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Source: Prime Video / Amazon Studios

With all the hype and anticipation amongst Marvel fans for the upcoming Spider-Man: Brand New Beginning, many people forget that another Spider-Man film is on the way starring Nicolas Cage (no, seriously), and though details are scarce, we’ve finally gotten our first look at Cage in his Spidey suit. He looks pretty damn dope too.

According to Variety, Amazon’s Prime Video released their first pic of Nicolas Cage dressed as Spider-Man for their upcoming series, Spider-Noir. And truth be told, it looks very well done. After voicing the same Spider-Man variant in Spider-Man: Into The Spider-Verse, Cage will once again be playing the character in a live-action adaptation of the Spider-Man Noir comic books. Set in 1930s New York, this alternate version of Spider-Man does have a faithful following. Judging from the first pics of the upcoming series, it’ll be going down the black-and-white cinematic setting similar to the cult classic film, Sin City, but won’t be confined to just black-and-white.

Per Variety:

Releasing in 2026, “‘Spider-Noir’ tells the story of an aging and down on his luck private investigator (Cage) in 1930s New York, who is forced to grapple with his past life as the city’s one and only superhero.” The show will be available in both black-and-white and color.

In addition to Cage, the cast includes Lamorne Morris, Brendan Gleeson, Abraham Popoola, Li Jun Li, Karen Rodriguez, and Jack Huston. Guest star cast includes Lukas Haas, Cameron Britton, Cary Christopher, Michael Kostroff, Scott MacArthur, Joe Massingill, Whitney Rice, Amanda Schull, Andrew Caldwell, Amy Aquino, Andrew Robinson and Kai Caster.

“Spider-Noir” will debut domestically on MGM+’s linear channel, then arrive globally on Prime video the next day.

Spider-Noir is set to debut sometime in 2026 and come in eight episodes deep. Will you be checking for Nicolas Cage’s iteration of Spider-Man? Let us know in the comments section below.

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Source: Amazon Studios / Fallout

It looks like Prime Video must have a lot of faith in the upcoming second season of Fallout as it’s being reported that the video game turned live-action series has gotten the green light for a third season before the premiere of its second.

According to Deadline, it was announced that Fallout was renewed for a third season way before the premiere of its second season in December 2025 during Prime Video’s upfronts presentation Monday (May 12). A production of Amazon MGM Studios and Kilter Films, Fallout is based on the role-playing video game series from the 1990s, which centers around survivors in a post-apocalyptic world who battle mutants as they do what they can to survive. Naturally, the show developed a healthy fanbase with over 100 million viewers during its first season, and now it seems like Prime is all in on keeping the series going at least for a third season.

Deadline reports:

“We are absolutely thrilled that our global Prime Video customers will be able to delve deeper into the wonderfully surreal and captivating world of Fallout,” said Vernon Sanders, global head of television, Amazon MGM Studios. “Jonah [Nolan], Lisa [Joy], Geneva [Robertson-Dworet], and Graham [Wagner] have done an exceptional job bringing this beloved video game franchise to vivid life on Prime Video. Together with our amazing partners at Bethesda Games and Bethesda Softworks, we are delighted to announce a third season of Fallout, well ahead of the much-anticipated debut of Season Two.”

“The holidays came a little early this year – we are thrilled to be ending the world all over again for a third season of Fallout,” said executive producers Jonathan Nolan and Lisa Joy. “On behalf of our brilliant cast and crew, our showrunners Geneva and Graham, and our partners at Bethesda, we’re grateful to our incredible collaborators at Amazon MGM Studios and to the amazing fans as we continue our adventures in the wasteland together.”

“We’re so grateful to have survived the apocalypse for another season! Thanks to the incredible team — our whole cast and crew, Kilter, and Amazon,” said Robertson-Dworet and Wagner.

We’re sure the 100 million viewers will be grateful to hear that Fallout will be around for a third season as well.

Are you excited to hear that Fallout will be around for Season 3? Let us know in the comments section below.

