The Legal Beat
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This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Prosecutors file a first-of-its-kind criminal case against an alleged streaming fraudster who made $10 million with fake songs; the White Stripes file a copyright case against Donald Trump over use of their music; Spotify wins a strongly-worded ruling dismissing a long-running lawsuit filed by Eminem’s publisher; and much more.
THE BIG STORY: Streaming Fraud Finally Goes To Court
When Manhattan federal prosecutors indicted a North Carolina musician named Michael Smith last week, accusing him of stealing $10 million in streaming royalties as part of a “brazen fraud scheme,” they told a story that much of the music industry already knew. Streaming fraud – artificially boosting traffic for certain songs – has been a growing problem for years. One study found that 1% to 3% of plays in France in 2021 were fraudulent; a 2022 report by fraud-detection service Beatdapp estimated that more than 10% of global streams were fake. And this isn’t the scam from “Office Space,” stealing fractions of a penny from a faceless tech giant. Because royalties are calculated as a percentage of a finite pie, every phony stream represents real money being diverted away from music that consumers actually played and the artists who created it. In the first-of-its-kind indictment, the feds say Smith created thousands of fake songs, then used an army of bots to play them billions of times on Spotify and other streamers. At one point, Smith estimated that he could play his songs 661,440 times each day, raking in as much as $1.2 million per year. Prosecutors say Smith’s plot was aided by artificial intelligence – another growing problem for the industry. When he couldn’t create enough fake tracks to make the scam work, Smith allegedly partnered with an unnamed executive at an A.I. music company to produce grist for his mill, funneling money back in the form of percentage cuts. For more details go read Kristin Robinson’s stories – on the filing of the charges, and on an AI company with strong ties to the accused fraudster.
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Other top stories this week…
“SUES FASCISTS” – The White Stripes filed a copyright lawsuit against Donald Trump for using their iconic “Seven Nation Army” in a social media post, arguing that any association with the president was “offensive” because they “vehemently oppose” his policies and his bid for another term in the White House. In announcing the case, Jack White included a screenshot of the complaint with the caption “this machine sues fascists” – an allusion to Woody Guthrie’s famous use of a sticker reading “this machine kills fascists” on his guitar during World War II. The White Stripes are the latest in a long list of musical artists to threaten or take legal action against Trump over his use of music. LOSE YOUR CASE – Spotify defeated a long-running lawsuit filed by Eminem’s publisher, Eight Mile Style, that claimed the rapper’s music had been streamed illegally “billions” of times on the platform. Rather than order Spotify to pay, the judge sharply criticized Eight Mile for suing in the first place, ruling that the company had effectively manufactured the lawsuit in an effort to win legal damages. “Eight Mile Style was not a hapless victim,” the judge wrote. DIDDY DAMAGES – A Michigan inmate named Derrick Lee Cardello-Smith won a $100 million default judgment against Sean “Diddy” Combs in a sexual assault lawsuit — an eye-popping figure that was handed down after the rapper did not show up in court or file any formal response to the case. Following the ruling, Combs’ lawyers strongly denied that the rapper was served with the lawsuit and said he “looks forward to having this judgment swiftly dismissed.” GUESS WHO TRUCE – The members of classic rock band The Guess Who settled a bitter trademark lawsuit in which two bandmates (Randy Bachman and Burton Cummings) referred to a recent iteration of the group run by two others (Jim Kale and Garry Peterson) as nothing more than a “cover band.” COPYRIGHT CLAPBACK – Verizon fired back at a lawsuit filed by Universal Music Group, Warner Music Group and Sony Music Entertainment over allegations of “staggering” piracy on its network. The labels claim Verizon “buried its head in the sand” and enabled illegal filesharing, but in a motion to dismiss, the telecom giant blasted the “legally deficient” premise of the case: “When people do bad things online, their internet service providers are not typically the ones to blame. This lawsuit claims otherwise.”
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. This week: Allegations of corporate “sabotage” of Revlon’s Britney Spears partnership; the estate of Isaac Hayes wins an injunction against Donald Trump over music at rallies; a judge rules on Missy Elliot’s copyright battle; and much more.
THE BIG STORY: The Great Britney Fragrance Heist
Corporate espionage AND Britney Spears? We’re in. Two decades after the singer launched a lucrative perfume partnership with Revlon’s Elizabeth Arden, the company is now accusing several former employees and an upstart rival (Give Back Beauty) of effectively stealing the superstar. In a lawsuit filed last week, Revlon’s attorneys called it a “carefully planned and executed grab.” “Revlon and Elizabeth Arden were completely unaware that Revlon’s own team was actively sabotaging one of their most valuable licensing relationships,” the company’s lawyers claim. In technical terms, the lawsuit accuses the defendants of theft of trade secrets and so-called tortious interference with their business and contracts. It also accuses the individual employees of breach of their contracts and breach of their duty of loyalty to Revlon. Britney isn’t accused of any wrongdoing. Give Back Beauty strongly denied the allegations, telling Billboard that the allegations were “entirely without merit” and that it would “aggressively defend any attempt to impugn the integrity of our company. Revlon, for its part, mostly stressed that it wasn’t suing Spears herself: “We value our 20-year partnership and wish Britney all the best.” Revlon doesn’t feel the same way about the departing employees — labeling one as a “double-agent” who assisted a rival company in “taking the Britney Brands business away” while she was outwardly working to renew the account for Elizabeth Arden. For the rest of the lawsuit’s allegations, go read our full story here.
