Songwriters Hall Of Fame
Stephen Schwartz, who wrote both music and lyrics to all the songs in Wicked, is about to become even more “Popular.” The veteran songwriter is set to receive the 2025 Johnny Mercer Award at the Songwriters Hall of Fame Induction and Awards Gala on Thursday, June 12, at the Marriott Marquis Hotel in New York City.
The award presentation will come near the midpoint between the November 2024 release of Wicked, which quickly became the highest-grossing film ever based on a Broadway musical, and the November 2025 release of a sequel, Wicked: For Good. Both films are based on the 2003 stage musical Wicked.
Schwartz, 76, has won three Oscars, four Grammys, four Drama Desk Awards and a Golden Globe. He has received six Tony nominations, in addition to receiving their Isabelle Stevenson Award in 2015 for his support of young artists.
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The Mercer Award, the highest honor bestowed by the SHOF, is reserved for a songwriter or songwriting team who has already been inducted into the SHOF and whose body of work upholds the high standards set by Mercer, wrote dozens of hits from the 1930s through the 1960s. (Learn more about Mercer here.) Schwartz was inducted into the Songwriters Hall of Fame in 2009.
“With every lyric and melody, Stephen invites us on an unforgettable journey,” SHOF chairman Nile Rodgers said in a statement. “From his iconic list of award-winning musicals, including Godspell, Wicked and Pippin, Stephen continually proves that he is the only person who can turn a simple story into a Broadway musical masterpiece, one catchy chorus at a time!”
Schwartz won his first two Oscars – best original song for “Colors of the Wind” from Pocahontas and best original musical or comedy score for that same film, in tandem with Alan Menken, who received the Johnny Mercer Award in 2017. Schwartz won his third Oscar – best original song for “When You Believe” from The Prince of Egypt – by himself.
Schwartz is the second Mercer recipient in the past three years who is largely known for his work in theater. Tim Rice, who teamed with Andrew Lloyd Webber to write such classics as Jesus Christ Superstar and Evita, won the award in 2023.
Schwartz has been a major force in the American musical theater since the early 1970’s, when he had three hit shows running on Broadway – Godspell, Pippin, and The Magic Show.
Four of Schwartz’s songs – two from stage musicals and two from films – have become top 20 hits on the Billboard Hot 100. “Day by Day” from Godspell (credited to Godspell) reached No. 13 in 1972. The Jackson 5’s cover version of “Corner of the Sky” from Pippin reached No. 18 in 1972, Vanessa Williams’ “Colors of the Wind” from Pocahontas hit No. 4 in 1995, and Whitney Houston & Mariah Carey’s “When You Believe” from The Prince of Egypt reached No. 15 in 1999. The latter film was DreamWorks’ first animated feature.
Schwartz’s other musicals, in addition to those already named, include The Magic Show, The Baker’s Wife, Working, Rags, Children of Eden, and the upcoming The Queen of Versailles, which is slated to open on Broadway this fall. His other films, in addition to those already named, include The Hunchback of Notre Dame and Enchanted.
In the classical field, Schwartz collaborated with Leonard Bernstein on Mass and composed the opera, Seance on a Wet Afternoon. He has also released two singer/songwriter albums, Reluctant Pilgrim and Uncharted Territory.
Under the auspices of The ASCAP Foundation, Schwartz runs musical theater workshops in New York and Los Angeles, and serves on the ASCAP Foundation board. He is also a member of the Council of the Dramatists’ Guild.
Gracie Abrams, 25, was announced two weeks ago as the recipient of the SHOF’s other major honorary award, the Hal David Starlight Award. That award, named after the Oscar- and Grammy-winning lyricist, is presented to young songwriters who are making a significant impact in the music industry with their original songs.
Previously announced 2025 SHOF inductees are George Clinton, Ashley Gorley, Rodney “Darkchild” Jerkins, Mike Love, Tony Macaulay and three members of The Doobie Brothers (Tom Johnston, Michael McDonald and Patrick Simmons).
A songwriter with a notable catalog of songs qualifies for induction into the SHOF 20 years after the first commercial release of a song.
Gracie Abrams is set to receive the Hal David Starlight Award at the 54th Annual Songwriters Hall of Fame Induction and Awards Dinner slated for Thursday, June 12, at the Marriott Marquis Hotel in New York City.
The award, created in 2004, is presented to “gifted young songwriters who are making a significant impact in the music industry with their original songs,” according to the announcement. The award was named after the late Oscar- and Grammy-winning lyricist and SHOF chairman emeritus, best-known for his long, hit-studded collaboration with Burt Bacharach.
Abrams, 25, has received Grammy nominations in each of the year two years. In 2024, she competed for best new artist. This year, she competed for best pop duo/group performance for “Us.” (featuring Taylor Swift, the 2010 recipient of the Hal David Starlight Award).
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Abrams’ sophomore album, The Secret of Us, reached No. 2 on the Billboard 200. It spawned a top 20 hit on the Billboard Hot 100, “I Love You, I’m Sorry.” The deluxe edition of the album spawned a top 10 hit, “That’s So True.”
Abrams, the daughter of celebrated filmmaker J.J. Abrams, is a Universal Music Publishing Group writer.
