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MELBOURNE, Australia — Labels trade body ARIA has questioned the motives behind TikTok’s “test” on users in these parts and demanded the short-form video platform immediately restore access to all music, for all Australians.
Earlier this month, ByteDance confirmed it was conducting an experiment in Australia, where TikTokers would have restrictions placed on their music options to soundtrack clips.
“Over the coming weeks we will be running a test in Australia to analyse how music is accessed and used on the platform,” reads a message from a TikTok rep. “Not all music is included in this test and we do not expect it to impact everyone on TikTok.”
The “test is underway,” and the app expects “that some of our users will not be able to access our full music and sounds library. For more than half of our community there will be no change to their experience and the test will not impact them.”
It’s unclear how many users have had their experience dampened, which titles and music labels have been removed, or precisely what TikTok hopes to gain from this procedure.
In one scenario, observers say, should TikTok find its users stay and stick to the app in the absence of major-label hits, the tech firm could gain an upper hand when it comes time to negotiate on content licenses.
On Wednesday (Feb. 15), ARIA addressed the elephant in the room.
In a carefully-worded statement, ARIA questions TikTok’s “decision to limit and remove access to music for select Australian creators and users” on its platform over the coming weeks.
“It is frustrating to see TikTok deliberately disrupt Australians’ user and creator experience in an attempt to downplay the significance of music on its platform,” comments ARIA CEO, Annabelle Herd, in a statement.
“After exploiting artists’ content and relationships with fans to build the platform, TikTok now seeks to rationalize cutting artists’ compensation by staging a ‘test’ of music’s role in content discovery.”
Herd points out the contraction in TikTok’s past mission statements.
“This is despite the fact that in 2021 TikTok’s global head of music, Ole Obermann, said: ‘Music is at the heart of the TikTok experience.’” This “test,” adds Herd, “is presented as an effort to analyse, improve and enhance the platform’s wider sound library, but as little as five months ago, TikTok’s chief operating officer Vanessa Pappas said that 80% of content consumed on TikTok is programmed by algorithms.”
If this is the case, Herd explains, “then it’s difficult to trust that this is a true test. TikTok can set its Australian algorithm upfront to – within parameters they define – deliver the results they want.”
And the results ARIA wants?
“Australians deserve better,” Herd concludes. “TikTok should end this ‘test’ immediately and restore music access to all users and creators.”
TikTok is a real hit with Gen Z in Australia, and is already a more popular social platform than Twitter among all Internet users in these parts, according to data published in the Digital 2022 Australia report.
The annual study found that users spent 40% more time scrolling the app each month compared with the previous year, and it’s now ahead of Twitter among the percentage of internet users who regularly use the platform.
Separately, TikTok recently launched SoundOn in Australia, a tool that allows creators to upload their music directly, and get paid.
The new platform, which is already live in the U.S., U.K., Brazil, Indonesia and elsewhere, helps independent emerging artists navigate its service, upload music and get paid for its use, market and promote themselves on TikTok and distribute their music to outside DSPs.
The catalog of Death Row Records, which includes canonical rap albums like 2Pac‘s All Eyez On Me and Snoop Dogg‘s Doggystyle, is now available on TikTok.
Snoop Dogg acquired the Death Row catalog last year and pulled it from streaming services, though Dr. Dre‘s The Chronic returned to platforms earlier this month, licensed to Interscope Records, in honor of the album’s 30th anniversary. The SoundOn deal marks the remainder of the Death Row catalog’s first official online release since it was pulled from streamers in February 2022.
“Since I took Death Row off streaming almost a year ago, not a day goes by without people asking me to put it back up,” Snoop Dogg said in a statement. “As the Super Bowl rolled around, I knew fans would be looking for the music from our iconic performance in 2022, so I wanted to reintroduce the most historic catalog to the people.” He added that Death Row releases “will be back on streaming services real soon.”
TikTok is touting the exclusive partnership, which launched on Sunday (Feb. 12) and continues for the rest of the week, as the “first-ever catalog reissue to release exclusively through SoundOn,” the distribution and marketing service the company launched in 2022. (SoundOn will distribute Death Row music to ByteDance platforms only, not to streaming services, once the exclusivity window ends next week.)
SoundOn was initially conceived to help “new and undiscovered artists,” according to TikTok global head of music Ole Obermann.
