Royel Otis
Some of Australia’s biggest musical exports are up for high-profile honors at this year’s AIR Awards, set to be handed out on July 31 at the Adelaide Town Hall in South Australia.
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Leading the charge in this year’s event are the likes of Royel Otis, who are up for four awards, just one year after being named breakthrough independent artist of the year at the 2024 edition. This year sees them up for the likes of best independent rock album or EP, independent album of the year, and independent marketing team of the year.
Royel Otis will be in fine company, sharing the former two categories with both Amyl and the Sniffers and King Stingray. Amyl, meanwhile, are also up for independent song of the year for “U Should Not Be Doing That,” which recently took out song of the year at the APRA Music Awards last month.
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Other well-represented artists at this year’s ceremony are Emily Wurramara, Confidence Man and Alice Ivy, who are up for four awards each, with the latter pair in contention for best independent dance, electronica or club single and Best Independent Dance or Electronica Album or EP. Acts such as Indigenous hip-hop supergroup 3%, Gut Health, and others are also hoping to take home multiples at the event.
“It’s a wonderful opportunity to recognise the work the independent music industry does in providing talented and emerging artists and music businesses with a platform to share their art with a wider audience,” commented South Australian minister for arts, Andrea Michaels MP.
Officially known as the Australian Independent Record Awards, the awards were first established in 2006 as an effort to “recognise, promote, and celebrate the success of Australia’s Independent Music sector.” This year also features a new category, with independent mix, studio or mastering engineer of the year set to be handed out at the July ceremony for the first time.
Some of Australia’s biggest musical exports have been recognized by the AIRs in recent years, including RVG, who took home last year’s best independent album for Brain Worms, and Jem Cassar-Daley, whose “King of Disappointment” was named best independent single/EP.
2025 AIR Awards Nominations
Best Independent Blues And Roots Album or EPEmma Donovan – Til My Song Is DoneLittle Quirks – Little QuirksMia Dyson – Tender HeartQueenie – New MoultSteph Strings – Cradle Mountain
Best Independent Hip Hop Album or EP3% – Kill The DeadDobby – Warrangu; River StoryLithe – What Would You Do?Miss Kaninna – KaninnaZiggy Ramo – Human?
Best Independent Country Album or EPHenry Wagons – The Four SeasonsKasey Chambers – BackboneLane Pittman – Lane PittmanMichael Waugh – Beauty & TruthThe Whitlams Black Stump – Kookaburra
Best Independent Jazz Album or EPClaire Cross – Sleep CycleLucy Clifford – Between Spaces Of KnowingMolly Lewis – On The LipsParvyn – MaujudaSam Anning – Earthen
Best Independent Classical Album or EPAustralian Chamber Orchestra – Memoir Of A SnailElectric Fields X Melbourne Symphony Orchestra – Live In ConcertKatie Noonan & Karin Schaupp – Songs Of The Southern Skies Vol 2Nat Bartsch – Forever ChangedSimon Mavin – Some Days EP
Best Independent Children’s Album or EPBunny Racket – PowerEmma Memma – Twirly TunesTeeny Tiny Stevies – The Green AlbumThe Quokkas – Songs For Silly BilliesThe Wiggles – The Wiggles Sound System: Rave Of Innocence
Best Independent Dance, Electronica or Club SingleAlice Ivy – Do I Need To Know What Love Is? Feat. Josh TeskeyConfidence Man – I Can’t Lose YouHaiku Hands – KicksMoktar – Haraka ’حركة’Odd Mob – Vertigo Feat. Ed Graves
Best Independent Punk Album or EPDon’t Thank Me, Spank Me! – Don’t Thank Me, Spank Me!Dune Rats – If It Sucks, Turn It UpGut Health – StilettoRadio Free Alice – PolyesterRegurgitator – Invader
Best Independent Heavy Album or EPNorthlane – Mirror’s EdgeOcean Grove – OddworldRedhook – MutationThe Amity Affliction – Let The Ocean Take Me (Redux)The Southern River Band – D.I.Y
Best Independent Dance or Electronica Album or EP1tbsp – Megacity1000Alice Ivy – Do What Makes You HappyConfidence Man – 3am (La La La)Ninajirachi – Girl EdmPnau – Hyperbolic
Best Independent Rock Album or EPAmyl And The Sniffers – Cartoon DarknessKing Stingray – For The DreamsParty Dozen – Crime In AustraliaRoyel Otis – Pratts & PainThe Rions – Happiness In A Place It Shouldn’t Be
