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This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Lawyers for Michael Jackson’s estate send a legal threat letter over the recent release of a rare Jackson 5 recording; Sean “Diddy” Combs and a former Recording Academy boss are both hit with sexual assault lawsuits as music’s #MeToo wave continues; Google loses an epic antitrust battle over smartphone apps; and much more.

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THE BIG STORY: MJ’s Estate Threatens Lawsuit Over Rare Recording

“We write to put you on notice regarding several matters that expose you to liability to the Jackson Estate.”

That’s never a great thing to read, but it’s particularly problematic if you’ve just announced to the world that you’re about to digitally release a rare Jackson 5 song that holds the distinction as “Michael Jackson’s first ever studio recording.”

A day after a Swedish company called anotherblock did precisely that, attorneys for Michael’s estate sent a letter warning that they weren’t happy about the plan. They said the release “violates” the estate’s trademark and likeness rights, and that the company was potentially “misleading the public” by claiming the song was the first-ever Jackson recording.

“We have serious doubts that Michael would have ever wanted these recordings released and commercialized,” the estate’s attorneys wrote. “What you are doing is the opposite of honoring Michael Jackson.”

Go read the entire story here, including access to the full letter sent by the estate.

Other top stories this week…

DIDDY SUED YET AGAIN – Another woman — the fourth in three weeks — filed a lawsuit against Sean “Diddy” Combs over allegations of sexual assault. The unnamed Jane Doe accuser claims she was “sex trafficked” and “gang raped” by Combs, former Bad Boy Records president Harve Pierre and another man in 2003 when she was 17 years old. Combs, who had mostly stayed quiet since allegations started flying, responded that “ENOUGH IS ENOUGH” and that he “did not do any of the awful things being alleged.”

MORE MUSIC #METOO CLAIMS – Former Recording Academy CEO Mike Greene and the academy itself were hit with a lawsuit alleging Greene sexually assaulted an Academy employee named Terri McIntyre in the 1990s. The woman claims that during her tenure at the Academy from 1994 to 1996, she was “forced to endure pervasive, incessant and routine sexual harassment and/or sexual assault” from Greene and that the Academy enabled it by failing to take action.

GOOGLE LOSES MONOPOLY CASE – A jury found that Google violated federal antitrust laws by maintaining an illegal monopoly over the Android app market, siding with Epic Games, the maker of the hit video game Fortnite. The case had been closely watched by digital music services like Spotify because Epic’s lawsuit challenges the fees that Google and Apple require apps to pay for in-app transactions and subscriptions.

LIL DURK DOUBLE DIP? – The Chicago rapper was sued by a fintech firm called Exceed Talent Capital, which claims that Durk agreed to grant the company the recording royalties from his song “Bedtime” even though he had already signed an exclusive deal with Sony’s Alamo Records — an alleged double-dip that Exceed called a “manifest fraud.”

TYGA’S INFRINGING SNEAKERS – A federal appeals court sided with Vans and ruled that Tyga‘s “Wavy Baby” sneakers — a parody of the company’s classic Old Skool — likely violate the shoe company’s trademarks. The company that partnered with the rapper to create the sneaker (MSCHF) argued that it had been designed to criticize “sneakerhead” consumerist culture and was thus protected by the First Amendment. But the court said that the shoe was entitled to “no special First Amendment protections” and that the sneaker was likely to confuse consumers into thinking it was an authentic Vans partnership.

TWITTER SUED OVER COPYRIGHTS – SUISA, the music royalties collecting society in Switzerland, sued X Corp. (formerly Twitter) in German court over allegations that the social media site has allowed infringing content to be posted to the platform. The lawsuit mirrors a similar case filed against Twitter in U.S. court in June by dozens of music publishers who are seeking as much as $255 million in damages.

TICKETING REFORM ADVANCES – Legislation that aims to make buying concert tickets an easier, more straightforward process was voted forward by a U.S. House of Representatives committee, clearing the way for a full House vote. Among other features, the proposed STOP Act would require sellers to post final “all-in” prices that include fees, as well as ensure buyers can get refunds after cancellations. Days after the vote, a similar bill, The Fans First Act, was introduced in the Senate by a bipartisan coalition of lawmakers.

CRIP MAC FACES GUN CHARGE – YouTuber and rapper Trevor Hurd, who goes by the name Crip Mac, was arrested in Los Angeles on federal gun charges. The arrest by U.S. Marshals came moments after a California judge agreed to drop state gun charges against Mac over the same alleged wrongdoing — a not-uncommon step after state prosecutors coordinate with the U.S. Attorneys Office.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Sean “Diddy” Combs is accused of rape amid an ongoing wave of music industry sexual abuse lawsuits; Shakira settles her $15 million tax evasion case on the eve of trial; UMG defeats a lawsuit filed by artists over its lucrative ownership stake in Spotify; and more.

Want to get The Legal Beat newsletter in your email inbox every Tuesday? Subscribe here for free.

THE BIG STORY: Diddy Sued As Music #MeToo Wave Continues

Following a string of abuse cases against powerful men in the music industry, Sean “Diddy” Combs was sued by R&B singer and longtime romantic partner Cassie over allegations of assault and rape — and then settled the case just a day later.

In a graphic complaint, attorneys for Cassie (full name Casandra Ventura) claimed she “endured over a decade of his violent behavior and disturbed demands,” including repeated physical beatings and forcing her to “engage in sex acts with male sex workers” while he masturbated. Near the end of their relationship, Ventura claimed that Combs “forced her into her home and raped her while she repeatedly said ‘no’ and tried to push him away.”