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After shaping some of the biggest acts in global pop, HYBE is setting its sights on Latin music with an ambitious new reality series from its subsidiary, HYBE Latin America. Billboard has exclusively learned that production kicks off this week in Mexico City on the yet-to-be-titled project, which aims to form a new all-male pop group.
The series will train and develop 16 contestants from countries including Mexico, Brazil, the U.S., Peru and Spain, narrowing the field to a final five by the end of the season this fall.

The series’ format and execution differs from other reality talent competition in multiple key ways. First and foremost, it’s HYBE’s first artist development venture of this scale focused entirely on Latin talent, combining the development discipline the company has applied in K-pop with Latin American cultural and artistic sensibility.

Trending on Billboard

Further, instead of airing as a carefully formatted weekly television show, the reality show is a multi-platform production that integrates long-form storytelling, performance content and behind-the-scenes narratives distributed across streaming, social and music platforms.  

The project also features a roster of mentors that may be unprecedented in a Latin reality show. It  includes director and choreographer Kenny Ortega (High School Musical, The Descendants) as executive producer; Charm La’Donna (Kendrick Lamar’s 2024 Super Bowl, Bruno Mars) as head choreographer; and Robert J “RAab” Stevenson (SZQ, Rihanna) as head vocal coach.

“This project is about much more than music. It’s about reimagining how Latin talent can be discovered, developed and presented to the world. We are building the foundation for the next generation of global Latin artists with the highest creative and production standards,” said J.H. Kah, CEO of HYBE Latin America, who is leading efforts on the venture, in a statement.

The new project joins a roster of properties that includes newly-announced talent competition Pase a la Fama, which HYBE Latin America developed with Telemundo. The competition show seeks to find the next regional Mexican band and premieres on Telemundo June 8 with Ana Bárbara, Horacio Palencia and Adriel Favela as judges.

This show, however, doesn’t have a partner network.

While contestants officially arrive in Mexico this week (beginning May 12), preproduction for the show has been underway for months. Hundreds of applications poured in from across Latin America and the U.S., leading to an initial shortlist of 300 candidates. From there, 16 finalists were selected to begin intensive training at a custom-built “bootcamp” located in Mexico City’s Parque Bicentenario.

The bootcamp will include some 30 instructors, including vocal coaches, producers, fitness trainers and choreographers and is supported by Weverse, HYBE’s extremely successful social media/fandom platform.

HYBE Latin America

courtesy of HYBE Latin America. ©️ 2025 HYBE Corporation.

Make no mistake — this is a distinctly Latin production. The show is being helmed by two seasoned Colombian producers: showrunner Jaime Escallón (X Factor, Survivor) and production designer Lucas Jaramillo. Both serve as executive producers and co-creators of the format, with a clear mission to build a production environment that authentically reflects Latin culture.

“This is different from other talent reality shows in that it takes place in a space designed for the city to participate in,” says Jaramillo, noting that production is working closely with Mexico City government and fans will be allowed to actually visit the space and be part of performances and media experiences. “That’s why we’ve developed a cultural program that’s both artistic and media driven, and includes things like podcasts. This is a show that’s alive.”

The project is HYBE Latin America’s latest venture after launching in 2023 with the acquisition of Exile Music, the music division of Spanish-language studio Exile Content, led by Isaac Lee, who is now chairman of HYBE Latin America. The company has moved quickly since then. With offices in Mexico City, Miami, and Los Angeles, the division houses labels such as DOCEMIL Music and Zarpazo Entertainment.

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Source: Starz / BMF
Season 4 of BMF teases more shenanigans for the Flenory brothers and the return of two characters.
The first trailer for season 4 of BMF has finally arrived, and it is full of big reveals that set up what could be the most explosive season yet for the hit crime drama loosely based on Demetrius “Big Meech” Flenory and Terry Lee Flenory’s lives.

