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Spotify & FC Barcelona’s Partnership Scored Rosalía’s Streams a Global Boost

A year in to Spotify’s partnership with FC Barcelona and the music streamer and leading European soccer club are now focused on evolving the sponsorship deal to create “cultural moments” through sports and music collaboration.

“One year ago, we said this would be more than a partnership because we like to say that Barça is more than a club and that’s important because it’s our motto but also important when it comes to partnerships,” says Sergi Ricart, chief marketing and revenue officer, FC Barcelona. “It’s been a pioneer strategic partnership. The engagement of new audiences with the club and the engagement that the content we created has seen, it’s been massive.”

The deal — touted as a new way for the streaming giant to amplify artists across the globe — spans four seasons for team shirts and three seasons for training shirts. It will also rebrand FC Barcelona’s Camp Nou stadium as Spotify Camp Nou, following an extensive redevelopment project that’s scheduled to be ready for the 2024-2025 season. The partnership kicked off with two major artist campaigns featuring Drake‘s OVO and Rosalía‘s Motomami logos, respectively, on the Blaugrana team jerseys. Rosalía’s logo was the first to be featured on both the men’s and women’s teams home kits as part of the partnership.

Following the unveiling of Rosalía’s match kit on March 15, searches for “Rosalía” and “Motomami” on Spotify increased by over 100% globally and by nearly 200% in Spain (compared to searches on March 14), according to the streaming company. Moreover, in the hour after the El Clásico match ended on March 19, global streams of Rosalía tracks climbed on Spotify in multiple markets globally, including Egypt where the tracks saw a more than 220% boost, 170% in Morocco and almost 70% in Nigeria.

“Rosalía’s El Clásico match kit drove streams and awareness because that match has two or three times more global eyeballs than the Super Bowl. These artists are getting fully integrated campaigns and it’s stuff that is enormous in marketing value,” explains Marc Hazan, vp partnerships, Spotify.

Now, with the partnership in its second year, artists such as Anitta and Fuerza Regida have visited the training facilities for the making of the Barça on Tour summer playlist . And, during the team’s stop in L.A. on July 26 for their match against Arsenal, Daddy Yankee toured the Spotify studio with Barcelona players in tow where he showed them a behind-the-scenes-look at his recording process. Additionally, the partnership will support artists on the LED boards during the Barcelona matches while on the U.S. tour.

“We’re creating a cultural moment and for the club it’s so important,” adds Ricart. “We humbly think that we’re the biggest global sports brand but how can we move into a cultural brand and with the support of this partnership we are moving that way.”

Following its more than 20 global activations during the 2022-2023 season, Hazan is looking to tap into different markets immersing in different genres. “This is a long partnership for Spotify, we’re very invested,” he says. “It’s fair to say that football and music are two great passions, so to combine the two is something pretty unique and when you have Barcelona, arguably one of the biggest clubs with a massive following, you’re in a position where they want to partner heavily and there’s a full set of music rights available, that doesn’t come up every day.”

Spotify Study on ‘Super Listeners’: Small Numbers of Fans Drive Big Streaming Numbers

So-called “super listeners” make up an average of 2% of all artist’s listeners, but account for 18% of all streams for the artist — a figure that can grow to 30% of all streams for the biggest artists in the world, according to a new study released by Spotify For Artists.

That’s the headline takeaway from a new report by the leading digital service provider, which focuses on how an artist’s most dedicated fans drive streaming activity and engagement on the platform. For the study — which tracked listening behavior during several different periods across the first half of the year — Spotify broke down percentages for artists based on their monthly listeners, identifying how small segments of an artist’s fan base contribute higher percentages of streams than the majority of listeners. The company doesn’t explicitly lay out how it defines a “super listener,” other than to say that it is “your most dedicated active listeners in the past 28 days” who “are also the most likely to keep streaming your music.”

While the 18% figure is an overall average, super listeners tend to drive the highest percentage of streams for the biggest and the smallest artists, the company found. For artists with 0-10,000 monthly listeners, 1% of super listeners drove 22% of all monthly streams; for artists with 25 million or more monthly listeners, 5% of those fans drove 30% of all monthly streams. Artists with between 5 million and 25 million monthly listeners also scored highly, with 3% of super listeners driving 20% of all monthly streams, while those with between 1 million and 5 million saw 2% of listeners drive 16% of streams. Both the 10,000-100,000 range and the 100,000 to 1 million range saw 1% of listeners drive 13% of streams.