Combs immediately denied the allegations as “offensive and outrageous.” He claimed Cassie had spent months demanding $30 million to prevent her from writing a tell-all book, a request he had “unequivocally rejected as blatant blackmail.”

Read the full story on the lawsuit here.

Just a day after it was filed, Combs and Ventura announced that they had reached a settlement to resolve the case. Though quick settlements can happen in any type of lawsuit, it’s pretty unusual to see a case with such extensive and explosive allegations end just 24 hours after it was filed in court. “I wish Cassie and her family all the best,” Combs said in a statement. “Love.”

Both sides quickly put their spin on the settlement. A former staffer at Cassie’s law firm sent out a statement arguing that the quick resolution was “practically unheard of” and suggesting it showed the “evidence against Mr. Combs was overwhelming.” Combs’ lawyer, Ben Brafman, put out his own statement reiterating that a settlement — “especially in 2023” — was “in no way an admission of wrongdoing.”

Read the full story on the settlement here.

The case against Combs is the most explosive sign yet that, six years after the start of the #MeToo movement, the music industry is currently experiencing something of a second iteration.

Sexual assault lawsuits were filed earlier this month against both former Recording Academy president/CEO Neil Portnow and label exec Antonio “L.A.” Reid, and in October longtime publishing exec Kenny MacPherson was sued for sexual harassment. Before that, sexual misconduct allegations were leveled at late Atlantic Records co-founder Ahmet Ertegun; Backstreet Boys member Nick Carter; singer Jason Derulo; and ex-Kobalt exec Sam Taylor.

Many of the recent cases have been filed under New York’s Adult Survivors Act, a statute that created a limited window for alleged survivors to take legal action over years-old accusations that would typically be barred under the statute of limitations. With that look-back period set to end on Thursday (Nov. 23), more cases could be coming in the next few days. Stay tuned…

Other top stories this week…

UMG WINS CASE OVER SPOTIFY STAKE – A federal judge dismissed a class action against Universal Music Group that challenged the fairness of its 2008 purchase of shares in Spotify. The case, filed by ’90s hip-hop duo Black Sheep, accused the company of taking lower-than-market royalty rates in return for a chunk of equity that’s now worth hundreds of millions. But the judge ruled that such a maneuver — even if proven true — wouldn’t have violated UMG’s contract with its artists.

A$AP ROCKY TO STAND TRIAL – A Los Angeles judge ruled that there was enough evidence for A$AP Rocky to stand trial on felony charges that he fired a gun at a former friend and collaborator outside a Hollywood hotel in 2021. The 35-year-old hip-hop star’s lawyer vowed that “Rocky is going to be vindicated when all this is said and done, without question.”

SHAKIRA SETTLES TAX CASE – The Columbian superstar agreed to a deal with Spanish authorities to settle her $15 million criminal tax fraud case that could have resulted in a significant prison sentence for the singer. After maintaining her innocence for five years, Shakira settled on the first day of a closely-watched trial: “I need to move past the stress and emotional toll of the last several years and focus on the things I love,” she said.

ROD WAVE MERCH CRACKDOWN – The rapper won a federal court order empowering law enforcement to seize bootleg merchandise sold outside his Charlotte, N.C., concert, regardless of who was selling it. He’s the latest artist to file such a case to protect ever-more-valuable merch revenue following Metallica, SZA, Post Malone and many others.

MF DOOM NOTEBOOK BATTLE – Attorneys for Eothen “Egon” Alapatt fired back at a lawsuit that claims he stole dozens of private notebooks belonging to the late hip-hop legend MF Doom, calling the case “baseless and libelous” and telling his side of the disputed story.

“THE DAMAGE WILL BE DONE” – Universal Music Group asked for a preliminary injunction that would immediately block artificial intelligence company Anthropic PBC from using copyrighted music to train future AI models while their high-profile case plays out in court.

DIDDY TEQUILA CASE – In a separate legal battle involving Diddy, a New York appeals court hit pause on his lawsuit against alcohol giant Diageo that accused the company of racism and failing to adequately support his DeLeon brand of tequila. The court stayed the case while Diageo appeals a key ruling about how the dispute should proceed.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: An Atlanta judge rules that Young Thug’s rap lyrics can be used as evidence in his upcoming gang trial; two new sexual assault cases are filed against powerful music executives; R. Kelly sues the federal prison system for allegedly leaking private info to a gossip blogger; and more.

THE BIG STORY: Rap Lyrics Headed To Trial

After years of reporting on “rap on trial” — the controversial use of lyrics as criminal evidence against the artist who wrote them — it was remarkable to watch last week as prosecutors from America’s rap capital battled with defense attorneys for one of hip-hop’s biggest stars over that very subject in open court.

Is Atlanta’s district attorney “targeting the right to free speech” by using Young Thug’s lyrics in the upcoming gang trial? Or are prosecutors merely pointing out glaring admissions of criminal activity that “just happen to come in the form of lyrics”?

In the end, as they often do when it comes to lyrics, the judge sided with prosecutors: “They’re not prosecuting your clients because of the songs they wrote,” said Judge Ural Glanville, speaking to Thug’s lawyer Brian Steel during the hearing. “They’re using the songs to prove other things your clients may have been involved in. I don’t think it’s an attack on free speech.”