The Hal David Starlight Award is meant as a balance to the Johnny Mercer Award, the organization’s top award, which is a career-capping honor. This year’s Mercer recipient has not yet been announced. (This is a reversal from last year, when Diane Warren was announced as the Mercer recipient on Feb. 22, nearly two months before SZA was announced as the Hal David recipient.)
Previously announced 2025 SHOF inductees are George Clinton, Ashley Gorley, Rodney “Darkchild” Jerkins, Mike Love, Tony Macaulay and three members of The Doobie Brothers (Tom Johnston, Michael McDonald and Patrick Simmons).
Here’s the complete list of recipients of the Hal David Starlight Award:
2004: Rob Thomas (Matchbox Twenty)
2005: Alicia Keys
2006: John Mayer
2007: John Legend
2008: John Rzeznik (Goo Goo Dolls)
2009: Jason Mraz
2010: Taylor Swift
2011: Drake
2012: Ne-Yo
2013: Benny Blanco
2014: Dan Reynolds (Imagine Dragons)
2015: Nate Ruess (Fun.)
2016: Nick Jonas (Jonas Brothers)
2017: Ed Sheeran
2018: Sara Bareilles
2019: Halsey
2022: Lil Nas X
2023: Post Malone
2024: SZA
2025: Gracie Abrams
The Songwriters Hall of Fame is hosting its ninth annual virtual “Conversation With Oscar-Nominated Songwriters,” which will be available to watch for free on the organization’s website for three weeks. The conversation, moderated by SHOF inductees Nile Rodgers (SHOF chairman) and Paul Williams (a member of the SHOF board of directors) will become available on […]
George Clinton, Ashley Gorley, Rodney “Darkchild” Jerkins, Mike Love, Tony Macaulay and three members of The Doobie Brothers (Tom Johnston, Michael McDonald and Patrick Simmons) are the 2025 inductees into the Songwriters Hall of Fame. The organization’s 2025 Induction and Awards Gala is slated for Thursday, June 12 at the Marriott Marquis Hotel in New York City.
This is the first SHOF class to include no women since 2017. The SHOF, like most awards organizations, has been more mindful of gender diversity in recent years. The initial list of nominees included four women – Franne Golde, Sheryl Crow, Janet Jackson and Alanis Morissette – but none made it this year.
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Induction into the Songwriters Hall of Fame ranks with the Gershwin Prize for Popular Song as the ultimate honor for a songwriter. A songwriter with a catalog of notable songs qualifies for induction 20 years after their first significant commercial release of a song.
Love is being ushered into the SHOF 25 years after Brian Wilson, his colleague in The Beach Boys, was honored by the organization.
Love, Clinton and the three Doobies have all been inducted into the Rock and Roll Hall of Fame. Love was inducted in 1988 as a member of The Beach Boys; Clinton in 1997 as the leader of Parliament/Funkadelic; and The Doobies in 2020. The Beach Boys and P-Funk have also received lifetime achievement awards from the Recording Academy.
McDonald is a five-time Grammy winner. Simmons and Jerkins are both two-time Grammy winners. All three musicians have won record of the year — McDonald and Simmons as performers on The Doobie Brothers’ “What a Fool Believes”; Jerkins for co-producing Sam Smith’s “Stay With Me (Darkchild Mix),” the subtitle a nod to Jerkins’ nickname.
Gorley, one of the top songwriters in country music, has been voted into the all-genre SHOF before he made it into the Nashville Songwriters Hall of Fame, a rarity for a Nashville writer. Gorley and Jerkins are both 47, which made them the youngest songwriters vying for induction this year.
Twenty-six songwriters or songwriting teams vied for induction into the SHOF this year. Just six were elected – three from 13 nominees in the performing songwriters category and three from 13 nominees in the songwriters category, which is reserved for non-performing songwriters. The nominations were announced on Nov. 12. Voting closed on Dec. 22.
The SHOF has yet to announce the recipients of its two honorary awards – the Johnny Mercer Award (a career-capping award) and the Hal David Starlight Award (which goes to a hot current writer).
Here’s a complete list of the Songwriters Hall of Fame’s 2025 nominees for induction, with those inducted flagged INDUCTED: and bolded. The SHOF supplied the five songs listed after each nominees’ name, which they stress “are merely a representative sample of their extensive catalogs.”