Other top stories this week…
TRUMP INJUNCTION – The estate of Isaac Hayes won a preliminary injunction prohibiting former President Donald Trump and his campaign from playing the singer’s “Hold On, I’m Coming” at rallies. Hayes is one of many artists to complain about the former president using their music in the 2024 campaign, but thus far he’s the only one to actually sue over it. MISSY FACES TRIAL – A federal judge ruled that Missy Elliott must face trial in a copyright lawsuit filed by a man named Terry Williams, who claims to have co-written several decades-old songs she released with the group Sistas. The judge did, however, dismiss one of the lawsuit’s key claims: That Terry and Elliott had co-written “Heartbroken,” a 1996 track released by the late Aaliyah. AUCTION DELAYED – A court-ordered auction of Damon Dash’s one-third stake in Jay-Z’s Roc-A-Fella Records was postponed for three weeks — and the minimum price for the sale was more than doubled to help cover Dash’s massive unpaid tax and child support debts. DEAL IN THE SKY – A lawsuit filed by Journey member Jonathan Cain against bandmate Neal Schon was largely resolved after Schon conceded to the appointment of a neutral third party to resolve the “deadlock” that Cain has claimed is crippling the band’s operations. The case, filed last month, was the latest in a string of legal battles among members of the “Don’t Stop Believin’” band. ROYALTIES ROW – Spotify fired back at a lawsuit filed by the Mechanical Licensing Collective that claims the streamer used the addition of audiobooks to “unlawfully” cut its music royalty payments nearly in half. In a motion to dismiss the case, Spotify called it “nonsensical” and claims that it “profoundly devalues the contributions of the tens of thousands of book authors.” MANILOW v. HIPGNOSIS – Barry Manilow sued Hipgnosis Songs Fund (HSF) in federal court, seeking $1.5 million in unpaid bonuses related to the music rights company’s acquisition of his catalog four years ago. The new case came a month after Hipgnosis sued Manilow in the UK alleging breach of contract relating to the bonus payments.MANSON APPEAL – Marilyn Manson launched an appeal seeking to revive his defamation lawsuit against ex-fiance Evan Rachel Wood, arguing a lower judge who dismissed much of the case ignored key evidence. The case, which claims that Wood “secretly recruited, coordinated, and pressured” women to make false abuse allegations against Manson, was largely dismissed last year under California’s anti-SLAPP statute. DMCA DISMISSED – A federal judge ruled that Universal Music Group and Playboi Carti didn’t abuse the DMCA (Digital Millennium Copyright Act) when they issued a takedown notice — erroneously, it later turned out — against another rapper’s song that used the same beat. The judge ruled that the law’s safeguards against false takedowns only prohibit intentionally false use of the system.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. This week: Shaboozey gets into a thorny legal battle with his former label; Beyoncé and the Foo Fighters move to stop Donald Trump from using their songs; another lawsuit erupts over the control of the Ramones; and much more.
THE BIG STORY: Shaboozey’s Looming “Bar” Fight
Amid the massive success of Shaboozey’s “A Bar Song (Tipsy),” an acrimonious legal battle is brewing in Los Angeles Superior Court. On Wednesday (Aug. 21), the breakout country star (born Collins Obinna Chibueze) filed a lawsuit against music publisher Warner Chappell and his former record label, Kreshendo Entertainment, accusing them of breach of contract. Two days later, Kreshendo sued him right back, accusing him of “a strategy of fraud and misrepresentation.” The dispute? The extent to which Shaboozey is still bound by a deal he signed with Kreshendo back in 2016, when he was a relatively unknown artist. Both sides agree that the deal was terminated in 2019, but they are at odds over Shaboozey’s continuing obligations to his old label. And Warner has gotten roped in because it administers his publishing rights, which play a key role in the dispute. The litigation is getting underway just as “A Bar Song” has emerged as one of the biggest hits of 2024. A genre-blending hit that interpolates J-KWON‘s 2004 rap hit “Tipsy” into a bouncy pop country track, the track has spent seven weeks at No. 1 on the Billboard Hot 100, marking the longest chart-topping stint of the year. In its lawsuit, Kreshendo says it was that sudden success that sparked the legal battle: “Shaboozey had no issue with any of these terms for years. It was only after he recently released the ‘Bar Song,’ which has become a huge hit, that he has taken sudden issue with the terms he expressly agreed to.” We’ll keep you posted as the dispute moves ahead in court…
Other top stories this week…
FAMILY FUED – A California appeals court issued a final ruling allowing the Michael Jackson estate to proceed with a $600 million sale of the singer’s catalog to Sony Music, rejecting objections from his mother Katherine Jackson that aimed to block the deal. She’d argued that the deal “violated Michael’s wishes,” but the court ruled that the superstar’s will gives his executors (John Branca and John McClain) “broad powers” to ink such transactions. HOLD UP – Beyoncé‘s record label and music publisher sent a cease-and-desist to Donald Trump‘s presidential campaign over its use of the megastar’s song “Freedom” in a social media video, prompting the campaign to quickly pull down the offending post. The Bey track serves as the official theme song for the campaign of Democratic presidential nominee Kamala Harris — likely the reason why the Trump campaign used it. ANTI-HERO? – Elsewhere in Trump world, the Foo Fighters publicly claimed that they had not authorized the former president to play their 1997 anthem “My Hero” at a rally with Robert F. Kennedy Jr. and would seek to prevent him from doing so in the future. The campaign later claimed that it had, in fact, obtained proper licenses to perform the song. Either way, the band said that any royalties received as a result of this usage would be donated to the Harris/Walz campaign. DAME’S UNPAID TAXES – Just a week before a court-ordered auction of Damon Dash’s one-third stake in Jay-Z’s Roc-A-Fella