One of the big reveals is that Emmy Award-winning actor Michael Chiklis (The Shield, Fantastic Four) has joined the cast and will appear this season as DEA Agent Taylor, who will assist in trying to take down BMF.
Source: Starz / BMF

Returning this season will be Lamar  (Eric Kofi-Abrefa), the Flenory brothers’ arch-nemesis, who became a drug addict at the end of season 2, alongside Donnell Rawlings, who played his hilarious comedic cousin, Alvin.
B-Mickie (Myles Truitt) is also back this season and wants back in on the action.
As for what’s going on this season, the Flenory brothers’ next hustle is starting their music label in Atlanta, expanding their drug empire into national territories during the 1990s, following whatever happened to them in Mexico. Of course, things go wrong thanks to the return of an old foe, the police breathing down their necks, leading to them being unable to trust anyone, including each other, setting up a sibling rivalry that could drive them apart.

Russell Hornsby as Charles Flenory, Michole Briana White as Lucille Flenory, La La Anthony as Markisha, and Steve Harris as Detective Bryant are also returning in season 4.
Real Life Drama Around BMF 
The show’s return has been fueled by real-life drama involving star Lil Meech, his father Big Meech, and the show’s executive producer, Curtis “50 Cent” Jackson.
The G-Unit general has been trolling the star and his dad for dealing with his longtime nemesis, Rick Ross.
BMF returns on June 6. Hit the gallery below for more photos.

1. BMF

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3. BMF Season 4

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Lionsgate / 50 Cent Action Channel

50 Cent has another accomplishment to add to his ever-growing list. His action channel nabbed the number one spot on Roku and LG Channels.

Lionsgate announced that 50 Cent Action, the FAST channel curated by the Hip-Hop mogul, is the #1 action channel on both The Roku Channel and LG Channels and could find the same success on Sling TV’s Sling Freestream, which was just launched. 

The channel features 50 Cent’s favorite premium films and television series, especially those in which he starred, such as Den of Thieves, The Expendables, and, of course, his hit crime drama Power, which has gone on to spawn a whole drug-dealing television universe, known as the Power Universe.

The Queens rapper, born Curtis Jackson, will be on hand at LG Ad Solution’s NewFronts presentation on Monday, May 5th, where he will participate in a live Q&A with the company’s CEO, Michael Hudes. During the session, he will discuss the success of his FAST channel and its future.

“This is the future of entertainment,” said Jackson. “It’s about making real connections. I’m hands on with everything and collaborating closely with Lionsgate – which has been a great partner – to give fans free, direct access to the best action movies and shows out there, all in one place. Fans can step into my world every time they turn on the channel.”

“50 Cent is a cultural icon with an unmatched connection to his audience,” said Jim Packer, Lionsgate’s President of Worldwide Television Distribution. “We’ve seen incredible momentum on the channel since launch, and our goal is to make 50 Cent Action one of the leading action destinations for fans and advertisers in the FAST Space.”

 50 Cent continues to rack up the wins. 

Earlier this year,  Univision Networks Group president Ignacio Meyer‘s role was expanded to include oversight of the Hispanic media giant’s portfolio of 35 owned-and-operated radio stations, nearly 300 affiliates, its Uforia streaming app, live-events business and networks group. The promotion empowered Meyer to fully execute his longheld vision for a streaming-era business strategy. In the wake of Univision’s $4.8 billion 2022 merger with Televisa, his division would operate as part of a global, vertically integrated multimedia company where content created by different units can move freely between countries and platforms, including VIX, the company’s growing streaming enterprise.

That content includes music, and Meyer says he’s focused on fortifying its strength as one of the “pillars”— in addition to drama and sports — of the TelevisaUnivision brand.

For the company’s consumers, “Calling music a passion point is an understatement,” the dapper, Madrid-born executive says. As a result, “The entire company is behind it.”