Songwriters
Walter Afanasieff – “All I Want for Christmas Is You,” “Hero,” “License to Kill,” “Love Will Survive,” “One Sweet Day”
Steve Barri and P.F. Sloan – “Secret Agent Man,” “Eve Of Destruction,” “Where Were You When I Needed You,” “You Baby,” “Can I Get to Know You”
Mike Chapman – “The Best,” “Love Is a Battlefield,” “Ballroom Blitz,” “Stumblin’ In,” “Kiss You All Over”
Sonny Curtis – “Love Is All Around (Theme from “The Mary Tyler Moore Show”),” “I Fought the Law,” “Walk Right Back,” “More Than I Can Say,” “I’m No Stranger to the Rain”
Tom Douglas – “The House That Built Me,” “Little Rock,” “I Run to You,” “Grown Men Don’t Cry,” “Love Me Anyway”
Franne Golde – “Dreaming of You,” “Nightshift,” “Don’t Look Any Further,” “Don’t You Want Me,” “Stickwitu”
INDUCTED: Ashley Gorley – “I Had Some Help,” “Last Night,” “You Should Probably Leave,” “Play It Again,” “You’re Gonna Miss This”
INDUCTED: Rodney “Darkchild” Jerkins – “Say My Name,” “The Boy Is Mine,” “You Rock My World,” “Déjà vu,” “Telephone”
Dennis Lambert and Brian Potter – “One Tin Soldier (Theme from “Billy Jack”),” “Don’t Pull Your Love,” “Ain’t No Woman (Like the One I’ve Got),” “It Only Takes a Minute,” “Country Boy (You Got Your Feet In L.A.)”
INDUCTED: Tony Macaulay – “Baby Now That I’ve Found You,” “Build Me Up Buttercup,” “Don’t Give Up On Us,” “(Last Night) I Didn’t Get to Sleep at All,” “Love Grows (Where My Rosemary Goes)”
Roger Nichols – “We’ve Only Just Begun,” “Rainy Days and Mondays,” “I Won’t Last a Day Without You,” “Out in the Country,” “Times of Your Life”
Dan Penn and Spooner Oldham – “I’m Your Puppet,” “Cry Like a Baby,” “A Woman Left Lonely,” “Out of Left Field,” “It Tears Me Up”
Narada Michael Walden – “How Will I Know,” “Freeway of Love,” “You’re a Friend of Mine,” “Baby Come to Me,” “Who’s Zoomin’ Who?”
Performing Songwriters
Bryan Adams – “(Everything I Do) I Do It For You,” “Heaven,” “All for Love,” “Have You Ever Really Loved a Woman?,” “Summer of ‘69”
George Alan O’Dowd p/k/a Boy George – “Karma Chameleon,” “Do You Really Want to Hurt Me,” “Time (Clock Of The Heart), “Love Is Love,” “Miss Me Blind”
INDUCTED: George Clinton – “Atomic Dog,” “Flash Light,” “(Not Just) Knee Deep,” “I’d Rather Be With You,” “Give Up The Funk (Tear the Roof off the Sucker)”
Sheryl Crow – “All I Wanna Do,” “Soak Up The Sun,” “If It Makes You Happy,” “A Change Would Do You Good,” “Everyday Is a Winding Road”
INDUCTED: Tom Johnston, Michael McDonald and Patrick Simmons p/k/a Doobie Brothers – “Listen to the Music,” “Takin’ It to the Streets,” “Black Water,” “What a Fool Believes,” “Long Train Runnin’”
Marshall Mathers p/k/a Eminem – “Lose Yourself,” “Stan,” “Mockingbird,” “Houdini,” “Rap God”
David Gates – “Everything I Own,” “Make It With You,” “Baby I’m-A Want You,” “The Guitar Man,” “If”
Janet Jackson – “Black Cat,” “Together Again,” “Again,” “Got ‘til It’s Gone,” “Rhythm Nation”
Tommy James – “Mony Mony,” “Crimson and Clover,” “Crystal Blue Persuasion,” “Sweet Cherry Wine,” “Tighter, Tighter”
INDUCTED: Mike Love – “California Girls,” “Good Vibrations,” “The Warmth of the Sun,” “I Get Around,” “Fun, Fun, Fun”
Alanis Morissette – “You Oughta Know,” “Ironic,” “Hand in My Pocket,” “Thank U,” “Uninvited”
Dr. Dre, Eazy-E, Ice Cube, MC Ren and DJ Yella p/k/a N.W.A – “Express Yourself,” “Dopeman,” “Fu*k Tha Police,” “Gangsta Gangsta,” “Straight Outta Compton”
Steve Winwood – “Higher Love,” “Gimme Some Lovin’,” “I’m a Man,” “Valerie,” “Roll With It”
In 2003, Eminem made Oscar history with “Lose Yourself,” the first rap song to win best original song. Now he’s in contention for another top honor. He’s one of 26 songwriters or songwriting teams vying for induction into the Songwriters Hall of Fame this year.
Just six will be elected – three from 13 nominees in the performing songwriters category and three from 13 nominees in the songwriters category, which is reserved for non-performing songwriters. The six inductees will be celebrated at the SHOF’s 2025 Induction & Awards Gala in New York City, which is expected to be in June at the event’s usual home, the Marriott Marquis.
All but five of the 26 nominees are individuals. The five collaborations on the ballot are Steve Barri and P.F. Sloan; Dennis Lambert and Brian Potter; Dan Penn and Spooner Oldham; three members of The Doobie Brothers (Tom Johnston, Michael McDonald and Patrick Simmons); and five former members of N.W.A (Dr. Dre, Eazy-E, Ice Cube, MC Ren and DJ Yella).
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Almost all the nominees are still living. The only exceptions are Sloan, who died in 2015 at age 70, and N.W.A’s Eazy-E, who died in 1995 at age 30.