Records, there was a stunning new wrinkle: He owes more than $8.7 million in unpaid taxes — and New York state says the proceeds from the Roc-A-Fella sale must be used to pay them. The new claim complicated an already complex situation, in which Dash’s stake in the storied record label is being sold off by U.S. Marshals to pay off an $823,000 civil judgment. HEY, HO, LET’S SUE – Opening up a new front in the never-ending legal war over the Ramones, Joey Ramone’s brother (Mitchel Hyman, better known as Mickey Leigh) sued Johnny’s widow (Linda Cummings-Ramone), accusing her of infringing the band’s trademarks by carrying out an “unrelenting quest” to associate herself with the Ramones. DIDDY CASE UPDATE – Sean “Diddy” Combs asked a federal judge to dismiss a case filed in February by Rodney “Lil Rod” Jones, arguing that the “salacious” lawsuit was filled with “blatant falsehoods” designed to pressure him into paying a lucrative settlement: “Running to nearly 100 pages, it includes countless tall tales, shameless celebrity namedrops, and irrelevant images.” SNEAKER SETTLEMENT – The sneaker company Vans and a Brooklyn art collective called MSCHF reached a settlement to end a long-running trademark lawsuit over Tyga‘s “Wavy Baby” sneakers — a parody of the company’s classic Old Skool brand of shoes. The artists said Tyga’s pricy sneakers were akin to an art project, and thus protected by the First Amendment. But Vans called it “blatant” infringement of the company’s IP, and federal courts repeatedly agreed with that assessment. OUTKAST TRADEMARK CASE – The legendary rappers sued an EDM duo called ATLiens, the same name as one of OutKast’s best-known songs. Big Boi and André 3000 claimed that the name (a combo of “aliens” and their hometown of Atlanta) is a novel linguistic term that had been “invented by OutKast” — and that the rival group is confusing music fans by using it. SHKRELI SEIZURE – A federal judge ordered convicted pharma executive Martin Shkreli to hand over his copies of Wu-Tang Clan’s Once Upon a Time in Shaolin, rejecting his claims that he had a right to retain duplicates of the one-of-a-kind album even after he forfeited it to federal prosecutors.
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This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: AI music firms Suno and Udio hit back hard at a billion-dollar copyright lawsuit filed by the major labels; Damon Dash faces a court-ordered auction of his one-third stake in Jay-Z’s Roc-A-Fella Records; Cardi B files for divorce from husband Offset; and much more.
THE BIG STORY: “A Threat to Their Market Share”
The first “answer” to a lawsuit is typically a pretty sparse document. An accused defendant admits or denies each claim and offers up a list of every possible defense they might use, but that’s about it. The real arguments are usually saved for later filings, like a motion to dismiss the case. That’s what made the answers filed last week by AI music firms Suno and Udio so fascinating. Facing sprawling copyright lawsuits from the music industry, the two companies went well beyond boilerplate denials – offering extended arguments that attempted to frame the narrative of a multi-billion dollar legal battle that could take years to resolve. In doing so, they admitted to using copyrighted songs to train their models, and they argued that doing so was clearly a form of legal “fair use.” And they blasted the major labels (Universal Music Group, Warner Music Group and Sony Music Entertainment) that filed the case, accusing them of abusing copyright law to maintain that power. “What the major record labels really don’t want is competition,” Suno wrote in its filing. “Where Suno sees musicians, teachers and everyday people using a new tool to create original music, the labels see a threat to their market share.” Go read our full story on the response filings, with access to the full arguments made by both companies.
Other top stories this week…
REASONABLE DOUBT? – Damon Dash’s one-third stake in Jay-Z’s Roc-A-Fella Records is going up for a court-ordered auction later this month to help pay off his debts – namely, more than $1 million in legal judgments and another $145,000 in unpaid child support. The minimum bid for the auction has been set at $1.2 million, but it’s not exactly clear what the buyer would be purchasing — and they shouldn’t expect a normal due diligence process. JT PLEADS NOT GUILTY – Justin Timberlake entered a not guilty plea to drunk driving charges following his June arrest in the Hamptons, appearing virtually while on the European leg of his Forget Tomorrow World Tour. During the hearing, the star’s attorney reiterated previous statements that Timberlake (who refused to take a breathalyzer) was actually not intoxicated at the time of his arrest. CARDI B DIVORCE – Cardi B filed for divorce from Offset after seven years of marriage, a split that her reps said “has been a long time coming and is amicable.” In her divorce petition, filed in New Jersey court, the Grammy-winning hip-hop superstar is seeking primary custody of her two children and unborn baby on the way, as well as child support from Offset. The “WAP” star previously filed for divorce in 2020 in Atlanta, but later withdrew the case after the two stars reconciled. DON’T STOP LITIGATIN’ – The never-ending legal battle between Journey members Jonathan Cain and Neal Schon erupted yet again, with Cain filing a new lawsuit against Schon over claims that his “exorbitant” spending and other problems have led to a “deadlock” that’s threatening to cripple the band’s touring operations. If you want an idea of how dysfunctional things have gotten between Cain and Schon: “It is common that one director will terminate an employee or crew member, and hours or days later, the other director will rehire that same individual.” NO BOND FOR YOUNG THUG – Judge Paige Reese Whitaker, the newly-installed replacement judge overseeing Young Thug’s sprawling Atlanta gang trial, denied the rapper’s renewed request to be released from jail, leaving him incarcerated until a verdict is reached sometime next year. Thug has already been sitting in jail for more than two years while the slow-moving case has dragged on, through an unprecedented 10-month jury selection, a