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The Legal Beat

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This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Lady Gaga somehow finds herself on the receiving end of a lawsuit over the theft of her French bulldog, Adam Levine accuses a classic car dealer of selling him a fake Maserati, one of Marilyn Manson’s accusers recants her abuse allegations, and much more.

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THE BIG STORY: Lady Gaga Sued Over Dog Theft Reward

A woman named Jennifer McBride says she deserves a huge reward for returning Lady Gaga’s bulldogs after they were stolen at gunpoint – even though she was also convicted of a criminal charge in connection with the high-profile dognapping.

In a lawsuit filed last week in Los Angeles, McBride demanded that Gaga hand over a $500,000 reward she offered for the safe return of the dogs after the violent 2021 incident. It was McBride, after all, who delivered the dogs to the Los Angeles Police Department two days after Gaga’s dog walker Ryan Fischer was shot and nearly killed.

But there’s one small detail McBride’s lawyers left out of the complaint: In December, she pleaded no contest to receiving stolen property in connection with the dognapping, receiving a sentence of two years of probation.

McBride’s lawyers say it doesn’t matter: That Gaga made a binding “unilateral” offer to pay the reward in return for the safe return of the dogs with “no questions asked” — and McBride took her up on the proposal when she did so. Whether that argument will fly before a judge remains to be seen.

For a full breakdown of McBride’s case — including her full complaint and her arguments that she “fully performed her obligation” to Gaga — go read our entire story here.

Other top stories this week…

ADAM LEVINE’S FAKE MASERATI – Attorneys for Adam Levine filed a lawsuit claiming that a classic car dealer defrauded him by selling him a fake version of an uber-rare Maserati worth a whopping $850,000. The star’s attorneys say the seller took “active steps” to conceal red flags about the car, like phony stamped markings on its chassis.

MARILYN MANSON ACCUSER RECANTS – Ashley Morgan Smithline, a woman who previously sued Marilyn Manson for sexual assault, filed an explosive new document stating that her allegations against the rocker were untrue. Instead, Smithline claimed she had been “manipulated” by Manson’s ex-girlfriend, Evan Rachel Wood. A rep for Wood strongly denied the allegations.

ARREST WARRANT FOR KODAK BLACK – A Florida judge issued an arrest warrant for Kodak Black for failing a drug test while on bail for a drug charge. The rapper, facing trial over an oxycodone trafficking charge, allegedly failed to appear for a scheduled drug test in February and then days later submitted a sample that tested positive for fentanyl.

PRE-TRIAL SHOWDOWN OVER SHEERAN TAPE – Lawyers for Ed Sheeran’s copyright accusers fired back at the star’s efforts to ban an infamous YouTube clip from an upcoming trial over whether “Thinking Out Loud” infringed Marvin Gaye‘s “Let’s Get It On,” calling the video “among the most important and critical evidence in this case.”

NIPSEY HUSSLE KILLER GETS 60+ YEARS – A Los Angeles judge sentenced Eric Ronald Holder Jr. to at least 60 years in prison for gunning down rapper Nipsey Hussle. Holder was convicted in July of premeditated murder over the March 2019 shooting at a Los Angeles strip mall.

LIL PEEP WRONGFUL DEATH CASE SETTLED – The mother of late rapper Lil Peep reached a settlement in her wrongful death lawsuit against her son’s former label and management company, First Access Entertainment (FAE). The lawsuit claimed that Peep’s management team provided him with drugs and kept pushing him to perform even though he was “barely able to communicate.” Terms of the deal were not disclosed.

ACCUSER SAYS NICK CARTER AIMS TO “SILENCE” HER – Shannon “Shay” Ruth, a woman suing Nick Carter over accusations that he raped her in 2001, blasted the Backstreet Boys member for filing a defamation countersuit against her. In a so-called anti-SLAPP motion, Ruth said Carter’s countersuit had “no other purpose than to harass, intimate, and potentially silence plaintiff.”

FESTIVAL ORGANIZERS GO TO PRISON – Aaron McCreight and Doug Hargrave, two former Iowa tourism executives, were each sentenced to more than a year in prison after pleading guilty to bank fraud charges related to Newbo Evolve, a failed 2018 music festival headlined by Maroon 5 and Kelly Clarkson. The pair admitted to lying to a Cedar Rapids bank about projected ticket sales to secure more funding, even as the event appeared headed toward big losses.

BRONX RAPPER CHARGED WITH MURDER – Bronx drill rapper Kay Flock was charged by federal prosecutors with murder and racketeering along with seven other members of two Bronx street gangs, stemming from seven shootings in New York between June 2020 and February 2022. Flock faces a “mandatory life in prison or death” if convicted.

KELLY AVOIDS LENGTHY ADD-ON SENTENCE – A federal judge in Chicago sentenced R. Kelly to 20 years in prison for his convictions of child pornography and the enticement of minors for sex, but said the singer would serve all but one year simultaneously with an earlier 30-year sentence imposed last year on separate racketeering charges. The upshot is that Kelly is facing 31 years total and will be eligible for release at around age 80.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Eminem moves to block two Real Housewives from registering a “Shady” trademark, Drake’s deposition drama continues, Damon Dash wins a verdict clearing him of sexual assault, and much more.

Want to get The Legal Beat newsletter in your email inbox every Tuesday? Subscribe here for free.

THE BIG STORY: Eminem Says He’s (Legally) The Real “Slim Shady”

If your 2023 bingo card had Eminem picking a legal fight with a pair of Real Housewives, I have some great news for you.