The youngest nominees are Ashley Gorley and Rodney “Darkchild” Jerkins, both 47. The list includes four women – Franne Golde, Sheryl Crow, Janet Jackson and Alanis Morissette.
Several songwriters who are strongly associated with songwriters who were previously inducted into the SHOF are on the ballot this year – Walter Afanasieff (his frequent collaborator Mariah Carey was inducted in 2022), Roger Nichols (his frequent collaborator Paul Williams was inducted in 2001), Jackson (her brother Michael Jackson was inducted in 2002) and Mike Love (his Beach Boys colleague Brian Wilson was inducted in 2000).
The list includes eight members of the Rock and Roll Hall of Fame – Crow, Eminem, Jackson, George Clinton (who is in the Rock Hall as the leader of Parliament/Funkadelic), Love (who is in the Rock Hall as a member of The Beach Boys), Steve Winwood (who is in the Rock Hall as a member of Traffic), the three aforementioned members of The Doobie Brothers and the five aforementioned former members of N.W.A.
The list includes three members of the Nashville Songwriters Hall of Fame. Sonny Curtis was inducted into that body in 1991, followed by Tom Douglas in 2014 and Oldham in 2020. Curtis, 87, has had many pop and country hits, including “I Fought the Law” and “Walk Right Back,” but he may be best-known for writing “Love Is All Around,” the pitch-perfect theme song from The Mary Tyler Moore Show.
Three of the nominees are past winners of the Grammy for producer of the year (non-classical). Narada Michael Walden won that award in 1988, chiefly for his work with Whitney Houston. Afanasieff won in 2000, Dr. Dre in 2001.
A songwriter with a catalog of notable songs qualifies for induction 20 years after their first significant commercial release of a song.
Eligible voting members have until midnight ET on Dec. 22 to turn in their ballots with their choices of up to three nominees in each of the two categories.
Here’s a complete list of the Songwriters Hall of Fame’s 2025 nominees for induction. The SHOF supplied the five songs listed after each nominees’ name, which they stress “are merely a representative sample of their extensive catalogs.”
Songwriters
Walter Afanasieff – “All I Want for Christmas Is You,” “Hero,” “License to Kill,” “Love Will Survive,” “One Sweet Day”
Steve Barri and P.F. Sloan – “Secret Agent Man,” “Eve Of Destruction,” “Where Were You When I Needed You,” “You Baby,” “Can I Get to Know You”
Mike Chapman – “The Best,” “Love Is a Battlefield,” “Ballroom Blitz,” “Stumblin’ In,” “Kiss You All Over”
Sonny Curtis – “Love Is All Around (Theme from “The Mary Tyler Moore Show”),” “I Fought the Law,” “Walk Right Back,” “More Than I Can Say,” “I’m No Stranger to the Rain”
Tom Douglas – “The House That Built Me,” “Little Rock,” “I Run to You,” “Grown Men Don’t Cry,” “Love Me Anyway”
Franne Golde – “Dreaming of You,” “Nightshift,” “Don’t Look Any Further,” “Don’t You Want Me,” “Stickwitu”
Ashley Gorley – “I Had Some Help,” “Last Night,” “You Should Probably Leave,” “Play It Again,” “You’re Gonna Miss This”
Rodney “Darkchild” Jerkins – “Say My Name,” “The Boy Is Mine,” “You Rock My World,” “Déjà vu,” “Telephone”
Dennis Lambert and Brian Potter – “One Tin Soldier (Theme from “Billy Jack”),” “Don’t Pull Your Love,” “Ain’t No Woman (Like the One I’ve Got),” “It Only Takes a Minute,” “Country Boy (You Got Your Feet In L.A.)”
Tony Macaulay – “Baby Now That I’ve Found You,” “Build Me Up Buttercup,” “Don’t Give Up On Us,” “(Last Night) I Didn’t Get to Sleep at All,” “Love Grows (Where My Rosemary Goes)”
Roger Nichols – “We’ve Only Just Begun,” “Rainy Days and Mondays,” “I Won’t Last a Day Without You,” “Out in the Country,” “Times of Your Life”
Dan Penn and Spooner Oldham – “I’m Your Puppet,” “Cry Like a Baby,” “A Woman Left Lonely,” “Out of Left Field,” “It Tears Me Up”
Narada Michael Walden – “How Will I Know,” “Freeway of Love,” “You’re a Friend of Mine,” “Baby Come to Me,” “Who’s Zoomin’ Who?”
