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As Iron Maiden ready themselves to climb aboard Ed Force One and launch their Run for Your Lives World Tour, manager Rod Smallwood has asked fans to put their phones away.
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The veteran British heavy metal outfit will launch their upcoming tour in Budapest, Hungary on May 27, with the shows also kicking off their 50th anniversary celebrations. With the massive milestone in their back pocket, and the tour also set to see the debut of drummer Simon Dawson, there’s a lot worth documenting.
However, Smallwood has taken to the band’s website to share a post titled “Put away your phones and get ready to Run For Your Lives!” in which he urges fans to experience the shows “in the moment” rather than on smaller screens at a later date.
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“We really want fans to enjoy the shows first hand, rather than on their small screens,” Smallwood wrote. “The amount of phone use nowadays diminishes enjoyment, particularly for the band who are on stage looking out at rows of phones, but also for other concertgoers.
“We feel that the passion and involvement of our fans at shows really makes them special, but the phone obsession has now got so out of hand that it has become unnecessarily distracting especially to the band. I hope fans understand this and will be sensible in severely limiting the use of their phone cameras out of respect for the band and their fellow fans.”
Iron Maiden aren’t the first band to ask fans to put their phones back in their pockets. In 2015, Jack White shared a verbal plea for no phones during his Lazaretto tour, and by the time The Raconteurs toured in 2019, attendees were told to put their devices in locked Yondr pouches.
“We think you’ll enjoy looking up from your gadgets for a little while and experience music and our shared love of it in person,” a note from the band read at the time.
Other acts, such as Tool, have also employed a similar approach, requesting phones stay off their phones until their final performance. Guitarist Adam Jones explained in 2022 that while part of the reason was due to the loss of connection between band and fan, another factor was the limited technological know-how of some concertgoers.
“I think one of the problems is you get a lot of lights because people don’t know how to use their cameras correctly, which makes it very blinding onstage,” Jones explained.
As Smallwood added on Iron Maiden’s website, much of the urging for fans to stow their phones comes out of a plea for respect, for both the larger experience and the band themselves.
“We would very much like you to be ‘in the moment’ instead and be fully actively involved to enjoy each and every one of these classic songs in the spirit and manner they were first played,” he adds. “This show isn’t just a celebration of our music; it is, as you will see, also about our years of art, of Eddie and of the many, many worlds of Maiden we have created for you.”
“So please respect the band, respect the other fans and have the time of your lives as you join your Maiden family by singing your heart out, rather than getting your phone out!! It’s really not a lot to ask is it?”
The upcoming Run for Your Lives World Tour will be Iron Maiden’s first performances since wrapping their The Future Past Tour in São Paulo, Brazil in December. That tour was the last to feature drummer Nicko McBrain, who announced his “decision to take a step back from the grind of the extensive touring lifestyle.”
Tool frontman Maynard James Keenan has expressed an air of concern about what to expect from Ozzy Osbourne’s final performance this July.
Keenan and his Tool bandmates are one of the many acts scheduled to appear at the Back to the Beginning concert, which takes place in Birmingham, England on July 5. The event will feature names such as Osbourne’s own Black Sabbath performing their final-ever show, while acts such as Metallica, Slayer, Anthrax, Alice in Chains, and myriad others join the bill.
While Osbourne hasn’t performed a full set since Dec. 31, 2018 – two months before his diagnosis of Parkinson’s – he’s previously tempered expectations for the upcoming gig, noting he isn’t “planning on doing a set with Black Sabbath,” but rather “little bits and pieces” with the group. “I am doing what I can, where I feel comfortable,” he explained.
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Despite this, Osbourne told fans only last week that he’s been undertaking “endurance training” ahead of the gig in an effort to “wake up” his body after years spent recovering from numerous surgeries. “I haven’t done anything for, this will be seven years, and so I’ve been through all this surgery,” he explained. “It really is like starting from scratch.”
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While Osbourne was inducted into the Rock and Roll Hall of Fame in October 2024 as a solo artist (he was previously inducted as a member of Black Sabbath in 2006), Keenan was on hand with the likes of Wolfgang Van Halen, Billy Idol, and Jelly Roll to perform a tribute set to honor his legacy.
