Sony Music Publishing
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For the second quarter of 2024, Warner Chappell Music (WCM) continued to hold the top spot on Billboard‘s Country Airplay publisher rankings, marking its third consecutive quarter at No. 1.
With a 33.53% market share — up half a percentage point from Q1 — WCM’s Nashville team won big with hits including “Where It Ends” by Bailey Zimmerman, who along with the song’s producer, Austin Shawn, has been signed to WCM since 2023. Apart from Sony Music Publishing’s five-consecutive-quarter stint at No. 1 from Q3 of 2022 to Q3 of 2023, Warner Chappell has consistently held the quarterly top country music publisher title in Nashville, dating back to the first quarter of 2017.
Sony landed in second place with an 18.94% market share and 49 songs on the Q2 Country Airplay chart, including hits “Outskirts” by Sam Hunt (No. 3), “Take Her Home” by Kenny Chesney (No. 5), and “World on Fire” and “Bulletproof” by Nate Smith (Nos. 11 and 12). Of the 49 songs Sony had on the chart, 15 were co-written by Ashley Gorley, earning him the distinction of being the quarter’s top Country Airplay songwriter.
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Universal Music Publishing Group (UMPG) moved up one spot in the rankings to third place with a 7.69% market share and 23 songs on the quarter’s Country Airplay chart. “Outskirts” by Sam Hunt, “Tucson Too Late” by Jordan Davis (No. 6), “I Had Some Help” by Post Malone and Morgan Wallen (No. 15), and “Cowgirls” by Wallen (No. 16) were among UMPG’s top songs for the quarter.
Kobalt rose to No. 4 with a 6.88% market share, up from fifth place and 5.78% last quarter. It also controls a slice of the sixth-ranked track, Davis’ “Tucson Too Late, along with 22 other songs on the quarter’s chart.
BMG fell from third place in Q1 to fifth with a 4.95% market share. The Berlin-based music company’s biggest song this quarter was “Halfway to Hell” by Nashville superstar Jelly Roll, which ranked fourth on Country Airplay in Q2. BMG had eleven songs on the chart.
Big Machine Music finished sixth with a 4.19% market share thanks to its slice of Tyler Hubbard’s “Back Then Right Now” and eleven other songs. At No. 7, Hipgnosis made its debut on the country publisher rankings with a 3.48% market share and four songs, including a share of “Where It Ends” by Zimmerman.
At No. 8, St. Music also debuts on the Country Airplay publisher rankings with two songs, including “We Ride” by Bryan Martin. Concord came in ninth with 2.31% of the market thanks in part to “One Bad Habit” by Tim McGraw.
Anthem rounds out the top 10 with hits including “Cab in a Solo” by Scotty McCreery. The publisher held the same ranking in Q1 but improved its market share significantly, up from 1.87% to 2.18% quarter to quarter.
Universal Music Publishing Group earned the top spot on the Hot 100 Songs publishers ranking for 2024’s second quarter with 27.97% of the market, in large part thanks to Taylor Swift and the 19 songs she landed on the chart. It didn’t hurt that her writing partner Jack Antonoff is also on UMPG’s roster. (He moved there from Sony Music Publishing in August 2023.) Swift’s work accounted for a little over one-third of the 56 songs the publisher had on the Hot 100 during the quarter, up significantly from its 43-song count in the first quarter of the year.
Sony Music Publishing, which typically places first on the Hot 100 publishers ranking, finished a close second with a 27.13% market share and 57 tracks on the chart, including the No. 1 song for the second quarter, Tommy Richman‘s “Million Dollar Baby.” Warner Chappell Music finished third with a 19.87% market share. Its top second-quarter tune was “A Bar Song (Tipsy)” by Shaboozey, one of 47 that it landed on the chart.
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Sony nevertheless remained at the peak of the Top Radio Airplay ranking for the 13th consecutive quarter, with a 27.64% market share and 66 songs. Its No. 1 track was “Lose Control” by Teddy Swims, a song in which Warner Chappell and UMPG also have stakes. Sony was also buoyed by the quarter’s biggest Radio Airplay hitmaker — Ashley Gorley, co-writer of “I Had Some Help” by Post Malone featuring Morgan Wallen — plus seven other songs on the chart.
