sonos
A disastrous redesign of Sonos’ mobile app that led to customer complaints, hurt sales and caused the delay of two key product launches cannot be fixed by resurrecting the speaker and headphone company’s old app, Sonos CEO Patrick Spence said on Tuesday (Aug. 20). Since its launch in May, customers have complained that the updated app […]
Sonos is letting go of 6% of its workforce — more than 100 people — after a disastrous redesign of their app and mounting customer complaints forced the company to lower its projected sales and delay product launches. The layoffs, first reported by The Verge, were announced in a company filing on Wednesday (Aug. 14). […]
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Source: Sonos / Sonos Ace Headphones
Sonos is easily one of the best consumer audio brands on the market, but shockingly, it has never sold headphones, that was until now. The company unveiled its new Ace headphones.
The company’s first entry into the headphone market will not blow you away design-wise. However, what the brand is banking on with its Ace headphones is the sound quality that will offer “the most precise and immersive home theater experience possible.”
The Sonos Ace comes in two color options, “Soft White” and “Black,” with a simple modern look. It is for people in the market for a new pair of headphones that are not called AirPods Max or anything from Apple Beats.
Source: Sonos / Ace Headphones
The Ace headphones fold in the same way as AirPods Max but offer a lightweight travel case, something AirPods Max users have been screaming for.
Sonos Ace Headphones Features
Of course, the Ace headphones are wireless and offer features like “world-class” noise-canceling and transparency modes combined with “breathtaking” hi-resolution wireless audio.
Spatial audio is also available. Sonos promises an astounding 30 hours of battery life, with three hours of juice off three minutes of charging.
Comfort was another focal point with the Sonos Ace headphones featuring vegan leather ear cups that are “pillowy soft” and give the users a “wearing nothing” feeling, and they are replaceable.
“Sonos Ace represents our ambition to create moving sound experiences that are equal to the moment we live in. It is an exciting new chapter as we embark on what it means to design for personal listening,” said Maxime Bouvat-Merlin, Sonos Chief Product Officer. “True to Sonos’ heritage of premium products, each individual detail of Sonos Ace has been expertly crafted, custom designed, and tuned by the world’s leading sound experts to give you a listening experience unlike any other.”
The Sonos Ace headphones are available for pre-order, will officially launch on June 5, and will cost $449.
For more photos, hit the gallery below.
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A judge has overturned a $32.5 million judgment against Google in the tech giant’s long-running case against Sonos over smart speaker patents.
In an Oct. 6 decision, U.S. District Court Judge William Alsup ruled that the jury verdict from May that found Google had infringed one of Sonos’ smart speaker patents was invalid because the patents at issue in the case were “unenforceable.”
In a nutshell, Alsup claims that Sonos improperly linked its 2019 patent application, which was ultimately approved, with an earlier, rejected 2006 application for the same patents in an effort to show that its patents pre-dated Google’s products incorporating similar multi-room audio technology. The judge alleges the link is invalid because Sonos “deceptively” inserted new material into the 2019 application without alerting the patent examiner of the changes. He notes that when a continuation application for a patent — as was the case with the 2019 application, which was filed as a “continuation” of the one filed in 2006 — includes material not included in the original application, the two cannot rightly be connected.
“When new matter is added to a specification of a continuation application by way of amendment, the effective filing date should be the date of the amendment that added the new matter,” Alsup wrote. This effectively means that Sonos’ “priority date” for the patent would be Aug. 2019, when the amended application was approved — not 2006.
Alsup additionally accuses Sonos of “an unreasonable, inexcusable, and prejudicial delay” in filing suit against Google. He states that in 2014, five years prior to Sonos’ 2019 patent application, Google had shared with Sonos “a plan for a product that would practice what would become [Sonos’] claimed invention” as part of an exploration of a potential collaboration. When that partnership failed to come to fruition, Alsup adds, Google began rolling out its own products that utilized the invention in 2015.
“Even so, Sonos waited until 2019 to pursue claims on the invention (and until 2020 to roll out the invention in its own product line),” he writes.