For a full recap of the hours-long hearing, go read our full story here. And look out for our upcoming coverage on the YSL trial, which is set to start Nov. 27.

THE OTHER BIG STORY: More Music #MeToo

The music industry saw two new lawsuits last week alleging sexual abuse by powerful men, continuing a wave of such cases filed over the past year.

The first, filed Wednesday (Nov. 8) in New York state court, accused former Recording Academy president/CEO Neil Portnow of drugging and sexually assaulting a woman in 2018. Those are the same allegations that were partially aired four years ago in an explosive discrimination complaint filed by Deborah Dugan, who briefly replaced Portnow as Academy boss after he stepped down in August 2019.

The second lawsuit, filed later that same day in New York federal court, accused legendary industry exec Antonio “L.A.” Reid of sexually assaulting A&R executive Drew Dixon and then derailing her once-promising career when she refused his further advances. Those claims, too, were already public to some extent: Dixon previously accused Reid of harassment in a 2017 article for The New York Times as well as a subsequent documentary.

Over the past year, such accusations have become troublingly common.

Two women are suing Atlantic Records over abuse allegations against late co-founder Ahmet Ertegun; country star Jimmie Allen is facing two sexual assault lawsuits; Backstreet Boys member Nick Carter has been sued by three different women who claim he sexually assaulted them as minors in the 2000s; Kenny MacPherson, the CEO of Hipgnosis Songs Fund’s publishing unit, is facing a lawsuit claiming he subjected an employee at a previous company to an “onslaught of unwanted sexual advances”; a woman is suing singer Jason Derulo for allegedly harassing her and then dropping her from a deal with his Atlantic imprint after she rebuffed him; and Kobalt Music Group is facing claims that it enabled former exec Sam Taylor as he leveraged his position of power to demand sex from a songwriter.

Other top stories this week…

R. KELLY SUES FEDS OVER LEAKS – The disgraced R&B singer filed a lawsuit against the federal Bureau of Prisons over allegations that someone at the agency leaked private information about him — including recordings of private phone calls with his girlfriend and lawyers — to social media personality Tasha K, who then shared them with millions of followers. Before you ask: Yes, that’s the same YouTube gossip host that Cardi B successfully sued for defamation last year after Tasha K posted false stories about drug use, STDs and prostitution by the superstar rapper.

LINKIN PARK LITIGATION – The band was hit with a lawsuit over the anniversary re-release of its smash hit 2000 debut album Hybrid Theory, filed by a bassist who says he performed on rare and unreleased recordings that were featured as part of the deluxe box set but has “never been paid a penny.”

OFFSET ASSAULT ACCUSATION – The Migos rapper (real name Kiari Kendrell Cephus) was sued by a security guard who claims he was assaulted two years ago by Offset and YRN Murk after he turned them away from ComplexCon, a cultural festival hosted by Buzzfeed’s Complex Networks.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Lizzo fights back against sexual harassment allegations with the help of a famous lawyer and a creative legal argument; a federal court issues an early ruling in an important copyright lawsuit over artificial intelligence; Kobalt is hit with a lawsuit alleging misconduct by one of the company’s former executives; and much more.

Want to get The Legal Beat newsletter in your email inbox every Tuesday? Subscribe here for free.

THE BIG STORY: Lizzo Hits Back With … Free Speech?

Three months after Lizzo and her touring company were accused of subjecting three of her backup dancers to sexual harassment, religious and racial discrimination and weight-shaming, her lawyers filed their first substantive response – and they didn’t hold back.

“Salacious and specious lawsuit.” “They have an axe to grind.” “A pattern of gross misconduct and failure to perform their job up to par.” “Fabricated sob story.” “Plaintiffs are not victims.” “They are opportunists.”

“Plaintiffs had it all and they blew it,” Lizzo’s lawyers wrote. “Instead of taking any accountability for their own actions, plaintiffs filed this lawsuit against defendants out of spite and in pursuit of media attention, public sympathy and a quick payday with minimal effort.”

That’s not exactly dry legalese, but it’s par-for-the-course in a lawsuit that has already featured its fair share of blunt language from the other side. And it’s hardly surprising given that it came from Martin Singer – an infamously tough celebrity lawyer once described by the Los Angeles Times as “Hollywood’s favorite legal hit man.”

While Singer’s quotes made the headlines, it was his legal argument that caught my attention.

Rather than a normal motion to dismiss the case, Lizzo’s motion cited California’s so-called anti-SLAPP statute — a special type of law enacted in states around the country that makes it easier to end meritless lawsuits that threaten free speech (known as “strategic lawsuits against public participation”). Anti-SLAPP laws allow for such cases to be tossed out more quickly, and they sometimes require a plaintiff to repay the legal bills incurred by a defendant.

Anti-SLAPP motions are filed every day, but it’s pretty unusual to see one aimed at dismissing a sexual harassment and discrimination lawsuit filed by former employees against their employer. They’re more common in precisely the opposite scenario: filed by an individual who claims that they’re being unfairly sued by a powerful person to silence accusations of abuse or other wrongdoing.

But in Friday’s motion, Singer and Lizzo’s other lawyers argued that California’s anti-SLAPP law could also apply to the current case because of the creative nature of the work in question. They called the case “a brazen attempt to silence defendants’ creative voices and weaponize their creative expression against them.”

Will that argument hold up in court? Stay tuned…

Go read the full story about Lizzo’s defense, including access to the actual legal documents filed in court.

