sweet is steady at No. 5 on Top Album Sales (14,500; down 6%) while Chappell Roan’s The Rise and Fall of a Midwest Princess rises 7-6 (13,000; up 25%).
Requiem, from keshi, debuts at No. 7 with nearly 10,500 sold, marking the second top 10-charting effort for the artist. The album’s sales were bolstered by its availability across six vinyl variants (including a signed edition) and a signed CD edition.
Jack White’s No Name returns to the top 10, re-entering the chart at No. 8 (matching its debut and peak position), following its wide vinyl release on Sept. 13. The album sold a little more than 10,000 copies in the tracking week ending Sept. 19 – its best sales week yet – earning a 695% gain over the previous week.
Stray Kids’ chart-topping ATE is a non-mover at No. 9 on Top Album Sales, with nearly 9,000 sold (up 8%).
Rounding out the top 10 is the debut of the Hazbin Hotel, Season One soundtrack, entering at No. 10 with 8,500 sold. Nearly all of that sum is from vinyl sales, as the album made its vinyl debut on Sept. 13 after only being available to purchase as a digital download.
David Gilmour lands his first No. 1 on Billboard’s 33-year-old Top Album Sales chart, as his first studio album in nine years, Luck and Strange, debuts atop the tally dated Sept. 21. The set, which also marks his third top 10-charting effort on the list, sold 30,000 copies in the U.S. in the week ending Sept. 12, according to Luminate.
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Gilmour has reached the Top Album Sales chart seven times as a soloist, beginning with 2006’s No. 6-peaking On an Island. He reached the top 10 a second time with 2015’s No. 4-peaking Rattle That Lock.
Also arriving in the top 10 of the latest Top Album Sales chart are the newest releases from TZUYU, George Strait, Paris Hilton, LL COOL J and xikers.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Luck and Strange’s first-week sales of 30,000, physical sales comprise 25,000 copies (14,500 on CD; 8,500 on vinyl and about 2,000 on Blu-ray Audio) and digital download sales comprise 5,000. The album’s first-week vinyl sales were bolstered by its availability across four variants, helping it debut at No. 1 on the Vinyl Albums chart. The set was also a sturdy seller at independent record stores, with nearly 4,500 sold through that retail sector. It debuts at No. 2 on the Indie Store Album Sales chart.
Luck and Strange additionally starts at No. 3 on Top Rock Albums, No. 4 on Top Rock & Alternative Albums. Top Rock Albums and Top Rock & Alternative Albums rank, respectively, the week’s most popular rock albums, and rock and alternative albums, by equivalent album units.
On the Billboard 200, Luck and Strange arrives at No. 10, marking Gilmour’s third top 10 set on the ranking. Gilmour is also a member of Pink Floyd, and all 10 of Pink Floyd’s top 10-charting albums on the Billboard 200 (from 1973’s No. 1 The Dark Side of the Moon through 2014’s The Endless River) reached the region after Gilmour joined the band in 1967.
TZUYU sees her debut solo project abouTZU arrive at No. 2 on Top Album Sales with nearly 23,000 copies sold. The TWICE member’s album sold 22,000 physical copies (16,000 on CD and 6,000 on vinyl) and about 1,000 digital downloads. The set’s opening-week sales was bolstered by its availability across 11 CD variants and two vinyl variants, all containing branded paper ephemera such as photocards, stickers, and posters.
George Strait’s Cowboys and Dreamers debuts at No. 3 on Top Album Sales with 22,000 copies sold. The set was available across three CD variants (two containing branded paper ephemera), a deluxe CD boxed set containing a branded T-shirt, three vinyl variants and a digital download.
Paris Hilton’s second album – and first in 18 years – Infinite Icon, debuts at No. 4 on Top Album Sales with 16,000 copies sold. Sabrina Carpenter’s Short n’ Sweet slips 2-5 with 15,000 sold (down 45%). LL COOL J’s first studio album in over 10 years, THE FORCE, arrives at No. 6 with 12,000 sold, bolstered by the availability of signed editions.
Chappell Roan’s The Rise and Fall of a Midwest Princess moves down 5-7 (11,000 sold; down 17%), LE SSERAFIM’s CRAZY falls 1-8 in its second week (10,000; down 74%) and Stray Kids’ former leader ATE dips 6-9 (8,000; down 24%).
Closing out the top 10 of the latest Top Album Sales chart is xikers’ House of Tricky: Watch Out, 4th Mini Album, debuting at No. 10 with nearly 8,000 sold. It’s the third top 10-charting set for the group. Its first-week sales were largely driven by CD sales, enhanced by the set’s availability across 18 variants (all containing branded paper ephemera).