Warner Chappell maintained its second-place ranking among Top Radio Airplay publishers for the third consecutive quarter with a 23.25% market share and 63 songs on the chart. UMPG came in third with 15.82% of the market and 43 songs.
Kobalt held its position as the fourth-largest publisher on the Hot 100 and Top Radio Airplay charts with market shares of 10.74% and 9.44%, respectively, in part due to stakes in the No. 1 songs on both charts.
Despite a tumultuous first half of the year, Hipgnosis turned in a strong performance, finishing fifth on both rankings, with a 4.36% share on Top Radio Airplay and 2.73% on the Hot 100, also thanks to its piece of “Lose Control.” Last quarter, Hipgnosis — whose founder and CEO, Merck Mercuriadis, stepped down in July after private equity firm Blackstone acquired its catalog — was No. 7 on Top Radio Airplay and No. 9 on the Hot 100.
BMG ranked No. 6 on both Top Radio Airplay (3.36%) and the Hot 100 (1.47%), down from the No. 5 ranking it had on both charts in the first quarter.
Three independent publishers fill the entries at Nos. 7, 8 and 9 on the Hot 100 chart. Reservoir Music ranked seventh (1.34%) thanks to its share of “Espresso” by Sabrina Carpenter, Position Music (1.194%) was eighth due to its stake in “Beautiful Things” by Benson Boone, and Sentric Music Publishing was ninth (1.192%) with help from “End of Beginning” by Djo. The latter two publishers make their first appearances on the rankings.
Last Quarter: Jack Harlow Helped Sony Sweep (Again)
Sony Music Publishing Nashville has inked a go-forward and catalog deal with singer-songwriter Clint Black. The company will administer songs from the bulk of Black’s catalog, including hits such as “A Good Run of Bad Luck,” “Like the Rain” and “Nothin’ But the Taillights.” The deal does not include his first three albums. “Clint Black […]
The Songwriters of North America (SONA) Foundation has partnered with mental health provider Backline to launch a new therapy assistance project. Called TAP, the program will provide qualifying songwriters up to $1,500 in funding for therapy services. Applications are accepted on a rolling basis and reviewed weekly. Each week, the program manager will send new […]
Sony Music Publishing has entered into an agreement with Otis Redding‘s estate, now doing business as Big O Holdings, to administer the songs of the late soul legend in the United States. The singer’s widow, Zelma Redding, said SMP was the right partner to help in their “never-ending effort” to keep Redding’s legacy “recognizable around the world.”
Redding composed or co-wrote many of the songs readily associated with him, including “Respect,” which later became Aretha Franklin’s signature, “Mr. Pitiful,” “I Can’t Turn You Loose,” “Hard to Handle,” eventually adopted by The Black Crowes, and “These Arms of Mine,” later featured in Dirty Dancing. He also co-penned, with fellow future Rock and Roll Hall of Famer Jerry Butler, the searingly emotional ballad “I’ve Been Loving You Too Long,” which lifted all the way to No. 2 on the R&B chart in 1965.
Redding’s ethereal and timeless “(Sittin’ On) The Dock of the Bay,” which he co-wrote with M.G. guitarist (and future Blues Brother) Steve Cropper, was released in early 1968, a month after the singer’s tragic death in a plane crash on Dec. 10, 1967. “Dock of the Bay” whistled its way to the top of the Billboard Hot 100 in March of 1968, the singer’s first visit to the chart’s top 20.
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“As one of the most significant songwriters of our lifetime, Otis Redding remains an American treasure,” commented Sony Music Publishing chairman/CEO Jon Platt. “Otis’ songs have shaped the cultural landscape across genres and generations, and it is a privilege to partner with the Redding family as stateside custodians of this singular music catalog.”
The Georgia native was a master interpreter as well, turning old standard “Try a Little Tenderness” into a frenetic hit in 1966, and he put his own spin on classics made famous by other soul icons like “Stand By Me” (Ben E. King) and “My Girl” (Sam Cooke). His version of The Rolling Stones’ “(I Can’t Get No) Satisfaction,” which he and backing band Booker T. & the M.G.’s performed at the Monterey Pop Festival, was legendary for how much it deviated (“I can’t get me no…”) from the original. On his final album before his death, a two-hander with fellow all-timer Carla Thomas titled King & Queen, Redding scored hits with the boisterous “Tramp” and “Knock on Wood.”