Other top stories this week…

RULING IN AI COPYRIGHT CASE – A federal judge issued an early-stage ruling in a copyright class action filed by artists against artificial intelligence (AI) firm Stability AI — one of several important lawsuits filed against AI companies over how they use copyrighted content. Though he criticized the case and dismissed many of its claims, the judge allowed it to move toward trial on its central, all-important question: Whether it’s illegal to train AI models by using copyrighted content.

HALLOWEEN SPECIAL – To celebrate today’s spooky holiday, Billboard turned back the clock all the way to 1988, when the studio behind “A Nightmare on Elm Street” sued Will Smith over a Fresh Prince song and music video that made repeated references to Freddy Kreuger. To get the complete bizarre history of the case, go read our story here.

KOBALT FACES CASE OVER EX-EXEC – A female songwriter filed a lawsuit against Kobalt Music Group and former company executive Sam Taylor over allegations that he leveraged his position of power to demand sex from her – and that the company “ignored” and “gaslit” women who complained about him. The case came a year after Billboard’s Elias Leight first reported those allegations. Taylor did not return a request for comment; Kobalt has called the allegations against the company baseless, saying its employees never “condoned or aided any alleged wrongdoing.”

MF DOOM ESTATE BATTLE – The widow of late hip-hop legend MF Doom filed a lawsuit claiming the rapper’s former collaborator Egon stole dozens of the rapper’s notebooks that were used to write down many of his beloved songs. The case claims that Egon took possession of the files as Doom spent a decade in his native England due to visa issues, where he remained until his death in 2020. Egon’s lawyers called the allegations “frivolous and untrue.”

DJ ENVY FRAUD SCANDAL UPDATE – Cesar Pina, a celebrity house-flipper who was charged earlier this month with running a “Ponzi-like investment fraud scheme,” said publicly last week that New York City radio host DJ Envy had “nothing to do” with the real estate deals in question. Critics have argued that Envy, who hosts the popular hip-hop radio show The Breakfast Club, played a key role in Pina’s alleged fraud by promoting him on the air.

UTOPIA SUED AGAIN OVER FAILED DEAL – Utopia Music was hit with another lawsuit over an aborted $26.5 million deal to buy a U.S. music technology company called SourceAudio, this time over allegations that the company violated a $400,000 settlement that aimed to end the dispute. The allegations came after a year of repeated layoffs and restructuring at the Swiss-based music tech company.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Two new misconduct lawsuits, one against publishing exec Kenny MacPherson and another against R&B star Jason Derulo; a ruling for Cardi B that a gossip blogger can’t use bankruptcy to escape a huge defamation judgment; a new Supreme Court case that’s “vitally important to the music industry”; and more.

Want to get The Legal Beat newsletter in your email inbox every Tuesday? Subscribe here for free.

THE BIG STORY: Music #MeToo

The music industry was rocked last week by two new sexual misconduct lawsuits: one against a powerful publishing executive and another against a chart-topping R&B star.

In a complaint filed Wednesday, a woman named Sara Lewis leveled accusations of sexual assault and harassment against Kenny MacPherson, the CEO of Hipgnosis Songs Fund’s publishing unit. Lewis claimed she “endured an onslaught of unwanted sexual advances” from MacPherson while she worked as an A&R at Chrysalis Music during the mid-2000s when he served as the company’s president.

Through an attorney, MacPherson “vehemently” denied the allegations, stressing that the “unverified” claims stemmed from nearly two decades in the past. But Hipgnosis quickly placed him on leave of absence pending an internal investigation: “Hipgnosis Songs Fund has a policy of zero-tolerance to harassment or abuse,” a company spokesperson said.

A day later, a woman named Emaza Gibson accused singer Jason Derulo of repeatedly sexually harassing her, then dropping her from a deal with his Atlantic Records imprint Future History after she rebuffed his advances. He strongly denied the claims, calling them “completely false and hurtful.”

Nearly six years on from the start of the #MeToo movement, the music industry is experiencing a new wave of such accusations. Two women filed lawsuits late last year against Atlantic Records over sexual assault allegations against late co-founder Ahmet Ertegun; country star Jimmie Allen was hit with two sexual assault lawsuits in May; and Backstreet Boys member Nick Carter has been sued by three different women who claim he sexually assaulted them as minors in the 2000s.

Go read the entire story on the Derulo accusations here and the entire story on the MacPherson allegations here, featuring full breakdowns of the cases and access to the actual court documents.

Other top stories this week…

BETTER HAVE MY MONEY – Two years after Cardi B won a nearly $4 million defamation verdict against a YouTube host named Tasha K over her salacious lies about drug use, STDs and prostitution, a federal judge ruled that the gossip blogger could not use Chapter 11 bankruptcy to avoid paying most of the judgment.

TRANSATLANTIC CUSTODY SETTLEMENT – Lawyers for Joe Jonas and Sophie Turner, currently locked in a very public divorce, said the former couple was close to an “amicable resolution” to end Turner’s unusual federal lawsuit, which cited international treaties on child abduction to demand the return of the couple’s two young daughters to her native England.

ELECTRIC ZOO SUITS MOUNT – A month after this year’s chaotic iteration of the Electric Zoo festival in New York, a group of ticket buyers filed a class action over what they called an “absolute fiasco.” The lawsuit is at least the fourth such lawsuit filed against Brooklyn promoter Avant Gardner, the organizer of the popular dance music event.

