saturday night live
Sabrina Carpenter and Quinta Brunson teamed up for a catchy musical tribute to short people during Saturday Night Live on May 3.
In her opening monologue, the Abbott Elementary creator and star joked about her height before the “Please Please Please” singer joined her for a playful performance celebrating “shorties” everywhere.
Brunson, hosting SNL for the second time, noted that she was “proof you can do anything you put your mind to even if people look down on you.” She continued, “Whether it’s because of where you come from or literally because you’re only 4’11′ — yeah, that’s right, I’m short … But I love being short, and I want other short people to know the sky’s the limit. So shorties, tonight, this one’s for us!”
Brunson then launched into a humorous song about her stature, noting that she’s a cheap date who gets “wasted off of one glass of wine,” and name-checked other famously petite celebrities including Simone Biles, Kendrick Lamar and Tom Holland.
Carpenter — who’s around five feet tall herself — soon joined Brunson on stage, exchanging jokes with the host about eating short ribs and reading short stories. The performance culminated in a group number joined by SNL cast member Marcello Hernandez (5’6″) and former NBA star Dwyane Wade (6’4″).
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“It’s how we like our movies, and how we like our margins,” they all sang together. “We’ve been the same height since kindergarten. Life is just more fun when you’re fun size.”
Elsewhere in the episode, pop star Benson Boone made his SNL debut, performing two tracks — “Sorry I’m Here for Someone Else” and “Mystical Magical” — from his upcoming sophomore album, American Heart. The new project is scheduled for release on June 20 through Night Street Records/Warner Records. Watch Boone’s SNL performances here.
Check out Brunson’s SNL monologue below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Benson Boone brought his dynamic stage presence and first-class showmanship to Saturday Night Live on May 3.
Making his debut as the musical guest on the long-running NBC sketch comedy series, the 22-year-old pop sensation performed two tracks from his forthcoming sophomore album, American Heart.
Following an introduction from SNL host Quinta Brunson, Boone nailed one of his electrifying signature backflips before briefly serenading the actress and comedian with his song “Sorry I’m Here for Someone Else,” which peaked at No. 34 on the Billboard Hot 100 earlier this year.
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Later in the episode, the 2025 best new artist Grammy nominee returned to the stage for a performance of “Mystical Magical.” Dressed in a velvety purple ensemble, Boone delivered the jangly pop-rock track amid a dreamy backdrop of glowing pink and blue lights, supported by a full band and backup singers dressed in white.
“‘Cause it feels so mystical, magical, oh baby/ ‘Cause once you know, once you know/ My love is so mystical, magical, oh baby/ ‘Cause once you know, once you know,” he sings on the song, which interpolates “Physical,” an Olivia Newton-John classic, in the chorus.
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Boone’s SNL debut arrives ahead of the release of American Heart, scheduled for release on June 20 through Night Street Records/Warner Records. Both “Sorry I’m Here for Someone Else” and “Mystical Magical” appear on the forthcoming project.
His appearance at Studio 8H follows a standout run at Coachella in April, where he wowed audiences with high-energy sets packed with backflips — and even a surprise cameo from Queen guitarist Brian May during a cover of “Bohemian Rhapsody” on weekend one.
Watch Boone’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Benson Boone broke out his signature backflip on Thursday (May 1) to promote his upcoming appearance on Saturday Night Live. When the first SNL promo opens, the pop sensation is nowhere to be found, missing his cue after host Quinta Brunson excitedly introduces him as the episode’s musical guest. “Huh, he was supposed to flip […]
Stax: Soulsville U.S.A., Will & Harper, Shōgun and Hacks are among the 34 films or programs that won Peabody Awards on Thursday (May 1). The Peabody Awards’ board of jurors said these winners “represent the most captivating and inspiring stories released in broadcasting and streaming media during 2024.”
The winners were chosen by a unanimous vote of 27 jurors from more than 1,000 entries from television, podcasts/radio and the web in entertainment, news, documentary, arts, children’s/youth, public service, and interactive/immersive programming and media.
Stax: Soulsville U.S.A. tells the story of the fabled label that rose out of Memphis, Tennessee, to become one of the most successful R&B labels in music history. The label was founded by two siblings, business partners Jim Stewart and Estelle Axton (whose last names formed the basis of the label’s name). Booker T. & the M.G.’s served as the label’s house band. Other artists signed to the label in its glory years include Rufus Thomas, Carla Thomas, Otis Redding, Sam & Dave, Eddie Floyd and Isaac Hayes.