The rapper’s lawyers filed a case at the U.S. trademark office last week aimed at blocking Gizelle Bryant and Robyn Dixon (stars of The Real Housewives of Potomac) from securing a federal trademark registration on “Reasonably Shady,” the name of their hit podcast.

As you probably guessed, Eminem’s attorneys were concerned about the similarity of the name to  “Slim Shady” — a nickname the rapper has used for decades for a dark, violent alter ego. Given the overlap, they said consumers might be tricked into thinking Eminem was somehow involved with the podcast.

“Confusion is unavoidable,” the rapper’s lawyers wrote. “Applicant’s mark ‘Reasonably Shady’ simply looks and sounds like ‘Shady’ and suggests that it represents the services of Mathers.”

For a full breakdown of Eminem’s case — including all the actual legal documents and a response from Bryant and Dixon’s lawyer — go read our entire story here.

Other top stories this week…

DRAKE DEPOSITION SAGA CONTINUES – A Florida judge reversed himself and ruled that Drake wouldn’t need to sit for a deposition over the murder of XXXtentacion, seemingly swayed by the star’s arguments that he has no connection to the case. But the fight isn’t over quite yet, as defense attorneys are still pushing for a sit-down. Stay tuned…

CONDÉ SETTLES FAKE VOGUE SUIT – In other Drake developments, Condé Nast reached a settlement to end a lawsuit against the rapper and 21 Savage over their use of a fake Vogue magazine cover to promote their album Her Loss. The agreement included a permanent injunction barring any further use of the publisher’s trademarks as well as an undisclosed monetary payment.

DAME DASH TRIAL VERDICT – A jury mostly cleared Damon Dash in a case accusing the Roc-A-Fella Records co-founder of sexually assaulting a photographer. Following a four-day trial, the jurors found that Dash defamed Monique Bunn when he accused her of theft, but that he had not inappropriately touched her while she was sleeping at his house during a video project. Jurors awarded Bunn $30,000 in damages — far less than the $150 million she had sought.

R. KELLY CAN’T GET NEW TRIAL – A Chicago federal judge rejected R. Kelly’s bid to overturn his conviction last year on child pornography charges. Denying a motion for a new trial or acquittal, the judge ruled that prosecutors provided jurors with “enough evidence to sustain a guilty verdict on all six counts Kelly was convicted of.” Sentencing on those charges is set for Thursday (Feb. 23).

UTOPIA ACCUSED OF BAILING ON DEAL – Utopia Music was hit with a lawsuit claiming the buzzy music startup reneged on a $26.5 million deal to buy a U.S. music tech company called SourceAudio — and now owes more than $37 million because of the year-long delay. Switzerland-based Utopia had been on a buying spree over the past two years but announced in November that it would lay off 20% of its staff.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: Lizzo wins a key ruling in her efforts to secure trademark protection for ‘100% That B-tch,” Taylor Swift calls a lawsuit over her Lovers companion book “legally and factually baseless,” Kanye’s lawyers finally track him down long enough to drop him as a client, and much more.

THE BIG STORY: Lizzo Is Now – Legally Speaking – ‘100% That B-tch’

A Grammy for record of the year wasn’t all Lizzo won last week.

Just days before her big Grammy win Sunday night, a tribunal at the U.S. Patent and Trademark Office sided with the superstar in her quest to secure a federal trademark registration for “100% That B-tch” – the iconic lyric from her breakout single “Truth Hurts.”

Last year, the agency had rejected Lizzo’s application for the trademark on the grounds that it was merely a commonplace “motivational phrase” aimed at “female empowerment,” not the kind of unique brand name that’s eligible for trademark protection.

But the USPTO’s Trademark Trial and Appeal Board (TTAB) overturned that ruling last week, saying that consumers who see the phrase on apparel would likely “associate the term with Lizzo and her music.”

For a full breakdown of Lizzo’s legal victory, including access to all the actual court documents, go read our story here.

Other top stories this week…

SWIFT RIPS COPYRIGHT SUIT – Taylor Swift‘s attorneys asked a federal judge to toss out a copyright case claiming the star stole aspects of a self-published book of poetry when she created a companion book for her album Lover, calling it “a lawsuit that never should have been filed.”

LAW FIRM FINDS KANYE – After months of searching, attorneys from the law firm Greenberg Traurig said they had finally tracked down Kanye West and formally notified him that he’s no longer a client of the firm, ending a bizarre ordeal in which the lawyers said they’d be willing to run newspaper ads to be rid of the disgraced rapper.

COGNAC UNDER THE BRIDGE – Jay-Z and Bacardi reached an agreement to end bitter litigation over their D’Ussé Cognac brand. Under the deal, Bacardi will take over a “majority interest” in the company, which was previously split 50-50 between the two sides.

COACHELLA v. MOECHELLA – The organizers of Coachella filed a trademark infringement lawsuit against the operators of a Washington D.C.-based music event called “Moechella,” accusing the smaller group of confusing consumers with the similar name.

RAPHY PINA LOSES APPEAL – A federal appeals court upheld a federal gun conviction against Daddy Yankee’s manager Raphy Pina, citing “overwhelming” evidence. The court overturned a separate conviction over an illegal automatic weapon, but it’s unclear if the ruling will reduce Pina’s 41 month sentence.

NICK CARTER STRIKES BACK – Two months after Nick Carter was hit with a civil lawsuit claiming he raped a 17-year-old girl on his tour bus in 2001, the Backstreet Boys member filed a countersuit claiming the allegations were the product of a “five-year conspiracy,” designed to extort him by coopting the #MeToo movement.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: Rick Astley makes waves by suing an artist who impersonated his voice; an explanation of why Miley Cyrus doesn’t owe Bruno Mars a writing credit on her super-smash “Flowers”; UMG wins a big ruling in a proposed class action over termination rights; and much more.