FILE THE SUIT, PAY THE PRICE? – Sam Smith and Normani demanded to be reimbursed for money they spent defeating a failed copyright lawsuit that accused them of ripping off their 2019 hit, “Dancing With a Stranger,” from an earlier song. The final legal bill? A whopping $732,202.

MUSIC BIZ HEADS TO SCOTUS – The U.S. Supreme Court granted a petition for certiorari filed by Warner Music Group, agreeing to tackle a case over copyright damages that labels and publishers have called “vitally important to the music industry.” The case is complicated, so go read our deep-dive explainer here.

LADY GAGA DOGNAPPING CASE – A Los Angeles judge once again ruled that Lady Gaga was not obligated to pay a $500,000 reward for the return of her stolen French bulldogs to the very same woman who was criminally charged over the incident. Echoing an earlier ruling, the judge said the woman had “unclean hands” that prevented her from profiting from her actions.

‘MY HUMPS’ v. ‘MY POOPS’ – Abruptly ending what could have been a major battle over copyright fair use, BMG Rights Management reached a settlement to end a copyright lawsuit against toymaker MGA Entertainment over “My Poops” — a scatological parody song set to the tune of The Black Eyed Peas’ “My Humps.”

TUPAC MURDER CASE UPDATE – Duane “Keffe D” Davis, the man who prosecutors say masterminded the 1996 shooting death of Tupac Shakur in Las Vegas, made his first court appearance. Davis, who had been a long-known suspect in the case and publicly admitted his role in the killing in a tell-all memoir, was indicted late last month on one count of murder with a deadly weapon.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

This week: The owners of the rights to the “Space Jam” theme song are demanding payment for a song that’s been heavily used in internet memes and online mashups; Cardi B and Megan Thee Stallion beat a copyright lawsuit over ‘WAP’; Karol G and Tiësto are sued for infringement over a little-known song; and much more.

Want to get The Legal Beat newsletter in your email inbox every Tuesday? Subscribe here for free.

THE BIG STORY: Everybody Get Up, It’s Time To Sue Now

The theme song to the movie Space Jam, performed by Florida hip-hop trio Quad City DJ’s, is a mid-1990s classic, with bass-heavy dance beats that instantly call to mind Michael Jordan and the characters from Looney Tunes squaring off in a basketball game against alien invaders. I know you can hear it now: Here’s your chance, do your dance, at the Space Jammmm….

But it’s also, weirdly, a mid-2000s classic. Somewhere in the hazy early days of social media, the theme embarked on a bizarre second act as a meme – the basis for hundreds or thousands of absurdist “slam remix” videos that combined the song with other audio and video, often inexplicably featuring NBA star Charles Barkley. By the early 2010s, the trend had largely faded away – most memes do. But many slam remixes still exist on YouTube, and whole websites dedicated to the art of slamming are still live in 2023.

Now, that might be something of a problem — because, two decades later, the Space Jam theme song has new owners who are carrying out an increasingly active legal campaign to demand payment from people who used it.

Watson Music Group, a company that bought the rights to “Space Jam” the song in 2019 from its three original songwriters, has filed three federal lawsuits in the last three months, accusing companies of infringing its copyrights by using the song on the internet without permission. It’s also sent legal threats to an unknown number of other alleged infringers, arguing that unauthorized users must pay a “retroactive license” to avoid legal liability.

For more about the legal campaign over the rights to “Space Jam,” go read our full story, featuring details about the latest lawsuit and a response from the company’s lawyer.

Other top stories this week…

CARDI & MEGAN BEAT COPYRIGHT CASE – A federal judge tossed out a lawsuit accusing Cardi B and Megan Thee Stallion of stealing the lyrics to their smash hits “WAP” and “Thot Shit” from an earlier track called “Grab Em by the P—-,” ruling that short lyrics like “p—- so wet” were simply too unoriginal to be covered by copyright law.

EARTH, WIND & FIRE NAME LAWSUIT – A tribute band that was sued earlier this year by Earth, Wind & Fire for trademark infringement is firing back with a bold counterargument: That the famed R&B act has actually abandoned any intellectual property rights to its name.

NICK CARTER ABUSE LITIGATION – The Backstreet Boys member, who is facing multiple accusations of sexual assault from the 2000s, was hit with a third such lawsuit, this time from an unnamed woman who claims he assaulted her when she was 15 years old. But Carter also won a ruling allowing him to proceed with a defamation countersuit, which claims he’s victim of “conspiracy” orchestrated by his accusers.

KAROL’S COPYRIGHT CLASH – Karol G and Tiësto were hit with a copyright lawsuit over their song “Don’t Be Shy,” filed by a Cuban-American songwriter (Rene Lorente) who says their track features elements that are “practically identical” to his earlier tune called “Algo Diferente.”

TEXAS DRAG LAW BLOCKED – Following similar rulings in Tennessee and Florida, a federal judge in Texas blocked the state from enforcing a newly-enacted law restricting drag performances, ruling that the law likely violates the First Amendment.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

This week: Eminem invokes special political licensing rules to block a Republican presidential candidate from using his music at rallies; a federal judge cites Biggie & Wu-Tang to dismiss a copyright case; the messy Isley Brothers lawsuit has no quick end in sight; and much more.

Want to get The Legal Beat newsletter in your email inbox every Tuesday? Subscribe here for free.