Perhaps unsurprisingly, those super listeners are also much more likely to purchase artist merch through Spotify, too. For artists with more than 10,000 monthly listeners, 2% of their super listeners accounted for 52% of all merch purchases, while the remaining 98% of listeners made up the remaining 48% of merch sales. And there is a top 10 market breakdown for where those super listeners come from, too: four of the top 10 markets are in Latin America (Chile at No. 1; Mexico at No. 2; Argentina at No. 6; and Colombia at No. 7) and three are in Asia (Hong Kong at No. 4; Japan at No. 8; the Philippines at No. 10). The remaining are Canada (No. 3), the United States (No. 5) and Poland (No. 9).

Other statistics in the report: new releases can boost the number of listeners to super-status by almost 20%, while retention of those fans appears to be high, with more than 2/3s of those new superfans still listening six months later. Check out the full report here.

The study comes amid an industry-wide conversation about streaming royalties, how exactly they should be allocated and whether a mechanism should exist to reward artists with dedicated fan bases, and how that should be implemented. But super fans are boosting artists in other ways in addition to streaming numbers — CD, cassette and vinyl sales are all up this year so far, according to Luminate’s mid-year report, which it attributes to superfans, with 15% of the U.S. population spending 80% more than the average fan in a given month.

Swifties Can Now Show Off Their Top 5 Taylor Swift Eras With Spotify Interactive Experience

Calling all Swifties who use Spotify — this is the moment you’ve been waiting for. The streaming service has unveiled a brand new interactive experience designed to let users officially decide their five favorite Taylor Swift albums, also known in the community as: “Eras.”

To try out Spotify’s new “My Top 5: Taylor Swift’s Eras” feature, Swifties can visit this link, scan the QR code and, while on the mobile Spotify app, tap through all ten of Swift’s albums, choosing their five personal favorites from the following: her self-titled debut (2006), Fearless (2008), Speak Now (2010), Red (2012), 1989 (2014), Reputation (2017), Lover (2019), Folklore (2020), Evermore (2021) and Midnights (2022). From there, users can re-order their Top 5 into a ranked list, which Spotify will then turn into a share-able graphic.

And if choosing between the albums is just too difficult — like being asked to pick a favorite child, some might say — then Spotify can do it for you. The new interactive experience also sorts through users’ listening activity to reveal their most-streamed Swift eras.

“Taylor Swift has long captivated her fans with her unique ability to capture the deepest human emotions in her songs,” reads a press release for the launch. “The Eras Tour has been the cultural event of the year, and now fans will get to proudly share their own top Eras with the world.”

Past “Top 5” iterations include The Weeknd, Kendrick Lamar, BTS and ROSALÍA.

Spotify’s new feature comes just as Swift is wrapping up the U.S. leg of her bestselling Eras Tour, which will find the singer playing two shows at Levi’s Stadium in Santa Clara, Cali. before taking on a full six shows at SoFi Stadium in Inglewood. From there, she’ll take the trek global with a slew of dates in Latin America, Asia, Europe and Australia.

Check out Spotify’s new “My Top 5: Taylor Swift’s Eras” feature here.

Spotify Revenues Rise 11% on Larger Than Expected Subscriber Growth in Q2

Spotify reported its revenues rose 11% for the second quarter as surging monthly active users and growth in premium subscribers tamped down costs from staff cuts in the previous three months.

The company’s total revenue €3.2 billion ($3.53 billion) was up 11% from the year ago quarter, or up 14% in constant currency, a measure that strips out the effects of foreign exchange fluctuations. Monthly active users, or the total number of unique visitors to Spotify every month, rose 27% to 551 million in the quarter, while the number of premium subscribers grew 17% to 220 million, up a net of 10 million in the quarter.

The growth in premium subscribers modestly beat company guidance by 3 million and was enough to offset quarterly operating losses of €247 million ($272.7 million), as the company incurred numerous one-time costs related to staffing and cuts to its podcast programs meant to reduce long-term expenses.

Spotify’s executives will discuss the quarter’s earnings — and the impact of the recently announced premium subscription price increases — in greater detail on a call with investors at 8 a.m. EST.

The company reported gross margin of 24.1%, below its guidance of 25.5%. When adjusted to strip out one-time expenses related to cost cuts in the quarter, Spotify said its margin was in-line with guidance at 25.5%.