THE BIG STORY: Will Rick Astley Dampen Pop’s Nostalgia Kick?

Popular culture is always cyclical, but we’re living though a particularly nostalgic age of pop music. Just look at the Hot 100 over the past year: Jack Harlow pulled from Fergie, David Guetta riffed on Eiffel 65, Latto made a song that sounded like Mariah Carey, and Beyonce heavily sampled from Robin S. But a new lawsuit could cast something of a pall on the throwback mania.

Rick Astley is suing Yung Gravy over the rapper’s breakout 2022 single “Betty (Get Money),” which borrowed from the singer’s iconic (and frequently-memed) “Never Gonna Give You Up.” The lawsuit claims the new track — an interpolation that sounded a whole lot like an outright sample — broke the law by impersonating Astley’s voice.

Filed by the same attorney (Richard Busch) who brought the blockbuster case over “Blurred Lines,” the new lawsuit has the potential to similarly scare producers about their current studio practices. As Billboard’s Kristin Robinson writes this week, re-recording classic tracks (rather than directly sampling them) has become more common for financial and creative reasons, but Astley’s accusations have some music executives questioning if it could “open the floodgates” to litigation when vocals are involved.

For a full breakdown of the Astley lawsuit, including access to all the actual court documents, go read our story here.

Other top stories this week…

MILEY DOESN’T OWE BRUNO ANYTHING – Miley Cyrus’ chart-topping new single, “Flowers,” includes clear references to Bruno Mars‘ own No. 1 hit from a decade earlier, “When I Was Your Man.” But as a copyright expert explained to me and Billboard‘s Andrew Unterberger this week, Miley doesn’t need to offer Bruno a credit for an “answer song” that merely riffs on a few lyrics but doesn’t borrow any musical elements.

ON TERMINATIONS, CLASS DISMISSED – A Manhattan federal judge ruled that hundreds of artists cannot join forces to sue Universal Music Group to regain control of their masters, saying the case raised big questions about “fairness” but that it was ill-suited for class-action litigation — a major blow to a closely-watched case over termination rights.

MANSON FACES NEW ABUSE CASE – Marilyn Manson reached a settlement with actress Esme Bianco to end one of the several sexual abuse lawsuits that he’s faced in recent years. But just days later, he was hit with a lawsuit from a new accuser who claims he groomed and sexually assaulted her during the early portion of his career when she was underage. Manson strongly denies the new allegations.

YE SAGA CONTINUES FOR GREENBERG – The Kanye West ordeal isn’t quite over for Greenberg Traurig, the prestigious law firm that’s so frustrated with their ex-client that it asked a judge to allow it to print newspaper ads announcing they’ve dropped him.

MISTRIAL IN T.I.’s TOY CASE – A high-profile intellectual property battle pitting T.I. and wife Tameka “Tiny” Harris against toymaker MGA over a line of dolls ended in a sudden mistrial after jurors heard “inflammatory” — and clearly inadmissible — video-taped testimony claiming the toy company “steals from African Americans.”

CARDI ACCUSER WANTS NEW TRIAL – Months after a jury rejected bizarre allegations that Cardi B “humiliated” a man by photoshopping his back tattoo onto the risqué cover of a 2016 mixtape, the guy wants a do-over. Kevin Brophy formally requested a new trial, arguing that the star “engaged in theatrics” on the witness stand and deprived him of a fair trial.

LIVE NATION WINS CASE OVER SHOOTING – A California appeals ruled that Live Nation is not legally responsible for a deadly 2014 shooting backstage at a Young Jeezy concert. The court said such an attack was not the kind of event that the concert giant should have seen coming — an important decision as Live Nation is facing similar claims over the backstage killing of Drakeo The Ruler in 2021.

BAD BUNNY COPYRIGHT SETTLEMENT – Bad Bunny reached a tentative agreement to end a lawsuit that accused the Puerto Rican superstar of lifting material for his 2020 track “Safaera” from three earlier songs by reggaeton pioneer DJ Playero.

R. KELLY STATE CHARGES DROPPED – Prosecutors in Illinois dropped all state-level sexual abuse charges against R. Kelly, citing “limited resources” and the fact that the disgraced singer has already been sentenced to 30 years in prison on federal convictions — and could soon be facing decades more in another federal case.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: A judge says Roc Nation CEO Desiree Perez must sit for a deposition in Megan Thee Stallion’s war with her record company, a member of Journey sues his longtime bandmate over allegations of lavish spending, Flo Rida wins an $82 million verdict against a beverage company, and much more.

THE BIG STORY: To Depose Or Not To Depose

When should a top executive be hauled into a deposition to answer questions in a lawsuit? It’s a difficult question. Make it too hard and you could insulate powerful people from the legal process; make it too easy and attorneys could use it as a form of gamesmanship in cases of questionable merit. Imagine if Lucian Grainge could be deposed every time someone sued Universal Music?

Courts typically resolve the problem with something called the apex doctrine, which says that busy “apex” officials only need to testify when they have unique info that can’t be derived from other less burdensome sources. Spotify cited the doctrine last year in an (unsuccessful) effort to block the deposition of CEO Daniel Ek in a copyright lawsuit over Eminem’s music.