Meyer, who is known for booking music artists himself on Univision shows and sending personal thank-you notes afterward, is well-loved by the industry, and his office is decked out with signed gold records, awards and other memorabilia. His walls will inevitably become more crowded, given his plans to return Univision to the music business. In the early 2000s, Univision Music Group operated as a label, which was sold to Universal in 2008 (before Meyer joined the company). And in 2016, Univision’s Fusion Media Group division signed a multiyear, multiplatform deal with former Calle 13 member Residente, which is no longer active.

Meyer spoke to Billboard about those plans, as well as his strategy for harnessing the power of music to Univision’s advantage.

How has your job changed since your promotion?

The big difference is we’ve become a platform-agnostic, content- and audience-first company. We’re fortunate enough that, over the years, our ownership has invested in all the platforms. We have TV stations, local and national networks, radio stations, top digital destinations — whether it’s web- or social media-based — and now we have a dedicated streaming platform, VIX. This year, for the first time, we deployed a global content investment strategy and looked at every content investment for profitability and distribution purposes, regardless of platform or country. That’s new and different because we realize that the strategy of having the consumer at the forefront is not about pulling them to a particular platform. It’s about making sure we are everywhere they are and that they can flow freely.

How does music play into that?

Music is a passion point for U.S. Hispanics. We feel strongly that Latin music is mainstream today, and we need to follow that mainstream consumer everywhere they are. So we’ve made structural changes to allow music to travel more seamlessly throughout our ecosystem.

If you look at the history of Univision, there are isolated pockets of success with music. What was missing is the connective tissue. We’re eliminating the barriers between calling something a “radio product” or an “audio product” or a “national” product or a “local” product. It’s intellectual property. It’s music, it’s a song, it’s a brand, it’s an artist.

Can you give me an example?

This year, we treated Premio Lo Nuestro [an annual awards ceremony that recognizes achievements in Latin music] as a platform-agnostic event. It was simulcast on streaming and we had events [tied to] fashion and social with some brands. We decided to light up YouTube and social media before we aired the show, so we did our version of off-air awards and the pretelecast on digital networks. And it was all supported by audio-first talent that represented different genres. For example, we featured talent from our [Mexican musicfocused] radio show, El Bueno, la Mala y el Feo. Just as we lean into our [TV] consumer brands, we’re going to lean into our radio show brands and elevate those shows. And we’re crosspollinating. TV host Alejandra Espinoza, for example, is now also part of our Los Angeles morning radio show.

Awards show viewership in general has declined. How do you make yours profitable?

We found a way to make money because we studied the ecosystem. It’s not just a TV show. We’re communicating, we’re editorializing, we’re telling a story, and we’re using music to do so — across all of our platforms. It creates more inventory for brands to get more deeply involved. Ratings define and validate the commercial side of ad sales, but it’s not the only measure of success. Total impressions, total reach, influence — that is success.

How else are you expanding Univision’s music presence?

We are looking at entering the music business again through strategic alliances. That is new. I don’t have the format a hundred percent. I don’t know if it’s a record label, but by virtue of this vertical, content-first approach, I am going to be getting back in touch with the industry. We want to be a more regular part of the music ecosystem. It could be a strategic alliance with a particular artist, a distribution deal with an artist, a management company, a publishing company or the distribution and promotion of music. I will generate content with you. I will generate social currency. We will make money by participating in a revenue share or license fee of the actual revenue streams we generate.

Some companies are not as convinced about the viability of music as a revenue driver.

We are. We demonstrate it day in and day out with our properties, and we know we could do more with it. So that’s where the investment comes in. Could we have done it as a company 10 years ago? I think the answer is no. Structurally, we probably weren’t set up for it. The power of music is it travels with no borders. Now we have the platforms. You can consume via audio, video, streaming.

Does Univision have any music-driven shows  in the pipeline?

There will be announcements made, likely at the upfronts [in May]. But our approach is holistic. For example, you’re going to see a lot more radio shows like El Flow and El Bueno, la Mala y el Feo — which are also podcasts — on TV or on VIX. We are no longer taking a TV-centric approach to business. We will have music properties, but it’s not going be a one-show-fixes-all. Scripted is still a huge vehicle for music, for example. And we have a publishing business with over 100,000 copyrights here that I’m also managing.

