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Special Events

HipHopWired Featured Video

Source: Emma McIntyre / Getty
Years after Coachella removed Travis Scott from their lineup due to the tragic events of Astroworld in 2021, it seems like Cactus Jack is back in the good graces of the annual concert event as he and a few other big name artists are set to headline Coachella come 2025.

Taking to Instagram to announce their upcoming lineup, the “SICKO MODE” rapper will be joining the likes of Post Malone, Green Day and Lady Gaga when Coachella kicks off their two-weekend event on April 11-13 and April 18-20. Other notable names joining the festivities will be the likes of Missy Elliott, GloRilla, Megan Thee Stallion, and even Three 6 Mafia. We hope Three 6 Mafia breaks out their Oscar trophy from 2006. Don’t let that accomplishment die, y’all!

Taking to Instagram to announce his return to Coachella, Travis Scott posted a pic of next year’s concert event and in the caption wrote:
“NEW CHAPTER
NEW PERFORMANCE
NEW COACHELLA BY LA FLAME AND CACTUS JACK
FIRST OF ITS KIND
PS YALL 🥷 GOT TILL APRIL CAUSE
IM COMING.”

Is Travis Scott planning on dropping some new work in preparation for his return to Coachella? Could he possibly bring out Young Thug to the festivities and have the crowd go berserk? Guess we’ll have to wait and see.
Tickets for the 2025 Coachella will be available for presale on Friday (Nov. 22), at 11 a.m. PT on their website here.
What do y’all think of next year’s Coachella lineup? Will y’all be attending? Let us know in the comments section below.

HipHopWired Featured Video

Source: @reallilscrappy / Instagram
We’re less than a week away from electing our first Black female president of the United States or our first dictator in American history. With so much on the line for the Nov. 5 presidential election, some Hip-Hop artists have partnered up to encourage people to have their voices heard and go vote like their lives depend on it… because it does.

Looking to remind people about the importance of voting, Lil Scrappy, Mia X, Big Freedia, Lee Merritt, Cookie Nasty, and Trae Crockett have gotten together with the Hip Hop Caucus for a Political Rap Cypher to kick off the Respect My Vote Cypher. Truth be told, it couldn’t have come at a better time. With so many voters still unsure about who to vote for or whether to vote at all, these artists are taking the time to remind everyone about what’s at stake this election with some deep bars.

From civil rights to economic issues to environmental justice, these artists use their talents to break down why they’re voting in the coming election and why you should to.
We doubt Waka “MAGA” Flocka’s gonna wanna collaborate with any of these artists anytime soon. Just sayin’.
Check out the Respect My Vote Cypher below, and don’t forget to make your voices heard come Nov. 5 as it could very well be the last time you get the chance to should a certain Orange Overlord end up back in office (just look up Project 2025).

HipHopWired Featured Video

Source: Phillip Faraone / Getty
It’s that time of year when ComplexCon ascends on the Hip-Hop culture. This year, Complex has tapped one of the biggest names in the music industry, Travis Scott, to help curate their eight annual festivities.

Over the weekend, it was revealed that none other than La Flame aka Travis Scott would be taking the helm for this year’s ComplexCon in Las Vegas. It all goes down Saturday, November 16 and Sunday, November 17 at the Las Vegas Convention Center, which will tout over 1,000,000 sq ft, for brands like Nike, adidas, Awake NY, New Era, Cactus Plant Flea Market, Hidden Undefeated, Mitchell & Ness, and many more to outfit pop-ups, special drops and activations.