That same tricky situation cropped up last week in Megan Thee Stallion’s ongoing legal war with her estranged record label, 1501 Certified Entertainment. Industry bigwig Desiree Perez is the CEO of Jay-Z’s Roc Nation — the prototypical kind of executive who can sometimes avoid depositions. But she’s also Megan’s actual manager, and 1501 Certified said she was “one of the most critical” witnesses in the case.

In seeking to avoid the sit-down, Megan’s legal team argued that 1501 was “harassing” Perez by seeking to depose her. But in a ruling last week, the judge overseeing the case didn’t buy it.

To get the full story, go read Billboard’s entire article here.

Other top stories this week…

TOP RAPPER BATTLES EX-MANAGER – Billboard took a deep-dive this week into an ugly lawsuit pitting Latin trap star Anuel AA against his former manager Frabian Eli – two “lifelong friends” who are now accusing each other of serious legal wrongdoing. The latest flashpoint is an emergency hearing this week over whether Eli can sell a $4.8 million Florida mansion that Anuel claims was purchased with stolen money.

DON’T STOP LITIGATING – The civil war inside the iconic rock band Journey continues. Keyboardist Jonathan Cain filed a lawsuit against bandmate Neal Schon for allegedly spending over $1 million on the band’s shared American Express card, including $400,000 in a single month last year — itself a response to a case filed by Schon last year.

PUBLISHER POO-POOS PARODY Music publisher BMG launched a copyright lawsuit against toymaker MGA Entertainment for promoting a brand of “unicorn poop” toys by releasing a song called “My Poops” — a scatological parody set to the tune of the Black Eyed Peas’ “My Humps.” Is that a legal fair use or just an unlicensed commercial? We’re going to find out.

FLO RIDA WINS BIG OVER ENERGY DRINKS – A jury awarded $82 million in damages to Flo Rida in his legal battle with energy drink maker Celsius, siding with the rapper’s allegations that the company reneged on the terms of an endorsement deal. His lawyers told me: “He was due these shares, he worked for them, and he wasn’t going to just let it go.”

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: Kanye West’s former lawyers go to extraordinary lengths to cut ties, indie rockers OK Go somehow find themselves in litigation over cereal, BMG is sued over the royalties to “Uptown Funk,” and much more.

Sign up for the free email version of The Legal Beat here.

THE BIG STORY: Kanye’s Lawyers Really, Really Want Out

Just like his corporate partners, his longtime record label, and many of his fans, Kanye West’s lawyers now want nothing to do with him.

In the wake of a string of antisemitic comments last fall, a who’s who of the nation’s top law firms publicly distanced themselves from the rapper. That included Cadwalader Wickersham & Taft, the prestigious Wall Street firm that repped him in his dealings with The Gap; Quinn Emanuel Urquhart & Sullivan, a white-shoe litigation firm that West had reportedly sought to hire; and Cohen Clair Lans Greifer Thorpe & Rottenstreich, one of many law firms that briefly handled his divorce from Kim Kardashian.

But no firm has done so with quite the flair of Greenberg Traurig, which had been handling a copyright case that accused West of using an unauthorized sample in one of the songs on Donda 2. After months of being unable to formally notify him that he’d been dropped, the firm has proposed an extraordinary alternative: printing newspaper ads announcing they’re no longer repping the disgraced rapper.

Yes, you read that right. Read the entire story here.

Other top stories this week…

A BAND VERSUS A CEREAL BRAND – In a bizarre new lawsuit, indie rockers OK Go found themselves embroiled in trademark litigation with Post Foods over a new line of on-the-go cereal cups called “OK Go!” The band says Post “chose to steal the name of our band”; Post says those allegations are “unfounded.”

“UPTOWN FUNK” ROYALTIES FIGHT – BMG was hit with a lawsuit claiming it has failed to pay royalties from the smash hit “Uptown Funk” to the families of late members of the Gap Band, who are credited as co-writers on the song. As reported by Billboard at the time, those credits were suddenly added in 2015 (months after the song was released) in an apparent effort to avoid litigation. So much for that…

DRAKEO DEATH CASE MOVES FORWARD – A Los Angeles judge rejected Live Nation’s first attempt to end a wrongful death lawsuit over the 2021 murder of Drakeo The Ruler at a music festival, ruling that the late rapper’s family might have a valid case against the concert giant.

HARRY STYLES FIGHTS COUNTERFEITS – Attorneys for Harry Styles filed a lawsuit against online retailers for allegedly violating his intellectual property rights by selling counterfeit merchandise to unsuspecting fans. The aim was to freeze assets and shut down the fake sites, which the lawyers said were mostly based in China.

DRE’S COPYRIGHT THREATS WORK – Marjorie Taylor Greene responded to a cease and desist letter from Dr. Dre over her unlicensed use of the rapper’s 1999 smash hit “Still D.R.E.,” promising to make “no further use” of the song. Dre had blasted the lawmaker for using his hit to “promote your divisive and hateful political agenda.”

SOCIAL MEDIA STAR SUED FOR ABUSE – Singer and influencer Malú Trevejo was sued by four former staffers, who alleged that they “endured mental, emotional, sexual and physical punishment” during their employment with the 20-year-old artist.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: A huge group of artists push to clear up uncertainty about termination rights and streaming royalties, Dr. Dre threatens to sue Marjorie Taylor Greene, the man accused of murdering Takeoff is released on bond, and more.

Sign up for the free email version of The Legal Beat here.

THE BIG STORY: Top Artists Demand Streaming Royalties Rule

When I first reported in October that the U.S. Copyright Office was looking to enact an “obscure” rule change about termination rights and streaming royalties, I received a bit of light-hearted criticism from some folks who had been following the issue closely. They conceded that the subject matter was complex — it’s mind-meltingly complex, trust me — but also said that the stakes were huge.