What really drives fans to tune in to music-adjacent programming?

Storytelling and pop culture. Music has become a synonym for lifestyle. And it has a lot to do with social media and the way artists interact with their fans. Permanence in any kind of show all year is the most important. Also, there is a lot more being done in scripted than we are getting credit for as a music industry. There are so many storylines, documentaries, entertainment shows that are in and around music. How do we get people to engage? The most successful reality shows on television today have more hours of digital content than they do of [regularly scheduled] linear content. Because there are multiple platforms, they are “always on.” The Latin market is diverse, and we are more than a media company. We are a cultural representation of the Latins who live in the U.S. and of the way we live in the U.S.

This story appears in the April 19, 2025, issue of Billboard.

Kesha is celebrating being a “free f–king woman.” The singer sat on the couch on the Kelly Clarkson Show on Tuesday (April 22) for a chat about her upcoming album and her new(ish) status as the owner of the independent label Kesha Records. “My first release is . [Period],” Kesha, 38, said of her upcoming […]

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Source: @fatjoe / Instagram

Fat Joe’s memoir is set to come to television. Kenya Barris and Dominic Colón are developing a Starz series based on the rapper’s life.

Deadline is reporting that Fat Joe’s autobiography The Book Of Jose is getting picked up for a scripted series. The project will follow the Terror Squad MC’s life from growing up in the South Bronx to becoming a global personality. Kenya Barris (We The People Black-ish) will be penning the pilot with support from Dominic Colón (The Corps). Jessy Terrero, of Freelancers fame, is slotted to direct the pilot. The project was originally announced back in 2022 and was set to be on Showtime. According to reports the Showtime opportunity stalled forcing Kenya Barris to take it to Starz.

Released in 2022, The Book Of Jose is an honest look at Fat Joe’s life. In it he tells how he grew up poor and turned to selling drugs as his escape from poverty. He also details pivoting away from the streets to music only to find out that the entertainment industry is just as cutthroat drug trade. During an interview with The Breakfast Club Fat Joe explained why you don’t have to be a fan of Rap to relate to his memoir. “[This] is a transparency book. If you’re going through a dark time in your life; if you read this book you’re going to be able to smile.”

At this time there is no premiere date for the forthcoming series.

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Source: Liane Hentscher/HBO / The Last of Us / Pedro Pascal
Gamers have already experienced this controversial moment in video game history. Still, watching it unfold in HBO’s hit television adaptation of the iconic video game, The Last of Us, has hit even harder, leaving fans stunned.

Like watching the Titanic barrel towards a massive iceberg, fans of The Last of Us video game knew this day was coming and eagerly anticipated seeing how casual viewers would handle this moment that sparked plenty of discourse in the video game world when The Last of Us Part II was released in 2020.
*Spoilers Ahead*
Okay, if you moved past the spoiler warning, you no longer care about what is about to be said.
How Joel’s Time Came To An End In The Last of Us Season 2

At the end of season 1, we saw Pedro Pascal’s Joel slaughter a bunch of members of the Fireflies and including doctors who were about perform a fatal surgery on Ellie (Bella Ramsey) in hopes of turning her immunity to the fungal plague into a cure to end the Cordyceps brain infection that ravaged the entire globe, basically bringing civilization to a crashing halt.
Joel’s decision to save his surrogate daughter comes back to haunt him in season 2 with the introduction of Abby (Kaitlyn Dever), who just happens to be the daughter of the head surgeon he killed in season 1, and yes, she wants revenge, and she gets it brutally.
After Joel saves her from a horde of infected, she quickly realizes he is the man she has been searching for. She shoots in the knee with a shotgun before brutally beating Joel with a golf club, delivering the fatal blow in front of Ellie for a gutwrenching scene as she screams for surrogate dad to get up, before dragging herself over to his lifeless body.
We knew it was coming, but man, it still hit like a ton of bricks.
Showrunners Craig Mazin & Neil Druckmann Didn’t Want To Torment Fans
The Last of Us television show is a rare gem, as it has rich source material to draw from in the game; for the most part, it perfectly mirrors the game with some slight changes made to the story.
Like in this season, Abby is not muscular like she is in the game, much to the chagrin of some purists, but Dever still plays the role with the same anger, and Joel’s death in the show was more brutal than it was in the game, and this was done on purpose.