“This was not a case of an inventor leading the industry to something new,” Alsup continues. “This was a case of the industry leading with something new and, only then, an inventor coming out of the woodwork to say that he had come up with the idea first — wringing fresh claims to read on a competitor’s products from an ancient application.”
“Judge Alsup’s ruling invalidating the jury’s verdict is wrong on both the facts and law, and Sonos will appeal,” a Sonos spokesperson told Billboard in a statement. “The same is true of earlier rulings narrowing our case. While an unfortunate result, it does not change the fact that Google is a serial infringer of our patent portfolio, as the International Trade Commission has already ruled with respect to five other patents. In the end, we expect this to be a temporary setback in our efforts to hold Google financially accountable for misappropriating Sonos’s patented inventions.”
Google did not respond to a request for comment at publishing time.
Sonos first sued Google in January 2020, claiming the tech giant had infringed multiple patents for its smart speaker technology after gaining access to it through a 2013 partnership under which Sonos integrated Google Play Music into its products. Just two years after that partnership was reached, Sonos alleged that Google then “flooded the market” with cheaper competing products (under the now-defunct Chromecast Audio line) that willfully infringed its patented multi-room technology. Sonos additionally claimed that Google had since expanded its use of Sonos technology in more than a dozen other products, including the Google Home, Nest and Pixel lines.
The legal battle between the two tech companies has been protracted, with both sides going on the offensive at different points. In June 2020, Google filed suit against Sonos, alleging the smart speaker maker had actually infringed several of its own patents. Sonos subsequently filed two more lawsuits alleging that Google had infringed several additional patents it held.
Sonos filed one of those two cases with the U.S. International Trade Commission, which ruled in January 2022 that Google had infringed a total of five of Sonos’ audio technology patents and barred it from importing the infringing products from China. However, the commission also found that Google had successfully redesigned its products to avoid the Sonos patents and could continue selling those reworked versions in U.S. stores — an allowance Sonos had fought to prevent.
In August 2022, Google fired another volley with two additional lawsuits, claiming the smaller company used seven different patented Google technologies to instill the so-called “magic” in Sonos software.
Google has been ordered to pay Sonos $32.5 million for infringing one of its smart speaker patents, marking a significant development in a long-fought legal war between the two companies that’s spanned more than three years and multiple lawsuits.
Filed in a San Francisco court on Friday (May 26), the jury verdict awarded Sonos $2.30 for each of the more than 14 million Google devices that were sold incorporating the patented technology.
The jury found that Google had not infringed a second patent at issue in the case.
Sonos first sued Google in January 2020, claiming the tech giant had infringed multiple patents for its smart speaker technology after gaining access to it through a 2013 partnership under which Sonos integrated Google Play Music into its products. Just two years after that partnership was reached, Sonos alleged that Google then “flooded the market” with cheaper competing products (under the now-defunct Chromecast Audio line) that willfully infringed its patented multi-room technology. Sonos additionally claimed that Google had since expanded its use of Sonos technology in more than a dozen other products, including the Google Home, Nest and Pixel lines.
“We are deeply grateful for the jury’s time and diligence in upholding the validity of our patents and recognizing the value of Sonos’s invention of zone scenes,” said Sonos in a statement on the verdict. “This verdict re-affirms that Google is a serial infringer of our patent portfolio, as the International Trade Commission has already ruled with respect to five other Sonos patents. In all, we believe Google infringes more than 200 Sonos patents and today’s damages award, based on one important piece of our portfolio, demonstrates the exceptional value of our intellectual property. Our goal remains for Google to pay us a fair royalty for the Sonos inventions it has appropriated.”
In its own statement, a Google spokesperson said, “This is a narrow dispute about some very specific features that are not commonly used. Of the six patents Sonos originally asserted, only one was found to be infringed, and the rest were dismissed as invalid or not infringed. We have always developed technology independently and competed on the merit of our ideas. We are considering our next steps.”
The legal battle between the two tech companies has been protracted, with both sides going on the offensive at different points. In June 2020, Google filed suit against Sonos, alleging the smart speaker maker had actually infringed several of its own patents. Sonos subsequently filed two more lawsuits alleging that Google had infringed several additional patents it held.