I guess others agree: In a letter sent last week, more than 350 artists, songwriters, managers and lawyers threw their weight behind the Copyright Office’s proposed rule change, saying they were worried about music creators being “deprived of the rights afforded to them by copyright law.” Signed by Don Henley, Sheryl Crow, Sting, Bob Seger, Maren Morris, John Mayer, Dave Matthews, members of The Black Keys and many others, the letter said that opposition to the agency’s new rule would constitute “a vote against songwriters.”

What’s this new rule they’re so fired up about? As mentioned, it’s pretty arcane stuff. (Go read our explainer if you want more details.) But basically:

The group created by the Music Modernization Act in 2018 to collect mechanical royalties from streaming services (the Mechanical Licensing Collective, or MLC) enacted a new policy in 2021, dealing with who should receive such royalties after a songwriter invokes their termination right. Termination is a provision under copyright law that allows creators to take back control of their works decades after signing them away to a publisher. The problem? The MLC’s new policy seemed to say that if a song had already been uploaded to Spotify’s server prior to when a songwriter invoked their termination right, those royalties would need to keep flowing to their old publisher — seemingly forever — regardless of who now owned them.

That bizarre outcome would seem to be at odds with the basic point of termination, which is designed to help original creators finally derive value from their own works. So in October, the Copyright Office proposed a new rule requiring the MLC to “immediately repeal its policy in full,” calling it an “erroneous” reading of the law. And last week, spurred by groups like the Music Artists Coalition, a huge number of influential members of the music industry said they agreed.

Some of the wording of the letter — about a “vote against songwriters” — was pretty ominous. But it doesn’t seem like there’s any real industry opposition to the Copyright Office’s change. The National Music Publishers’ Association has quibbles about how such changes are enacted, fearing that they might lead to uncertainty and litigation over past practices. But the group says it fully supports a rule change and the goal of making sure that terminating songwriters actually get paid.

Will the Copyright Office enact the new rule as originally proposed, or make changes when the final rule is released? We’ll let you know what the final rule looks like — and whether everyone likes it.

Other top stories this week…

DR. DRE WARNS REPUBLICAN – Dr. Dre sent a scathing cease-and-desist letter to Rep. Marjorie Taylor Greene, threatening the conservative lawmaker with a copyright lawsuit for using the rapper’s 1999 smash hit “Still D.R.E.” without permission in a social media post. “One might expect that, as a member of Congress, you would have a passing familiarity with the laws of our country,” the letter read.

MORE MUSIC TROUBLE FOR TRILLER – Universal Music Group filed a lawsuit against Triller over allegations that the video-sharing app has failed to make payments for months under its music licensing agreements, despite “lavish” spending elsewhere.

MIGOS MURDER SUSPECT RELEASED – Patrick Xavier Clark, the man accused of murdering Migos rapper Takeoff, was released from a Houston jail after posting a $1 million bond. He was placed under house arrest and will be subject to GPS monitoring.

LAWSUIT OVER UMG’S SPOTIFY STAKE – ’90s hip-hop duo Black Sheep filed a class action against Universal Music Group over the label’s ownership stake in Spotify, claiming UMG has accepted low royalties in return for stock in the streaming service. Seeking to represent thousands of others, the case says UMG is “withholding hundreds of millions of dollars in royalties.”

SONY SETTLES FUTURE CASE – Sony Music reached a settlement to end a lawsuit that claimed the name of Future’s chart-topping album High Off Life infringed the trademark rights of a company called High Off Life LLC, a creative agency that says it’s used the name for years.

ROCKER ARRESTED ON GUN CHARGES – Matt Shultz, the lead singer of the band Cage the Elephant, was arrested in New York City and hit with two charges of criminal possession of a weapon after police found two loaded firearms in his room at the Bowery Hotel.

MARILYN MANSON CASE DROPPED – A federal judge tossed out one of the several sexual abuse lawsuits filed against Marilyn Manson, dismissing a case filed by model Ashley Morgan Smithline because she failed to retain a new lawyer after splitting with her old legal team last fall.

GLORIA TREVI ABUSE SUIT – Mexican pop star Gloria Trevi was hit with a new lawsuit over a decades-old claim of sexual assault against two minors, who alleged the singer “groomed” and “exploited” them when they were between the ages of 13 and 15 back in the early 1990s. Trevi strongly denied the accusations, saying she’d been “totally acquitted” when such claims were made in a criminal case in Mexico in the 2000s.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: A special New Year’s newsletter, looking back at the biggest legal stories from 2022, the top stories from over the holidays, and what to watch in 2023.A quick programming note: Starting immediately, the email version of the Legal Beat newsletter is now free. All current readers will continue to get the newsletter directly into their inbox every Tuesday, but now anyone else can also sign up HERE to receive a weekly recap of every big story from the world of music law.