  • Spotify’s monthly active users were up 27% to 551 million, well above the company’s 530 million target. 
  • Premium subscribers rose 17% to 220 million, beating company expectations of 217 million premium subscribers for the quarter.
  • Total revenue rose 11% to €3.2 billion ($3.53 billion) and met the company’s internal targets. 
  • Adjusted Operating Loss of €112 million was better than guidance, excluding charges related to actions in the quarter to streamline operations and reduce costs.

Spotify Launches ‘Most Necessary Live’ Regional Hip-Hop Shows: Exclusive

Spotify is launching its Most Necessary Live series of live shows highlighting regional rap scenes and rappers in various cities across the U.S., Billboard can exclusively announce Monday (July 24).

Serving as a physical extension of Spotify’s editorially curated Most Necessary playlist — dubbed as “the official voice of the next generation on Spotify” — Most Necessary Live celebrates some of the hottest emerging rappers featured on the playlist in real life and connects them with their top listeners through exclusive performances.

Most Necessary Live kicks off Aug. 2 in Houston, Texas with DeeBaby, Monaleo, That Mexican OT, Mike Dimes, KenTheMan and surprise guests.

rapcaviar, spotify

Courtesy of Spotify

“Regional rap scenes have always been the lifeblood of hip-hop, so we’re thrilled to kick off Most Necessary Live in Houston. As a physical extension of the playlist — it’s another example of how we’re continuing to support emerging artists at Spotify,” said Max Weinstein, hip-hop lead, artist partnerships at Spotify, in a statement. “A major collaborative effort across the music and marketing teams, we’re launching this showcase to highlight local artists and give fans a chance to see their favorite acts perform live. The team has been cooking this up for a while, so we’re excited to finally bring Most Necessary to life.”

Most Necessary Live will take place once a quarter and go through multiple U.S. cities. On-site experiences will also include merch and social-worthy photo moments.

Spotify Hikes Price on Premium Individual Plan by $1

Spotify said on Monday (July 24) it is raising the price of its premium individual plan by $1 in North America, Europe and Asia amid widespread calls from investors, analysts and the music industry to join other streaming platforms that have raised prices.

“The market landscape has continued to evolve since we launched,” Spotify said in an emailed statement. “So that we can keep innovating, we are changing our Premium prices across a number of markets around the world. These updates will help us continue delivering value to fans and artists on our platform.”

Starting on Monday, Spotify’s premium individual plan in the United States will cost $10.99 a month, while the premium duo plan will cost $14.99 a month, the premium family plan will cost $16.99 a month and the premium student plan will cost $5.99 a month. News of the price increases was first reported by the Wall Street Journal on Friday.

While the price of the individual subscription price has held steady at $9.99 per month in the U.S. for a dozen years, Spotify did increase the price of its family plan from $14.99 to $15.99 and raised subscription prices in other markets, primarily on student, Duo — an account for two subscribers — and family plans.

Many investors and Wall Street analysts have advocated for price hikes to boost top-line revenues and improve music gross margins. JPMorgan Chase analysts said in a March 8 report that a Spotify price increase for U.S. individual plans would create incremental annual revenue of about $200 million.

Music company executives have also called on Spotify to raise its prices, saying that keeping prices low undervalues popular music and hurts license holders.

The price increases will go into effect starting today in roughly 50 markets worldwide.

Spotify to Raise Individual Subscription Price by $1 in the United States: Report

Spotify will raise the price of an individual subscription in the United States by $1 — from $9.99 to $10.99 — according to a report Friday (July 21) at the Wall Street Journal.

The move has been widely expected by investors and analysts following numerous comments by Spotify executives about an eagerness to raise the price in the United States and a belief it could do so without turning away customers.

“I think we are ready to raise prices, I think we have the ability to do that, but it really comes down to those negotiations” with major music industry stakeholders, CEO Daniel Ek said during an earnings call on April 25. Those negotiations likely started last year. During an October earnings call, after Apple Music and Amazon Music raised the monthly price of individual subscription fees in the United States by $1, Ek said Spotify could raise prices in 2023 after it has conversations “with our label partners.”

Spotify has left the individual subscription price untouched at $9.99 per month since it launched in the United States in 2011. It did, however, raise the price of its family plan from $14.99 to $15.99 back in 2021. The company has dabbled with price increases in other markets, mainly focusing on student, Duo — an account for two subscribers — and family plans.