trial marked by delays and disruptions, and now weeks of tumult over a secret meeting between the judge and prosecutors. FEDERAL AI DEEPFAKES BILL – A bipartisan group of U.S. senators introduced the NO FAKES Act, which aims to protect artists and others from deepfakes and AI-powered fake vocals like last year’s Fake Drake song. The bill would for the first time create federal intellectual property protections for the so-called right of publicity, which restricts how someone’s name, image, likeness and voice can be used without consent. STUBHUB SUED OVER ‘JUNK FEES’ – StubHub was hit with a lawsuit from Washington D.C.’s attorney general over allegations that the ticket resale platform foists “convoluted junk fees” on concertgoers after luring them in with “deceptively low prices.” The case, which echoes complaints made by the Department of Justice about Live Nation and Ticketmaster, claims that DC consumers alone have paid $118 million in such fees to StubHub since 2015. R. KELLY AT SCOTUS – The disgraced R&B singer took one of his sex abuse convictions to the U.S. Supreme Court, urging the justices to overturn his convictions for child pornography and enticement on statute of limitations grounds. The appeal does not deal with Kelly’s other set of convictions on racketeering charges, which remains pending before a lower court. KISS KISS, BANG BANG – The 1975 and the band’s frontman Matty Healy were hit with a $2.4 million lawsuit from the organizers of Malaysia’s Good Vibes Festival – an event that was shut down last summer after Healy gave a speech criticizing the country’s anti-LGBTQ laws and then kissed a male bandmate on stage. The incident (which has been criticized by local rights activists as counterproductive) breached the band’s contract with the festival, according to the lawsuit. SAMPLE SETTLEMENT – French Montana reached a settlement to end a lawsuit claiming his 2022 song “Blue Chills” features an unlicensed sample from Skylar Gudasz’s 2020 song “Femme Fatale.” The deal will resolve a case that claimed French’s reps had tentatively agreed to license the clip, but that the rapper released the song without ever actually doing so. JUICE WRLD ESTATE SUED – A music producer named Joshua Jaramillo is suing Juice WRLD’s estate over claims that he’s owed royalties from the late rapper’s 2021 hit “Girl of My Dreams.” Jaramillo claims he was promised a 5% ownership stake and an additional 1% producer royalty for the track, which featured Suga of BTS and debuted at No. 29 on the Hot 100. ANOTHER TIKTOK CASE – The Justice Department filed a new lawsuit against TikTok claiming the social media giant had violated children’s online privacy law and run afoul of a previous settlement with the Federal Trade Commission. While serious, the case is likely second on the list for TikTok’s legal team, which is also litigating a separate lawsuit challenging legislation that would block the company from operating in the U.S. entirely. CYRUS DIVORCE SETTLED – Billy Ray Cyrus and wife Firerose (born Johanna Hodges) have reached a settlement to end their contentious divorce case, ending weeks of hyperbolic accusations of abuse and wrongdoing from both sides. In a statement, Cyrus said he was “relieved” and called the short-lived marriage an “insane scam.” A source close to Firerose countered with a statement that said she had settled for no money and wanted her husband’s “smear campaign” to end. KEHLANI CULT CLAIMS – Kehlani’s ex-partner Javaughn Young-White filed a petition seeking legal and physical custody of their 5-year-old daughter, claiming that singer is involved in a cult. “This cult controls her actions and her behavior, including when it comes to the upbringing of our daughter,” Young-White’s lawyers wrote.
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This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Martin Shkreli argues he wasn’t required to turn over personal copies of a rare of Wu-Tang Clan album to prosecutors; a litigious rock photographer sues Warner Records in the latest of more than 50 copyright lawsuits; the new judge in Young Thug’s gang trial faces a flood of new motions; and more.
THE BIG STORY: The Plot Thickens In Wu-Tang Album Case
When Martin Shkreli was convicted of securities fraud and ordered to forfeit his copy of Wu-Tang Clan’s Once Upon a Time in Shaolin to federal prosecutors, was he allowed to retain personal copies? PleasrDAO — a digital art collective that bought the one-of-a-kind album from the government in 2021 —certainly thinks he wasn’t. The group sued Shkreli in federal court last month, accusing him of violating that forfeiture order by retaining copies and then threatening to leak them to the public, a move it says would destroy the value of the rare album. But in a new response last week, Shkreli’s attorneys told a very different story. Everyone knows that when the disgraced “Pharma Bro” bought the only copy of Wu-Tang’s album in 2014, the deal came with bizarre contractual requirements — namely, that he couldn’t release it to the general public until 2103. But Shkreli’s lawyers say the deal did allow him to make personal copies for private use. And when he turned over the physical CD to the government, his lawyers say he wasn’t required to hand over those private copies: “Defendant continues to have the right to use them to this day.” A month into the lawsuit, two dueling visions are coming into view. Pleasr is leaning on the forfeiture order, citing a passage that banned Shkreli from taking any action that would “affect the availability, marketability or value” of the album. Defense lawyers, on the other hand, point to the government’s sale to Pleasr, arguing that the feds made no assurances that the original CD was the only copy of Shaolin in existence. “Plaintiff was well aware that its purchase of assets from did not include any promise or expectation of ‘exclusivity’ or ‘uniqueness,’” Shkreli’s lawyers wrote. “It bought a copy of a musical work that it knew was not unique, and cannot now claim to be irreparably harmed by the existence of its non-uniqueness.” For more, go read our full story on the Shaolin case — and stay tuned for a looming ruling from the judge on whether to impose a preliminary injunction against Shkreli.