“We were hearing from a lot of artists that they loved being on TikTok and trying to build their community and hopefully reach really big audiences, but they were pretty overwhelmed, they didn’t really understand how to get onto TikTok, get music onto TikTok, get an account set up on TikTok, figure out how to position themselves in the right way,” Obermann told Billboard last year. “So what we came up with was, let’s have a special entrance into the platform that’s only available to these new and undiscovered artists, and then we’re gonna have a chance to work much more closely with them if this is the route they choose to come in. The goal is, really, that we find the promising artist and we walk them from the backstage door right onto the main stage and they’re there, they’re performing, it’s an incredible show and they’ve found their audience.”
Artists who have worked with SoundOn include Muni Long and Nicky Youre. It was initially only available in the United States, the United Kingdom, Brazil and Indonesia but launched in Australia earlier this month.
TikTok is working on a feature that will allow creators to charge a price of their own choosing for some videos, according to The Information.
In addition, the popular app is rethinking its creator fund and experimenting with a change that would pay out more to creators than the initial version of the program, The Information reports. The new iteration of the fund may also potentially change the limits of who is eligible; creators might need to have more than 100,000 followers, for example. This “Creator Fund 2.0” could launch as early as March.
“We’re committed to exploring new ways to create a valuable and rewarding experience for the TikTok creator community,” a TikTok spokesperson says in an email. “On TikTok, anyone can be a creator and everyone can enjoy entertainment from our inspiring creators, and we aim to continue innovating this experience so people can express themselves, find their community, and be rewarded for their creativity.”
TikTok originally launched its creator fund in the summer of 2020 with $200 million “to help support ambitious creators who are seeking opportunities to foster a livelihood through their innovative content.” Shortly after, TikTok announced that the fund would eventually grow to more than $1 billion in the United States.
While TikTok’s growth has been meteoric in the last few years, it actually slowed in the United States in 2022, according to The Information, which reports that after the platform hit 114 million monthly users in June, the number has since decreased to 111 million.
As TikTok explores these new features, the company is also engaged in another test in Australia, where the platform is temporarily restricting the use of major-label songs in videos. “This will only affect certain music and is scheduled work while we analyze how sounds are accessed and added to videos, as well as looking to improve and enhance the wider Sounds Library,” a TikTok spokesperson said in a statement. “We appreciate it’s disappointing if a certain track is unavailable or if a sound is muted on a previous video. This change will not be in place for long and not all music is affected.”
Charlie Puth is hitting the road this spring and created a viral TikTok to share the news on Tuesday (Feb. 14).
On the social platform, the pop star started with layers of roaring applause before adding snippets of his hit singles “Attention” and the JungKook-assisted “Left and Right.” Then, he included narration by a female announcer before unveiling the finished product: “Grammy-nominated and multi-platinum singer-songwriter-producer Charlie Puth presents The Charlie Live Experience. See him live in concert across North America in 2023.”
Following a festival stop at Mexico’s Corona Capital Guadalajara on May 20, The Charlie Live Experience is set to kick off on May 24 at The Pavilion at Toyota Music Factory in Dallas. From there, Puth will hit major cities like Nashville, Atlanta, Washington D.C., Philadelphia and New York City across 30 dates before wrapping up July 11 with a show at The Greek Theater in Los Angeles.
Tickets go on sale to the general public on Friday (Feb. 17) at 10 a.m. local time via LiveNation’s website. A special pre-sale with select VIP ticket packages will begin two days prior on Wednesday (Feb. 15).
The tour follows Puth’s series of One Night Only shows at the tail end of 2022, which saw him play an intimate run of theaters and smaller venues across the U.S. to finally debut his latest album Charlie live to his fans for the first time.
In December, the “That’s Hilarious” singer celebrated turning 31 by taking his romance with childhood friend Brooke Sansone public.
Check out Charlie’s TikTok announcement and complete list of upcoming tour dates below.
BRISBANE, Australia — TikTok launches SoundOn in Australia, a tool that allows creators to upload their music directly, and get paid.
The new platform helps independent emerging artists navigate its service, upload music and get paid for its use, market and promote themselves on TikTok and distribute their music to outside DSPs.
SoundOn initially went live in Brazil and Indonesia in early 2022, then went out in the U.S. and U.K., also last year, before arriving this week for Australian users.
With SoundOn, TikTok becomes a music distributor, with a service that allows its users to upload their music to the likes of Spotify or Apple Music, in partnership with a third-party distributor.
Free to join in Australia, SoundOn promises to pay 100% of royalties to music creators in the first year, and offers help and advice from a dedicated, locally-based made up of a roster of homegrown music industry veterans, in addition to “TikTok music experts.”
SoundOn “can also distribute to other music platforms,” reads a statement, without identifying which streaming services or DSPs are currently on board.
The new offering at us.soundon.global or soundon.global opens for business in Australia with signings including Ashwarya, Aleksiah, The Drax Project, Roy Bing, Suzi Sings, Xanu, Kate Gill, Mikalya Pasterfield and CXLOE.