THE BIG STORY: Eminem Pulls Music From GOP Candidate

Eminem is demanding that a Republican presidential candidate stop using “Lose Yourself” on campaign stops — and, lucky for him, licensing groups like ASCAP and BMI have made it easy for him to do so.

In a letter obtained by Billboard, a rep for BMI formally asked Vivek Ramaswamy’s campaign last week to stop using Eminem’s music, saying the star himself had requested that they do so. The move came less than two weeks after the candidate was captured in a viral video rapping the lyrics to the smash hit song at an event in Iowa.

“This letter serves as notice that the Eminem Works are excluded from the Agreement effective immediately,” the group wrote in the letter. “BMI will consider any performance of the Eminem Works by the Vivek 2024 campaign from this date forward to be a material breach of the agreement for which BMI reserves all rights and remedies.”

A spokeswoman for the campaign quickly announced that Ramaswamy would comply, saying they would “leave the rapping to the real Slim Shady.”

And that’s because they pretty much had to under the terms of BMI’s special “political entities” license – a unique legal solution crafted to address the problem of music stars who want to freely license their songs to stadiums, bars and other public spaces, but not to certain politicians.

To learn more about Eminem’s letter to Ramaswamy – and the history of top artists complaining about their music being used at political rallies – go read our full story over at Billboard.

Other top stories…

JUDGE KNOWS HER HIP HOP – It’s not every day that you see a federal judge cite Biggie, Wu-Tang, Kanye, F. Scott Fitzgerald and Neil Young in a single ruling. But that’s what Judge Martha Pacold did when she tossed out a copyright lawsuit against Future claiming he ripped off his 2018 song “When I Think About It” from an earlier track by a little-known Virginia rapper.

TRUMP HIRES GUNNA’S LAWYER – Facing a sweeping racketeering case in Atlanta, former President Donald Trump hired attorney Steven Sadow, a veteran Georgia criminal defense attorney who just represented Gunna in the high-profile criminal case against Young Thug and other rappers. Sadow, who has also represented Rick Ross, T.I. and Usher, will take over for Drew Findling, another lawyer with close ties to Atlanta’s hip hop community.

ISLEY BATTLE CONTINUES – A federal judge refused to quickly end a nasty lawsuit pitting members of the Isley Brothers against each other over the trademark rights to the band’s name. The ruling means more litigation over Rudolph Isley’s accusation that brother Ronald Isley of improperly is trying to secure sole ownership over a name that’s supposed to be jointly owned.

R. KELLY’S UMG ROYALTIES – More than $500,000 in R. Kelly’s royalties held by Universal Music Group must be handed over to Brooklyn federal prosecutors to help pay his victims, a federal judge ruled last week. The decision covers most of Kelly’s money held by Universal, but leaves unresolved questions about his funds held by Sony, Kelly’s former label, and about millions in additional money he owes to victims and debtors in other cases.

NAME CHANGE ENDS ‘FEST’ SUIT – Major League Baseball’s Minnesota Twins agreed to change the name of an upstart “TC Summer Fest” concert series in Minneapolis, a month after they were sued for trademark infringement by the organizers of Milwaukee’s decades-old Summerfest. The lawsuit accused the Twins of picking the name to “piggy-back” on the success of the existing event.

LIVE NATION SUED OVER INJURY – A stagehand hired to prepare a recent concert by The Weeknd in Texas is suing Live Nation, claiming that the company is liable for negligence after his leg was run over by a forklift while the stage was being built.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: A federal judge rules that works created by A.I. are not covered by copyrights; an appeals court revives abuse lawsuits against Michael Jackson’s companies; Smokey Robinson beats a lawsuit claiming he owed $1 million to a former manager; SoundExchange sues SiriusXM for “gaming the system” on royalties; and much more.

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No Copyrights For A.I. Works – But Tougher Questions Loom

The rise of artificial intelligence will pose many difficult legal questions for the music business, likely requiring some combination of litigation, regulation and legislation before all the dust settles. But on at least one A.I. issue, a federal judge just gave us a clean, straightforward answer.

In a decision issued Friday, U.S. District Judge Beryl Howell ruled that American copyright law does not cover works created entirely by artificial intelligence – full stop. That’s because, the judge said, the essential purpose of copyright law is to encourage human beings to create new works.

“Non-human actors need no incentivization with the promise of exclusive rights under United States law, and copyright was therefore not designed to reach them,” the judge wrote.

Though novel, the decision was not entirely surprising. Federal courts have long strictly limited copyrights to content created by humans, rejecting it for works created by animals, by forces of nature, and even those claimed to have been authored by divine spirits, like religious texts.

But the ruling was nonetheless important because it came amid growing interest in the future role that could be played in the creation of music and other content by so-called generative AI tools, similar to the much-discussed ChatGPT. The issue of copyright protection is crucial to the future role of AI, since works that are not protected would be difficult to monetize.

Trickier legal dilemmas lie ahead. What if an AI-powered tool is used in the studio to create parts of a song, but human artists then add other elements? How much human direction on the use of AI tools is needed for the output to count as “human authorship”? How can a court filter out, in practical terms, elements authored by computers?

On those questions, the current answers are much squishier – something that Judge Howell hinted at in her decision. “Undoubtedly, we are approaching new frontiers in copyright as artists put AI in their toolbox to be used in the generation of new visual and other artistic works. The increased attenuation of human creativity from the actual generation of the final work will prompt challenging questions.”

“This case, however, is not nearly so complex.”