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LEGAL EXPOSURE? – Neil Zlozower, a veteran rock photographer who’s snapped images of Led Zeppelin, The Rolling Stones and many other bands, filed a copyright infringement lawsuit against Warner Records, accusing the label of using his photo of Tom Petty in a Facebook post without permission. It turns out the case is hardly the first for Zlozower, who has filed a whopping 57 copyright lawsuits since 2016, targeting Universal Music Group, Spotify, Ticketmaster, Mötley Crüe and many others over alleged unauthorized use of his images.CONCERT MELEE – Chris Brown and Live Nation were sued again over an alleged melee that took place backstage at a concert in Fort Worth last week, this time by a security guard who says he was “brutally and severely” beaten when he tried to break up the fight. The lawsuit, which cites Brown’s high-profile 2009 attack on his then-girlfriend Rihanna that led to a felony conviction, comes after the alleged victims themselves filed their own separate case.YSL CASE UPDATE – The new judge in Young Thug’s sprawling Atlanta gang trial, Judge Paige Reese Whitaker, has been greeted by a flood of new motions, including a renewed demand to release the rapper from the “torturous conditions” he’s faced while sitting in jail for more than two years. Judge Ural Glanville, who was removed from the case earlier this month after revelations of a secret meeting with prosecutors and a key witness, had repeatedly denied such requests. SHOOTING ARRESTS – Three men were arrested in Jacksonville in connection with the deadly shooting of rapper Julio Foolio last month. Sean Gathright, 18, Alicia Andrews, 21, and Isaiah Chance Jr., 21, were each charged with premeditated first degree murder with a firearm, among other charges, over the June 23 killing.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. This week: Michael Jackson’s estate scores a victory in litigation over a $600 million catalog sale; Snoop Dogg is hit with a copyright lawsuit that cites Tracy Chapman; Melissa Etheridge faces a legal battle from her partners in her failed cannabis business; and much more.
THE BIG STORY: Jackson Estate Scores Legal Victory
Michael Jackson’s estate won a key ruling last week in a legal battle with the late singer’s mother — and though it’s only a “tentative” win, the stakes are enormous. More than 15 years after Jackson’s death, his estate is still tied up in probate court, reportedly over unresolved tax issues. So when the King of Pop’s executors wanted to sell part of his catalog to Sony Music for more than $600 million, it asked a California judge for approval to do so. Katherine Jackson objected, arguing that the sale “violated Michael’s wishes” and that the catalog would likely continue to gain value over time if retained, among other arguments. Last week, a California appeals court tentatively rejected Katherine’s objections — ruling that it would likely rule for the estate both procedurally (that she had failed to preserve arguments on appeal) and substantively (that the estate’s executors had the power to make the Sony deal.)Go read our full story on the decision — and stay tuned for whether the court decides to finalize its ruling.
Other top stories this week…
LEGAL LEGEND – While we’re on the subject of the Jackson estate, go read Frank DiGiacomo’s excellent profile of estate co-executor John Branca, a music attorney who at various points in his career has represented Bob Dylan, The Beach Boys, Paul McCartney, the Elvis Presley estate and The Rolling Stones. SNOOP LIABILITY – Snoop Dogg was sued for copyright infringement over allegations that the legendary rapper has refused to pay a veteran studio musician after using two of his backing tracks. The case offers a glimpse at industry practices surrounding the use of uncleared samples to privately “experiment” in the recording studio — and cites an earlier battle between Tracy Chapman and Nicki Minaj over that same issue. WEED WAR – Melissa Etheridge is facing a legal battle over her brief foray into the cannabis business, filed by two business partners in Northern California (Josephine and D’Angelo Roberto) who say they “invested their life’s work into the businesses” but claim the singer “abandoned them” and left them in “financial ruin.” AN “ABHORRENT SCHEME”– Attorneys for Priscilla Presley filed a lawsuit against four of her former business partners over allegations of elder abuse and fraud, accusing them of a “meticulously planned” scheme to drain Elvis Presley’s ex-wife of “every last penny she had” — including nearly $1 million to date and 80% of her future income.ANOTHER DAY, ANOTHER JUDGE – Just two days after Judge Ural Glanville was ordered removed from Young Thug’s sprawling Atlanta gang trial, his replacement on the trial bench (Judge Shukura L. Ingram) said that she would also recuse herself. Later the same day, Judge Paige Reese Whitaker assumed control of the massive racketeering case and now appears to be settling in to run it for the long haul. KANYE SUED AGAIN – Ye (formerly Kanye West) was sued yet again over claims of illegal sampling, this time over allegations that he used an instrumental track called “MSD PT2” in two songs from the album Donda even after he was explicitly denied permission. The case closely echoes a lawsuit filed against him by the estate of Donna Summer, which similarly claimed that he had used one of her songs even after being directly refused a license. That case settled last month. GOSSIP OR DEFAMATION? Soulja Boy launched a defamation lawsuit against social media personalities Tasha K and William The Baddest, claiming that they made false statements on a podcast about the rapper having a sexual encounter with a man — or, in the words of his lawyers, “redefining his character as a man who is not straight.” If Tasha K’s name sounds familiar, it should: She’s the gossip host who Cardi B sued for defamation over claims about STDs, drug use and prostitution, eventually winning a $4 million judgment. NBA MUSIC LAWSUITS – More than a dozen NBA teams were sued for copyright infringement by Kobalt and other music companies over allegations that the basketball teams used songs in social media videos without permission. The cases came with city-specific flair: The New York Knicks were accused of using songs by “New York legends” Jay-Z and Cardi B; the Philadelphia 76ers allegedly used music from Philly native Meek Mill; and the Atlanta Hawks took songs by “Atlanta’s own” Migos and OutKast. MUSIC AI BATTLES – How are the copyright lawsuits against AI music firms Suno and Udio going to shake out? Billboard’s Robert Levine breaks down the fair use doctrine and how it might be applied to the new frontier of training artificial intelligence models, particularly in the wake of high-profile cases involving Google Books, the Android operating system and an Andy Warhol print of Prince. ROYALTY ROW – SoundExchange sued a free streaming service called AccuRadio over allegations that the company has failed to pay royalties for music for years, claiming the streamer has “directly harmed creators.” The small streamer denied the allegations, saying it had reliably paid $12.5 million in royalties over the years but was struggling with high rates imposed on online radio. BACKSTAGE MELEE – Chris Brown, Live Nation and several members of his entourage were hit with a lawsuit over an alleged assault that took place following Brown’s concert last week in Fort Worth, Texas. The case claims that Brown and others “brutally and severely beat” four men backstage in an unprovoked attack following the show. CHIPPING AWAY – Attorneys for Live Nation asked a federal judge to dismiss part of the Justice Department’s antitrust lawsuit — specifically, that the concert promoter uses illegal tying arrangements to operate its amphitheaters. The company argued that this practice, described as a “refusal to deal,” is common in the concert business and protected by Supreme Court precedent.