Assuming a higher price does not increase subscriber churn — and Spotify appears confident it will not — a small price increase stands to help boost top-line revenues and improve music gross margins. JPMorgan Chase analysts said in a March 8 report that a Spotify price increase for U.S. individual plans would create incremental annual revenue of about $200 million.

Spotify did not immediately respond to a request for comment on this story.

Camila Cabello’s Meditative Calm Content Is Now Available on Spotify

Calm and Spotify announced on Thursday (July 13) that they’ve partnered up to make mindfulness more accessible in day-to-day life.

11 of the meditation app’s shows are now on the streaming platform, specially curated to support mental wellbeing by helping improve sleep, reducing stress and anxiety and building mindful habits. Therefore, those without a Calm subscription can still enjoy the practices the platform has to offer.

Among the Calm content now available on Spotify is Camila Cabello‘s popular Breathe Into It sessions, in which the “Havana” singer discusses the unpredictable nature of life, and how she found grace, peace and positivity amid struggles with boundaries and social media. The superstar has often cited meditation as a useful practice in her life, noting that turning off social media and opting to meditate “helps me so much.”

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Those looking for a dose of mindfulness can also enjoy episodes of Calm for Sleep, Calm for Stress & Anxiety, Calm for Meditation, Calm for Beginners, Calm for Kids, and episodes of Daily Mindfulness featuring voices from Jay Shetty, Mel Mah and Tamara Levitt.

Stream Cabello’s Breathe Into It episodes on Spotify here, and if you’re looking for more, sign up for Calm here.

Spotify’s Wall Street Rebound Is Leading Music Stocks’ Growth

Spotify was the biggest contributor to the 13% increase posted by the 21 stocks tracked by the Billboard Global Music Index for the first half of 2023.

Fueled by cost-cutting and corporate reorganization, shares of Spotify gained 103.4% through June 30. While that wasn’t the largest on a percentage basis for stocks on the index, Spotify’s size — it has the second-largest market capitalization of stocks that Billboard tracks — meant the company’s improvement was the single largest factor in the index’s gain.

The Global Music Index is a float-adjusted index of 21 music stocks. Each company’s market capitalization — the value of outstanding shares — is adjusted to remove the shares of insiders, corporate owners and long-term investors. The remaining market value reflects the shares available to be bought and sold on the open market. The index does not weight stocks to balance the influence of larger and smaller companies. (MSG Entertainment is not included in the index because it wasn’t an active stock for the entire six-month measurement period.)

Only half of the index’s six streaming stocks posted gains through June 30: Los Angeles-based platform LiveOne — with a relatively small market cap of $151 million — shot up 173%, and China’s Cloud Music improved 7.1%. On the losing end, Tencent Music Entertainment, also based in China, fell 10.9%; France’s Deezer dropped 17.8%; and Anghami, based in Abu Dhabi, United Arab Emirates, lost 26.6%.

Outside of music, other streaming companies’ stocks also performed well in the first half of 2023 after losing ground in 2022. Netflix and Roku gained 49.4% and 60.5%, respectively, while Warner Bros. Discovery and Walt Disney Company — broader entertainment companies with streaming platforms and, lately, much C-suite drama — improved 32.3% and 2.8%, respectively.

Strong demand for in-person experiences following the pandemic helped live-music companies recover from share-price losses in 2022. Live Nation shares improved 30.6% to $91.11, and the company had the second-largest gain in adjusted market capitalization. Sphere Entertainment, CEO James Dolan‘s gambit to change the live-entertainment business, gained 31.9% after adjusting for the spinoff of MSG Entertainment in April. Germany’s CTS Eventim, stung by criticism over fee transparency by a German public TV show in June, dropped 2.9%. Live Nation’s market cap overpowered CTS Eventim’s loss, and all of the live-music companies collectively accounted for 32% of the index’s growth.

The index’s 13% gain was less than closely watched indexes such as the S&P 500 (up 15.9%) and the Nasdaq composite (31.7%). Both indexes are dominated by gains from tech titans such as Nvidia (up 189.5%), Meta (138.5%), Apple (49.3%), Microsoft (42%) and Alphabet (36.3%). Of that group, only Meta has a market cap under $1 trillion. The Billboard Global Music Index easily beat the 7.2% gain of the Russell 2000, an index of small-cap U.S. stocks with a median market cap of about $1 billion.