Performing Songwriters
Bryan Adams – “(Everything I Do) I Do It For You,” “Heaven,” “All for Love,” “Have You Ever Really Loved a Woman?,” “Summer of ‘69”
George Alan O’Dowd p/k/a Boy George – “Karma Chameleon,” “Do You Really Want to Hurt Me,” “Time (Clock Of The Heart), “Love Is Love,” “Miss Me Blind”
George Clinton – “Atomic Dog,” “Flash Light,” “(Not Just) Knee Deep,” “I’d Rather Be With You,” “Give Up The Funk (Tear the Roof off the Sucker)”
Sheryl Crow – “All I Wanna Do,” “Soak Up The Sun,” “If It Makes You Happy,” “A Change Would Do You Good,” “Everyday Is a Winding Road”
Tom Johnston, Michael McDonald and Patrick Simmons p/k/a Doobie Brothers – “Listen to the Music,” “Takin’ It to the Streets,” “Black Water,” “What a Fool Believes,” “Long Train Runnin’”
Marshall Mathers p/k/a Eminem – “Lose Yourself,” “Stan,” “Mockingbird,” “Houdini,” “Rap God”
David Gates – “Everything I Own,” “Make It With You,” “Baby I’m-A Want You,” “The Guitar Man,” “If”
Janet Jackson – “Black Cat,” “Together Again,” “Again,” “Got ‘til It’s Gone,” “Rhythm Nation”
Tommy James – “Mony Mony,” “Crimson and Clover,” “Crystal Blue Persuasion,” “Sweet Cherry Wine,” “Tighter, Tighter”
Mike Love – “California Girls,” “Good Vibrations,” “The Warmth of the Sun,” “I Get Around,” “Fun, Fun, Fun”
Alanis Morissette – “You Oughta Know,” “Ironic,” “Hand in My Pocket,” “Thank U,” “Uninvited”
Dr. Dre, Eazy-E, Ice Cube, MC Ren and DJ Yella p/k/a N.W.A – “Express Yourself,” “Dopeman,” “Fu*k Tha Police,” “Gangsta Gangsta,” “Straight Outta Compton”
Steve Winwood – “Higher Love,” “Gimme Some Lovin’,” “I’m a Man,” “Valerie,” “Roll With It”
Nile Rodgers was unanimously re-elected to serve a third term as chairman of the Songwriters Hall of Fame at its annual board of directors meeting held in New York City on Oct. 15. In a key change, the chairman, officers and board of directors will all serve terms of five years, up from the original three-year terms.
Rodgers, a four-time Grammy winner, was inducted into the Songwriters Hall of Fame in 2016 and the Rock and Roll Hall of Fame in 2017 (in the musical excellence category) and received a lifetime achievement award from the Recording Academy in 2023.
“Having Nile as a partner has been a very special and rewarding experience for me personally and professionally,” Linda Moran, SHOF president/CEO, said in a statement. “Nile is one of the rare ones who is respected and admired by his peers and his fans of all generations for being a musical pioneer with his multi-cross-genre music. With an ever-expanding list of credits and accomplishments and, more importantly, his eloquence in talking about and especially his love of songwriting and its process makes Nile the ideal voice for the songwriting community to the world at large as Chairman of the SHOF.”
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“Serving as the Chair of The Songwriters Hall of Fame has been one of the highest points of my career,” Rodgers said in a statement. “To be re-elected to serve another term makes me prouder than I could have ever imagined. This distinguished organization is one of the most brilliantly responsible groups I’ve ever had the pleasure to just sit amongst. Songwriters are the pillar of the music industry, and we recognize and celebrate these great creators. For this honor I’m beyond elated.”
Re-elected officers with Moran include CFO and treasurer Tom Kelly and senior vps David Israelite, Elizabeth Matthews and Mike O’Neill, secretary Mary Jo Mennella and deputy secretary Linda Buckley.
Elected members to the board of directors are SHOF inductees Desmond Child, Steve Dorff and Paul Williams, 2012 Hal David Starlight Award recipient Schaffer “Ne-Yo” Smith, Martin N. Bandier, Donna Caseine, Samantha Cox, Charlie Feldman, Fletcher Foster, Pete Ganbarg, Randy Grimmett, John H. Josephson, Jody H. Klein, Evan Lamberg, Carianne Marshall, Nancy Munoz, Jon Platt, Irwin Z. Robinson, Harold Stephan, Bob Valentine and John Titta. Barry Slotnick will continue as counsel.
Prince was posthumously inducted into the Songwriters Hall of Fame on Saturday (July 27) at a 40th anniversary screening of his film Purple Rain at Minneapolis’ Target Center. This is the second time this year that the SHOF has posthumously inducted a legendary songwriter. It honored the late Cindy Walker at an event in April.
Upon accepting the award from Gilbert Davison, a longtime professional colleague of Prince’s, Prince’s sister, Sharon L. Nelson, said, “You will always remember his songs. This is the award he wanted more than any other in life — to be known as a great songwriter.”
Why didn’t the SHOF didn’t get around to honoring Prince in his lifetime? He was selected for induction in 2013, but SHOF policy is that a songwriter has to personally attend the annual induction and awards gala to be officially inducted, and Prince’s schedule didn’t permit him to attend for a few years.
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SHOF president and CEO Linda Moran stated that the organization had been working with him to coordinate his schedule. “He reached out at the end of 2015 and said how important the award was to him and that the June 2016 ceremony could work,” Moran said in a statement. “We planned that it would be unannounced and a surprise; but unfortunately, Prince passed two months beforehand in April. It has been a long road, but we are thrilled that one of the world’s most prolific and phenomenal songwriters is finally a member of the Songwriters Hall of Fame.”