Sonos filed one of those two cases with the U.S. International Trade Commission, which ruled in January 2022 that Google had infringed a total of five of Sonos’ audio technology patents and barred it from importing the infringing products from China. However, the commission also found that Google had successfully redesigned its products to avoid the Sonos patents and could continue selling those reworked versions in U.S. stores — an allowance Sonos had fought to prevent.
In August 2022, Google fired another volley with two additional lawsuits, claiming the smaller company used seven different patented Google technologies to instill the so-called “magic” in Sonos software.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
A new era of sound.
Sonos unveiled two new speakers, the compact Era 100 speaker and the more robust Era 300, on Tuesday (March 7). Both speakers are available for pre-order and will begin shipping on March 28.
The Era 100 ($249) features “next-gen acoustics” with intuitive touch and voice controls and Trueplay tuning technology that analyzes the acoustics in the room to optimize the speaker’s EQ and deliver an immersive sound experience. The speaker is equipped with two angled tweeters, three class-D digital amplifiers and a single midwoofer to deliver powerful and clear sound while you’re jamming away to Amazon Music, Apple Music and Spotify and other platforms, listening to podcast and more.
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Available in black or white, Era 100 has built-in Sonos Voice Control, Alexa and Apple Airplay 2 and hardwire options. And you control it manually or digitally through the Sonos App.
Perfect for smaller spaces, Era 100 is 7.18 inches tall, 4.72 inches wide (5.14 inches in depth) and weighs 4.44 pounds.
Sonos Era 100
$249
The heftier Era 300 ($449) “bridges the gap” by allowing “consumers to hear what creators make in the way they intended,” noted multi-Grammy winning producer and senior vice president of sound experience at Sonos Giles Martin.
Sonos worked with multiple producers and mixing engineers, including Giles, to develop and fine-tune the speakers. Members of the press got a first-hand look (and listen) at Era 100 and Era 300 during a visit to the brand’s headquarters in Santa Barbara, Calif., last month.
Giles was featured in a demo and panel discussion on special audio with fellow producers, engineers and mixers including Grammy-nominated producer and musician, Terrace Martin — whose list of credits include Kendrick Lamar, SZA, Snoop Dogg, Stevie Wonder and Herbie Hancock — and mixing engineer Manny Marroquin, a 10-time Grammy winner who has worked with Rihanna, Shakira, P!nk, Ludacris, Tupac Shakur, Whitney Houston and more.
“We’re not bringing the studio to the consumer but to be able to bring something that resembles what we’re listening [to] that’s why it’s an exciting product,” Marroquin told Billboard.
Marroquin also recalled Hancock visiting his studio and experiencing spatial audio. “If an 82-year-old legend can get excited about it imagine the third grader in the room? It could be life altering.”
Era 300
Courtesy of Sonos
Sonos Era 300
$449
Unlike the more traditionally cylinder shape of Era 100, Era 300 boasts a cinched hourglass design. The speaker offers a “true representation of what the future is about,” Giles said during the demo.
Era 300 is Sonos’ first speaker with multi-channel surround sound (when paired to use as home theater rears). Although Era 300 is designed to offer massive sound on its own, pairing it with Sonos Arc or Sonos Beam (Gen. 2) broadens the soundscape. Weighing just under 10 pounds, Era 300 is just 6.30 inches tall, 10.24 inches wide and 7.28 inches in depth.
When it comes to music, spacial audio might be the future, but stereo isn’t going anywhere. “We’re not having these talks to disregard stereo. It’s like another tool,” Terrace explained.
“When you go to the studio you have different equipment, different instruments. It may look like all the same keyboards, all the same knobs, but everything does something. Some things are new, some things are older, some things can replace others and some things work better together. [Spacial audio is] like another option, another tool. It’s like a big house and now we’re using all the rooms.”
For fans of the Sonos One, Era 100 is an evolution of the brand’s flagship speaker. “To me, [One] is probably the best speaker that Sonos has because it’s small,” said Marroquin. “You can put it in a corner, you can hide it or display it [and] link it [to other speakers]. In my opinion, [Era 100] is a better version of the One. Now that you can actually play immersive [sound] through it.”