TikTok is a real hit with Gen Z in Australia, and is already a more popular social platform than Twitter among all internet users in these parts, according to data published in the Digital 2022 Australia report.
In separate news, TikTok confirms it is “running a test” in Australia over the coming weeks to analyze “how music is accessed and used on the platform.”
The results of those tests, observers say, could empower TikTok when the time comes to negotiate with its major label content partners on new terms.
“Not all music is included in this test and we do not expect it to impact everyone on TikTok,” reads a statement from the ByteDance-owned business. “While the test is underway, we expect that some of our users will not be able to access our full music and sounds library. For more than half of our community there will be no change to their experience and the test will not impact them.”
There he is! Ice-T starred in a TikTok for the very first time on Thursday (Feb. 2).
In the clip, the rapper lip-syncs along to Miguel’s 2010 single “Sure Thing,” mouthing, “Cause you’re the cigarette and I’m the smoker/ We raise the bet ’cause you’re the joker/ You are the chalk, and I can be the blackboard/ You can be the talk and I can be the walk, yeah,” alongside Coco Austin and their six-yera-old daughter Chanel.
The video was posted to the official channel of his wife who amusingly recognized what such a rare occasion it was in the clip’s caption. “I finally got Ice to do a TikTok !!” the Ice Loves Coco star wrote. “Please Like and follow so he will do more!”
Naturally, fans couldn’t get enough of the Law and Order: SVU actor’s big TikTok debut, with one in particular commenting, “His timing and talent unmatched.” Others focused on the three as a unit and couldn’t resist pointing out Chanel’s resemblance to her famous dad, writing, “You guys are literally the cutest lil family” and “she is a mini ICE-T.. Omg she looks so much like her dad” with a string of red heart emojis.
This weekend, Ice-T will make another special appearance — this time at the 2023 Grammy Awards, where he’ll help lead a segment introduced by LL Cool J celebrating 50 years of hip-hop history with heavyweights like Missy Elliott, Busta Rhymes, Big Boy, Lil Baby, Lil Wayne, Nelly, Method Man, Salt-N-Peppa and DJ Spinderella, Too $hort, Swizz Beatz, Queen Latifah, Public Enemy and many others also performing.
Watch Ice-T and Coco’s cute TikTok below.
A member of the Senate Intelligence Committee is pushing Apple and Google to remove TikTok from their app stores because of national security concerns as the Chinese-owned company faces escalating prospects of a national ban amid bipartisan scrutiny of its data-sharing practices.
In a letter addressed to the chief executives of Apple and Alphabet, Sen. Michael Bennet, D-Colo. says TikTok’s popularity “raises the obvious risk that the Chinese Communist Party could weaponize TikTok against the United States” by forcing parent company ByteDance to “surrender Americans’ sensitive data or manipulate the content Americans receive to advance China’s interests.”
The government has increasingly been taking action against TikTok’s ties to China. In December, President Joe Biden signed a bill prohibiting the use of TikTok by nearly four million government employees on devices owned by its agencies. At least 27 state governments have passed similar measures.
There’s no evidence that the Chinese government has demanded American user data from TikTok or its parent company or influenced the content users see on the platform.
In a statement, TikTok said that the Bennet “relies almost exclusively on misleading reporting about TikTok, the data we collect, and our data security controls.” It added that the letter ignored its investment in a plan, known as Project Texas, to “provide additional assurances to our community about their data security and the integrity of the TikTok platform.”
Mirroring concerns made in a letter from a Federal Communications commissioner to Apple and Google in June, Bennett stresses TikTok’s data harvesting practices. He says its reach “allows it to amass extensive data on the American people, including device information, search and viewing history, message content, IP addresses, faceprints and voiceprints.” Unlike other tech companies that harvest similar data, he claims TikTok “poses a unique concern” because its obligated under Chinese law to cooperate with state intelligence work.
TikTok has over 100 million active users. Roughly 36 percent of Americans over 12 use the platform, spending over 80 minutes per day on the app — more than Facebook and Instagram combined. In November, TikTok confirmed that China-based employees could gain remote access to European user data. Reporting by BuzzFeed News has also revealed that company employees in China had access to US user data.
The data TikTok collects can be leveraged by the Chinese government to advance Chinese interests, according to the letter. It may be forced, for example, to tweak its algorithm to boost content that undermines U.S. democratic institutions or “muffle criticisms of CCP policy toward Hong Kong, Taiwan, or its Uighur population.”