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A songwriter, producer, musician and pioneer of the Minneapolis Sound (which also included 2017 SHOF inductees Jimmy Jam and Terry Lewis), Prince crossed genres with ease. Credited by his full name, Prince Rogers Nelson, he wrote every song in his catalog. He placed 19 songs in the top 10 of the Billboard Hot 100, including five that went to No. 1: “When Doves Cry”; “Let’s Go Crazy” and “Kiss” (both credited to Prince and the Revolution); “Batdance”; and “Cream” (credited to Prince and the New Power Generation).
Prince also wrote hits for other artists including Sheena Easton, Kenny Rogers, Madonna, Stevie Nicks, Patti LaBelle, Celine Dion, Kate Bush and the Bangles. Several of his songs that he had recorded were also covered by other artists including Chaka Khan, Tom Jones, Sinéad O’Connor, Alicia Keys, the Pointer Sisters and Cyndi Lauper.
Prince won both an Oscar and a Grammy for his Purple Rain score. He also won a Grammy for best R&B song for writing “I Feel for You,” a 1984 smash for Khan. He was nominated for song of the year for writing “Nothing Compares 2 U,” a 1990 smash for O’Connor.
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Walker, whose most famous song is the cross-genre classic “You Don’t Know Me,” was inducted into the SHOF in a special event on April 19 at historic Columbia Studio A in Nashville. The ceremony took place during a SHOF Master Session with Liz Rose, a 2023 SHOF inductee. The event was co-hosted by SHOF board member Fletcher Foster, who chairs the SHOF Nashville Committee.
The annual SHOF gala in June does not normally include posthumous inductions, though this year’s inductees included Steely Dan, whose Walter Becker died in 2017. The SHOF prefers the June event to have a celebratory mood, but it intends to continue hosting posthumous inductions at unique venues and special events such as this one.
“The ceremony at Columbia Studio A was warm, intimate and respectful,” Foster said in a statement at the time of Walker’s induction. “SHOF president and CEO Linda Moran says this now sets the stage for future posthumous inductions.”
R.E.M. told CBS Mornings this week that it would take a comet for them to play together again. Well, apparently they saw one.
For the first time in nearly 16 years, the foursome reunited to sing “Losing My Religion” at the Songwriters Hall of Fame gala in New York on Thursday night (June 13).
The performance was preceded by Jason Isbell, who feted them with a spirited, note-perfect rendition of the tongue-twisting “It’s the End of the World as We Know It (And I Feel Fine),” a song he said he learned when he was 10 years old. “R.E.M. was greater than the sum of its parts. R.E.M. moved like a single instrument,” he said.
The Athens, Georgia, foursome — Michael Stipe, Mike Mills, Bill Berry and Peter Buck — then came together onstage, with Stipe speaking for all four. “Writing songs and having a catalog of work that we’re all proud of that is out there for the rest of the world for all time is hands-down the most important aspect of what we did. Second to that is that we managed to do so all those decades and remain friends. And not just friends, dear friends,” he said.
“We are four people that very early on decided that we would own our own masters and we would split our royalties and songwriting credits equally,” he continued. “All for one and one for all.”
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In a gracious move, Stipe then quickly read a long list of thank yous to people that extended back to its early days on I.R.S. Records up through Warner Records, before concluding by thanking the band’s longtime manager Bertis Downs.
The band then took center stage, picked up their instruments and, as Stipe said, “Here’s what we did.”
The band’s last full concert was in November 2008 in Mexico City. The foursome played a private party for Downs in 2016 but had not performed publicly since 2008.
R.E.M. were among the 2024 inductees into the Songwriters Hall of Fame alongside Steely Dan (Donald Fagen and the late Walter Becker) and Hillary Lindsey, Timothy Mosley (Timbaland), Dean Pitchford and the late Cindy Wlaker at the Marriott Marquis Hotel in New York City on Thursday night.
“Losing My Religion” was the unlikeliest of hits for R.E.M., Little Big Town’s “Girl Crush” was created at a girls’ songwriting sleepover weekend and, “yeah,” that’s Timbaland’s voice you hear on Justin Timberlake’s hit “SexyBack.”
Ahead of the 53rd annual Songwriters Hall of Fame Induction and Awards Gala on Thursday (June 13) at the Marriott Marquis Hotel in New York, some of this year’s inductees and honorees share stories behind their biggest hits and the songs that hit closest to home, in their own words.
The 2024 class consists of Hillary Lindsey, Dean Pitchford, R.E.M., Steely Dan, Timbaland and the late Cindy Walker. Diane Warren will be honored with the Johnny Mercer Award and SZA will receive the Hal David Starlight Award.
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Hillary Lindsey
“Girl Crush” Co-written with Lori McKenna, Liz Rose Recorded by Little Big Town
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The Grammy-, CMA- and Nashville Songwriters Association International-winning song that spent 13 weeks at the top of the Hot Country Songs chart in 2015 had a spontaneous start. “The three of us are dear friends and once a month we’d do two-night sleepovers at Liz’s house and dive into writing. This was one of those times,” Lindsey says. “I didn’t know it, but Lori had this title ‘Girl Crush’ in her head, and she apparently asked Liz and Liz had said the title sounded cool but might be too hard. I came in and Lori asked me, ‘What do you think about this title?’ It could’ve gone lots of directions, and it was one of those miraculous moments that can happen when you’re creating. I picked up the guitar and played chords and the words just started popping out. It was one of those songs we didn’t put a lot of thought into. We were all throwing out lines and we probably wrote it in 45 minutes.
