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The Eras Tour

Page: 19

Taylor Swift‘s website posted a statement Monday (April 3) about how fans can best take care of their Eras Tour merch after some fans complained online of the products fading after one wash.

“Due to the particular ink curing process used on certain Tour Collection products, after washing your merchandise you may see a faint fade on the product print,” reads a statement on the singer’s official website. “This slight fade is related to the product’s distressed, vintage look. Please also note it is important to follow product care instructions as listed on the product label when washing and drying your items, to best protect and maintain the product’s look and feel.”

The team then directed customers to contact the Universal Music store if they noticed “any dramatic loss of pigment or ink bleeding” on their purchases and offered replacement product if necessary, courtesy of the site’s official exchange policy.

Several Swifties have taken to social media and Reddit in particular to complain about their Eras Tour merch fading severely after being washed to the point that Taylor’s face was, in some cases, beyond recognition. “i just sent an email to taylor’s merch team about the whole thing,” one frustrated user wrote on Reddit. “i mentioned the poor quality, disappointment that all the excitement and waiting for merch is now ruined by the fading quality after one simple wash, etc.”

Meanwhile, Swift’s Eras Tour continued over the weekend with a trio of sold-out shows at AT&T Stadium in Arlington, Texas. During the three shows, the singer performed secret songs including “Sad Beautiful Tragic,” “Ours,” “Death by a Thousand Cuts,” “Clean,” “Jump Then Fall” and “The Lucky One.”

It’s no secret that Taylor Swift is the queen of Easter eggs. Since the early days of her career, the superstar has regularly planted clues, hints and callbacks in her music videos, live appearances, interviews and even the liner notes in her albums.

“I love to communicate through Easter eggs,” Swift said in a 2019 interview with Entertainment Weekly to help kick off her Lover era. “I think the best messages are cryptic ones. … You know, when you plan something that far in advance, you’re kind of just flexing on planning. That’s what an Easter egg really does.”

So it should come as no surprise to Swifties that The Eras Tour is no exception to their queen’s masterminded penchant for hyper-specific planning and eye for gorgeous, perfectly plotted detail — all the way down to the colors painted on her nails during tour rehearsals.

As the U.S. leg of the wildly anticipated tour kicked off, fans at the first two shows in Glendale, Ariz. — and later across the internet, thanks to #SwiftTok — paid keen attention to each of the singer’s choices on stage. From her costumes to her choreography, and even the songs she included (or didn’t) on the setlist, nearly every detail elicited wild analysis and speculation for what it all could mean.

Below, Billboard rounds up an ongoing list of Easter eggs spotted by fans as The Eras Tour makes its way across America. Read on to discover what hidden messages and surprises many a Swiftie surmises the star could be sending from the stage.

The ‘Red (Taylor’s Version)’ T-Shirt

During the part of setlist where Taylor revisits her Red era, she dons a T-shirt similar to the one she wears in the music video for 2012’s “22.” In the visual, the shirt spells out “Not a lot going on at the moment,” which would go on to become a famously surefire sign to Swifties around the world that their queen was, indeed, working on a major surprise. (See: the one-two punch of 2020’s Folklore and Evermore.)

However, on the opening night of the tour (March 17), Tay’s shirt rewrote the phrase to read “A lot going on at the moment” in bold block letters, with “A lot” sticking out in bright red. The next night, the shirt changed to a spoken lyric from “22”: “Who’s Taylor Swift anyway? Ew.” This time, “Ew.” was highlighted in red.

Only time will tell if Swift continues to change up the phrasing on her shirt from show to show, but one particular fan on TikTok thinks the red words will eventually lead to an anagram spelling out “Speak Now (Taylor’s Version).” Either way, though, the superstar is clearly sending some sort of message.

Breaking ‘Speak Now (Taylor’s Version)’ Out Of Its Box?

Footage of Swift performing Reputation lead single “Look What You Made Me Do” piqued fans’ curiosity as multiple backup singers seeming to represent her many album eras appeared on stage trapped in giant plastic boxes.