Best Independent Soul/Rnb Album or EPBeckah Amani – This Is How I Remember It.Don West – Don WestElla Thompson – Ripple On The WingMilan Ring – MangosRadical Son – Bilambiyal
Best Independent Pop Album or EPAnnie Hamilton – Stop And Smell The LightningAsha Jefferies – Ego RideEmma Russack – About The GirlGood Morning – Good Morning SevenSheppard – Zora
Breakthrough Independent Artist of the Year – Presented By PPCA3%Gut HealthMiss KaninnaQueenieThe Dreggs
Independent Song of the YearAlice Ivy – Do I Need To Know What Love Is? Feat. Josh TeskeyAmyl And The Sniffers – U Should Not Be Doing ThatJem Cassar-Daley – Big ContainerOcean Alley – TangerineSycco – Meant To Be
Independent Album of the YearAmyl And The Sniffers – Cartoon DarknessEmily Wurramara – NaraKing Stingray – For The DreamsRoyel Otis – Pratts & PainThe Dreggs – Caught In A Reverie
Best Independent LabelABC MusicDinosaur CityEtcetc.I Oh YouImpressed Recordings
Independent Marketing Team of the YearABC Music, The Annex – Emily Wurramara, NaraFuture Classic, The Annex – Sycco, ZorbGyrostream – Lithe, Fall BackI Oh You, Mushroom Music – Confidence Man, 3am (La La La)Ourness, The Annex – Royel Otis, Pratts & Pain
Independent Publicity Team of the YearI Oh You, Mushroom Music – Confidence Man, 3am (La La La)Liz Ansley – Emily Wurramara, NaraSuper Duper – Radio Free Alice, PolyesterThinking Loud – Royel Otis, Pratts & PainTwnty Three Pr – The Rions, Happiness In A Place It Shouldn’t Be
Independent Music Video of the YearClaudia Sangiorgi Dalimore – Emily Wurramara, Lordy Lordy Ft. Tasman KeithNick Rae, Jordan Ruyi Blanch – 3%, Won’t Stop Feat. Jessica MauboyPond – Pond, (I’m) Stung!Rosemary Whatmuff – Kasey Chambers, Backbone (The Desert Child)Stephanie Jane Day – Emma Russack, Everything Is Big
Independent Producer of the YearAlice Ivy – Do What Makes You HappyBonnie Knight – Coldwave, The Ants/Italia ’06Dave Hammer – Lime Cordiale, Enough Of The Sweet TalkNick Didia – Ocean Alley, TangerineNina Wilson – Ninajirachi, Girl Edm
Independent Mix, Studio or Mastering Engineer of the YearNick Herrera – Miss Kaninna, KaninnaRobert Muinos – Rowena Wise, Senseless Acts Of BeautyRohan Sforcina, Lachlan Carrick – Emma Donovan, Til My Song Is DoneSteven Schram – Crowded House, Gravity StairsTom Iansek – Tom Snowdon, Lonely Tree
Australian indie-rock duo Royel Otis have announced another run of U.S. tour dates, with the group detailing their latest round of shows while in the country.
Announced on Monday (May 5), news of the group’s Meet Me in the Car tour coincides with the first of two sold-out shows at the Troubadour in Los Angeles on Monday and Tuesday. The 12-date run of shows launches in Philadelphia at the Franklin Music Hall on Sept. 12 before wrapping up in New York City at The Rooftop at Pier 17 on Oct. 11.
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Following their current Los Angeles shows, the Sydney duo will perform at both New York City’s Governors Ball Music Festival and Tennessee’s Bonnaroo festival ahead of a run of festival dates throughout Europe, the U.K., and North America before launching their own headline shows in September.
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Royel Otis first formed in 2019, releasing a series of EPs between 2021 and 2023 before issuing their debut album, Pratts & Pain in 2024. Though their “Sofa King” track reached No. 12 on the Alternative Airplay chart in 2023, the band found widespread fame last year following their cover of Sophie Ellis-Bextor’s “Murder on the Dancefloor” for Australian radio station triple j’s Like a Version series.
The cover topped the Alternative Airplay charts and also peaked at No. 41 on the Hot Rock & Alternative Songs chart. The group’s penchant for covers was again felt when their SiriusXM session rendition of The Cranberries‘ “Linger” was released, giving them their first appearance on the Hot 100 when it reached No. 94.
In late 2024, Royel Otis won four ARIA Awards from eight nominations, including best group and best rock album, while producer Chris Collins won best produced release and best engineered release for Pratts & Pain.
Currently, Royal Otis are ostensibly preparing the launch of their latest era, having recently overhauled their socials with a largely minimalist approach. Alongside noting that “there will be singing. and dancing. and new music” alongside their latest tour announcement, the group have been teasing a song which “may or may not be called ‘Moody’” for a May 9 release.