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This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Young Thug’s criminal trial is in chaos after the judge is forced to recuse himself; Nirvana ends a long-running lawsuit over its famed smiley face logo; the Beastie Boys launch a copyright battle against Chili’s over “Sabotage”; and much more.
THE BIG STORY: Young Thug Trial Judge Removed From Case
The controversial, oft-delayed, never-normal criminal trial of Young Thug got another stunning twist this week, when the Atlanta judge overseeing it was ordered removed from the case. Judge Ural Glanville’s recusal came a month after revelations of a secret “ex parte” meeting between the judge, prosecutors and a key prosecution witness. Attorneys for Thug and other defendants had argued that Glanville aided prosecutors in coercing the witness to testify and that the meeting had violated their constitutional rights to a fair trial. In her decision Monday (July 15), Judge Rachel Krause ruled that the secret meeting had not been “inherently improper” and that Glanville “can and would continue presiding fairly over this matter” if left on the case. But she criticized him for his handling of the fallout from the meeting revelations, and ordered him to step aside for the sake of “preserving the public’s confidence in the judicial system.” That’s all well and good, but the public’s confidence has already repeatedly been tested by the case against Young Thug. The sprawling racketeering case, which claims the rapper and dozens of others ran a violent Atlanta street gang called YSL, has meandered through the court system for more than two years — first through an unprecedented 10-month jury selection and then repeated delays and disruptions, including the stabbing of another defendant. Prosecutors have only presented part of their vast list of potential witnesses, and nobody expects the case to conclude early next year. All the while, Young Thug has sat in jail, repeatedly denied bond by Glanville. What happens now is anybody’s guess. With a new judge already set to take over (Judge Shakura L. Ingram was listed on the court docket by late Monday) defense attorneys will likely re-file their requests that Thug and the other defendants be released on bond. They will also likely renew their demands for a mistrial over Glanville’s handling of the case — a motion that, if granted, would force prosecutors to start the entire massive case over from scratch.
THE OTHER BIG STORY: Nirvana Settles Logo Battle
An epic, three-way legal battle over Nirvana‘s iconic smiley face logo is over. For years, lawyers for the rock legends had been locked in sprawling litigation over the image, which emerged as an unofficial emblem for the band in its heyday and has only grown more valuable in recent years amid a boom in ‘90s/’00s nostalgia. First, Nirvana sued fashion designer Marc Jacobs in 2018 for using it without permission on grunge-themed apparel. Then, a designer at Geffen Records named Robert Fisher came out of the woodwork to argue that he — and not Kurt Cobain — had created the image and owned the rights to it. “For 30 years now, Nirvana has reaped enormous profits from Mr. Fisher’s works,” his lawyers wrote when he jumped into the case in 2020. “Nirvana was able to do so without any compensation to Mr. Fisher by falsely claiming authorship and ownership.” Nirvana’s attorneys staunchly maintained that Cobain designed the logo — or at the very least, that Fisher didn’t own any rights to it. But those questions are moot now: Attorneys for all three sides filed a motion last week saying they had reached a settlement to end the case. Go read our full story on the settlement, which recounts the back story of a case that probed into the creative origins of one of rock’s best-known pieces of iconography.
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CAN’T STAND IT – The Beastie Boys sued the owner of Chili’s over allegations that the restaurant chain used the rap trio’s 1994 song “Sabotage” in a social media advertisement without permission — an especially serious allegation from a trio that famously doesn’t allow its music to appear in ads. The offending content? An apparent spoof of the iconic “Sabotage” video featuring a restaurant heist and 1970s-era disguises. LABELS SUE VERIZON – The major music companies filed a massive copyright case claiming the telecom giant effectively encouraged its internet subscribers to steal music on a “staggering” scale. Seeking billions in damages, the case is the latest in a long series of lawsuits aimed at forcing ISPs to crack down on “repeat infringers.” And it came with a zinger: “While Verizon is famous for its ‘Can you hear me now?’ advertising campaign, it has intentionally chosen not to listen to complaints from copyright owners.” AI FIRMS LAWYER UP – AI music companies Suno and Udio hired Latham & Watkins to defend them against lawsuits filed by the three major labels that accuse the companies of using vast swathes of copyright music to “train” their models. Latham is a big deal in the BigLaw world, but especially in the burgeoning sub-niche of AI-training copyright defense litigation. The firm already reps Anthropic in such a case filed by music publishers, and OpenAI in a similar suit filed by The New York Times. DEFAMATORY DENIAL? Film composer Danny Elfman was hit with a libel lawsuit over statements he made to the media last year defending himself from claims that he sexually abused Nomi Abadi, a former friend and fellow composer. In denying the allegations, Abadi says Elfman falsely tarred her as a “liar, homewrecker, and an extortionist.” EX-RHCP IN HOT WATER – Josh Klinghoffer, a former guitarist for the Red Hot Chili Peppers, was sued for wrongful death over allegations that he struck and killed a pedestrian near Los Angeles earlier this year due to “distracted driving.” Lawyers for the victim’s family say they have video evidence showing Klinghoffer “using a device mere seconds before he crashed” into Israel Sanchez. CLASS ACTION IN THE REARVIEW – A group of Spotify customers dropped their class action against the streaming giant over its recent decision to kill its short-lived “Car Thing” device, resolving a case that claimed Spotify left users holding “a useless product.” Terms of the deal were not disclosed, but Spotify has more clearly indicated since the case was first filed that it will provide refunds to people who purchased the Car Thing. ABUSE CLAIMS AGAINST IRV GOTTI –The co-founder of Murder Inc. Records was hit with a lawsuit accusing him of sexual assault and rape, filed by an unnamed woman who says he repeatedly “coerced” her into sex by leveraging his “power and influence in the music world.”