Given the rampant online fan speculation that Speak Now could be the next re-recording the star plans to drop, special attention was paid to the backup vocalist in the box wearing a purple halter dress remarkably similar to an outfit Swift wore on her Speak Now World Tour throughout 2011 and 2012. As Taylor approaches her box, the star pounds on the glass along to the beat as the singer inside tries to get out. At first glance, the moment looks innocuously like part of the choreography, but many Swifties surmised that it could represent the pending release of Speak Now (Taylor’s Version), which had been entangled in legal red tape over trademark and copyright issues until earlier this week.

Interestingly, most of the other singers-as-album eras are eventually freed from their boxes, but by song’s end, the Speak Now avatar and one other singer representing a mystery era remain stuck inside theirs.

Check out fan-captured video of the moment on TikTok.

A Manicure for Her ‘Eras Era’

One day ahead of the tour, Tay shared a sneak peek at the rehearsal process on social media, coyly writing, “In my Eras era” alongside a carousel of photos from the stage. The last snap in the slideshow, though, showed off the star’s delicate manicure featuring a different shade on each finger representing a separate album era — sparkling gold for Fearless (Taylor’s Version), shiny teal for 1989, matte black for Reputation, and so on.

https://www.instagram.com/p/Cp3QUrJuA0w

‘Speak Now’ or Later?

Call this one a reverse Easter egg. So far, her setlist is one for the ages — 44 songs from 10 albums over the course of three hours and fifteen minutes. But out all the fan favorites she performed at Arizona’s State Farm Arena during the first two shows, she included only a single song from 2010’s Speak Now in the form of album cut and originally planned title track “Enchanted.”

The absence of hits such as “Mine,” “Back to December,” “Dear John,” “Mean” and “The Story of Us” felt like a glaring omission, but as with everything Taylor does, the choice may have been entirely intentional. Plenty of fans theorized that the singer was purposely minimizing the attention of her third album because she could be on the precipice of releasing Speak Now (Taylor’s Version).

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It’s a Taylor Swift takeover! Swifties have been on cloud nine since The Eras Tour officially kicked off last week and will resume in Las Vegas on Friday (March 24).

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Several photos from the tour went viral, including a cup of “Lavender Haze” lemonade sold during Swift’s Eras Tour kickoff at the State Farm Stadium in Glendale, Ariz. The “Bad Blood” Sangria made its rounds on social media as well, but the Swift-inspired specialty lemonade seems to be a fan favorite — and it also happens to be a great beverage for spring.

How do you make lavender lemonade? It’s easier than you might think. To start, you’ll need around 3/4 ounce to one ounce of lavender syrup, a cup or more of lemonade (fresh or store-bought) and roughly half a cup to a cup of sugar. You can also substitute sugar with honey.

A Swiftie apparently shared the “official” Purple Haze Lemonade recipe from The Eras Tour on TikTok earlier in the week. The ingredients include, Empress gin, lemon juice, Falernum liqueur, rhubarb bitters and Elderflower tonic water.

We searched TikTok and Reddit to find other lavender lemonade recipes such as the “Lavender Haze” lemonade cocktail that was posted last October after Swift dropped her Midnights album.

The cocktail is made with dried lavender, fresh lemon juice, lemonade, lavender syrup, club soda and Empress 1908 Gin.

Liudmyla Yaremenko/GI

To make a non-alcoholic lavender lemonade, simply mix lavender simple syrup with lemonade, water and sugar (you can also add a non-alcoholic gin or vodka to make into a mocktail).

While there are plenty of lavender syrups in stores and online, such as Torani Lavender Syrup and Monin Lavender Syrup, you can also make your own at home. To do so, boil 1-2 cups of dried lavender flowers in a pot of with sugar and water (1:1 ratio). Once the lavender steeps, use a strainer to pour it in a cup, so the lavender buds don’t get into the liquid. Next, mix the lavender simple syrup with 1-2 cups of lemonade or more, depending on how much you’re making, add 1-2 cups of cold water, stir and refrigerate or serve over ice (you can also add a lavender flower as garnish).

Want more Swift-inspired recommendations? Read our roundup of outfits inspired by The Eras tour.

Taylor Swift isn’t just taking her show on the road for The Eras Tour, she’s also doing some major good along the way.