Year In Review: 2022’s Top Legal Stories

Some of the most important music industry stories of 2022 were legal stories, so we put together a handy year-end guideto catch you up on all the big developments.As always, copyright cases dominated the list. Taylor Swift finally escaped a case over “Shake It Off,” Ed Sheeran won a big trial over “Shape of You (but faces another one soon over “Thinking Out Loud”) and Katy Perry made important case law when she defeated a case over “Dark Horse.”Cardi B had a big year all by herself. She won a $4 million defamation verdict against a bomb-throwing YouTuber, then beat back a multimillion lawsuit claiming she Photoshopped a random guy onto the “raunchy” cover of a mixtape. Oh, and she also resolved a long-standing criminal case in New York by taking a misdemeanor plea deal.But arguably the most important story of the year was the use of rap lyrics in criminal trials.Billboard did a deep-dive in March, detailing how the practice had persisted for years despite longstanding criticism that it unfairly sways juries and threatens artistic expression — and that was before we knew what the year had in store. In May, hip-hop superstars Young Thug and Gunna were hit with a sweeping indictment that quoted heavily from their lyrics and then left to sit in jail for months, bringing unprecedented new attention to the issue. Atlanta prosecutors offered no apologies for the music-heavy charges, but in September, lawmakers in California enacted landmark legislation that would sharply restrict the practice in that state, creating a blueprint that other jurisdictions might follow.

Top stories to watch in 2023…

RAP ON TRIAL – A big issue from 2022 figures to take center stage again in 2023. Jury selection in the case against Young Thug and other YSL members (though not Gunna, who pleaded out in December) will kick off next week in Atlanta, setting the stage for a blockbuster trial that could last many months. And after coming up just short in 2022, lawmakers in New York will again try to pass legislation that could limit how prosecutors in that state use rap music to win convictions.COPYRIGHT CONTINUUM – After a year full of big copyright cases, 2023 could be even more jam-packed. Dua Lipa will try to evade two separate infringement lawsuits over her smash hit “Levitating,” while Ed Sheeran will face a jury trial over whether his “Thinking Out Loud” infringed Marvin Gaye‘s iconic “Let’s Get It On.” And don’t forget the big class actions against the labels over termination rights, the looming Supreme Court ruling over Andy Warhol’s image of Prince or the upcoming trial in a case against Post Malone.DR. LUKE V. KESHA – After nearly nine years of litigation, a trial is finally set for July in Dr. Luke’s defamation lawsuit against Kesha over her bombshell rape accusations against the producer. A trial had previously been scheduled to start in February, but it cannot take place until New York’s highest court decides two pending appeals dealing with big issues — big for both the case and for media law generally.

What you missed over the holiday week…

CARDI WINS AGAIN – A federal judge refused to overturn Cardi B’s courtroom victory in a lawsuit filed by Kevin Brophy, a man who was unwittingly Photoshopped to look like he was performing oral sex on the superstar on the cover of her debut mixtape. Two months after jurors cleared Cardi of any wrongdoing, the judge ruled that he would not “second-guess” the verdict.MEGAN HEADED TO TRIAL – A judge sided with Megan Thee Stallion in an early skirmish in her legal war with record label 1501 Certified Entertainment, refusing to grant the company a quick victory and ordering the case to instead be decided by a jury. 1501 had argued that the judge himself could decide whether her 2021 release Something for Thee Hotties counted as an “album” under her record deal, but her lawyers said she must be “allowed her day in court.” STEVEN TYLER ABUSE CASE – Aerosmith singer Steven Tyler was hit with a lawsuit accusing him of sexually assaulting a minor in the 1970s, claiming he convinced her parents to sign over custody and forced her to get an abortion. The case was filed by Julia Holcomb, who says she was the underage girl that Tyler repeatedly referenced in his racy 2011 memoir, in which he said he was “so in love I almost took a teen bride.”

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: Gunna takes a plea deal to escape the sprawling case against Atlanta rap crew YSL, the Tory Lanez/Megan Thee Stallion trial continues with blockbuster testimony, Metallica loses a battle with its insurance company, and much more.

THE BIG STORY: Gunna Pleads Guilty, But Says He Won’t Flip

With a trial looming in less than a month, the rapper Gunna bowed out this week from the closely-watched criminal case against members of the Atlanta rap crew YSL, reaching a deal with prosecutors that will allow him to end his “personal ordeal” while seemingly still not cooperating against Young Thug or the other defendants.The chart-topping, Grammy-nominated rapper (real name Sergio Kitchens) took a so-called Alford plea — a maneuver that allows a defendant to enter a formal admission of guilt while still maintaining their innocence. After pleading guilty to the single charge he was facing, he was sentenced to five years in prison but immediately released because he was credited with one year of time served, while the rest of the sentence was suspended.Gunna’s plea deal will allow him to exit a sweeping criminal case filed in May by Fulton County prosecutors, who claimed YSL was not really a record label called “Young Stoner Life,” but a violent Atlanta street gang called “Young Slime Life.” Listing dozens of individual allegations (including murder, carjacking, armed robbery, drug dealing and illegal firearm possession), the case accused Young Thug (real name Jeffery Williams) and 27 others of violating Georgia’s Racketeer Influenced and Corrupt Organizations Act, a state version of the more famous federal RICO statute that’s been used to target the mafia. Such laws make it easier for prosecutors to sweep up many members of an alleged criminal conspiracy based on smaller “predicate acts” that aren’t directly related.A plea deal for Gunna made sense. The rapper was facing only a single charge and was named in only nine of the 191 predicates that make up the YSL RICO case — and most of those were either problematic references to his music or linked to an earlier case in which he eventually pled guilty to having illegally tinted windows. By way of comparison, Young Thug is facing several other separate criminal charges over guns and drugs and is named in substantially more of the RICO predicates.But such a deal was always going to raise heated debate about the touchy subject of snitching — about whether Gunna had won his freedom by promising to cooperate with prosecutors against Young Thug and the other defendants. In his own statement announcing the deal, the rapper strongly denied any such arrangement.“While I have agreed to always be truthful, I want to make it perfectly clear that I have NOT made any statements, have NOT been interviewed, have NOT cooperated, have NOT agreed to testify or be a witness for or against any party in the case and have absolutely NO intention of being involved in the trial process in any way,” Gunna wrote.The situation is a little more complicated. In footage of the plea hearing, Gunna acknowledged that YSL was both “a music label and a gang,” and that he had “personal knowledge that members or associates of YSL have committed crimes in furtherance of the gang.” He also acknowledged that if called by any party in the case, he would be required to testify “truthfully.” But he also reserved his Fifth Amendment right to avoid incriminating himself and, in texts released on social media this week, Gunna’s lawyer made clear that if subpoenaed, the rapper would indeed “take the 5th and not testify.”The trial against Young Thug and the rest of the defendants is set to kick off Jan. 9, so stay tuned.