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In Will & Harper, comedy writer Harper Steele navigates her gender transition while reconnecting with longtime friend and collaborator Will Ferrell. The film ends with a charming song co-written and performed by Kristen Wiig. The tune was shortlisted for an Oscar for best original song, but wasn’t nominated.
Other Peabody-winning programs or films with a music tie-in are Any Other Way: The Jackie Shane Story, about a Black trans soul singer; We Are Lady Parts, a comedy about an all-female Muslim punk band; and Surviving Nova, about the deadly 2023 attackon the all-night Nova music festival in Israel.
Shōgun and Baby Reindeer, which won Primetime Emmys in September for outstanding drama series and outstanding limited or anthology series, respectively, both won Peabody Awards. But Hacks, which won the Primetime Emmy for outstanding comedy series, lost in its Peabody bid.
Netflix received the most awards with six, followed by HBO/Max with four, PBS with three, and FX/Hulu and Al Jazeera with two each. Documentary led all categories this year with 12 wins, followed by seven for entertainment, and four each for interactive/immersive programming, podcasts/radio, and news.
Winners of the 85th Annual Peabody Awards will be celebrated on Sunday, June 1, at the Beverly Wilshire Hotel in Beverly Hills, Calif. The ceremony will be hosted by Roy Wood Jr. Longtime NBC News correspondent Andrea Mitchell will receive the Career Achievement Award and landmark NBC sketch-comedy series Saturday Night Live will be honored with the Institutional Award. The show has been celebrating its 50th anniversary this season. (Perhaps you’ve heard.)
Here’s a complete list of this year’s 34 Peabody Award winners, across eight broad categories. The capsule descriptions of each show are provided by the Peabody organization.
Photographer (National Geographic)
The first season of National Geographic’s Photographer showcases renowned photographers like Paul Nicklen, Cristina Mittermeier, and Anand Varma, who use their art to highlight issues such as environmental threats, the wonders of nature, and the representation of the African diaspora. Through beautiful and probing documentaries directed by notable filmmakers, the series explores the deeper implications of photography, emphasizing how images are crafted to advocate for visibility and awareness. (National Geographic, Little Monster Films)
Out of My Mind (Disney+)
Director Amber Sealey’s film Out of My Mind follows sixth-grader Melody Brooks, a nonverbal teen with cerebral palsy, as she asserts her independence, showing how adults often overlook her efforts to communicate. The film’s heartfelt storytelling and sensitivity emphasize the importance of treating individuals with special needs with respect and empathy. (Big Beach, Participant, EveryWhere Studios LLC, and Disney Branded Television)
Any Other Way: The Jackie Shane Story (CRAVE)
Any Other Way: The Jackie Shane Story creatively chronicles the life of pioneering trans soul and R&B singer Jackie Shane, who has largely been forgotten due to the scarcity of video footage from her performances. Through inventive rotoscoped animations, audio of her conversations with co-director Michael Mabbott, and interviews with her relatives, the documentary explores Shane’s complex identity and her reasons for stepping away from the spotlight. (A Bangers Films and National Film Board of Canada production)
Black Box Diaries (MTV Documentary Films / Showtime)
Shiori Itō, a young journalist in Japan, tells her own harrowing story of bravely confronting the powerful male journalist Noriyuki Yamaguchi after he rapes her, despite facing disbelief from the police and media. Her relentless pursuit of justice, using her smartphone to document conversations and gather evidence, imbues the documentary with an intense intimacy and determination. (Hanashi Films, Cineric Creative, and Star Sands)
Bread & Roses (Apple TV+)
The Taliban’s takeover of Afghanistan in 2021 severely restricted the rights of more than 20 million women, preventing them from accessing education and employment while facing harsh public limitations. Sahra Mani’s documentary Bread & Roses highlights the resilience of Afghan women in these circumstances, showing their organized resistance as well as the joy they insist on finding in their everyday lives. (Apple Original Films presents an Eyan Foundation presentation in association with Extracurricular and Excellent Cadaver)
Daughters (Netflix)
Daughters, directed by Natalie Rae and Angela Patton, explores the Date With Dad program, which hosts dances for girls and their incarcerated fathers, creating a temporary sense of home in a prison setting. The film poignantly highlights the emotional struggles of these girls and their families, emphasizing that while the event fosters connection, it cannot replace the presence of a father throughout their childhoods. (A Netflix Documentary / An Object & Animal and Epoch Films Production / A Park Pictures and XTR Production /Iin association with OPC, World of HA, Simpson Street, and Two One Five)
Mountain Queen: The Summits of Lhakpa Sherpa (Netflix)
