The White Stripes
Jack White has once again turned his focus to U.S. politics, putting President Donald Trump and Elon Musk in his sights at a recent performance.
White is currently in the midst of his global No Name tour, which has seen him perform a number of concerts in areas as diverse as central America, Asia and Oceania in recent months. As Consequence of Sound points out, Feb. 18 saw White wrapping up a brief run of gigs in Canada and the northeastern U.S., closing out the dates with two nights at the Roadrunner in Boston.
During his main set, White shared a rendition of his 2018 single “Corporation,” which originally featured on his third solo album Boarding House Reach, and typically begins with the line “I’m thinking about starting a corporation. Who’s with me?”
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In the version played in Boston, White switched up the lyrics to offer a sharp-tongued takedown of Musk, leaning on the Tesla CEO’s involvement in the current administration after debuting the new line, “I was thinking about becoming an oligarch, who’s with me?”
“I was thinking about taking government subsidies and starting my own electric car company. Who’s with me?” White sang. “I’m thinking about not being elected. Never holding a public office. Never serving one day of military service. But somehow having the authority to control parts of the U.S. Government. Who’s with me?
“I’m thinking about not being properly vetted by the Supreme Court or Congress, just doing whatever the hell I want because some fucking bloated asshole orange fucking gorilla who’s failed at every business he’s ever ran wants me to be his golf cart partner!”
This isn’t the first time that White has changed his lyrics to reflect his distaste towards Trump. Previously, The White Stripes sold “Icky Trump” shirts during the President’s successful 2016 campaign, altering the title to their 2007 song “Icky Thump” in the process. In 2018, White performed the song with new lyrics that specifically called out the President by name.
More recently, White reacted to Trump’s 2024 election win by sharing a lengthy social media post in early November to express his disbelief at the state of U.S. politics.
“Americans chose a known, obvious fascist and now America will get whatever this wannabe dictator wants to enact from here on in,” he wrote. “It’s absolutely dumbfounding that this con man succeeded in pulling the wool over so many Americans eyes not once, but twice.”
White has since returned to the road since his February performance, appearing in Europe and the U.K. before his current Japanese leg. However, he’s yet to perform “Corporation” again since the Boston show.
If you’re planning to see Jack White and hoping for a marathon effort from the musician, it might be time to temper your expectations.
White took to Instagram on Saturday (Feb. 8) to reflect on the attitudes he’s noticed regarding the lengths of the sets he has performed. According to sites such as Setlist.fm, White has an average performance time of 90 minutes, with recent sets ranging from 16 to 22 songs.
“Been hearing a lot of chatter throughout the year of this glorious electric touring about how long our sets are ‘supposed to be’ on stage,” he began. “As if the length of a show determines how ‘good’ it is. I know that we’re living in a current era where people like to say ‘so and so played for 3 hours last night!’, and brag about it the next day hahaha, I’ll let our fans know now that my mind has no intention of ‘impressing’ y’all in that context.
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“The Beatles and Ramones played 30 minute (ish) sets, and If I could, I would do the same at this moment in my performing life,” he added. “That’s actually the kind of show I’d like to put on right now. But there becomes this chatter that the cost of a ticket ‘entitles’ people to some kind of extra long show…uh…ok (hahaha) so I’m bridging the gap. I’m not sure y’all are knowing (or maybe remembering?) what a real rock or punk show is like though if you’re thinking that way, I think you’re talking about an arena laser light show with pyro, huge screens with premade videos, singers flying over the crowd, t shirt cannons, etc, that’s not the kind of shows we’re performing.”
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White’s own history as a touring musician has been peppered with shows of varying lengths. Famously, on July 16, 2007, as a member of The White Stripes, Jack and Meg White performed the shortest show of their career so as to fulfill their goal of playing every province and territory of Canada. The one-note show in St. Johns, Newfoundland was denied inclusion into the Guinness Book of Records, sadly.
However, this short concert is in line with White’s own critique of expectations from audiences. While artists such as Bruce Springsteen may average three-hour sets, and Phish and Dead & Company might be creeping towards four hours on average, White explains it’s all about what best suits the audience gathered before him.
“I’ve seen a plethora of rock and roll gigs that lasted 45 minutes and blew my mind and inspired me beyond belief,” he explained. “Read the room, leave everyone exhausted and inspired (hopefully) and most of all wanting more, without needing 3 hours to do it. That’s like saying a film is supposed to be better cause they spent 300 trillion making it, well I’ve never seen that movie.
“Love to all of our fans, I see your faces every night and you can be assured I’ve never phoned it in in my life, whether its 20 minutes or 2 hours, I’m giving the room what the room is prompting me to do and share and that doesn’t mean if people cheer louder it’s going to be longer either! haha. There’s no setlist, and it’s not a Marvel movie, or a Vegas residency, it’s rock and roll and it’s a living breathing organism.”
White is currently in the midst of a lengthy global tour that began in 2024 in support of his latest solo album, No Name. Much like the length of his live sets, White had initially planned for the majority of his touring plans to be relatively impromptu, though a more concrete run of dates was detailed in November.
