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Rock

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When Beatlemania first swept the United States in 1964, a moment pinpointed in time by the band’s first-ever televised performance on The Ed Sullivan Show that February, only four people knew exactly what it was like to be at the center of such a revolutionary cultural frenzy: Paul McCartney, John Lennon, George Harrison and Ringo […]

A Los Angeles judge has dismissed a lawsuit accusing Mötley Crüe drummer Tommy Lee of sexually assaulting a woman in a helicopter in 2003, ruling that her case was filed too late.
The case against Lee, launched last year by an anonymous Jane Doe accuser, was filed under a newly enacted California law that temporarily lifted the statute of limitations for years-old sexual assaults – one of several such laws passed around the country in recent years.

But in a decision issued Monday, Judge Holly J. Fujie ruled that Lee’s accuser had failed to show that Lee’s alleged assault had been followed by any kind of “cover-up” – a key requirement under the provision she cited.

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“The court finds that plaintiff has not pled facts sufficient to support the theory of the necessary ‘cover up’ because plaintiff has not asserted facts evidencing defendants’ concerted effort to hide evidence relating to sexual assault,” the judge wrote. “Plaintiff instead makes vague allegations that the court finds insufficient to support the revival of a claim.”

Though the ruling is a setback for Lee’s accuser, the case is not yet over. The judge gave her and her attorneys 20 days to file an updated version of her complaint if she has additional information that would fix the flaws in her case. Her attorneys did not immediately return a request for comment.

In her December complaint, the Jane Doe plaintiff claimed she had been “lured under false pretenses” by Lee’s personal helicopter pilot into taking a ride from San Diego to Los Angeles in February 2003. Once onboard, she claimed that Lee and the pilot “consumed several alcoholic beverages, smoked marijuana, and snorted cocaine” before the rock star assaulted her.

“Tommy Lee then proceeded to sexually assault plaintiff by forcibly groping, kissing, penetrating her with his fingers, and attempting to force her to perform oral copulation,” her lawyers wrote. “As a result of Tommy Lee’s sexual assault, Plaintiff has suffered severe emotional, physical, and psychological distress.”

The case, over an incident that allegedly occurred more than two decades ago, was filed under the Sexual Abuse and Cover-Up Accountability Act – a California law that created a three-year window starting last year for alleged survivors to file sexual assault lawsuits that would normally be barred by the statute of limitations.

The case against Lee was one of many cases filed during the “look-back windows” created by similar statutes, including New York’s Adult Survivors Act. Just before that law expired in November, a flood of years-old abuse cases hit the courts, most notably against Sean “Diddy” Combs.

But such laws have strict requirements. In the case of the Sexual Abuse and Cover-Up Accountability Act, an alleged victim must show that the defendant “engaged in a cover up or attempted a cover up,” meaning a “concerted effort to hide evidence relating to a sexual assault or other inappropriate conduct” or conduct that “incentivizes individuals to remain silent.”

In her complaint, Lee’s accuser claimed that the drummer and other defendants “engaged in a concerted effort to prevent information or evidence of such sexual assaults from being made public or disclosed to anyone.” But in her ruling on Monday, Judge Fujie said that simply spelling out the statute’s requirement was not enough.

“These allegations are conclusory in nature and do not allege specific actions directed to plaintiff,” the judge wrote. “As such, plaintiff’s action as alleged is effectively time-barred.”

In a statement to Billboard, Lee’s attorney Sasha Frid said: “We applaud the court’s decision. The court got it right in finding that the plaintiff cannot assert a claim against Tommy Lee. From the outset, Mr. Lee has vehemently denied these false and bogus accusations.” 

After notching its first No. 1 on Billboard’s Mainstream Rock Airplay chart last November, Beartooth scores its second on the May 11-dated survey with “I Was Alive.”

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The song follows the group’s one-week rule with “Might Love Myself.”

The two No. 1s mark new heights for the band from Columbus, Ohio, on Mainstream Rock Airplay, which the act first hit with the No. 33-peaking “Beaten In Lips” in 2015. It logged two initial top 10s with “Hated” (No. 6, April 2017) and “Disease” (No. 9, December 2018). Beartooth boasts 12 total career entries on the chart, all on Red Bull Records.

Concurrently, “I Was Alive” ranks at No. 15, after reaching No. 13, on the all-rock-format, audience-based Rock & Alternative Airplay chart, up 5% to a new weekly-best 2.6 million audience impressions April 26-May 2, according to Luminate. The track is Beartooth’s second-highest-ranking hit on the list, after “Might Love Myself” rose to No. 11 in November.

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On the most recent multimetric Hot Hard Rock Songs chart (dated May 4, reflecting data April 19-25), “I Was Alive” placed at No. 19, after reaching No. 10 in April. In addition to its radio airplay, the song earned 306,000 official U.S. streams in that span.

“I Was Alive” is the second single, after “Might Love Myself,” from The Surface, Beartooth’s fifth studio LP. It debuted at No. 1 on the Top Hard Rock Albums chart in October 2023 and has earned 91,000 equivalent album units since its release.

All Billboard charts dated May 11 will update on Billboard.com Tuesday, May 7.

Following its ascent to No. 1 on the Billboard Hot 100 dated April 27, Hozier’s “Too Sweet” rules its first radio chart.
The song crowns Adult Alternative Airplay, where Hozier earns his sixth leader – and his fourth in a row. It leaps 5-1 on the May 11-dated ranking, up 18% in plays at the format April 26-May 2, according to Luminate.