“Then the girls of Little Big Town were coming over for a write-in. Karen [Fairchild] said, ‘Do you all have anything you’ve written that you love?’ And Liz was like, ‘Well, we do have this song we wrote this morning.’ I was scared out of my mind; I thought we needed to make it sound better. We’d just put it down on our phones on a voice memo so we wouldn’t forget it. And they both just sat there in silence with their eyes real big and we were like, ‘Do you hate it? Do you love it?’ And then they were like, ‘Oh my God, this is a beast of a song.’ Jay Joyce [the producer] took it to the utmost next level. It was otherworldly. He heard it in its raw form and the band just made it shine.”
Dean Pitchford
“Footloose” Co-written and recorded by Kenny Loggins
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Loggins was Pitchford’s top choice for the Footloose title song, which spent three weeks at No. 1 and was nominated for an Oscar in 1984 — and Pitchford went to great lengths to seal the deal. The soundtrack, which produced six Hot 100 top 40 hits, knocked Michael Jackson’s Thriller out of the No. 1 spot on the Billboard 200, where it spent 10 weeks. “Kenny had a very big pop career at that point. He sort of auditioned me by giving me a cassette with a melody he and Steve Perry had come up with. All he would say is it was called ‘Don’t Fight It.’ So I wrote the lyric, and he and Steve loved it. They recorded a duet and got a Grammy nomination. And we found out about the nomination while we were in the trailer at Paramount on preproduction on Footloose,” Pitchford says.
“I came to him with the movie script and said, ‘I want to work with you to write the title song.’ He was seduced by reading the script. Paramount was not taking for granted that I had Kenny onboard until they heard something. And then something happened that put us into a great bind. At a gig in Utah, Kenny came out in the dark and walked off the edge of the stage and broke three ribs. He was laid up and recovering because he was leaving for a tour of Asia in four weeks, and now the clock is ticking. I finally got a call from his manager, who said he was going to play one weekend in Lake Tahoe before he goes to Asia and, ‘If you can get yourself to Tahoe I can put you in a room with Kenny.’ The night before I came down with strep throat; I never mentioned it to Kenny. I called it our house of pain because I was running into the bathroom and spraying my throat with Chloraseptic and he was strumming the guitar, which was obviously causing pain. We ended up creating the verse and the chorus of the song. And I had enough to go back to L.A. and say to the executives, ‘He’s in.’”
R.E.M.
“Losing My Religion” Written by Bill Berry, Peter Buck, Mike Mills, Michael Stipe
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The second song on the band’s seventh album, Out of Time, spent 21 weeks on the Hot 100, was inducted into the Grammy Hall of Fame in 2017 and in 2022 reached one billion YouTube views. But as Mike Mills recalls, it didn’t scream hit. “It’s a five-minute song with no chorus and the lead-in is a mandolin. It was a really cool song… but that is not a recipe for a hit single. We never really thought about songs in terms of, ‘This is going to be a big hit.’ We just wrote the best songs we could. And we always tried to make timeless records. That song was driven by our desire to explore different instruments and ways of writing, [since] we were really writing good songs at that point. And it tapped into a zeitgeist that really worked. I believe in the record company’s mind it was sort of a warm-up track for ‘Shiny Happy People’ or some other thing they thought would be a big hit,” he says.
“Peter [Buck] had begun playing the mandolin all the way back to [our 1988 sixth album] Green and was becoming very proficient, and he came up with basically the whole song. As I remember, when he showed it to us it was fully formed so all we had to do was come up with our parts. I was having a little difficulty with the bass line. It needed to have some element of identity without getting in the way of the mandolin. And I thought, ‘What would John McVie do? I tried to put myself in John McVie’s head and came up with a very simply change that, to me, made all the difference. It’s a simple low F sharp before the minor E chord. That’s all it was, but it gave the song a little bit of darkness. It’s the only time I recall turning to another bass player for help, as it were.”
Timbaland
“SexyBack” Co-written with Justin Timberlake, Nate “Danja” Hills Recorded by Justin Timberlake
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Co-written and produced by Tim Mosely, aka Timbaland, the song that served as a re-introduction for Justin Timberlake was certified three times platinum by the RIAA and delivered him a No. 1 on the Hot 100 in September 2006. “It all started by really being bold,” Timbaland recalls. “We knew people were going to love it — and we knew especially the women would go crazy. Because it was a call-to-action song. It makes you feel good and has something about it that gets your attention. What we were going for was that old David Bowie sound, back in the day when rock n’ roll was in a disruptive space. We were trying to re-create that in [Timberlake’s 2006 sophomore album] FutureSex/LoveSounds. We were going for something different. I thought the way Justin approached it was so futuristic but felt so nostalgic that I knew it was going to shock the world. People were used to him coming off *NSYNC. And the funny thing is, the label came in and they were like, ‘What is this?’ But we knew what it was. We knew it was disruptive. It’s like that Michael Jackson Thriller moment.”