This film tells the inspiring story of Lhakpa Sherpa, who balances an ordinary life working at Whole Foods in the United States while nurturing her extraordinary passion for climbing Mount Everest, where she has made multiple record-breaking summits. The documentary not only highlights her remarkable achievements against the backdrop of personal struggles, but also vividly showcases her resilience and spirit, her tenacity and connection to the mountains. (A Netflix Documentary / An SK Global Entertainment Production / An OBB Pictures Production / An Avocados and Coconuts Production / In association with MakeMake Entertainment)
Night is Not Eternal (HBO | Max)
In Night is Not Eternal, filmmaker Nanfu Wang explores the complexities of dissent and solidarity through her profile of Cuban activist Rosa María Payá Acevedo, highlighting their shared experiences in authoritarian regimes. As Wang documents Payá Acevedo’s journey during the Trump administration and the 2020 election, they confront growing ideological divides, ultimately revealing the challenges and compromises individuals make in the pursuit of “freedom” and “democracy.” (HBO Documentary Films presents A Little Horse Crossing the River and Hard Working Movies Production in association with NiKa Media and Secret Sauce Media)
One With the Whale (Independent Lens, PBS)
One With the Whale follows 16-year-old Yupik tribal member Chris Apassingok as he celebrates his first harpooned whale, a significant coming-of-age milestone and means of provision for his village, only to face a wave of hateful online backlash from an environmental group when photos of his accomplishment are posted on social media. Directed by Jim Wickens and Peter Chelkowski, the film powerfully illustrates the challenges faced by indigenous communities in preserving their traditions amidst climate change and external judgement from an increasingly connected world. (Vitamin Sea Productions and Vision Maker Media)
Queendom
Queendom follows Jenna, a gifted performance artist whose bold self-expression becomes an act of resistance against oppression and violence in Putin’s Russia. Through Agniia Galdanova’s powerful storytelling, the documentary captures both Jenna’s painful struggles and her triumphant perseverance. (A Galdanova Film Production in association with Sundance Institute Documentary Film Program, International Documentary Association, InMaat Productions, Doc Society and Sopka Films)
STAX: Soulsville U.S.A. (HBO | Max)
This powerful four-part HBO documentary chronicles the rise, fall, and cultural impact of the iconic Memphis soul label, showcasing legendary artists such as Otis Redding and Isaac Hayes. By weaving together music, history, and the era’s racial and political forces, the series delivers a poignant, soulful, and deeply American story. (HBO Documentary Films presents in association with Concord Originals, Polygram Entertainment, Warner Music Entertainment; A Laylow Pictures production; A White Horse Pictures production)
The Remarkable Life of Ibelin (Netflix)
Benjamin Ree’s The Remarkable Life of Ibelin explores the enriching impact of video games through the life of Mats Steen, a Norwegian man with Duchenne muscular dystrophy who finds community and meaning in World of Warcraft. By juxtaposing Steen’s virtual and real-life experiences, the film serves as a poignant tribute to his journey and highlights the profound connections that can be formed in digital spaces. (Medieoperatørene and VGTV for Netflix)
The Truth vs. Alex Jones (HBO | Max)
Director Dan Reed provides an exclusive look at the trial of radio host Alex Jones as he faces a lawsuit from the parents of Sandy Hook victims for promoting false claims about the shooting. The film not only highlights Jones’s manipulative tactics for fame and profit but also critiques a society where trust in shared truths is deteriorating, resulting in a compelling examination of truth versus conspiracy. (HBO Documentary Films presents an Amos Pictures Production)
Will & Harper (Netflix)
In Will & Harper, comedy writer Harper Steele navigates her gender transition while reconnecting with longtime friend and collaborator Will Ferrell, who offers unwavering support despite the challenges posed by societal bigotry and transphobia. Their cross-country trip becomes a humorous and heartfelt exploration of friendship, trans allyship, and the complexities of identity. (A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez Production)
Baby Reindeer (Netflix)
Starring Richard Gadd as flailing stand-up comedian Donny Dunn, Baby Reindeer explores his tumultuous relationship with Martha, a fan whose flattery quickly escalates into stalking. Based on Gadd’s own experiences, the series offers a darkly comedic yet poignant examination of abuse, trauma, and the complexities of autofiction, showing the potential for storytelling as a means of healing. (A Netflix Series / A Clerkenwell Films Production)
Fantasmas (HBO | Max)
Julio Torres’s HBO show Fantasmas blends absurdity and humor in a surreal world where the protagonist, Julio, grapples with the need for a “proof of existence” to validate his talent and identity amidst bizarre societal norms. Featuring a talented cast and a satirical take on conformity through its sketch-like structure, the series cleverly critiques everything from bureaucracy to reality TV. (HBO in association with Irony Point, Fruit Tree, 3 Arts Entertainment, and Space Prince Inc.)