It will be dubbed CactusCon (of course) as Cactus Jack, who headlined the first ComplexCon back in 2016, will be the event’s Artistic Director and headliner for the Sunday night finale. As cool as the news is, sneakerheads want to know if Travis Scott will be breaking out some new exclusive kicks for the event or if he’ll be rocking some joints we’ve already seen before (just sayin’).
In a press release from ComplexCon, we get an idea of what we can expect now that the “Highest In The Room” rapper is in control of the festivities.
Under Scott’s creative direction, Cactus Jack will infuse its iconic style throughout ComplexCon. Scott will also design exclusive merchandise only available at the festival. The multi-platinum, diamond-certified recording artist, producer, and style icon’s role builds upon ComplexCon’s history of working with the most prominent and innovative artists such as Takashi Murakami, to push artistic and experiential boundaries.
So are we getting some exclusive Travis Scott Nikes or Jordans?! Re-releasing some grails that were hard to cop? Again, inquiring sneaker minds want to know.
VIP and general admission tickets are already available at ComplexCon.com.
What do y’all think? Are y’all excited about this years “CactusCon” now that Travis Scott is in charge? Let us know in the comments section below.

HipHopWired Featured Video

Source: AIDS Walk Atlanta / AIDS Walk Atlanta
Lil’ Kim was named as the headliner for the annual AIDS fundraising walk and festival to be held in Atlanta later this month.
The multi Award-winning rap artist Lil’ Kim will be utilizing her talents in the fight against HIV and AIDS, as she has been named the featured star for the Annual AIDS Walk Atlanta Music Festival and 5k Run. She will be joined by singer/songwriter and DJ Durand Bernarr. Both will perform at the concert event that will follow a 5k run and walk through the historic Midtown district of Atlanta, with the festivities taking place at Piedmont Park, which sits between the Midtown community and the Virginia Highlands district. The event is organized and sponsored by the AIDS Healthcare Foundation (AHF), the world’s biggest nonprofit healthcare organization that is dedicated to education in the fight against HIV and AIDS.

According to the press release shared with HipHopWired, this will be Lil’ Kim’s second time performing at such an event held by the organizer. The “Lighters Up” rapper took the stage for the cause at the Florida AHF AIDS Walk and Music Festival, which was held in Fort Lauderdale in April 2021 after certain COVID-19 protocols were eased in the state. The Atlanta event will mark its 33rd year this year, taking place on Sept. 28. Artists who have been headliners in the past include Myá, Atlanta native Chris “Ludacris” Bridges, Ashanti, Monica, Wale, Sevyn Streeter, and Trina.
“This annual event offers a time to create a greater awareness of the impact of HIV and AIDS on the local Atlanta community as well as an opportunity to bring together thousands of individuals from across the region to raise critical funds for these 13 worthy organizations,” stated Dr. Felicia Ivey, AHF Atlanta’s regional director in the press release. “AHF is proud to present this event as one of the many ways that we educate and empower the local community to join the fight against HIV and AIDS.” Those interested in attending, forming a team to participate in the walk or looking for more information can visit the foundation’s website at aidswalkatlanta.org.

HipHopWired Featured Video

Source: K Woods Foundation / Cynamin Jones Consulting
Method Man has been added to the lineup for Ghostface Killah’s Peace & Unity Festival, taking place on Labor Day Weekend.
The veteran rapper Ghostface Killah is set to host the Peace & Unity Festival Saturday (Aug. 31), and his fellow Wu-Tang Clan member Method Man is now going to take part after being announced as a co-host to the event’s jam-packed lineup. The festival, in its second year, is organized by the non-profit K Woods Foundation and will take place at the Snug Harbor Cultural Center & Botanical Garden in Staten Island, New York.

The “Judgment Day” rapper will take the stage along with Kid Capri, Jim Jones, Juelz Santana, Smif-N-Wessun, Beanie Sigel, Freeway, Connie Diiamond, Abby Jasmine, Chey, and Freekey Zekey. The concert event will run from 1 p.m. to 8 p.m., with Ghostface Killah closing out the show with some special guests. The festival was created to foster more unity among those living on Staten Island through music. There will be numerous family-friendly activities taking place at the venue along with food vendors. Local talent showcases will also be taking place at the festival.
Part of the proceeds from the festival will go to the K Woods Foundation, created by Kareem “Kay” Woods in 2019 to serve the youth of the Park Hill neighborhood. Since its inception, the foundation has already raised funds toward breaking ground on a new playground and basketball court, with a future goal of building a community center.
“I’m so proud to see the youth in my neighborhood finally get what they deserve. A nice, clean, safe space to play and enjoy their childhood. I am so blessed to have grown up here and be in the position to come home and open up new possibilities for learning and growth for so many kids who don’t have the opportunities I did,” said Woods in a press release for the event. Tickets are still available for the Peace & Unity Festival through the Snug Harbor Cultural Center’s website as well as through Eventbrite.