Era 100 and Era 300 speakers are made from 48-percent recycled plastics and feature energy efficient software with eco-friendly packaging.
Multimedia Music acquired the music publishing and music master rights for the entire film music library of STX Entertainment, which encompasses titles such as Bad Moms, The Gentlemen and Den of Thieves and music from composers such as Hans Zimmer, Cliff Martinez and Nicholas Britell. The eight-figure deal does not include rights in any of STX’s current or future films.
Deezer struck a long-term partnership with Sonos to power Sonos Radio and the subscription service Sonos Radio HD. Starting in April, Deezer will provide Sonos with a catalog of 90 million tracks, metadata, licensing, reporting & royalty management, business intelligence & data and strategic collaboration for growth and monetization of the service. Deezer and Sonos will deliver services to 16 countries, including the United States, Canada, the United Kingdom, France and Germany.
Yusuf/Cat Stevens signed to Dark Horse Records, which will release the singer-songwriter’s forthcoming album as well as seven legacy albums from his catalog, which are owned by Yusuf’s Cat-O-Log Records. Dark Horse’s merchandising arm, DH Merchandise, will operate the official Yusuf/Cat Stevens store.
ClicknClear, a music tech company that provides access to officially licensed music for performance sports and fitness, signed a multi-year agreement with the National Federation of State High School Associations (NFHS), a leading sports organization in the United States. The NFHS promotes amateur sports participation throughout all 50 states and Washington, D.C., serving 19,500 high schools and an estimated 12 million young people across the country. It also administers high school athletics and activities and establishes regulations for the sanctioning of events. Through the deal, ClicknClear will license the catalogs of its more than 800 label and publisher partners to NFHS’s performance sports participants, with the NFHS also using ClicknClear’s license verifications system to enforce that licensing. Performance sports include cheerleading, dance, gymnastics, figure skating, marching band and show choir. ClicknClear’s music catalog currently includes 5 million tracks and more than 15 million publishing rights from Sony Music, Warner Music, Universal Music Publishing Group, BMG, Kobalt, Concord and Downtown, among many others.
Cutting Edge Media Music (CEMM) secured $100 million in new financing from a consortium of banks led by Pinnacle Financial Partners. CEMM — a financing and investment company with expertise in music for film, TV, video games and more — is supported by other businesses under its parent company, the Cutting Edge Group (CEG), including Cutting Edge Music Publishing, Lakeshore Records, Broadway Records, Music.Film and White Stork. “I look forward to our partnership with Pinnacle to help give the next wave of film and TV composers the opportunity to monetize their catalogues,” said Cutting Edge Group founder/CEO Philip Moross in a statement. CEG’s head of mergers and acquisitions, Tim Hegarty, represented Cutting Edge in the deal.
Triller acquired Julius, a software solution for influencer marketing. “We are delighted to integrate the industry-leading technology from Julius into Triller’s Creator Platform,” said Triller CEO Mahi de Silva in a statement, adding that with the acquisition, “Our unique AI-powered platform now delivers an end-to-end solution for the creator economy from brand storytelling to driving e-commerce.”
Music credits database Jaxsta executed a heads of agreement (a.k.a. letter of intent) to acquire Vampr, a music industry social networking platform. The acquisition increases Jaxsta’s footprint in the creator community by 1.3 million creators. According to a press release, Vampr’s freemium business model successfully converts 4% of the app’s weekly active users into paying subscribers — a number that’s expected to increase when Vampr Pro is bundled with the Jaxsta Creator subscription. Vampr founder/CEO Josh Simons will join Jaxsta as chief strategy officer.
GreenCity Partners and ASM Global struck a deal to develop and operate the proposed 17,000-seat GreenCity Arena in Henrico County, Va., which is part of a planned $2.3 billion mixed-use/net-zero energy GreenCity development. The agreement allows ASM Global to partner in other aspects of the development, including its main street retail and hospitality uses. Construction is slated to begin in early 2024, with completion expected in 2026.