Other top stories this week…

TORY LANEZ TRIAL CONTINUES – The criminal trial over whether Tory Lanez shot Megan Thee Stallion in the foot ran all week long, featuring blockbuster testimony in which Megan herself recounted the alleged shooting and said, “I wish he had just shot and killed me.” Later in the week, the rapper’s former friend and assistant Kelsey Harris — expected to be a star witness for the prosecution — largely failed to re-affirm previous statements pinning the blame on Lanez. But then on Friday (Dec. 16), prosecutors played recordings of those earlier statements, in which Harris said Lanez had shot the Grammy-winning rapper and then tried to buy both women’s silence with million-dollar bribes. The trial continues and, though a verdict was expected this week, it’s unclear if the case is moving fast enough to get there.LIVESTREAM FIASCO – Nearly two years after Marc Anthony was forced to cancel his highly-anticipated “Una Noche” livestream concert at the last minute, event promoter Loud and Live Entertainment filed a breach of contract lawsuit against Maestro, the streaming platform that hosted the show. Loud and Live says Maestro assured them its technology could “automatically scale” to accommodate over 100,000 ticketholders, but had suffered a “complete collapse” when users tried to log on, causing “significant economic losses.”METALLICA LOSES INSURANCE BATTLE – A California judge ruled that Metallica’s insurance company (a unit of Lloyd’s of London) doesn’t need to pay for six South American concerts that were canceled when COVID-19 struck, thanks to an exclusion in the policy for “communicable diseases.” The case is one of many that have been filed by music venues, bars and other businesses seeking insurance coverage for harm caused by COVID-19 — and one of many that have been decided in favor of insurance companies.DEVIL IN THE DETAILS FOR MGK – Citing the name of Machine Gun Kelly’s 2019 album Hotel Diablo, lawyers for the superstar last week quietly launched a legal battle to block the television network Fox from securing a trademark registration on the term “Diablo” — the name of an anthropomorphic dog character on Fox’s animated sitcom HouseBroken. Kelly’s attorneys, who are currently seeking to trademark a wide range of terms linked to the star, argued that Fox’s “Diablo” was “confusingly similar in overall commercial impression” to “Hotel Diablo” and must be refused.ULTRA V. ULTRA – Nearly a year after Ultra Records founder Patrick Moxey sold his 50% share of the lauded dance imprint to Sony Music, the major label sued him for trademark infringement over his continued use of the “Ultra” name. When Moxey parted ways with the imprint, which he founded in 1995, he held on to another company called Ultra International Music Publishing, but the new lawsuit from Sony claims he has no legal rights to use the “Ultra” name following the sale: “He has sought to perpetuate the falsehood that he remains involved with Ultra Records by wrongfully continuing to use Ultra Records’ ULTRA trademark.”

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: Taylor Swift ends a long-running copyright case over the lyrics to “Shake It Off,” Tory Lanez heads to trial over accusations that he shot Megan Thee Stallion, Backstreet Boys member Nick Carter is accused of sexually assault, and much more.

THE BIG STORY: Taylor Swift’s Accusers Drop “Shake It Off” Case

It was the next big music copyright case – until it wasn’t.After five long years of litigation, and with just a month to go until a scheduled trial, attorneys for Taylor Swift reached an agreement Monday with songwriters Sean Hall and Nathan Butler to end their copyright infringement lawsuit claiming the superstar stole some of the core lyrics to  “Shake It Off” from an earlier song.The terms of the agreement were not publicly released. Billboard was first to report the settlement.Hall and Butler sued Swift way back in 2017, claiming she’d lifted the lyrics from “Playas Gon’ Play,” a 2001 song they wrote for the R&B group 3LW. In that song, the line was “playas, they gonna play, and haters, they gonna hate”; in Swift’s track, she sings, “‘Cause the players gonna play, play, play, play, play and the haters gonna hate, hate, hate, hate, hate.” (The music itself was not in play.)The case was a big deal, if for no other reason than that “Shake It Off” was a big deal. Released in September 2014 off of Swift’s 1989, the song debuted at No. 1 on the Billboard Hot 100 and ultimately spent 50 weeks on the chart, making it a uniquely major hit even for one of music’s top stars.But it was also a big deal because of the legal issues at play. Like the earlier battles over Robin Thicke’s “Blurred Lines,” Led Zeppelin’s “Stairway to Heaven” and Katy Perry’s “Dark Horse,” the case posed fundamental questions about the limits of copyright law — about where protection ends and the public domain begins. That question was explored in regard to various musical elements in those earlier cases; the “Shake It Off” case might have offered answers in relation to lyrics.Put simply: The words in both songs were clearly similar — everyone can see that. But were they creative or unique enough in the first place to merit giving particular songwriters a decades-long legal monopoly over them? Experts who chatted with Billboard thought the answer was no.But we’ll never know for sure. Swift’s lawyers spent years trying to make that case, arguing that many earlier songs (1997’s “Playa Hater” by Notorious B.I.G. and 1999’s “Don’t Hate the Player” by Ice-T, among others) had used the same words. A judge initially agreed, ruling that the lyrics were not novel enough for copyright protection. But a federal appeals court later overturned that ruling, and the last substantive decision in the case was a ruling last year that the question was simply too close to call and would need to be decided by a jury.With the “Shake It Off” case now officially in the rearview, what’s the next big music copyright case? Maybe it’s the lawsuits against Ed Sheeran over allegations that his “Thinking Out Loud” infringed Marvin Gaye’s “Let’s Get It On.” Or the dueling cases against Dua Lipa over her own mega-smash “Levitating.” Or maybe it’s something that hasn’t even been filed yet…