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Pharrell Williams and Louis Vuitton face a trademark lawsuit over “Pocket Socks”; Diplo is hit with a lawsuit claiming he distributed “revenge porn”; the Village People move forward with a lawsuit against Disney; a longtime attorney repping Britney Spears moves on; and much more.
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SOCKED WITH A LAWSUIT – Pharrell Williams and Louis Vuitton were hit with a trademark lawsuit over their launch of a high-end line of “Pocket Socks” a literal sock-with-a-pocket that launched at Paris Fashion Week last year and sells for the whopping price of $530. The case was filed by a California company called Pocket Socks Inc. that says it’s been using that same name for more than a decade on a similar product. AI FIRMS FIRE BACK – Suno and Udio, the two AI music startups sued by the major record label last week over allegations that they had stolen copyrighted works on a mass scale to create their models, fired back with statements in their defense. Suno called its tech “transformative” and promised that it would only generate “completely new outputs”; Udio said it was “completely uninterested in reproducing content in our training set.”REVENGE PORN CLAIMS – Diplo was sued by an unnamed former romantic partner who accused him of violating “revenge porn” laws by sharing sexually-explicit videos and images of her without permission. NYPD confirmed to Billboard that a criminal investigation into the alleged incident was also underway. DISCO v. DISNEY – A California judge refused to dismiss a lawsuit filed by the Village People that claims the Walt Disney Co. has blackballed the legendary disco band from performing at Disney World. Disney had invoked California’s anti-SLAPP law and argued it had a free speech right to book whatever bands it chooses, but a judge ruled that the company had failed to show the issue was linked to the kind of “public conversation” that’s protected under the statute. WRIT ME BABY ONE MORE TIME – More than two years after Mathew Rosengart helped Britney Spears escape the longstanding legal conservatorship imposed by her father, the powerhouse litigator is no longer representing the pop star. In a statement, the Greenberg Traurig attorney said he was shifting to focusing on other clients: “It’s been an honor to serve as Britney’s litigator and primarily to work with her to achieve her goals.” PHONY FEES? – SiriusXM was hit with a class action lawsuit that claims the company has been earning billions in revenue by tacking a shady “U.S. Music Royalty Fee” onto consumers’ bills. The fee — allegedly 21.4% of the actual advertised price — represents a “deceptive pricing scheme whereby SiriusXM falsely advertises its music plans at lower prices than it actually charges,” the suit claims. DIVORCE DRAMA – Amid an increasingly ugly divorce case, Billy Ray Cyrus filed a new response claiming that he had been abused physically, verbally and emotionally by his soon-to-be-ex-wife, Firerose. The filing actually came in response to allegations that it was Cyrus who had subjected Firerose to “psychological abuse” during their short-lived marriage. UK ROYALTIES LAWSUIT – A group of British musicians filed a joint lawsuit against U.K. collecting society PRS, accusing the organization of a “lack of transparency” and “unreasonable” terms in how it licenses and administers live performance rights. The case, filed at London’s High Court, was brought by King Crimson’s Robert Fripp, as well as rock band The Jesus and Mary Chain and numerous other artists.
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This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: The world’s biggest music companies file lawsuits against AI music firms accusing them of stealing copyrighted music at “an “unimaginable scale”; a federal judge rules that Megan Thee Stallion didn’t copy her chart-topping “Savage” from an earlier song; the artist formerly known as Kanye West settles a copyright lawsuit filed by Donna Summer’s estate; and much more.
THE BIG STORY: Major Labels Sue AI Music Cos. Over Training
In the latest battle between the music industry and artificial intelligence firms, the three major music companies filed lawsuits against AI startups Suno and Udio over allegations that they copyrighted music to train their models on an “unimaginable scale.” Like numerous other copyright cases already filed by book authors, visual artists, newspaper publishers and other creative industries, the new lawsuits ask what could ultimately wind up being a trillion-dollar legal question: Is it copyright infringement to use vast troves of proprietary works to build an AI model that spits out new creations? Or is it just a form of legal fair use, transforming all those old works into something entirely new? The music business already picked that fight once, when major publishers sued AI giant Anthropic last year over its use of written lyrics to train AI models. (That case remains pending). But the new case, spearheaded by the Recording Industry Association of America, is the first to deal with sound and music itself, targeting two companies that are offering models that spit out full songs at the push of a button. Suno and Udio have quickly become two of the most important players in the emerging field of AI-generated music. Udio has already produced what could be considered an AI-generated hit song with “BBL Drizzy,” a parody track popularized with a remix by super-producer Metro Boomin and later sampled by Drake himself. And as of May, Suno had raised a total of $125 million in funding to create what Rolling Stone called a “ChatGPT for music.” In the new lawsuit, the record labels alleged that that success had been built on the backs of real human artists: “Since the day it launched, Udio has flouted the rights of copyright owners in the music industry as part of a mad dash to become the dominant AI music generation service. Neither Udio, nor any other generative AI company, can be allowed to advance toward this goal by trampling the rights of copyright owners.” For more, go read Kristin Robinson’s full story on the new lawsuits, complete with access to the actual complaints filed against Suno and Udio. And stay tuned to Billboard for more updates as the two cases unfold in the federal courts…