HipHopWired Featured Video

Source: Johnny Nunez / Getty
HipHopWired had the opportunity to speak with Martha Diaz about the symposium held at Lincoln Center celebrating the contributions of women in Hip-Hop.
On Friday (April 5), the Alice Tully Hall at Lincoln Center in New York City was home to a groundbreaking event that focused on the numerous contributions that women have made to the culture of Hip-Hop. The Fresh, Bold & So Def Symposium came together as an initiative to highlight the trailblazing women who lent their abundant talent and style to an industry dominated by men and to further empower the next generation of women in the culture.

The all-day symposium came about through a partnership between Martha Diaz, the award-winning activist and community organizer who serves as the founder and chair of the Hip-Hop Education Center and Lincoln Center. The Fresh, Bold & So Def Symposium, inspired by Diaz’s initiative championing intergenerational Hip-Hop feminism began with a panel on mentorship for women and girls in the culture.
It featured veteran designer Misa Hylton, Sophia Chang, Tiffany Miranda and Michelle “Lady Bird” McPhee, a lecture by Rap Coalition founder Wendy Day, and a fireside chat on self-care with Shanti Das and Toni Blackman before the evening’s panels. The panels featured a lecture by Dr. Joan Morgan and a ladies’ cipher discussion led by Diaz with pioneering MCs MC Sha-Rock, Pebblee Poo, Dr. MC Debbie D, Lisa Lee and a panel on innovation with Dr. Rosa Clemente, Jazzy Joyce, Claw Money and Erica Ford, moderated by Kathy Landoli.

The audience in attendance was diverse and was welcomed warmly, with Diaz and her team warming the crowd up in between. Each panel discussion and lecture provided vital information and perspective that garnered enthusiastic applause. A few days before the symposium, HipHopWired had the honor to talk with Martha Diaz about what inspired the symposium and the way it all came together.
HipHopWired: As vital as it is to emphasize the importance of women in Hip-Hop, what prompted the creation of the symposium for this point in time?

Martha Diaz: This symposium has been decades in the making. Since the 1990s and the early 2000s, I wanted to create an initiative to show the contributions of women to Hip-Hop. It just felt like we weren’t getting our props, and that we were being erased from history. So when we met with Lincoln Center, they embraced the idea and the message.
Could you share a little bit about the process and working with Lincoln Center to be a partner in the symposium?
We spoke about the education within it. It wasn’t just to celebrate women, but how could we inform the community about the different roles that we are paying tribute to? It’s about education, celebration. It was about informing people of our roles and our contribution. And we wanted to have a look and conversation about some of these inequities. So carefully curated, so that we could have the best representatives talk about these issues as well. And we wanted it to be intergenerational. So we didn’t want it to be like “oh, the old school,” we wanted to engage young people as well.
So the programs in the morning have workshops, fundamental Hip-Hop 101 workshops so that young people can learn about the history and the elements of Hip-Hop. And then you know, we have master classes for those kids who are a little bit more advanced. And then we have something for the young professionals who are kind of isolated from the culture but are in the music and entertainment industry, so we have something for them. And then we also have the evening portion, much more deeper conversations around erasure and self-care and being disruptors in Hip-Hop culture.
You don’t have to follow everyone else, we can actually make some changes in our culture. That’s pretty much how we kind of developed the day. Lincoln Center as a partner, I have to mention how important it is for them to believe in us, just like how you reached out and said: “Hey, I want to cover this.” They gave us the resources that can help us amplify our base message. So I just really cannot stress enough how important it is and how this is going to be ongoing. It isn’t a one-off.