It was reported on Monday (March 20) that the superstar had made a sizable donation to the Arizona Food Bank Network ahead of taking the stage in Glendale, Ariz. — temporarily renamed Swift City in her honor — for the hotly anticipated start of The Eras Tour.

Swift herself didn’t publicize the donation. Instead, the food bank shared its reaction to the act of kindness with local media outlet AZ Central. “It’s not every day that you get a call from someone who works for Taylor Swift, so we were dubious at first, but happily, it turned out to be absolutely real,” vice president of external relations Terri Shoemaker told the publication.

The nonprofit exec added that she was told in the conversation that Swift planned to focus on leaving a “positive impact” on each stop along her U.S. tour route, and on Wednesday (March 22), Three Square — a food bank based in southern Nevada — revealed the singer had also made a massive donation there ahead of her back-to-back shows in Las Vegas on March 24 and 25..

“We don’t know about you, but we’re feeling grateful on this day, March 22!” the organization wrote on its official Instagram feed. “@TaylorSwift has made a generous gift to Three Square, allowing us to provide thousands of meals to families and individuals struggling with hunger. Thank you to Ms. Swift for supporting our mission and the local community.”

Billboard has reached out to Swift’s rep for comment.

The day she launched the cross-country trek, Swift also gave fans a surprise gift in the form of four new songs, including (Taylor’s Version) re-recordings of The Hunger Games tracks “Safe & Sound” with Joy Williams and John Paul White (formerly The Civil Wars) and “Eyes Open” as well as a new version of Speak Now bonus cut “If This Was a Movie” and previously unreleased Lover ditty “All of the Girls You Loved Before.”

Check out Three Square’s post about Swift’s generosity below.

Taylor Swift is taking fans on a trip through each of her albums on The Eras Tour, which launched with back-to-back shows on March 17 and 18 in Glendale, Ariz., and her costumes are part of the journey.
As the superstar took the stage at State Farm Arena on the first night, her attention to detail was ever present, as each of her outfits harkened back to a previous tour or live appearance from her 17-year career in the spotlight.

Kicking off with 2019’s Lover, Swift opened the show using a light pink acoustic guitar reminiscent of the instrument she strummed while performing at the 2019 MTV Video Music Awards, where she delivered a medley of the title track and “You Need to Calm Down.” To run through early hits such as “Love Story” and “You Belong with Me” from 2008’s Fearless, she brought back her classic style from her sophomore era, donning a gold fringed dress and trading her pink guitar for a sparkly silver edition — the only thing missing was a nod to her famous mane of teenage curls.
When it came time to revisit Reputation, Tay resurrected the popular snake motif from the era (long live Karyn!), channeling her aesthetic from “Look What You Made Me Do” in a dark, asymmetrical body suit covered in glittering red serpents. And while only one song from 2010’s Speak Now was featured on the opening night’s setlist (an extended edition of deep cut “Enchanted”), the singer changed into a fairytale-like ball gown fit for a princess.

During the part of the setlist dedicated to 2012’s Red, Swift showed off a new version of the T-shirt she wore in the music video for “22” — this time emblazoned with her famously cryptic phrase “Not a lot going on at the moment.” And perhaps the most major set change during the show occurred as she welcomed the audience into the Folklorian woods of her surprise 2020 album by recreating a version of the moss-covered cabin she called home to perform a medley of “Cardigan,” “August” and Evermore lead single “Willow” at the 2021 Grammys with collaborators Jack Antonoff and Aaron Dessner.
The final fashion reference on the tour came when Swift went back to 1989 by changing into a crop top and short skirt, just like the many she wore back in the day with her squad.
Click through the gallery below to check out the looks from Taylor’s Eras Tour as well as their counterparts from earlier eras in her career.

‘Lover’ Era

Image Credit: Jeff Kravitz/FilmMagic; John Shearer/GI for TAS Rights Management

Left: Taylor at the 2019 MTV Video Music Awards at Prudential Center on Aug. 26, 2019, in Newark, N.J.
Right: Performing during the opening night of The Eras Tour at State Farm Stadium on March 17, 2023, in Swift City, ERAzona (Glendale, Ariz.). The city was ceremonially renamed to Swift City for March 17-18 in honor of her tour.