According to Pew survey in 2022, a third of TikTok’s adult users report that they regularly access news from the app. Forbes has reported on the ability of TikTok staff to “secretly handpick videos and supercharge their distribution, using a practice known internally as heating.”
To curb criticism of its data-sharing practices, TikTok has announced a partnership with Oracle to move its data on U.S. users stored on foreign servers to Texas. The project also includes audits of its algorithms and creating a subsidiary called TikTok US Data Security to oversee content moderation policies and approve editorial decisions. U.S. employees will report to an independent board of directors.
The US Committee on Foreign Investment, which reviews business dealing that may be a threat to national sceurity, is reviewing ByteDance’s 2017 merger of TikTok and Musical.ly. It may force TikTok to sell to a US company, harkening back to when former President Donald Trump issued in 2020 an executive order demanding ByteDance to divest ownership of the app (the order was blocked by a federal court). Scrutiny of TikTok quieted when Biden took office, but the company continued to run into legal trouble over data-sharing practices. In 2021, TikTok agreed to pay $92 million to settle lawsuits alleging that the app clandestinely transferred to servers in China vast quantities of user data on children.
Anupam Chander, a professor of law and technology at Georgetown University who was briefed by TikTok about Project Texas, says the U.S. banning TikTok may “embolden other governments to do the same to apps and services from the U.S.” He adds, “It’s not clear to me that anything short of a sale will satisfy TikTok’s critics.”
TikTok’s chief executive Shou Zi Chew will appear before a House committee in March.
This article originally appeared in THR.com.
TikTok’s CEO, Shou Zi Chew, will testify in front of the House Committee on Energy and Commerce in late March in his first appearance before Congress, according to a statement from the committee’s chair, Rep. Cathy McMorris Rodgers.
The Republican representative from Washington said Chew is expected to comment on TikTok’s data security and user privacy policies, its impact on children and the company’s ties with China’s Communist Party.
The popular short-form video app and influential music discovery tool has become a lightning rod for political controversies as lawmakers on both sides have questioned the company’s handling of U.S. users’ data and whether it’s obligated to share user data with China’s ruling Communist Party. The app is owned by Chinese company ByteDance.
In an emailed statement, a TikTok spokesperson confirmed the hearing was to take place on March 23 and said they welcome the opportunity to “set the record straight about TikTok, ByteDance, and the commitments we are making to address concerns about U.S. national security.”
“We hope that by sharing details of our comprehensive plans with the full committee, Congress can take a more deliberative approach to the issues at hand,” the spokesperson said.
Congress is currently considering a bill introduced in December by Senator Marco Rubio (R-Flor.), Rep. Mike Gallagher (R-Wis.) and Rep. Raja Krishnamoorthi (D-Ill.) that would effectively ban TikTok and any other social media company headquartered in China, Russia or a handful of other countries from operating in the United States.
In addition, a number of U.S. states and large state universities have issued orders restricting access to TikTok on state-issued mobile devices and over campus internet.
In her own statement, Rodgers said that Bytedance has “knowingly allowed” the Chinese Communist Party to access U.S. users’ data, and her committee aims to ask TikTok for “complete and honest answers for people.”
“Americans deserve to know how these actions impact their privacy and data security, as well as what actions TikTok is taking to keep our kids safe from online and offline harms,” Rodgers said.
A TikTok spokesperson refuted Rodgers’ statement.
“There is no truth to Rep. McMorris Rodgers’ claim that TikTok has made U.S. user data available to the Chinese Communist Party. The Chinese Communist Party has neither direct nor indirect control of ByteDance or TikTok,” the spokesperson said. “Moreover, under the proposal we have devised with our country’s top national security agencies through CFIUS, that kind of data sharing—or any other form of foreign influence over the TikTok platform in the United States—would not be possible.”
Let her take a breath and regain her composure. Mariah Carey is feeling the love after seeing the flood of reactions to her “It’s a Wrap” challenge from the Lambily.
The Elusive Chanteuse initially launched the TikTok challenge on Jan. 15 by lip-syncing her way through a sped-up version of the Memoirs of an Imperfect Angel fan favorite while flanked by a bevy of backup dancers in the snow, inspiring Lambs across the globe to join in on the fun.
“Battery about to die.. just watched hundreds of videos of IT’S A WRAP ON TIKTOK!!! I can’t even know what to say!!!” she tweeted Thursday in reaction to the outpouring, later adding, “”Lambs serving justice..it’s a WRAP!” while retweeting one fan’s recreation of her lip sync.