Other top stories this week…

MJ ABUSE CASES REVIVED – A California appeals court revived lawsuits filed by two men who claim Michael Jackson sexually abused them as children, ruling that they can pursue negligence claims against his companies. A lower court dismissed the cases on the grounds that staffers had no power to control Jackson, who was the sole owner of the companies. But the appeals court called such a ruling “perverse” and overturned it: “A corporation that facilitates the sexual abuse of children by one of its employees is not excused from an affirmative duty to protect those children merely because it is solely owned by the perpetrator.”

SMOKEY ROBINSON TRIAL VICTORY – The legendary Motown singer won a jury trial against a former manager who claimed he was owed nearly $1 million in touring profits, capping off more than six years of litigation over the soured partnership. Robinson himself took the stand during the case, telling jurors that the deal was never intended to cover concert revenue.

“GAMING THE SYSTEM” – SoundExchange filed a lawsuit against SiriusXM claiming the satellite radio giant is using bookmaking trickery in order to withhold more than $150 million in royalties owed to artists. The case centers on allegations that SiriusXM is manipulating how it bundles satellite services with web streaming services to “grossly underpay the royalties it owes.”

TIKTOK JUDGE RESPONDS – A judge in New Jersey defended himself against misconduct allegations over TikTok videos in which he lip-synced to Rihanna’s “Jump” and other popular songs, admitting “poor judgment” and “vulgar” lyrics but saying he should receive only a light reprimand for what intended as “silly, harmless, and innocent fun.”

LAWSUIT OVER TAKEOFF SHOOTING – Joshua Washington, an assistant to the rapper Quavo, filed a lawsuit over last year’s shooting in Houston that killed fellow Migos rapper Takeoff. He claims injuries sustained during the attack are the fault of the bowling alley where the shooting took place, which he says failed to provide adequate security, screening or emergency assistance.

GUNPLAY FACING FELONY COUNTS – The rapper Gunplay was arrested in Miami and hit with three felony charges over an alleged domestic violence incident in which he is reportedly accused of drunkenly pointing an AK-47 assault rifle at his wife and child during an argument.

FRENCH DIDN’T CLEAR SAMPLE? – The rapper French Montana was hit with a copyright lawsuit claiming his 2022 song “Blue Chills” features an unlicensed sample from singer-songwriter Skylar Gudasz. She claims he tentatively agreed to pay her for the clip – both in an upfront payment and a 50 percent share of the publishing copyright — but then never actually signed the deal.

YOUTUBE FRAUDSTER SENTENCED – Webster “Yenddi” Batista Fernandez, one of the leaders of the largest-known YouTube music royalty scam in history, was sentenced to nearly four years in prison after pleading guilty to one count of wire fraud and one count of conspiracy. Under the name MediaMuv, Batista and an accomplice fraudulently collected roughly $23 million in royalties from over 50,000 songs by Latin musicians ranging from small artists to global stars like Daddy Yankee.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Record labels sue the Internet Archive over a project to digitize old records; Dua Lipa loses a bid to dismiss one of the “Levitating” copyright lawsuits; a federal judge questions the fairness of Live Nation’s arbitration agreements with ticket buyers; and much more.

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THE BIG STORY: Historical Preservation or Blatant Infringement?

Like almost anything implicating copyright law, the Great 78 Project is something of a Rorschach test.

To the Internet Archive, it’s a project of “preservation, research and discovery,” aimed at creating a “digital reference collection of underrepresented artists and genres.” Digitizing hundreds of thousands of old 78rpm records is a much-needed effort to “ensure the survival of these cultural materials for future generations to study and enjoy.”

But according to a new lawsuit filed last week by Universal Music, Sony Music and Concord, the Great 78 is nothing more than “blatant” copyright infringement under a “smokescreen” of preservation.

“The Great 78 website is a massive, unauthorized, digital record store of recordings,” lawyers for the music companies wrote in the massive lawsuit this week, which claims the Internet Archive infringed more than 2,700 songs and potentially owes as much as $412 million in damages.

“Although Internet Archive describes the Great 78 Project’s goal as ‘the preservation, research and discovery of 78 rpm records,’ the Great 78 Project is actually an illegal effort to willfully defy copyright law on an astonishing scale,” the labels wrote.

At issue in the case are so-called pre-1972 songs — a category of music that was, when the Great 78 Project launched in 2006, not covered by federal sound recording copyrights. But in 2018, federal lawmakers extended such protection to the old records as part of the Music Modernization Act.

While the new law contained carveouts that allowed “non-commercial” uses of certain old records, the labels say the Internet Archive simply “ignored the new law and plowed forward as if the Music Modernization Act had never been enacted.”

For more, go read our full breakdown of the lawsuit, including access to the actual legal complaint filed against the Internet Archive.

Other top stories…

10 YEARS FOR TORY LANEZ – The rapper was sentenced to 10 years in prison for shooting Megan Thee Stallion in the foot, capping off three years of legal drama over the violent 2020 incident. The sentence was much harsher than the penalty sought by Lanez’s lawyers (just probation) but less than the 13 years that prosecutors had requested.

DUA LIPA CAN’T BEAT DISCO CASE – A federal judge ruled that Dua Lipa must face a copyright lawsuit accusing her of copying “Levitating” from a 1979 disco song, refusing the star’s early bid to end the case. Though she ruled that Lipa’s accusers had failed to show that the pop star had ever heard the song she was accused of copying, the judge said they had shown “just enough” to proceed on their claim that the song was so “strikingly similar” that it constitutes infringement.