Speaking to the Loudwire Nights podcast recently, Keenan noted that his experience with Osbourne at the induction ceremony has left him unsure of what to expect at the July event.
“I think for me, seeing Ozzy moving around at [the Rock Hall ceremony], the idea of him playing a show at all, if we’re being honest, the conversation about going to do the song was just like, ‘We’ll have this conversation, but, ahh… I don’t know that this [concert] gonna happen,’” Keenan told the podcast..
“And even now, I’m cautious about saying, ‘Yeah! All in, he’s gonna do it.’ Because man, I don’t know what kind of modern miracles we’ll come up with to get him on stage to do the songs, but this is gonna be a challenge for them.”
Keenan closed by noting he feels privileged to be included in the forthcoming event, though added he’s “preparing for the worst, but hoping for the best.”
Rage Against the Machine guitarist Tom Morello will be the musical director for the show that will mark Osbourne’s first time on stage since a brief 2022 set at the NFL Kickoff in Los Angeles; his last full show was in December 2018 at the Forum in L.A. as part of his No More Tours 2 outing.
Other acts slated to perform at the final Sabbath blowout include: Halestorm, Gojira, as well as appearances by Smashing Pumpkins leader Billy Corgan, Guns N’ Roses’ Duff McKagan and Slash, Wolfgang Van Halen, Limp Bizkit’s Fred Durst, Lzzy Hale, Disturbed’s David Draiman, Korn’s Jonathan Davis, Sammy Hagar and many more.
Tool bassist Justin Chancellor has provided an update into the band’s famously-protracted album release schedule, revealing that the Los Angeles quartet will be hitting the studio following their upcoming tour of South America.
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Speaking to Summa Inferno, Chancellor explained that after Tool – whose last album arrived in 2019 – wrap up a run of March shows in Argentina, Chile, Colombia, and Brazil, they plan to “dedicate the next three months after that in the studio to organizing our ideas”.
“There are a lot of stages in the process,” Chancellor continued. “We all have ideas. When they’re good, when we like them, we kind of save them or memorize them. The really difficult process is when you actually get together and make decisions about how it’s going to end up. And that becomes a little more mathematical, a little more like in the classroom — there’s a blackboard and there’s numbers and you have to make decisions. So that’s the stage we haven’t completely pulled off yet, but we’re committed to do that when we get back.”
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Noting that the band “have a really good pile of stuff” after its members shared their individual ideas with others, Chancellor noted that the next stage of the process is where things become a lot more complicated.
“You have to make those decisions, and you have to kind of wrestle with each other a bit to get to that next stage,” he explained. “And then you have to record it, which is a whole other thing as well. It’s like a pregnancy, almost. When you go to the studio, you have to make this final decision of how it’s going to sound and how you’re going to play it, and it’s going to live like that forever.”
Though Tool celebrate their 35th anniversary in 2025, their lengthy history has only brought with it a comparatively-meager five full-length records. Famously, a 13-year gap followed the release of 2006’s 10,000 Days, with fifth album Fear Inoculum giving the band their third consecutive Billboard 200 chart-topper upon its August 2019 release.
While the band were forced to contend with a long-running lawsuit that delayed the production of their most recent record, Chancellor – who joined Tool ahead of 1996’s Ænima – defended the length of time the band spends working on material.
“It’s a real delicate thing to be able to pull off,” Chancellor explained. “I don’t think it’s unreasonable that we take a long time at all. I think that’s only natural, and that’s why I’m proud of it, because it was worked on really hard.”
Tool’s Fear Inoculum record also scored the band a pair of Grammy nominations, including Best Rock Song for its title track, and Best Metal Performance for “7empest” – with the band winning the latter.
Notably, upon the release of 10-minute-and-21-second lead single “Fear Inoculum”, it became the longest song to enter the Hot 100 – dethroning David Bowie’s 2015 single “Blackstar” by 24 seconds in the process.
Tool were themselves outshone by André 3000 by almost two minutes in 2023, when his New Blue Sun album opener “I Swear, I Really Wanted to Make a ‘Rap’ Album but This Is Literally the Way the Wind Blew Me This Time” entered the chart at No. 90.