While Spotify’s share price of $160.55 is well below its all-time high of $387.44 reached in February 2021, it shows that investors regained some belief in the company’s long-term prospects. Spotify benefited from the same pandemic boost that carried Netflix to a record-high market cap. At the same time, investors were also enthusiastic about the potential for its podcasting business to evolve the music platform into an audio entertainment hub and improve margins constrained by label licensing deals.

Diving into podcasting required large cash outlays for acquisitions, staff and content deals with Joe Rogan, former President Barack and Michelle Obama, and Prince Harry and Meghan Markle, among others. By March 2022, investors had become impatient for margins to improve, and Spotify’s share price dipped to $118.20. As a wave of belt-tightening swept corporations worldwide, Spotify made drastic changes: It laid off 6% of its workforce in January and cut another 2% in June entirely from its podcast division. It restructured its podcasting leadership, canceled shows and consolidated its various podcast brands — The Ringer, Gimlet and Parcast — under the Spotify Studios umbrella.

Layoffs and reorganization have been especially common in the radio business. SiriusXM laid off 8% of its workforce in March and reorganized its podcast business. After the company announced it would shutter its stand-alone podcast app, Stitcher, its share price increased 18.5% in the last week of June. Its stock was down 22.4% at the year’s midway point, hurt by soft forecasts for self-pay subscribers and the weak advertising market that led to three radio companies in the index falling an average of 32.3%. IHeartMedia (down 40.6%) and Cumulus Media (34%) have also cut costs and laid off staff.

Two South Korean companies ­— both a mix of label and management company — accounted for two of the biggest gains outside of Spotify and Live Nation. HYBE, home to BTS, improved 62.2%, and SM Entertainment, the company behind NCT 127, gained 39.2%. SM’s share price benefited from a takeover battle. HYBE lost out to Kakao Corp. and Kakao Entertainment, which now collectively own 40% of SM, but its stock has more than reclaimed the losses suffered in June 2022, when BTS announced its hiatus.

Outside of South Korea, label and music publishing stocks had mixed results at midyear. Universal Music Group, the index’s largest company by market cap, and Warner Music Group declined 9.6% and 25.5%, respectively.

Bad Bunny’s ‘Un Verano Sin Ti’ Becomes The Most-Streamed Album In Spotify History

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Even with all the backlash that Bad Bunny earned himself from the Latino community by dating notorious culture vulture, Kendall Jenner, his latest album, Un Verano Sin Ti, still continues to make history in 2023.

Already being named the most streamed album of 2022, Un Verano Sin Ti has now gone on to become the most streamed album in Spotify’s history as it’s beaten out Ed Sheeran’s Divide to sit atop that streaming throne. Who knew reggaeton would go on to be more popular than folk-pop these days? According to Digital Music News, Bad Bunny’s fourth studio album hit the stream running with 356.66 million on-demand streams in its debut week May 6, 2022.

It’s only been dubs and love from there as the king of reggaeton has enjoyed all the success from the fruits of his labor as he’s let his work speak for itself.

Digital Music News reports:

The record spent 13 nonconsecutive weeks at No. 1 on the Billboard 200, with 22 songs from the set on the Billboard Hot 100, the most in a week for a core Latin music artist and the most in a week performed all in Spanish. Un Verano Sin Ti became the first non-English album ever to top the Year-End Billboard 200.

Featuring collaborations with The Marías, Buscabulla, and Chencho Corleone, the album also made history at the Grammys last year as the first Spanish-language album to receive a nomination for Album of the Year.

“I never dreamed I wanted to be the biggest one or No. 1. I simply wanted to make it. Why? Because I love what I do. I’ve been doing rhythms since I was 13 years old, writing, singing songs in my head,” Bad Bunny told Billboard last year. “I never said I want to be the biggest or the best or the richest. I did it because I loved it, and my only dream was to be able to make a living out of it.”

Hopefully, the Kardashian Kurse doesn’t hit him like it did some of Kendall’s exes such as Ben Simmons, Devin Booker (whom Bad Bunny threw a subliminal shot at over Kendall), Blake Griffin or Kyle Kuzma. Aside from Booker, all them dudes looked washed up these days, but Booker’s chances at getting a ring seem as slim as his teammate, Kevin Durant.

Luckily the “kurse” hasn’t affected Bad Bunny’s success, but if that next album flops both critically and commercially, y’all already know what happened. Just sayin’.

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