THE OTHER BIG STORY: Megan Thee Stallion Shooting Trial Begins

Tory Lanez and Los Angeles prosecutors headed to court this week to kick off a closely-watched jury trial over whether he shot Megan Thee Stallion in the foot, with a potential 22-year prison sentence looming for Lanez if convicted.The trial, set to last for at least a week, will center on the early morning of July 12, 2020, when Stallion, Lanez and Stallion’s friend Kelsey Harris were driving in an SUV following a party at Kylie Jenner’s house. According to prosecutors, after an argument broke out, Megan got out of the vehicle and began walking away, when Lanez shouted, “Dance, bitch!” and began shooting at her feet.Lanez (real name Daystar Peterson) has pleaded not guilty to all three charges (assault with a firearm, gun possession and discharging a firearm with gross negligence) and has steadfastly maintained his innocence.The upcoming trial will feature testimony from a number of high-profile witnesses, including Stallion herself and Harris. Also potentially taking the stand are Jenner and Corey Gamble, Kris Jenner’s boyfriend who was allegedly at the party. Lanez might also testify, but putting a defendant on the stand is always a gamble for defense attorneys.Billboard’s Heran Mamo will be in the building covering the trial all week, and she was there Monday (Dec. 13) when the case kicked off with opening statements. Some highlights from Day One:-Prosecutors have assembled a formidable case. They told jurors that Harris plans to testify that “her close friend was shot by the defendant,” and that they have texts from Harris just minutes after the shooting: “Help. Tory shot meg. 911.”-Lanez’s attorneys will present the theory that Harris may have actually been the one who discharged the gun. Lead attorney George Mgdesyan told jurors that “this case is about jealousy,” involving a love triangle between the three celebrities, and that there would be witness testimony about “a fist fight between the girls” leading up to the shooting.Stallion herself is set to testify on Tuesday, so check back in with Billboard for Heran’s dispatch…

Other top stories this week…

NICK CARTER SUED FOR RAPE – Backstreet Boys member Nick Carter was hit with a lawsuit alleging that he raped a 17-year-old fan on his tour bus following a 2001 concert in Washington. Shannon “Shay” Ruth claims that Carter invited her onboard as she sought an autograph, gave her alcohol, and then repeatedly assaulted her — but that she didn’t report it because he told her she would “go to jail if she told anyone what happened between them.” In response to the lawsuit, Carter’s attorney called the allegations “legally meritless” and “entirely untrue,” filed by someone “manipulated into making false allegations about Nick.”50 CENT ‘INSINUATION’ SUIT MOVES AHEAD – A federal judge refused to dismiss a lawsuit filed by 50 Cent that accuses a Miami medical spa of using an innocent photo he snapped to falsely suggest that he’d had penis enhancement surgery. In seeking to boot the case, Angela Kogan and her Perfection Plastic Surgery & MedSpa argued that 50 actually was a client and had consented to the use of the image as payment for the work he received. But the judge said such arguments were premature — and that some of the company’s other defenses were “simply wrong.”OFT-SAMPLED, NOW INFRINGED? Roddy Ricch was sued for copyright infringement by songwriter Greg Perry, who says elements of Ricch’s chart-topping 2019 song “The Box” were lifted from a 1975 soul song called “Come On Down.” Perry says his track has become something of a mainstay sample in the world of hip-hop, featured in both Young Jeezy’s 2008 song “Wordplay” and in Yo Gotti’s 2016 song “I Remember.” But he says those earlier songs were fully licensed, unlike Ricch’s: “Other [artists] in the rap world that have chosen to copy elements of ‘Come On Down’ have done so legally and correctly,” Perry’s lawyers wrote. “Defendants chose not to.”BORED APE LAWSUIT CLUB – Justin Bieber, Snoop Dogg, The Weeknd and dozens of other celebrities were hit with a class action alleging they were secretly paid to “misleadingly” promote NFTs like the Bored Ape Yacht Club, leaving investors with “staggering losses.” The case claims that Bored Ape parent company Yuga Labs Inc. perpetrated a “vast scheme” in which they “discreetly” paid “highly influential celebrities” to pump up the value of the NFTs (non-fungible tokens). In response to the lawsuit, Yuga called the allegations “opportunistic and parasitic” and “without merit.”GENIUS V. GOOGLE AT SCOTUS – The Supreme Court suggested this week that it might be interested in tackling a lawsuit filed by the music database Genius against Google. The case, which claims Google illegally copied the site’s lyrics and posted them in search results, was dismissed in March. But with Genius currently asking the high court to hear the case, the justices asked the U.S. Solicitor General to file briefs “expressing the views of the United States” on whether it should do so. Genius has warned that the ruling in favor of Google threatens “a vast swath of internet businesses”; Google says that’s just “alarmist hyperbole” and the case does not deserve the high court’s time.