‘Reputation’ Era

Image Credit: Gareth Cattermole/TAS18/GI for TAS; John Shearer/GI for TAS Rights Management

Left: Performing on stage during her Reputation Stadium Tour at Croke Park on June 15, 2018, in Dublin, Ireland.
Right: Performs during The Eras Tour at State Farm Stadium on March 18, 2023 in Swift City, ERAzona (Glendale, Ariz.).

‘1989’ Era

Image Credit: Jun Sato/GI for TS; John Shearer/GI for TAS Rights Management

Left: Performing during The 1989 World Tour at Tokyo Dome on May 5, 2015, in Tokyo.
Right: Performing during the opening night of The Eras Tour at State Farm Stadium on March 17, 2023, in Swift City, ERAzona.

‘Folklore’ & ‘Evermore’ Eras

Image Credit: TAS Rights Management 2021 via GI; Kevin Mazur/GI for TAS Rights Management

Left: Performing for the 63rd Annual GRAMMY Awards on March 14, 2021.
Right: Performing for the opening night of The Eras Tour at State Farm Stadium on March 17, 2023, in Swift City, ERAzona.

‘Fearless’ Era

Image Credit: Jason Kempin/GI; Kevin Mazur/GI for TAS Rights Management

Left: Performing during the Fearless Tour at Madison Square Garden on Aug. 27, 2009, in New York City.
Right: Performing for the opening night of The Eras Tour at State Farm Stadium on March 17, 2023, in Swift City, ERAzona.

‘Speak Now’ Era

Image Credit: Larry Busacca/GI; John Shearer/GI for TAS Rights Management

Left: Performing during the Speak Now World Tour at Madison Square Garden on Nov. 22, 2011, in New York City.
Right: Performing for the opening night of The Eras Tour at State Farm Stadium on March 17, 2023, in Swift City, ERAzona.

‘Red’ Era

Image Credit: Christopher Polk/TAS/GI for TAS; Kevin Mazur/GI for TAS Rights Management

Left: Performing for a sold-out crowd on The RED Tour at Cowboys Stadium on May 25, 2013, in Arlington, Texas.
Right: Performing for the opening night of The Eras Tour at State Farm Stadium on March 17, 2023, in Swift City, ERAzona.

Taylor Swift just made good on a promise to a fan, five years later.
One of thousands of fans in attendance at the opening Eras Tour shows in Glendale, Ariz., was Isabella McCune, a longtime fan who’d been waiting since 2018 to see the pop star live. In fact, the 13-year-old was there as a special guest of Swift’s, who gifted McCune four free tickets to night two of her State Farm Stadium dates.

The bittersweet night was years in the making, as McCune had hoped to see Swift’s Reputation Tour five years prior. Leading up to the 2018 show, she suffered a severe accident that left her hospitalized for nine months as she recovered from burns covering 65% of her body, according to ABC 15 in Arizona. During that time, she listened to the “Anti-Hero” singer’s music to help her get through the difficult time.

Swift eventually visited her young fan — then 8 years old — in the hospital after the accident, and left a sweet note reassuring McCune. “Isabella, I hope you feel better soon,” the superstar wrote in 2018. “I’m so honored you’ve been listening to my music. You’re so awesome and I can’t wait to have you at a show. Stay strong, gorgeous. Love, Taylor.”

No one could have predicted how long it would take for Swift to be able to deliver on her promise, though. Lover Fest, which was supposed to be her first tour after the Reputation trek, was initially scheduled for summer of 2020. Like most tours around that time, however, it was canceled due to the global coronavirus pandemic.

Now that the 11-time Grammy winner is finally back on the road, though, McCune’s story has finally come full circle. With the help of Live 101.5 and the Valleywise Health Foundation, Swift’s team surprised her with Eras Tour tickets, which were given to her by a medical professional while she was sitting in a hospital bed like the one she spent months of her life in five years ago.

“Not only the fact that I’m able to go and I got these tickets gifted to me, they’re from Taylor Swift and her team and they remembered me, and thought of me to give me these tickets,” she told ABC15 of the surprise.