One fan page in particular tweeted that after the challenge, “It’s a Wrap” notched its “biggest update ever on Spotify yesterday, gaining a massive 243 THOUSAND streams.” While Mimi originally included the kiss-off on her 12th studio album in 2009, she later collaborated with Mary J. Blige on a duet version of the song, which appeared as a bonus track on the deluxe version of 2014’s Me. I Am Mariah…The Elusive Chanteuse.
The living legend’s revisiting of “It’s a Wrap” comes on the heels of yet another iconic Christmas season, which saw “All I Want for Christmas Is You” return to No. 1 on the Hot 100 for the fourth year in a row.
Next up, Carey is set to headline the 2023 edition of Lovers & Friends in Las Vegas along with Missy Elliott, Pitbull, Usher, Christina Aguilera and more.
Check out Mariah’s original “It’s a Wrap” challenge as well as some of her best reactions to the Lambs below.
Battery about to die.. just watched hundreds of videos of IT’S A WRAP ON TIKTOK!!! I can’t even know what to say!!! 🤯🤯🤯 https://t.co/KfYDhPZlrr— Mariah Carey (@MariahCarey) January 26, 2023
Of the many dances and videos that “Shakira: Bzrp Music Sessions, Vol. 53” has spawned, the one that caught the Colombian star’s attention the most was created by Bella Dose.
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“Loving your creations! Found this one from @belladose and had to try it!”, Shakira wrote on a post that shows her doing the choreography — which ends with a hand gesture strategically coordinated with the Spanish language pun “sal-pique” — along with three dancers. In the week following her post, which has over 160 million views, curiosity about this Latin girl band has skyrocketed.
In case you haven’t heard of them, the female quartet has been working hard since 2017. The young composers, dancers and singers amass millions of views of their songs, and more than two million followers on TikTok. Their first EP Suelta, produced by Mike Sunshine and Xavier Herrera, has racked up almost six million streams since its release in 2021, and that seems to be just the beginning.
Brianna Leah, Jenni Hernandez, Melany Rivera and Thais Rodriguez are the four members who comprise Bella Dose. Originally from Miami, they bring an interesting cultural mix — with roots from Cuba, Honduras, the Dominican Republic, Puerto Rico, Colombia and Chile — something that is undoubtedly reflected in their sound, which combines reggaetón, bachata, dembow, merengue and hip-hop, among other genres and rhythms.
“We want to bring the music of our countries into ours, and that’s why we represent the culture of all of us in everything we do,” Jenni Hernandez tells Billboard Español.
The choreography that has generated so much interest in the group is not originally theirs. After the recent release of Shakira’s new hit with Bizarrap, Vicky Curiel, music entrepreneur and Bella Dose’s manager, saw Voonniie, a talented dancer from Madrid who studied musical interpretation, in a TikTok video doing her own choreography for “Bzrp Music Sessions, Vol. 53”. Right away, she suggested the girls replicate it by adding their signature rotation, where they take steps in a circular format so they all have their moment in front of the camera.
As Brianna Leah says: “We’ve been doing the rotation since we started on TikTok and with trending songs. We like this style because every girl has her moment”. Their ability to learn and execute choreography in such a short time is a testament to their dedication and talent.
Bella Dose got down to business and posted the video on January 14. It took them 15 minutes to learn Voonniie’s choreography and do the transitions. The clip was pretty well received, but a few days after posting it, they realized that something big had happened: Shakira had mentioned them in a post. They were in the middle of an interview, on a radio station, and according to Melany, “someone had mentioned us in a video. I see it and I think, ‘Oh, look! Shakira is doing the rotation that we did of her song.’ And then, when I read the caption, I realized she tagged us.” They were in total awe.
The video shared by Shakira, of her doing the dance with the rotations along with three other girls, has racked up more than 150 million views on TikTok, and more than 46 million on Instagram. Thanks to this, Bella Dose has seen its followers increase by more than 36,000 in a matter of days, and the group has gained more notoriety, something they’re grateful for as independent artists.
“We are very grateful to Shakira, who gave us the opportunity of being mentioned in a post,” Thais says. “She didn’t have to do it, but she did it with her heart. We thank her so much because she is a global artist with such a positive message for young people. We’re happy with the support we have received and the opportunities that are coming our way as a result of this.”
Now the group wants to use this momentum to continue releasing new music and make themselves known in more countries. This Friday (January 27) they are releasing “Mírame,” a new techno and dembow single produced by Nítido Nintendo and Hansel de la H, both of Dominican origin. Melany says “the song is about how you’re not in a relationship anymore, and your ex thought you needed to be with him to be somebody. But we’re telling him, ‘I don’t need you, I’m alone and in even better shape than before’.”
The girls of Bella Dose are convinced that this is a song that many can relate to — even Shakira.