“When we were coming up with the song, Justin was like, ‘This song feels like I’m bringing sexy back.’ And I said, “Yeah.” The way I talk is in rhythm, so ‘yeah’ came out [and] it just fit in the track. And he was like, ‘This is it; this is the song.’ And I thought we should really swag it out, so we did. I was more fascinated about the sound taking over the world than it being No. 1, to be honest. I think what we did was we made dance music come back. And that to me was the moment. My real impact was, ‘Did we change how people view [Justin]?’ Yes, we did that.”
Diane Warren
“I Don’t Want To Miss A Thing,” recorded by Aerosmith; “Here’s To The Nights,” recorded by Ringo Starr and friends
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Warren delivered Aerosmith’s only No. 1 on the Hot 100, where it remained for four weeks in 1998 — one of the songwriting legend’s nine chart-topping hits. “I never, ever thought Aerosmith would do my song. They just don’t do that. I wasn’t in the studio when they were recording so it went from me teaching Steven Tyler the song at the piano to someone sending me the CD and hearing the finished record. I was blown out of my chair; it was so great. I think to this day I’m the only outside songwriter [they’ve worked with].
And while Warren has already received a Grammy, a Primetime Emmy, two Golden Globes, 15 Oscar nominations, and in 2022 became the first-ever songwriter to receive a Governor’s Award from the Academy of Motion Pictures Arts & Sciences, she says the “coolest thing that’s ever happened” is getting two members of the Beatles on her song, “Here’s to the Nights.” As she recalls, “A few years ago Ringo asked me for a song and it was basically, ‘Here’s to the nights we won’t remember with the friends we won’t forget.’ My idea when I gave him the song was, ‘Let’s get your old friends and some new friends on there singing along.’ And my whole intention was to get Paul McCartney. And Paul McCartney was the first person who said yes to Ringo. So I have two f—ing Beatles on my song. And also the other artists on that song — Lenny Kravitz, Dave Grohl, Joe Walsh, Sheryl Crow, Finneas… it’s a Who’s Who.”
Despite such memories, Warren insists, “I’m writing my best songs now. I’m working with so many great artists in all genres, whether its country or Afrobeats, whether its Angélique Kidjo to Kesha, or David Guetta in the dance world with Steve Aoki. I just did a great song with The War and Treaty that I think is going to be their career song. It’s one of those songs when you hear it you stop everything and listen. I just heard a mix and I was in tears. I love to do a song that changes someone’s life, whether it’s a new artist or an established artist.”
A version of this story originally appeared in the June 8, 2024, issue of Billboard.
Kevin Bacon, the star of Footloose, and Deniece Williams, who had a No. 1 hit on the Billboard Hot 100 with “Let’s Hear It for the Boy” from that iconic film, will be on hand when Dean Pitchford, who wrote the screenplay and co-wrote all of the songs from the 1984 blockbuster, is inducted into the Songwriters Hall of Fame on Thursday, June 13, at the Marriot Marquis Hotel in New York City.
Bacon will appear in tandem with his brother Michael Bacon as The Bacon Brothers. “Let’s Hear It for the Boy” brought Williams a Grammy nomination best pop vocal performance, female and an invitation to perform on the Oscars in 1985, where the song was nominated for best original song.
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Carrie Underwood and Keith Urban, who had career-defining hits with songs co-written by Hillary Lindsey, will also be on hand as she is inducted into the SHOF. Underwood won a Grammy for best female country vocal performance for “Jesus, Take the Wheel.” Urban was nominated for best country solo performance for “Blue Ain’t Your Color.” Lindsey also won Grammys for best country song for co-writing both songs.
Missy Elliott will be on hand as Timbaland (Timothy Mosley) is honored. Mosley cowrote four of Elliott’s top 10 hits on the Hot 100: “Hot Boyz,” “Get Ur Freak On,” “Work It” and “Gossip Folks.”
El DeBarge will be on hand as Diane Warren receives the Johnny Mercer Award, the organization’s highest honor. The group DeBarge’s 1985 smash “Rhythm of the Night” was one of Warren’s first hits, and brought her the first of a remarkable 15 Oscar nominations for best original song.
Other performers who will be on hand to present or perform at Thursday’s event are Trey Anastasio, Cary Barlowe, Andra Day, Jason Isbell, Nile Rodgers and Paul Williams. Rodgers is chairman of the SHOF. Williams is on the board of directors. Both veteran songwriters are past SHOF inductees.
Inductees at this year’s event, not already named, are R.E.M. (Bill Berry, Peter Buck, Mike Mills and Michael Stipe) and Steely Dan (Donald Fagen and the late Walter Becker). SZA will receive the Hal David Starlight Award.
The SHOF doesn’t reveal in advance who is on hand to honor who. These are educated guesses, given the strong connections between these performers or presenters and these honorees.
Tickets for the Songwriters Hall of Fame event begin at $2,000 each, and are available through Buckley Hall Events, 914-579-1000 and SHOF@buckleyhallevents.com. Net proceeds from the event will go toward Songwriters Hall of Fame programs. The Songwriters Hall of Fame is a 501(c)3 organization. The non-deductible portion of each ticket is $215.
A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.