There’s stage diving, and then there’s literally diving headfirst into a stage floor. Taylor Swift has been adopting the latter approach during the first couple dates of her highly anticipated Eras Tour, performing a one-of-a-kind stunt during a key moment in her show that has been leaving fans speechless.

The move comes toward the end of Swift’s three-hour showcase and serves as a transition from the surprise song section of her concert to the finale, which is dedicated to her most recent album, Midnights. After the 33-year-old pop star sings two random acoustic numbers from her nearly two decades-long catalog on a B-stage, she puts her hands together above her head and plunges into a Taylor-sized hole in the stage floor.

Lighting effects then make it look as though Swift is swimming underneath the catwalk connecting the B-stage and her main stage. When she emerges on the main stage, she performs Midnights single “Lavender Haze” wearing a brand new costume.

The “Anti-Hero” singer officially kicked off the Eras Tour in Glendale, Ariz. — temporarily renamed “Swift City” in her honor — with a pair of State Farm Stadium shows Friday and Saturday night (March 17-18). There were many other stunning moments throughout the concert that left Swifties reeling, from Tay’s sexy “Vigilante Shit” dance routine to her calling out Evermore critics, but the unexpected dive was definitely one of the big standouts. Almost immediately, clips of the plunge started going viral on Twitter, sparking jokes, memes and all-around awe from fans.

Watch Taylor Swift “stage dive” during her Eras Tour show in Glendale below:

aside from being a 12-time grammy winner, a doctor, a director, one of the most acclaimed songwriter of the music industry, and having a record breaking career in the arts, taylor swift is now searching for that swimming olympic medal, look at that divepic.twitter.com/4m9OlFczg7— just like honey (@invisibleday) March 18, 2023

The country’s two leading concert companies, Live Nation and AEG, are at odds over how Congress should address the future of ticketing after a disagreement over Taylor Swift’s record-breaking The Eras Tour.

Long before the pop star’s Nov. 15 sale dominated the news cycle, where hundreds of thousands of Swift fans experienced service disruptions that kept them from buying the tickets they wanted, the two companies had signed an agreement that many thought might take AEG out of the ticketing business entirely. In 2021, when AEG announced that its facility management division ASM had struck a deal to make Ticketmaster its preferred ticketing partner, many assumed that meant the company was on the way to shutting down its own ticking platform, AXS Tickets.

Instead, ASM’s contract with the Live Nation-owned Ticketmaster would pave the way for an expansion of AEG’s AXS, thanks to a provision in Ticketmaster’s exclusive agreement that granted AEG the right to use AXS to sell tickets to AEG-promoted shows at ASM venues, sources tell Billboard. AEG tours like Kane Brown, Elton John and Luke Combs could opt out of using Ticketmaster when playing ASM-client venues such as Soldier Field in Chicago, U.S. Bank Stadium in Minneapolis and Desert Diamond Arena in Glendale, Ariz., and use AXS instead. This marked the largest carve-out in Ticketmaster’s exclusivity contract to date, potentially allowing hundreds of arenas, stadiums and performing arts centers to use AXS for the first time, like the new Allegiant Stadium in Las Vegas — the highest grossing stadium on Billboard’s 2022 year-end Boxscore chart.

The provision was a sort of double victory for AEG, Live Nation’s leading competitor: The company was able to leverage its control over 350 ASM venues to get those clients large payouts for re-signing with Ticketmaster without forsaking its own ticketing service. AEG officials had also hoped this might mark the beginning of a more open ticketing ecosystem away from the sorts of exclusive deals that have helped Ticketmaster gain such dominance in the space. But less than two years later, AEG and Live Nation find themselves at odds, divided over the handling of Swift’s The Eras Tour.

AEG is now refusing to join a coalition of music companies supporting Live Nation’s Fair Ticketing campaign, a piece of proposed anti-scalper legislation born out of the bot attack on Ticketmaster’s Nov. 15 presale for Swift’s tour. While Universal Music Group, Red Light Management, Irving and Jeffrey Azoff, and all four major talent agencies are backing the FAIR Ticketing reforms to ban scalping practices like “speculative” ticket selling and mandating all-in pricing across all ticketing marketplaces nationally, AEG has been taking a different approach to what they see as some of ticketing’s biggest problems. Sources tell Billboard that AEG executives have been quietly lobbying the Department of Justice to investigate Ticketmaster’s use of exclusive ticketing contracts to lock up the ticket market as a possible violation of its consent decree governing its merger with Live Nation in 2010. AEG leadership is also lobbying politicians to include restrictions on such exclusive ticketing practices in new legislation that could be introduced as soon as this week.