The Beastie Boys may have asserted there was “No Sleep till Brooklyn”, but a recent admission from Halestorm‘s Lzzy Hale has indicated this may extend to Tool concerts in Pennsylvania, too.
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Speaking to Guitar Player magazine recently, Hale opened up about ten records that changed her life, specifically focusing on the impact of albums by artists such as Black Sabbath, Jeff Buckley, Alice Cooper, and even Hanson.
Another artist that she focused on was Tool, whose 2001 album Lateralus came about four years into the life of Halestorm, which she had co-founded with her brother Arejay. The record was a major success for the metal outfit, giving them their first of three consecutive appearances atop the Billboard 200, and resulting in the Grammy for Best Metal Performance for lead single “Schism”.
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For Hale, however, the record represents something of a humorous memory which can be traced back to Tool’s performance in Philadelphia in September 2001.
“My little bro Arejay was getting really good on the drums,” Hale told the publication. “He had learned Tool’s song ‘Schism’ from the radio, so I thought that I should get him the whole album for his birthday. We just devoured it. I ended up getting really into it myself. Listening to their music was just like watching a horror film.
“I had a shitty waitress job, and I got us tickets to see Tool at Hersheypark. I was so stoked. Then Arejay did something to piss off our parents, so they wouldn’t allow him to go. I thought, Okay, this could be an opportunity to ask somebody out on a date, which I did. I asked this guy Nate, and he said yes. I was like, Sweet! We didn’t have great seats, but it didn’t matter — the show was amazing. I was singing every word. Halfway through, I looked at my date and saw that he had fallen asleep — total deal-breaker for me. So in a weird way, Tool’s Lateralus was a life-changer. My brother still teases me about it: ‘I wouldn’t have fallen asleep.’”
Though Halestorm haven’t yet managed to score a support slot for the likes of Tool, the two bands have however performed on the same lineup from time to time, no doubt inspiring plenty of sly jokes between the Hale siblings.
Just two months on from the departure of longtime drummer Tim ‘Herb’ Alexander, Primus are back in the saddle ahead of impending auditions for a new percussionist.
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The band’s first show since Alexander’s final appearance in August, the performance took place as part of the band’s New Year’s Eve celebration shows at the Fox Theater in Oakland, CA, on Monday (Dec. 30). Opening with sets from bassist and vocalist Les Claypool‘s other bands Holy Mackerel and Frog Brigade, the main event was a six-song performance from Primus with Bryan ‘Brain’ Mantia on drums.
Mantia had previously served as the drummer of Primus in 1989, before being replaced by Alexander, who would play with the band until 1996. Following Alexander’s initial departure, Mantia returned to the kit until Primus’ split in 2000. Alexander would remain the band’s drummer for the majority of their career following a 2003 reunion, save for another absence between 2010 and 2013.
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Primus announced on Oct. 29 that Alexander had resigned suddenly on Oct. 17 via email “effective immediately”, citing a “loss of passion for playing”—a reason that Claypool and guitarist Larry LaLonde admitted “came as a complete shock.”
“On the heels of a wonderful spring & summer of touring and some fabulous plans ahead, it has been a bit bewildering for us that Herb would so abruptly opt out,” Claypool and LaLonde said.
“After several attempts to communicate with Herb, his only response was another email stating that he has ‘lost his passion for playing.’ As disappointing as that is, we respect his choice and it’s forced us to make some tough decisions.”
In the wake of Alexander’s passing, Primus announced they would be “taking submissions from all points in the universe for the position of Primus drummer/percussionist”. They added: “Flashy chops are wonderful, but groove, pocket, and the ability to listen, react, and contribute to the musical conversation is a must.”
The band took to social media again in late December to warn applicants of scammers who had begun contacting hopeful applicants ahead of in-person auditions taking place.
“It is our duty here in the Primus camp to at least give a ‘heads up’ as it were, to those who may be duped by these sad individuals who are obviously struggling with their own insecurities and shriveled genitalia,” the band wrote.
Currently, Primus are scheduled to be joined by Tool‘s Danny Carey for festival dates in the Dominican Republic in March, with a joint tour alongside Puscifer and A Perfect Circle set to launch in April.
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