That leads me to my last question. I’ve noticed that the panels and lectures are extremely impressive. So what was the response from those involved when the organizing team contacted them to take part?
Oh, they were excited. Most of the women, I would say 98% of the women said yes immediately. The other 2% said no, because they have other commitments, but had they not had those other commitments they would have joined us. It is our moment, it’s our time. We are finally having our “Me Too” movement, with everything that’s happening with Diddy.
And it’s great that we finally get the safe space to have these conversations that are delicate and necessary. If we’re gonna evolve as a culture, women have to have this space to have the conversations and create boundaries and guardrails so that you [other women] don’t have to go through some of the things we went through.

HipHopWired Featured Video

Source: Paul R. Giunta / Getty
On Saturday night (March 18), the New York City stop of Key Glock’s Glockoma 32-city tour celebrated the February release of his highly anticipated Glockcoma 2 album, but it wasn’t without flaws. Pain-staking patience was required to enjoy the show at the the Knockdown Center in Queens as the crew battled massive wait times switching between show openers Tia Corine, Jay Fizzle, Kenny Muney, and the headliner.

However, it wasn’t enough to ruin the overall experience. Each artist dazzled fans with high-energy performances, showcasing why they were handpicked to join the late, great Young Dolph’s independent label Paper Route Empire.

First up to hit the stage was Jay Fizzle, a cousin to the late Dolph, who appeared 40 minutes earlier than expected from the promoted 8:00 pm showtime. Those interested in watching the performance saw the ski-mask-wearing rapper perform “Standin On Top Of Sh*t” and “Hood Rich.”
By this point, plumes of weed smoke filled the air as the crowd waited 30 minutes for Kenny Muney to arrive. Dressed in a purple puffer, the rapper kicked off his set with “Ashtray” before flinging a wad of cash into the air during “Big Muney Sh*t.” He took off his coat to jump in the crowd for a more intimate performance of “Lowkey.”
Tia Corine also performed while fashionably dressed in a gothic outfit with a blonde mullet. Her set started with the hit single “FreakyT,” a fan favorite. Her voice energetically bellowed through the speakers with “FYK” until her DJ ruined her set on “Dipset.” By this time, she was noticeably annoyed but powered through during “Boogie,” “Pancake,” and “Lotto.” The set wrapped with an encore of her opener.

Key Glock’s set was a painful 40-minute wait that involved a complicated stage breakdown as a hypeman repeatedly promised he was “on his way” to the show. Just as the complaints of leg pain echoed across the crowd, the houselights dimmed, and stage lights suddenly turned on, when a focused Glizzock emerged. It was showtime.

His performance formula is simple: don’t talk too much and just let the music do all the work. To say it was a clever strategy is an understatement.

Glockoma 2’s “Chromosomes” opened the show, the first of 20 songs carefully selected from his vast catalog while cleverly themed video graphics flashed in the background. The crowd remained invested as he performed “Work,” “Bottom of the Pot,” and “On My Soul,” but pure fandom erupted when “Jigsaw” dropped. The crowd pushed closer to the stage as a giant white head darted laser beams out of its eyes with smoke. At this point, the audience joined in tandem with Key Glock as both rapped in the chorus for the remainder of his show, including on standouts “I’m Just Sayin,” “Like Key,” “Juicemane,” and “Dough.”
To hear these songs and not see Young Dolph beside him to recite his parts left a void that was felt all night. This cued Glock to take a well-timed break to pay homage to his mentor with “Get Paid,” “Preach” and “Water on Water on Water.” It was the closest anyone could get to experiencing the fallen rapper live on stage again. The crowd celebrated to pay their respects.

Finally, the show was nearing its end as “Mr. Glock” and “White Russian” whiplashed the audience back to high-energy mode, before wrapping with a closer from “Frozone” by the late Big Scarr. The crowd was pleased, proving that Paper Route Empire remains dedicated to upholding Young Dolph’s legacy by delivering high-quality performances. And they did just that.