Redding released six studio albums between 1964 and 1967, mostly via Stax sister label Volt. He was posthumously inducted into the Rock Hall of Fame in 1989 and the Songwriters Hall of Fame in 1994.
“Otis Redding was a rare talent – his songs are unmistakably brilliant, and their enduring impact remains strong to this day,” said SMP president and global chief marketing officer Brian Monaco. “We are honored to join forces with the Redding family to represent his catalog and strengthen his legacy as one of the most iconic songwriters in American history.”
Kevin Parker of Tame Impala has sold his complete song catalog to Sony Music Publishing. The deal expands Parker’s longstanding relationship with SMP, which has published him since 2009, and includes all of his works released as Tame Impala as well as his writing credits for other songs, including his contributions to Dua Lipa‘s new album Radical Optimism, which debuted at No. 2 on the Billboard 200 this week.
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Parker has also expanded his publishing deal with Sony to include the administration of the full catalog as well as future works.
The Australian mutli-hyphenate musician has made an indelible impact on music since he began his psychedelic rock band in 2008. Through the project, Parker has released four albums — InnerSpeaker (2010), Lonerism (2012),Currents (2015) and The Slow Rush (2020) — all of which were solely written, produced, recorded and mixed by Parker.
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Along with Tame Impala, Parker has also written and produced for a number of top acts, including Travis Scott, Dua Lipa, Mick Jagger, Kendrick Lamar, SZA, The Gorillaz, Mark Ronson, The Weeknd, Lady Gaga, Kid Cudi, Flaming Lips, A$AP Rocky, Lil Yachty, Don Toliver, Daft Punk, Miguel, and Australian children’s group The Wiggles. Rihanna also covered his Tame Impala-released single “New Person, Same Old Mistakes” (which she retitled “Same Ol’ Mistakes”) on her acclaimed 2016 album ANTI.
Parker says of the deal: “The idea of passing on ownership of my songs is one that I don’t think about very lightly, at all. They are the fruit of my blood, sweat and creativity over all the years I’ve been a recording artist and songwriter so far. I have a lot of love and trust for the Sony publishing family and have only had great experiences with Damian Trotter and the rest of the gang worldwide. I don’t think my songs could be in any safer hands than Sony’s, and I’m excited for the future and happy I can keep working with them on whatever the future brings…”
“I have always admired Kevin Parker and I believe he is one of the most versatile songwriters of our time,” says Jon Platt, chairman and CEO of SMP. “Kevin has built a catalog of songs with incredible range and enduring power, and he has always stayed true to his vision. It is a privilege to represent his music, and we are committed to broadening his legacy of success.”
Damian Trotter, managing director of Australia for Sony Music Publishing said: “Kevin is a singular talent whose creativity and dedication to his art has enthralled fans and artists since he arrived on the music scene. Having worked with Kevin since before the release of the first Tame Impala album, it has been thrilling to witness his rise to success worldwide, which is so well deserved. We are proud and humbled to be taking custodianship of this iconic catalogue of songs and to be continuing our relationship with Kevin in this exciting phase of his music making career.”
Prescription Songs and Emily Warren‘s Under Warrenty have signed singer-songwriter bülow to a global publishing deal. Fresh off the release of her two co-writes “Texas Hold ‘Em” by Beyonce and “Yuck” by Charli XCX, bülow says of her deal, “I’m very excited to start this journey with Emily and Prescription. So many serendipitous moments led us here organically, and I have the utmost admiration for this team.”
Kobalt has signed songwriter Imani “Mocha” Lewis. News of her signing comes after the whirlwind success of Tyla‘s Grammy-winning track “Water,” which was co-written by Lewis, along with eight other tracks on the South African artist’s debut album.