Sources say Live Nation executives have been careful not to engage with AEG publicly about its exclusivity agreements. Privately, they have accused AEG of trying to have it both ways, accepting the money that comes with exclusive ticketing contracts, while trying to expand AXS ticketing beyond the ASM deal into all NFL stadiums ticketed by Ticketmaster.

“This is a bad look for them,” one source at Ticketmaster tells Billboard.

Since Live Nation merged with Ticketmaster in 2010 and AEG launched its own ticketing platform in 2012, both companies have found they can earn more from the concerts they promote if they also control the ticketing, collecting more fees for themselves, while keeping data generated by the concert in house. The additional revenue for a promoter like AEG could be substantial, especially for an artist like Swift, who sold a total of 2.4 million tickets for The Eras Tour.

With Swift’s tour, sources say AXS was expecting to handle some of the ticketing under the ASM-Ticketmaster provision, since AEG was a co-promoter with partner Messina Touring Group. ASM managed five stadiums, representing 12 shows on the 52-date trek, and sources say AXS officials were hoping its ties to the tour could lead to it getting some, if not all of the tour. Except that Ticketmaster executives said their exclusive contracts with more than a dozen NFL teams (and the venues they own) superseded AXS’ claim. Under that reading of the deal, two of the 12 ASM dates — a pair of concerts at State Farm Stadium in Glendale, Ariz. — would be ticketed by SeatGeek under its exclusive deal with the Arizona Cardinals. Making matters worse, two of ASM’s management clients decided to partner with Ticketmaster for the sale.

Down to just five shows at two stadiums, AEG dropped the matter. According to a source, AEG executives have since spoken with the Department of Justice, encouraging them to look at Live Nation and Ticketmaster’s use of exclusive contracts as anti-competitive.

Relations only worsened in the days following The Eras Tour presale. After the fiasco, Live Nation chairman Greg Maffei appeared on CNBC to defend Ticketmaster and cited the company’s arrangement with AEG in response to claims of monopolistic behavior. “AEG, who is the promoter for Taylor Swift, chose to use us because, in reality, we are the largest and most effective ticket seller in the world,” he said. “Even our competitors want to come on our platform.” AEG leadership was quick to respond with a statement, saying the promoter had no choice but to use Ticketmaster. “Ticketmaster’s exclusive deals with the vast majority of venues on The Eras Tour required us to ticket through their system,” an AEG spokesperson said. “We didn’t have a choice.”

AEG hopes its private lobbying of politicians and anti-trust officials will lead to regulatory change that could include abolishing exclusive ticketing contracts in the United States and ultimately move toward an industry more similar to Europe, where promoters generally don’t sign exclusive ticketing deals and work with multiple partners to sell tickets.

Despite the disagreement, the ASM-Ticketmaster deal remains in place, and AEG officials have had success convincing buildings like the Greek Theater in Los Angeles and the Quicken Home Arena in Cleveland to avoid exclusive ticketing agreements and remain open to multiple systems.

Live Nation and AEG declined to comment for this story.

Taylor Swift kicked off her much-awaited The Eras tour at State Farm Stadium in Glendale, Ariz. on Friday night (March 17) and she did not disappoint. The pop superstar performed for a whopping 3 hours and 15 minutes, playing songs from all 10 of her studio albums for an incredible career retrospective.
“Tonight, we’re going to be going on an adventure, one era at a time!” Swift announced a few songs into the show, before showcasing a staggering 44-song setlist of major hits and deep cuts.
Of course, looking back on Swift’s nearly two decade-long career would not be possible without capturing her evolving looks throughout the years. The 32-year-old star channeled Fearless with a sequined, fringe-lined dress and Speak Now with long flowing gowns. She later opted for colorful crop tops for 1989 and a sexy black cut-out catsuit for Reputation. She brought her cottagecore fantasies to life for Evermore and Folklore, before celebrating her most recent release, Midnights, with blue sparkling dresses.
We’ve compiled all of Swift’s looks from night one of The Eras tour, which you can check out below.