Mr Bates vs The Post Office (PBS/MASTERPIECE)
In Mr Bates vs The Post Office, Toby Jones portrays Alan Bates, a seemingly ordinary subpostmaster unjustly accused by the British government of theft due to faulty software, showcasing his resilience and determination to fight for justice. The miniseries expands from Bates’ individual struggle to expose a broader conspiracy, revealing the government’s prioritization of corporate interests over citizen welfare. (A Co-Production of ITV Studios, Little Gem, and MASTERPIECE for ITV)
Ripley (Netflix)
Ripley creator Steven Zaillian employs a stark black-and-white aesthetic to explore the moral complexities and deceptions inherent in human nature, focusing on the sociopathy of the titular character, masterfully portrayed by Andrew Scott. This adaptation stands out among previous versions of Patricia Highsmith’s novel by integrating an unexpected connection to 16th-century painter Caravaggio, capturing the mid-century sensibility of Highsmith’s work and offering a visual portrayal of grifting as a consequence of the American dream. (Showtime and Endemol Shine North America in association with Entertainment 360 and Filmrights for Netflix)
Say Nothing (FX/Hulu)
Say Nothing is a nine-episode limited series that chronicles the Northern Ireland conflict known as “The Troubles,” focusing on the abduction and murder of Jean McConville by the Provisional Irish Republican Army in 1972. The series weaves together multiple narratives, including the stories of the Price sisters and Gerry Adams, exploring the deep social impacts of political radicalism, secrecy, and the emotional aftermath of violence. (FX Productions)
Shōgun (FX/Hulu)
FX’s reimagining of Shōgun, which adapts James Clavell’s novel, shifts the focus from the English navigator John Blackthorne to the rich narratives of its Japanese characters, particularly Lord Toranaga and Lady Mariko, thereby challenging the original’s white-savior narrative. This innovative approach results in a captivating and complex epic primarily in Japanese, a remarkable example of global collaboration and storytelling prowess. (FX Productions)
We Are Lady Parts (Peacock)
We Are Lady Parts returns just as brilliantly in its second season, using the story of an all-female, all-Muslim British punk band to explore the nuanced challenges of maintaining authenticity while navigating success. With sharp wit, bold music, and intimate character portrayals, the show breaks stereotypes and offers a rare, multifaceted depiction of Muslim women unlike most representations in Western media. (Working Title Television, which is a part of Universal International Studios, a division of Universal Studio Group)
1000xRESIST
1000xResist is a narrative adventure game set a thousand years in the future, focusing on themes of time, memory, and intergenerational trauma as it explores the aftermath of the 2019 Hong Kong demonstrations. Players, taking on the role of Watcher, delve into the memories of Iris the ALLMOTHER and her clones to confront the unsettling truths of their society, ultimately prompting reflection on the past and the future. (sunset visitor 斜陽過客 and Fellow Traveller)
Inside the Deadly Maui Inferno, Hour by Hour
After the devastating wildfires in Lahaina, Hawaii, in August 2023, which resulted in at least 99 fatalities, The New York Times produced this in-depth report, showcasing innovative storytelling and investigative journalism. The comprehensive account combines more than 400 resident and tourist videos, interviews, and thorough analysis to reveal the failures that led to the disaster. (The New York Times)
One Day in Gaza | Close Up
Al Jazeera English’s One Day in Gaza | Close Up is a powerful social video capturing life in a besieged city through the phone cameras of Palestinian citizens, showing both daily resilience and the devastating impact of conflict. By empowering locals to tell their own stories when traditional journalism was restricted, the film offers an intimate, essential perspective. (Al Jazeera Digital)
What Does Racial Bias in Medicine Look Like?