In an interview with Variety, showrunners Craig Mazin and Neil Druckmann explained why they wasted no time when handling Joel’s death in the show.
They admitted they had thought of every possible scenario. Still, Druckmann explained from a storytelling perspective that Joel’s death happening early made sense “because this is the inciting incident for this story.”
Mazin and Druckmann also wanted to address the elephant in the room, Joel’s death, because it has been looming over the show since season 1, and they felt they had an obligation to spare fans from any more torment.
“There’s a danger of tormenting people,” Mazin told Variety. “It’s not what we want to do. If people know it’s coming, they will start to feel tormented. And people who don’t know it’s coming are going to find out it’s coming because people are going to talk about the fact that it hasn’t shown up yet.
“Our instinct was to make sure that when we did it, that it felt natural in the story and was not some meta-function of us wanting to upset people.”
Social Media Reactions To The Last of Season 2’s Heartbreaking Moment
As expected, the reactions to Joel’s gruesome death were those of shock, and mostly people who knew it was coming were still left reeling after watching Pedro Pascal take a golf club and plenty of punches to the face.

We’re not sure if those people who were tuning in to watch Pedro Pascal will stick around, but if this one post on X, formerly Twitter, is an indicator, HBO and The Last of Us might be in trouble.

But we don’t think last night’s episode will be the last time we see Pascal’s Joel. Remember, we got a whole five years of time we need to catch up on.
Damn Joel, we hate it had to be you.
You can see more reactons to the episode in the gallery below.

1. If you hate her, that means she’s doing a phenomenal job

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Getty Images / Ryan Coogle / Gillian Anderson / The X-Files

Ryan Coogler has set the world ablaze with his phenomenal vampire flick Sinners, and is now looking forward to his reboot of The X-Files, in which he hopes will feature one of the OGs from the original show.

Speaking on a recent episode of The Last Podcast on the Left, the Black Panther director discussed what’s next on his plate and revealed that it was the X-Files reboot.

“I’ve been excited about that for a long time, and I’m fired up to get back to it,” Coogler said about his “X-Files” reboot. “Some of those episodes, if we do our jobs right, will be really f—ing scary. We’re gonna try to make something really great, bro, and really be something for the real ‘X-Files’ fans, and maybe find some new ones.”

To get folks even more excited about his take on the iconic Fox show, he revealed that he’s “spoken to the great Gillian Anderson,” adding, “She’s incredible. Fingers crossed there.”

In the show, Anderson plays FBI Agent Dana Scully, who is initially very skeptical of her partner, Fox Mulder (David Duchovny), but eventually becomes a believer in his conspiracies after experiencing them firsthand. At one point, she is abducted and offered to aliens.

Gillian Anderson Already Expressed Optimism That She Wants To Return

Speaking on the Today show, Anderson expressed optimism about returning for the reboot. “It’s so funny because for most of my life, since I have finished ‘The X-Files‘, every interview I do, people have asked and the answer has always been, ‘Nope, not going to happen, not going to happen,’” Anderson said. “Now, Ryan Coogler, who is the director of ‘Black Panther’ — brilliant, brilliant director — has approached Chris Carter to say that he wants to do a take on it, and I cannot think of a better way around for a reboot to happen.”

She continued, “Whether I am involved in it is a whole other thing. I’m not saying no. I think he’s really cool and I think if he did it, it would probably be done incredibly well. And maybe I’ll pop in for a little something something.”

Now, if Coogler can both Anderson and Duchovny back, he’s got another hit on his hands.