TWITTER FIRES BACK AT PUBLISHERS – Twitter filed its first real response to a lawsuit from music publishers alleging widespread copyright infringement on the platform, arguing that it cannot be held liable for the actions of its users. The case claims that Twitter infringed over 1,700 different songs from writers like Taylor Swift and Beyoncé, but in a motion to dismiss the case, lawyers for the Elon Musk-owned site (now rebranded to X) said the company itself was not on the hook for illegal posts by its users.

The 1975 KISS FALLOUT CONTINUES – The organizers of a Malaysian music festival are seeking 12.3 million ringgit ($2.7 million) in losses from British band The 1975 after lead singer Matty Healy’s on-stage protest of the country’s anti-gay laws prompted authorities to shut down the festival.

NO ARBITRATION FOR LIVE NATION – A federal judge ruled against Live Nation in an antitrust lawsuit over allegations of inflated ticket prices, declaring that the case should proceed as a federal class action rather than via private arbitration. Concertgoers opt into that out-of-court process when they buy tickets, but the judge ruled that the arbitration process posed a “serious risk of being fundamentally unfair” to consumers: “Because Defendants are often in effect the only ticketing game in town, would-be concertgoers are forced to accept Defendants’ [arbitration agreement] in full, or else forego the opportunity to attend events altogether.”

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

This week: Taylor Swift beats a copyright case that her lawyers say “never should have been filed”; Lizzo faces a sexual harassment lawsuit from former tour dancers; a Cardi B concertgoer files a police report after the star throws a microphone at a Las Vegas show; and much more.

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THE BIG STORY: Taylor Swift Beats Copyright Lawsuit

“This person might as well sue anyone who’s ever written a diary or made a scrap book.”

That’s what Aaron Moss, a veteran music litigator at the firm Greenberg Glusker, told me last August, when Teresa La Dart first sued Taylor Swift for copyright infringement. The case claimed that Swift’s companion book for her album Lover had borrowed several key elements from La Dart’s self-published book of poetry, also called Lover.

The problem? That La Dart was essentially suing Swift over stock book design elements, including the use of “pastel pinks and blues,” as well as an image of the author “photographed in a downward pose.” She also alleged that Swift copied the book’s “format,” namely “a recollection of past years memorialized in a combination of written and pictorial components.”

That kind of stuff isn’t covered by copyrights – and experts said the case against Swift probably bordered on frivolous: “This lawsuit should be thrown out on a motion to dismiss, if the plaintiff’s lawyer doesn’t think better of it and voluntarily withdraw the complaint first,” Moss said at the time.

One year later, those predictions have come true. Go read our entire story on the end of the lawsuit against Swift, including the arguments from Taylor’s lawyers about how the case “never should have been filed.”

Other top stories…

HARASSMENT CASE AGAINST LIZZO – The star and her Big Grrrl Big Touring Inc. were hit with allegations from three former dancers who claimed they were subjected to sexual harassment and a hostile work environment, including being pressured to touch nude dancers during a live sex show. They also claimed Lizzo “called attention” to a dancer’s weight gain – a particularly loaded allegation against an artist who has made body positivity a central aspect of her personal brand.

ACTIVISION ISN’T PLAYING GAMES – Video game giant Activision filed a lawsuit against a prominent TikTok music critic named Anthony Fantano, accusing him of running a “scheme” to demand “extortionate” settlements over a heavily-memed video he created. Activision says Fantanto intentionally uploaded the audio from his “enough slices” video into TikTok’s free sound library, but now is unfairly threatening to sue the company and others for using it: “A textbook example of how intellectual property law can be misused.”

CARDI’S VEGAS MICROPHONE TOSS – A concertgoer filed a police report after Cardi B was captured on video at a Las Vegas event throwing her microphone at a fan who splashed her with a drink. Though police did not mention Cardi by name, the report (alleging battery) was filed by an individual who claimed to have been “struck by an item that was thrown from the stage” at the venue where the star was performing.

ASTROWORLD REPORT RELEASED – The Houston Police Department released the 1,200-page+ police report on the deadly 2021 crowd crush disaster at Astroworld, offering a full accounting of the chaos that left 10 people dead and hundreds injured. The report features transcripts of calls to 911, summaries of police interviews, and reams of text messages from that night: “I know they’ll try to fight through it but I would want it on the record that I didn’t advise this to continue,” said one festival official. “Someone’s going to end up dead.”

MATTY HEALY MALAYSIA KISS FALLOUT – The 1975 and lead singer Matty Healy could be facing legal action after he kissed a male bandmate on stage at a concert in Malaysia and sharply criticized the country’s anti-LGBTQ+ policies. The stunt – criticized by some local gay rights activists as counterproductive – resulted in the Malaysian government canceling the rest of the three-day Good Vibes Festival, citing Healy’s “controversial conduct and remarks.”

LAST CALL FOR PRE-1972 SONGS – More than nine years after members of the 1960s rock band The Turtles filed a series of groundbreaking lawsuits over the legal protections for so-called pre-1972 sound recordings, a federal judge dismissed their final case — a lawsuit against Pandora that he called the band’s “last case standing.”

JOHN SUMMIT ENDS NAME CONTROVERSY – DJ John Summit vowed to change the name of his new record label (Off The Grid) and apologized after a brief – but very public — legal dispute with a smaller company that had been using the name for dance music events for the better part of a decade.

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