Social media is flooded with health misinformation, particularly affecting people of color, as highlighted by “medical mythbuster” Dr. Joel Bervell. Through concise videos on platforms like Instagram and TikTok, he exposes racial bias in medical practices and algorithms, aiming to educate both healthcare professionals and patients. (Dr. Joel Bervell)
Confronting Hate (WTVF – TV)
Phil Williams of WTVF-NewsChannel 5 conducted extensive investigations into the rise of right-wing extremism in Tennessee, uncovering the influence of neo-Nazis and white Christian nationalists, all while facing targeted harassment online. His impactful reporting not only highlighted a pressing issue in American politics but also led to a state investigation into a local police official promoting conspiracy theories. (WTVF-TV)
Policing Phoenix (ABC15 Arizona (KNXV-TV))
ABC 15 Arizona conducted a groundbreaking investigation into the Phoenix Police Department’s brutal treatment of Black Lives Matter protestors, resulting in the dismissal of 39 felony cases and triggering a three-year U.S. Department of Justice investigation. Following up with a detailed 32-part series on the DOJ’s final report, the journalists provided critical context and additional evidence of police misconduct. (ABC15 Arizona (KNXV-TV))
Surviving Nova (VICE TV)
On October 7, 2023, Hamas militants launched a deadly attack on the all-night Nova music festival in Israel, resulting in 1,200 deaths and the taking of more than 200 hostages, which sparked a brutal siege of Gaza. The documentary Surviving Nova by VICE News captures the chilling events through smartphone footage and survivor testimonies, exploring the deep emotions and varied reactions of those affected. (VICE News)
The Night Won’t End (Fault Lines / Al Jazeera English / Television)
Al Jazeera’s The Night Won’t End highlights the harrowing experiences of Palestinians in the Gaza Strip, documenting the relentless attacks on civilians by the Israeli military using U.S.-provided weaponry. By following three families and collaborating with organizations such as Airwars and Forensic Architecture, the broadcast provides comprehensive evidence that underscores the absence of “safe zones” in Gaza while holding America accountable for its complicity. (Al Jazeera English)
Blindspot: The Plague in the Shadows
This powerful podcast reframes the AIDS crisis as a widespread, deeply interconnected struggle too often ignored by mainstream society. Through six episodes filled with firsthand accounts, it highlights the resilience and solidarity that emerged in the absence of national leadership. (WNYC and The History Channel)
In the Dark: The Killings in Haditha
In the Dark: The Killings in Haditha delves into the tragic 2005 massacre in which U.S. marines killed numerous Iraqi civilians in Haditha, revealing the profound anguish of the victims’ families and the lack of accountability from the American government. Through nine meticulously researched episodes, reporter Madeleine Baran and her team uncover the dismissive and revealing responses from military officials, highlighting the damaging impact of the U.S. wars on terror. (The New Yorker)
Pulse: The Untold Story
The 2016 Pulse nightclub shooting, initially portrayed in the media as a hate crime driven by shooter Omar Mateen’s struggles with his sexuality, is revealed by reporter Trevor Aaronson to be instead a crime that stemmed from his opposition to U.S. military actions in Iraq and Syria. Through extensive investigation, Aaronson uncovers how the FBI’s narrative shaped public perception and obscured its own failures, leading to critical questions about institutional accountability and the politicization of memory. (Trevor Aaronson, Western Sound, and Audible)
Yousef, Youmna, Banias, and Majd: Four Lives in Gaza
Chana Joffe-Walt’s collection of stories for This American Life emphasizes the individual human experiences often overshadowed by the statistics surrounding the Gaza conflict, focusing on the personal struggles of people like aid worker Yousef Hammash and reporter Youmna El Sayed. Through intimate phone conversations, Joffe-Walt captures their raw vulnerability and resilience, witnessing and conveying the realities of life in a war-torn region. (This American Life)
The Only Doctor (Reel South / PBS)
The Only Doctor profiles Dr. Karen Kinsell, who runs the sole medical clinic in impoverished Clay County, Georgia, highlighting the stark health care disparities in one of the wealthiest countries. Documentarian Matthew Hashiguchi captures her commitment to treating uninsured patients, while also critiquing the profit-driven health care system that threatens her clinic’s existence. (Reel South, BellaFran Productions, PBS North Carolina, South Carolina ETV, Louisiana Public Broadcasting)
Bad Bunny is hopping back over to 30 Rock to make his grand return to Saturday Night Live, with the show announcing Thursday (April 24) that the Puerto Rican rapper will perform on its season-ender episode following a musical guest debut from Benson Boone two weeks prior. SNL‘s 50th season will officially wrap May 17 […]
For any number of fans who got upset last year at Bowen Yang‘s Saturday Night Live segment parodying both Moo Deng and pop star Chappell Roan, the “Pink Pony Club” artist would ask you to please calm down.