Royal Otis – 2025 Meet Me in the Car Tour Dates
Sept. 12 – Franklin Music Hall, Philadelphia, PASept. 14 – The Anthem, Washington, DCSept. 16 – The Ritz, Raleigh, NCSept. 19 – The Bomb Factory, Dallas, TXSept. 20 – Stubb’s, Austin, TXSept. 28 – Marquee Theatre, Tempe, AZSept. 30 – Mission Ballroom, Denver, COOct. 2 – Palace Theatre, St. Paul, MNOct. 3 – Grinders KC, Kansas City, MOOct. 4 – The Factory, Chesterfield, MOOct. 10 – MGM Music Hall at Fenway, Boston, MAOct. 11 – The Rooftop at Pier 17, New York, NY
Chappell Roan has well and truly made her presence felt in Australia, with her sleeper hit “Good Luck, Babe!” effortlessly topping triple j’s Hottest 100 poll for 2024.
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When Roan was announced as the winning song on the evening of Saturday, Jan. 25, the 26-year-old became only the third solo female artist to top the countdown (after Billie Eilish in 2019 and Doja Cat in 2023), and achieved the feat with most votes ever cast for a song in the No. 1 spot.
The result is hardly surprising, of course. It’s become a massive hit for Roan on a global scale, earning her six nominations at this year’s Grammy Awards, including Best Pop Solo Performance, Record of the Year, and Song of the Year for the track, alongside the coveted Best New Artist trophy. Meanwhile, it peaked atop Billboard’s Pop Airplay chart, and reached No. 4 on the Hot 100. In Australia, it matched that feat, and currently sits at No. 12 – one placing higher than its appearance on ARIA’s 2024 End of Year chart.
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Roan’s impressive result was followed by Australia’s own Royel Otis, who achieved the silver medal position thanks to their cover of Sophie Ellis-Bextor’s “Murder on the Dancefloor”, performed as part of triple j’s own Like a Version cover series. The performance has truly helped put the Sydney duo on the map, with the track reaching No. 35 in Australia, and topping Billboard’s Alternative Airplay chart – the first Like a Version cover to do so.
Billie Eilish finished in third position with “Birds of a Feather”, taking out a new record in the process. Eilish, along with fellow pop icon Charli XCX, both managed a record-breaking eight appearances in the countdown, including their own collaboration as part of Charli XCX’s “Guess” remix at No. 6. This impressive achievement comes only one year after Australia’s G Flip broke the previous record, with their seven songs overtaking an 18-year record set by Wolfmother in 2005 and matched by Spacey Jane in 2022.
Eilish’s strong showing also sees her become the artist with the most historical appearances in the annual poll, with 25 songs since her debut in 2017. She steals the crown from Adelaide hip-hop favorites Hilltop Hoods, whose 24 all-time entries have been achieved between 2003 and 2023.
The top five was rounded out by Lola Young’s “Messy” at No. 4, and Gracie Abrams’ “That’s So True” at No. 5. Meanwhile, Billie Eilish and Charli XCX’s “Guess” at No. 6, while Dom Dolla’s “Girls”, Kendrick Lamar’s “Not Like Us”, G Flip’s Like a Version cover of Taylor Swift’s “Cruel Summer”, and Fred again.. and Baby Keem’s “leavemealone” capped off this year’s top ten.
Despite her ubiquitous appearance within the world of popular music, the perennial Swift also made her own debut appearance in the countdown this year, showing up as a featured artist on Abrams’ “Us.” at No. 71. Famously, Swift had been barred from the countdown in 2014 after a BuzzFeed-led campaign to get “Shake it Off” in the poll was supported by KFC, with triple j saying it was “not legit for other media to try and troll the poll”. The station later said “Shake it Off” would have reached No. 12 had it not been dropped, ultimately leading to unconfirmed rumors Swift had been banned from ever appearing in the countdown.
The 2024 edition of triple j’s Hottest 100 also left a sour taste in the mouth of Australian music-lovers, with the full countdown featuring the lowest number of homegrown artists in almost three decades. With only 29 Australian artists appearing across the full list of songs, it’s the worst showing for Aussies since the 1996 list. Only the debut poll in 1993 and its 1994 follow-up are worse, with 24 and 26 Australian artists, respectively.
This year’s countdown was the result of almost 2.5 million votes cast by the listeners of the station, making it an increase on last year’s 2.335 million showing, but far less than 2019’s record of 3.21 million responses.
All told, 26 artists made their triple j Hottest 100 debuts over the weekend, including Abrams, Shaboozey, Doechii, BABYMETAL, and Tommy Richman.
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