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Position Music has signed Golden to a worldwide publishing deal as part of a joint venture with Global 7 Publishing. A Colombian writer, musician and Grammy-nominated producer, Golden has worked on tracks for Coco Jones, ¿Téo? and Shenseea.
peermusic has signed award-winning Chilean producer and songwriter Vladi Cachai (Don Omar, Gloria Trevi, Bryant Myers, J Quiles) to an exclusive worldwide publishing deal. The deal was signed jointly by peermusic Spain and peermusic Chile and will encompass both Cachai’s existing song catalog and his future works.
Budde Music has signed songwriter Billy Mann to a go-forward “creative and administrative” publishing agreement. A hitmaker with thirty years of expertise, Mann has worked with stars like P!nk, Backstreet Boys, David Guetta, John Legend, Céline Dion, Carole King, Burt Bacharach and more.
Warner Chappell Music and The Core Entertainment have signed a joint global publishing deal with Hannah McFarland. A rising singer-songwriter and opener for artists like Kelsea Ballerini, Old Dominion, and Travis Tritt, McFarland was recently invited to sing “I Remember Everything” alongside Zach Bryan at a show in Alabama, introducing her talent to a stadium of new listeners. “We are so excited to work with Hannah McFarland and represent her unique talent,” says Bryce Sherlow, A&R manager at WCM Nashville.
Sony Music Publishing Nashville has announced the signing of country songwriter Brian Fuller to a global publishing deal. Fuller is a fast-rising songwriter in Nashville, and news of his SMP deal follows the release of his first-ever major label cut “I Could Be That Rain,” from Randall King’s 2024 album Into The Neon.
Nashville-based rights management company Muserk is expanding its royalty and administration services in Asia. This includes the signing of a series of new clients with impressive cultural impact in their home markets, including Thai neo-soul artist Phum Viphurit and Japanese label and publishing company Midi Inc/Yano Music Publishing. In the coming months, the company says it also plans to bring in more Chinese and Indonesian clients.
Sony Music Publishing, the world’s largest music publisher, is expanding its operations across the Middle East and North Africa with a new office in Dubai. The region will be led by managing director Dounia Chaaban, who will report to SMP senior vp of international Dan Nelson.
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Chaaban began her career at Anghami, the leading music streamer in the Middle East. After working there for seven years, serving as the Arabic indie community lead, Chaaban then became an artist relations manager at Believe Music. “I look forward to working hand in hand with the incredibly talented team at Sony Music Publishing to propel the MENA music industry to new heights,” says Chaaban of her new appointment. “Together, we will create an environment that nurtures creativity, fosters innovation, and unlocks the boundless potential of the region’s musical landscape.”
The news arrives just a day after Universal Music Group announced the opening of a new Capitol Studios location in the UAE as part of a collaboration with DGMC, a local music organization. The two say they will work together to build a “Music City” that will serve as a regional hub for local and global recording artists and songwriters in the MENA region.
Other music companies have also expanded more into the MENA region in the last year. In October, Warner Music announced its investment in HuManagement, a Dubai-based talent agency; In the last twelve months, Reservoir Media joined with PopArabia to acquire Lebanese music company Voice of Beirut, Egyptian label 100COPIES, and Saudi Arabian label Mashrex; In May, BMI partnered with Music Nation, a UAE music rights management organization.
Billboard also expanded into the region with the launch of Billboard Arabia in June. A partnership with media giant SRMG, Billboard Arabia is a region-specific editorial site, featuing two new global charts to track the success of music from the MENA region.
Nelson says: “We are excited to welcome Dounia to the Sony Music Publishing team. Dounia’s extensive experience working with local talent will be invaluable as we expand opportunities for new and established songwriters and artists across the region. There couldn’t be a more opportune moment to launch our business, and we look forward to growing our presence in the MENA region.”
Sony Music Publishing‘s administration division in Nashville will relocate to Nashville’s Music Row area, having signed a lease to move into the 17th + Grand building (located at 1001 17th Ave.) from its current location in downtown Nashville at 424 Church Street, a source has confirmed to Billboard. The move is slated to take place […]
Legendary songwriter and Country Music Hall of Famer Dean Dillon has signed a global publishing deal with River House Artists in partnership with Sony Music Publishing. Dillon, who was inducted into the Nashville Songwriters Hall of Fame in 2002 and into the Country Music Hall of Fame in 2021, is known for his long association […]