On the Wednesday (April 16) episode of Las Culturistas, Yang and co-host Matt Rogers chatted with Roan about her fans’ reaction to Yang’s appearance on Weekend Update, during which he dressed as the viral baby pygmy hippopotamus and echoed the singer’s sentiments about inappropriate fan behavior. “Do not yell my name or expect a photo just because I’m your parasocial bestie or you appreciate my talent,” his Moo Deng proclaimed before clarifying that the hippo’s talent was “having a slippery body that bounces.”
While some fans felt that Yang was mocking Roan’s boundary-setting statement, the pop singer says she never felt that way. “I wasn’t even mad,” she declared as soon as Rogers brought up the topic. “I did [think it was funny], I didn’t feel anything!”
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As Yang explained that he chatted with Drag Race winner and Roan’s friend Sasha Colby about the public outcry, the singer explained that she wished some of her fans would pump the breaks before jumping to her defense. “People do not have to get mad on my behalf — we are fine. What is there to be mad about?” she said. “It’s comedy! It was so lighthearted. It was, to me, harmless. Even if you were to push it further — harmless! It’s comedy, I just don’t understand … I just don’t know ‘the line’ anymore.”
Rogers explained some fans’ “parasocial” need to “protect this person,” even when the person in question has not asked for protection. Chappell agreed, adding that “even if you didn’t think the Moo Deng sketch was funny, you don’t have to say anything! Like, you can always not say something.”
Elsewhere on the podcast, Roan also chatted with the pair about some disappointed fan reactions to “The Giver” after her viral debut of the track on SNL, referring to their preference as “demo-itis.” “You have attached memories, all of these things to this one version of the song, but it’s actually not as good as the recorded version,” she explains. “But you fall in love with what you hear first, because when you hear a different version, you’re just going to hate it because it’s different.”
Check out Chappell’s full conversation with Bowen Yang and Matt Rogers on Las Culturistas below:
Lizzo has a message for President Donald Trump’s economic policies.
During her April 12 appearance as the musical guest on Saturday Night Live, the 36-year-old rapper-singer wore a black T-shirt with the word “TARIFFIED” in bold red letters — a clear jab of Trump’s newly announced 145% tariff on Chinese imports.
Appearing on the Jon Hamm-hosted episode, Lizzo used the platform to promote her upcoming fifth album, Love in Real Life, which currently has no official release date. This marked her fourth appearance on the iconic sketch comedy show (she also hosted once in 2022).
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For her opening performance, Lizzo took the stage with a trio of backup singers and an electric guitar to perform a medley of “Love in Real Life” and “Still Bad.” After a brief shredding session, she ditched the guitar and was joined by a crew of dancers, all dressed in black, to finish off the high-energy performance — all while rocking her politically charged “TARIFFIED” shirt.
Later in the show, Lizzo delivered a show-stopping performance of “Don’t Make Me Love You,” a likely track from Love in Real Life. Channeling an ’80s vibe, she stunned the audience in a shimmery gold dress, with her hair blown by wind machines as she belted out the powerful song.
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Lizzo confirmed last month that Love in Real Life is officially complete. “ALBUM IS DONE YALL!” she shared on Instagram, posting a photo of herself in the studio with a playful caption: “ASTROLOGY EXPERTS Do my mercury got micro braids? Cus I got an emergency root canal, announced SNL & finished my album all in one day today.”
So far, Lizzo has released two tracks from the upcoming album: “Still Bad” and the title track. Aside from “Pink” for Greta Gerwig’s 2023 Barbie soundtrack, the first singles from the project mark the Yitty founder’s first proper releases since 2022’s Special, which reached No. 2 on the Billboard 200 and spawned two-week Billboard Hot 100 No. 1 single “About Damn Time.”