LOVER

Image Credit: Kevin Winter/GI for TAS Rights Management

Swift’s pink-toned Lover era was complete with a Versace bodysuit and knee-high Christian Louboutin boots.

LOVER

Image Credit: Kevin Mazur/GI for TAS Rights Management

She kept the Louboutin boots going, this time in a sleek silver color, paired with a Versace blazer.

FEARLESS

Image Credit: Kevin Winter/GI for TAS Rights Management

To celebrate Fearless, Swift brought back her sparkling gold fringe mini-dress courtesy of Roberto Cavalli, paired with the knee-high Christian Louboutin boots.

EVERMORE

Image Credit: Kevin Mazur/GI for TAS Rights Management

For Evermore, Swift opted for a mustard orange Etro dress with delicate embroidery, along with a matching cape and Christian Louboutin boots.

REPUTATION

Image Credit: Kevin Winter/GI for TAS Rights Management

Swift made a statement with her Reputation album, and channeled that with a Roberto Cavalli catsuit featuring a leg and arm cut-out, complete with Roberto Cavalli boots.

RED

Image Credit: Kevin Mazur/GI for TAS Rights Management

If you’ve seen the “22” music video, you’ll recognize this iconic outfit, made by Ashish.

SPEAK NOW

Image Credit: John Shearer/GI for TAS Rights Management

We were enchanted to see Swift in this Nicole + Felicia princess gown.

FOLKLORE

Image Credit: Kevin Mazur/GI for TAS Rights Management

To capture the woodsy feel of Folklore, Swift opted for a flowing purple Alberta Ferretti dress.

1989

Image Credit: John Shearer/GI for TAS Rights Management

For the 1989 era, Swift’s Roberto Cavalli two-piece set and Christian Louboutin boots were the perfect look to shake, shake, shake, shake it off in.

ACOUSTIC

Image Credit: Kevin Mazur/Getty Images for TAS Rights Management

For the acoustic portion of the night, Swift stunned in a magenta Jessica Jones dress.

MIDNIGHTS

Image Credit: John Shearer/G for TAS Rights Management

Swift had fans meeting her at midnight with an Oscar de la Renta faux fur coat and crystal t-shirt.

MIDNIGHTS

Image Credit: Kevin Mazur/GI for TAS Rights Management

When she took off her faux fur coast, Swift’s Oscar de la Renta t-shirt shined along with her Christian Louboutin boots.

MIDNIGHTS

Image Credit: Kevin Mazur/GI for TAS Rights Management

Oscar de la Renta completed his Midnights looks with a stunning navy blue bodysuit, which Swift paired with Christian Louboutin boots.

As if Taylor Swift beginning her long-awaited The Eras Tour wasn’t exciting enough, the superstar added to the hype on Friday (March 17) by releasing four new tracks.

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“In celebration of The Eras Tour I’m releasing 4 previously unreleased songs tonight at midnight,” she revealed on her Instagram Stories a day prior. The four tracks include re-recordings of Swift’s dual contributions to the 2012 soundtrack to The Hunger Games — “Eyes Open” and “Safe & Sound” featuring Joy Williams and John Paul White — as well as “If This Was a Movie (Taylor’s Version)” and never-before-heard song “All of the Girls You Loved Before.”

The Eras Tour is set to begin on Friday (March 17) with back-to-back shows in Glendale, Ariz., which has temporarily been renamed Swift City in honor of Swift’s imminent arrival. Support on the tour will come via a rotating cast of opening acts including Paramore, beabadoobee, Phoebe Bridgers, girl in red, Muna, Haim, Gayle, Gracie Abrams and Owenn.

Since the Reputation tour wrapped in 2018, Swift has released four original studio albums — Lover, 2020’s Folklore and Evermore, and Midnights — as well as two re-recorded albums, Fearless (Taylor’s Version) and Red (Taylor’s Version), both in 2021.

Listen to the four new songs below.