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MEGAN WINS COPYRIGHT CASE – A federal judge ruled that Megan Thee Stallion didn’t copy her chart-topping song “Savage” from an earlier song, saying the songs were “qualitatively different” and that there was no evidence the superstar has ever even heard the little-known instrumental track. SUMMER SAMPLE SETTLEMENT – Ye (formerly Kanye West) finalized a settlement with the estate of Donna Summer to resolve a copyright lawsuit that accused him of “shamelessly” using her 1977 hit “I Feel Love” without permission in his song “Good (Don’t Die).” An attorney for the Summer estate confirmed to Billboard that the settlement did not include a license for West to legally re-release the offending track: “We got what we wanted.” YSL TRIAL DRAMA CONTINUES – Yak Gotti, one of Young Thug’s co-defendants in the YSL gang case in Atlanta, asked the Georgia Supreme Court to force Judge Ural Glanville to recuse himself from the ongoing trial, citing recent revelations about a secret meeting between the judge, prosecutors and a key witness. Gotti’s lawyers warned that the judge’s actions “offend public confidence in the independence, integrity, and impartiality of the judiciary.” ALBUM HACKING SUIT RESOLVED – Kelsea Ballerini reached a settlement to end her lawsuit against Bo Ewing, a superfan she had accused of hacking her and then leaking her unreleased album. Ballerini agreed to drop the case after Ewing promised to never again share or access the offending materials. MADONNA CASE CLOSED – Two Madonna fans dropped their lawsuit complaining about delayed starts to her concerts, but the star’s lawyers quickly clarified that the move was “not the result of any settlement.” Reiterating earlier claims that the lawsuit had been a “strike suit” aimed at extorting a settlement, Madonna’s attorneys say they might still seek legal sanctions against the lawyers who filed the “frivolous” case. PETTY DOC SPARKS LAWSUIT – A filmmaker named Martyn Atkins filed a lawsuitagainst Warner Music over the 2021 Tom Petty documentary Somewhere You Feel Free, claiming the movie featured 45 minutes of his copyrighted film footage of the late rock legend without permission or payment. Atkins claimed he had been “conned” into sharing the footage with the producers after they promised him the chance to direct the documentary.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Wu-Tang Clan’s one-of-a-kind album is at the center of a lawsuit against Martin Shkreli; Justin Timberlake faces a drunk driving charge; Young Thug’s lawyer avoids jail and demands that a judge recuse himself; Drake is sued by Members Only for trademark infringement; and much more.
THE BIG STORY: Once Upon A Time In Court
When the Wu-Tang Clan auctioned off their one-of-a-kind album Once Upon a Time in Shaolin to Martin Shkreli in 2015, the deal was famous for its kooky restrictions. A rumor about a clause allowing Bill Murray to steal the CD in a heist turned out to be fictional, but the deal really did include a requirement that the music could not be released to the general public until 2103. Needless to say, a lot has changed since then. Shkreli soon became the hated “Pharma Bro” who spiked the price of crucial AIDS medications; he then forfeited the album to federal prosecutors after he was convicted on securities fraud charges. Years later, the government then re-sold Shaolin to a group called PleasrDAO. But those weird contractual restrictions came back into the picture twice this past week — first when Pleasr sued Shkreli for threatening to leak the album online, and again when Pleasr itself said it would be offering fans the chance to buy a snippet of the mysterious album for just $1. Go read our full story on the lawsuit against Shkreli, which Billboard will be monitoring closely as it moves forward in court. And then go read our deep-dive into how a famously restricted album is being “offered to the public” decades earlier than it was supposed to be.
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TIMBERLAKE ARREST – Justin Timberlake was arrested in the Hamptons on suspicion of driving while intoxicated after a police officer pulled him over for running a stop sign and failing to stay in his lane. According to court records, Timberlake told police he “had one martini and I followed my friends home,” but his “eyes were bloodshot and glassy” and the officer smelled “a strong odor of an alcoholic beverage” before he failed a field sobriety test.NO JAIL FOR THUG’S LAWYER – Young Thug’s attorney in his Atlanta gang trial isn’t going to jail — at least not for now. Days after Judge Ural Glanville held Brian Steel in contempt over a bizarre courtroom episode centered on claims of a secret meeting between the judge, prosecutors and a key witness, Georgia’s Supreme Court hit pause on Steel’s sentence while it reviews the judge’s decision. RECUSAL REFUSAL – Meanwhile, Steel demanded that Glanville recuse himself from the case, arguing that the secret meeting was an “unforgiveable” error and that the judge had “forfeited its role as an impartial judge and has become a member of the prosecution team.” The judge quickly denied the motion, saying Steel had provided only “bare assertions and legal conclusions.” MEMBERS ONLY v. DRAKE – Drake’s production company was hit with a lawsuit from the apparel brand Members Only, which claims that he’s been selling tour merch that infringed the company’s trademarks. The superstar’s concert t-shirts are a reference to a track of the same name on his 2023 album For All the Dogs, but the lawsuit says that’s no excuse. CARTEL CONCERTS? Angel Del Villar, the CEO of Los Angeles-based Del Records, asked a federal judge to dismiss criminal charges accusing him of doing business with a concert promoter linked to Mexican drug cartels. Del Villar’s lawyers say the indictment, handed down in 2022, is unfairly vague and the sign of an eventual “sucker punch” by prosecutors. LIL UZI SUED OVER UNPAID BILLS – Lil Uzi Vert was sued by a touring production company called M99 Studios that claims the rapper owes more than $500,000 in unpaid bills for work done at last year’s Rolling Loud, Roots Picnic and other events. Among other things, the lawsuit claims the bills involve satisfying the rapper’s “unrealistic production requests,” including finding and hiring more than two dozen adult dancers to appear onstage at a concert last year. DIVORCE DRAMA – Billy Ray Cyrus filed an emergency motion in Tennessee court amid his ongoing divorce from the singer Firerose, accusing her of nearly $100,000 in unauthorized credit card charges and seeking a temporary restraining order to stop her.