Watch Lizzo’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
In new promos for this weekend’s Saturday Night Live, Lizzo pays homage to another pop star with a rich history on the SNL stage: Britney Spears. Saturday’s musical guest Lizzo wears a Britney T-shirt in the promos, throwing back to the pop princess’ teen-idol days. This weekend will mark Lizzo’s fourth time performing on SNL […]
Jack Black reimagined a classic My Chemical Romance track in a hilarious sketch on Saturday Night Live.
While hosting the iconic sketch comedy show on April 5, the actor and comedian channeled MCR frontman Gerard Way by performing a reggae parody of the band’s 2006 hit “Welcome to the Black Parade.”
The nearly three-minute sketch, titled “Goth Kid on Vacation,” features SNL cast members Kenan Thompson and Ego Nwodim as members of a Jamaican reggae band who cope with their own pain by laughing at goth kids vacationing on their island.
“When there is war and struggle and pain/ How do we fill our souls with joy again?” the duo sings before adding, “We look and we laugh at goth kid on vacation.”
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The camera then cuts to a stereotypical goth teenager (played by Michael Longfellow) dressed in all black with a classic emo hairstyle. He’s shown playing Magic: The Gathering from his hotel balcony, walking the beach in a heavy black leather jacket and combat boots, and belting in frustration after getting hit with a beach ball while painting his nails black.
Halfway through the pre-recorded skit, a long-haired Black joins the scene with a backing band, adding a reggae twist and reimagining the lyrics to My Chemical Romance’s “Welcome to the Black Parade,” which reached reached No. 9 on the Billboard Hot 100 chart in 2007.
“When I was a young boy, my parents took me down to Jamaica for my high school spring break,” Black sings, wearing an outfit reminiscent of Way’s goth-inspired look from the music video. “They said come to the pool, but I stayed in the room with my graphic novels so I could mastur—-.”
Saturday’s episode also featured musical guests Elton John and Brandi Carlile, who performed a pair of songs from their new collaborative album, Who Believes in Angels? Check out their performances of “Little Richard’s Bible” and the project’s title track here.
Watch SNL‘s “God Kid on Vacation” sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Saturday Night Live took aim at Morgan Wallen following the country star’s abrupt exit during the show’s end credits in late March.
During the NBC sketch comedy show’s cold open on April 5, just a week after Wallen’s headline-making appearance as musical guest, President Donald Trump — portrayed by James Austin Johnson — made a jab at Wallen while discussing his “Liberation Day” tariffs.
“I even put tariffs on an island uninhabited by humans. It’s called Heard and McDonald Island,” Johnson’s Trump said, holding a poster featuring a hamburger in a hula skirt. “I would love to visit there. Can you imagine that? Big Mac and a hula skirt. Get me to God’s country, right? Remember that?”
The “Get me to God’s country” line was a direct nod to Wallen’s comment on his Instagram Story after his much-discussed exit from the show on March 29, when he abruptly walked off stage at Studio 8H during the end credits after whispering something to host Mikey Madison.
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Later in the April 5 episode, SNL‘s Colin Jost poked fun at Wallen during Weekend Update, cracking jokes about the financial state of the country.
“This was the worst week for the stock market since the summer of 2020. But you have to remember — back then, the president was also Trump,” Jost said. “Just in the past two days, investors have lost over $6 trillion. Money is leaving the stock market faster than Morgan Wallen at goodnights.”
During his musical guest appearance on SNL, Wallen performed the title track from his upcoming album, I’m the Problem, along with his song “Just in Case.”
Just days after his controversial appearance, the country singer capitalized on the highly publicized moment by launching a new line of “Get Me to God’s Country” merchandise. Wallen had not publicly commented on the incident or explained the meaning behind the phrase at press time.
In an interview with Entertainment Weekly following Wallen’s walk-off, longtime SNL cast member Kenan Thompson called the incident “definitely a spike in the norm.”
“We’re so used to everybody just turning around and high-fiving us, everybody’s saying, ‘Good job, good job, good job.’ So when there’s a departure from that, it’s like, hmm, I wonder what that’s about?” Thompson said, adding that Prince had done the same thing during his appearance on the show years ago.
“I’m not saying Morgan Wallen is Prince, but we weren’t surprised because Prince was notoriously kind of standoffish. It’s just how he was. So we just thought like, ‘Okay, now he’s gone back into fantasyland.’”
Wallen’s forthcoming album, I’m the Problem, is set to be released on May 16 and features 37 tracks, although only a few song titles have been revealed so far.
Watch SNL‘s cold open and Weekend Update sketches below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.