In more ASM Global news, the company struck a long-term lease agreement and $40 million renovation plan with the City of Glendale, Ariz., for the Desert Diamond Arena as part of a strategy to increase the venue’s returns and prominence as a key component in the city’s growth as an entertainment hub. ASM Global has operated the city-owned venue for the past six-and-a-half years. The firm HOK has been selected to help with the venue’s renovation and design.
ASM Global also signed with the city of Fishers, Ind., to provide pre-opening services and professional management for the city’s new $170 million sports and entertainment center, which is set to open in Dec. 2024. In addition to hosting concerts and other events, the forthcoming 7,500-seat venue will be home to the East Coast Hockey League’s Indy Fuel. Expected to break ground in March, the venue is part of the city’s $1.1 billion in economic and entertainment investments announced in September.
Los Angeles-based rock duo Loveless signed with BMG worldwide. The duo, which released their debut self-produced EP, End of an Era, last year, is slated to embark on a headline tour this spring in North America and Europe, in addition to festival dates.
Amazon Music is the new title sponsor of The Ivors, under a global deal that will see the company showcase the Ivors’ commitment to supporting songwriters via exclusive content offerings and live performances as well as an “immersive” red carpet and backstage interviews that will be livestreamed on the Amazon Music UK Twitch channel for the 2023 ceremony. Additionally, the company will integrate the Ivors’ 2023 “Rising Star” nominees into its global developing artist program, Breakthrough.
Micro-licensing and music solutions company Lickd struck a deal with EMPIRE and Kobalt Music Group to license their music catalogs to Lickd’s Chorus music player for use in the metaverse world of Decentraland’s Vegas City.
SESAC Digital Licensing and Wise Music Australia partnered on an exclusive digital licensing deal for the Wise Music catalog in Asia (excluding Japan, South Korea and China) for rights including performance, mechanicals, grand rights, hire materials and synchronization. SESAC Digital will negotiate agreements with online service providers on behalf of Wise Music in Bangladesh, Bhutan, Brunei, Cambodia, Hong Kong, India, Indonesia, Laos, Macau, Malaysia, Mongolia, Myanmar, Nepal, Philippines, Singapore, Sri Lanka, Taiwan, Thailand, Timor Leste and Vietnam. The partnership will be administered by Mint Digital Services, an alliance between SESAC-US and Swiss authors’ rights society SUISA.
Singer-songwriter Susan Tedeschi signed with Brian Greenbaum at CAA. The signing coincides with the 25th-anniversary reissue of Tedeschi’s 1998 album, Just Won’t Burn. Tedeschi and her husband, musician Derek Truck, are with Full Stop Management for their solo work.
Memphis-based music credit and information services provider Sound Credit partnered with PPL for neighboring rights collections in North America. Via its sister brand Soundways, Sound Credit’s North American artist community will now be able to take advantage of PPL’s international collections service.
Live Nation will serve as the exclusive promoter for BECU Live and the Pepsi Outdoor Summer Concert series under a new deal with Northern Quest Resort & Casino and the Kalispel Tribe of Indians in Washington state.
Grammy-nominated songwriter and artist Delacey signed to Photo Finish Records, which released her new single, “Man on the Moon,” on Friday (Feb. 17).
Underoath signed to MNRK Heavy on a global basis. The label released the rock band’s latest single, “Let Go,” on Feb. 15.
Virgin Music UK reached a sales and distribution deal with Liverpool-based independent label Modern Sky UK (Jamie Webster, Leah Weller, Red Rum Club).
Pop duo Crash Adams signed to Warner Music Canada/Warner Records, which released their latest single, “California Girl.”
British DJ/producer Riton signed with Atlantic Records/Big Beat, which released his first-ever solo single, “Sugar,” on Friday (Feb. 17).
Sony Classical signed organist Anna Lapwood and will release a five-track EP of film transcriptions in April, with an album to come later in the year.
Tuned Global singed a deal with Lululemon Studio to provide their B2B white-label playlist app for Lululemon’s in-person and virtual workouts.
Chicago trio Lifeguard signed with Matador Records. New music from the band — which previously released an album and two EPs — is expected in the spring.
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