The “most misunderstood entry” in the White Stripes‘ back catalog is getting a revisit for its 20th anniversary.
Released as part of the ongoing Vault subscription series from Jack White‘s Third Man Records, Get Behind Me Satan XX comes packaged as part of a special two-record set alongside an additional 7″ record and a Blu-Ray, serving as a companion to the original 2005 album.
“Often mistaken as a break-up album, a treatise on fame, or a ‘piano’ album, the record is most accurately described in Jack White’s own words as focused on the truth,” a statement from Third Man Records reads. “The fact that it was in no way Elephant, Part 2 only further confused, infuriated, and/or beguiled many.
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“Twenty years later and the album still stands out for how fresh and how timeless it sounds. In the face of newfound worldwide commercial success, no other contemporary rock band had the stones to introduce mandolin, tympani, hand bells and marimba into their arsenal, let alone embark on deep tours of both Central America and Eastern Europe. But as has long been established, the White Stripes were singular. They were never like anybody else. What enchants now, upon further reflection, is the disparate threads that all came together to make Satan so refreshing.”
The first disc of the new package comes front-stacked with previously-unreleased demos of the album and alternate studio takes. “At the same time both skeletal and enlightening, Jack White’s songwriting demos from 2004 and early 2005 – captured with zero concern for fidelity or thought that anyone else would ever hear them – are of prime excitement here,” the statement adds.
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Meanwhile, the second disc features previously-unreleased live recordings from the album’s 2005 tour, while the additional 7″ record boasts “one of the great white whales in Stripes history”, a recording of the long sought-after “Spitting Tacks”. Additionally, the Blu-Ray captures footage of the band during a tour of Central and South America in support of the original record.
“Armed with a mini-DV camera and free reign to capture whatever caught his eye, David James Swanson tagged along on the White Stripes Central and South American tour in 2005,” Third Man Records added. “A soundcheck here, rabid fans singing along there, it’s all crystalline visual quality on a handheld scale. While it would be too grandiose to deem this a ‘film’, the collection of sequences and behind-the-scenes moments captured here are a striking, complimentary statement of the unique and chaotic time that the White Stripes inhabited in this era.”
In typical fashion, the nascent package is rounded out by an expansive archival booklet which collects photos, concert posters, a comprehensive list of tour dates, “and all the exhaustive details fans have come to expect from these anniversary editions”.
Released in June 2005 as the White Stripes’ fifth – and penultimate – album, Get Behind Me Satan peaked at No. 3 on the Billboard 200 and saw the group win the Grammy for Best Alternative Album the following year.
While the original album has been occasionally reissued since its original release, Third Man Records’ Vault editions are not typically reissued, with those interested in the Get Behind Me Satan XX advised to sign up to the Vault before Jan. 31st.
Jack White is not hiding his feelings about the result of the recent U.S. election.
The prolific musician, who filed a copyright lawsuit against President-elect Donald Trump in September with his White Stripes bandmate Meg White, took to social media on Wednesday (Nov. 6) to share his thoughts about Trump’s victory over Kamala Harris at the polls.
“Trump won the popular vote. End of story,” White wrote on his post. “Americans chose a known, obvious fascist and now America will get whatever this wannabe dictator wants to enact from here on in.”
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White’s post was paired with a text image of a Turkish proverb to higlight his apparent incredulity at Americans voting against their own interests. As he continued, he noted the realities of what a second Trump term would entail, specifically mentioning the implementation of Project 2025, a nationwide abortion ban, mass deportations, and much more.
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“It’s absolutely dumbfounding that this con man succeeded in pulling the wool over so many Americans eyes not once, but twice,” he added.
“The racist, impeached, convicted felon and convicted rapist who stole national secrets and hid them in his bathroom, who told us to inject bleach, who wanted to fix hurricanes with nuclear weapons, who insulted handicap people, called military veterans suckers, who incited an insurrection that invaded the nation’s capital for God sakes (!!!), the failed business man who’s ventures have all gone bankrupt, a fake Christian selling bibles and sneakers like a carnival side show, etc etc etc.,” White wrote.
White closed his post by pointing out how Trump actively works against some of his biggest supporters, including Christians, immigrants, veterans, minorities, women, and working class Americans.
“All those rich pricks riding in their Cybertrucks listening to their Rogan and Bannon and Alex Jones podcasts are laughing all the way to the bank looking forward to their tax cuts that don’t apply to the middle class,” he concluded. “And not just with the electoral college this time, but the American people with the popular vote showed that the citizens placed him in power and now deserve whatever evils he’s going to enact.”
White’s historical disdain for Trump is well-documented, with both he and Meg White criticising Trump’s “illegal” usage of their 2003 single “Seven Nation Army” in his 2016 campaign by noting they were “disgusted by this association”.
Trump again decided to use The White Stripes‘ track for his campaign earlier this year, with White’s threats of litigation resulting in a lawsuilt filed in September. The suit specifically accused Trump and his campaign of “flagrant misappropriation” of one of the “most well-known and influential musical works of all time.”
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