“Too Sweet” follows the Irish singer-songwriter’s reigns with Noah Kahan’s “Northern Attitude,” featuring Hozier (five weeks at No. 1 beginning in January), “Francesca” (one week, September 2023) and “Eat Your Young” (two weeks, May 2023).

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Four No. 1s in a row mark the longest streak for any act on Adult Alternative Airplay in more than a decade and a half, since Counting Crows achieved four consecutively in 2004-08. The all-time record belongs to U2, who strung together six straight in 2001-05.

Hozier has also topped Adult Alternative Airplay with “Nina Cried Power,” featuring Mavis Staples (two weeks, 2018), and his breakthrough hit “Take Me to Church” (one week, 2014).

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Concurrently, “Too Sweet” vaults 22-15 on Alternative Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it zooms 14-7 with 3.3 million audience impressions, up 36%. It’s Hozier’s third top 10 on the latter list, following “Eat Your Young” (No. 7, 2023) and “Take Me to Church” (No. 3, 2014).

A multiformat hit beyond rock radio, “Too Sweet” also jumps 14-11 on Adult Pop Airplay as the chart’s Greatest Gainer (up 49%) and 17-15 on Pop Airplay. It brings Hozier’s best showing on the former since “Someone New” hit No. 10 in 2015. On the latter, it’s his second entry, after “Take Me to Church” rose to No. 2.

On the most recent multimetric Hot Rock & Alternative Songs chart (dated May 4, reflecting data April 19-25), “Too Sweet” notched a fifth week at No. 1. In addition to its radio airplay, the song earned 29.5 million official U.S. streams and sold 6,000.

“Too Sweet” is from Hozier’s four-song set Unheard, a collection of previously unreleased material recorded for his 2023 full-length Unreal Unearth. The EP debuted at No. 3 on the Top Alternative Albums list dated April 6 and has earned 151,000 equivalent album units to date.

All Billboard charts dated May 11 will update on Billboard.com on Tuesday, May 7.

Here’s the thing: Drew Carey really, really enjoyed seeing Phish at Sphere in Las Vegas. Like, so much that he cannot, and will not, stop raving about the show that pried open his brain and spilled it out all over the Strip. But now he’s tripling down by suggesting that the Vermont jam band’s show made the $2 billion venue’s debut act look like pikers by comparison.
His latest rave came during an appearance this week on Phish Radio on SiriusXM during which Carey further dove into his life-changing experience. “I was just like a casual U2 fan,” the Price is Right host said about the rock icons who opened the venue with their run of 2023-2024 shows. “My friend of mine’s really into it. He goes, ‘hey, let’s go see U2 at the Sphere,’ and I thought, ‘yeah, at the Sphere, I’ve always wanted to see the Sphere. Might as well. I went [and] it blew my mind how great it was and I told all my friends and I talked to the Price Is Right audience how great it was.”

He loved it so much he went the next two weekends in a row, even flying some of his friends in from Cleveland so they could have the exSphere-ience before the band wrapped up its 40-show run in March.

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“And then, like three songs into Thursday night with Phish at the Sphere I honestly was like kind of mad,” Carey said. “I wanted to call U2 and get my money back… That made them [U2] look like a bar band honestly.” Now, don’t get Carey wrong, he said U2 put on a “great show,” but he felt like Phish “took full advantage of the audio and the video in that place.”

As you may have heard, Carey has been ranting about the molecule re-arranging experience he had at the Phish shows. First, he tweeted that the show made him feel like, “I swear I just talked to God I would give you all my money, stick my d–k in a blender and swear off p—y for the rest of my life in exchange for this. Bro I met God tonight for real. I feel like I just got saved by Jesus no lie.”

Like any good Phishead, he took his show on the road, appearing on Taylor Tomlinson’s show After Midnight the next day where he absolutely shocked his fellow comedians on the panel, and Tomlinson, with his bananas reaction. “So, I saw Phish at the Sphere this weekend. Never saw Phish, didn’t know a Phish tune, and they f–king blew my mind off so hard… I had a bunch of girls with me, and I thought to myself is this what it’s like to…” Carey said, as censors bleeped what appeared to be a graphic sexual description.

Phish being Phish, they loved Carey’s enthusiasm and sent him the perfect gift: A Vitamix blender (see above). Singer Trey Anastasio even signed it, writing, “Thank you Drew! See you next time, happy blending!”

Listen to Carey talking Phish below.

Imagine Dragons have released a remix of their new single “Eyes Closed” featuring an unexpected guest: Colombian reggaetón star J Balvin, rapping in Spanish and delivering some of his best lyrics in recent memory. Explore See latest videos, charts and news See latest videos, charts and news The pairing brings additional edge, bass and an […]

The Music Lounge series at this year’s Tribeca Festival will present a typically eclectic group of performers taking the stage at Brooklyn’s Baby’s All Right next month. The series will kick off on June 6 with a show by British electronic act Actress (Darren Cunningham) playing selections from his recent LXXXVIII album, along with a set from New York native ,multi-instrumentalist/Onyx Collective founder Isaiah Barr performing his audiovisual project The Red Zone.
Night two (June 7) will spotlight a collaboration between Grammy-nominated singer/songwriter Linda Perry and Stella Rose (daughter of Depeche Mode singer Dave Gahan), tied to the world premiere of the documentary Linda Perry: Let It Die Here; Rose and the Dead Language were the winners of the Tribeca Music Lounge’s Battle of the Bands in 2022.

“This year’s music films showcase a wide variety of artists and genres, and we sought to bring diversity to our Music Lounge through unique events,” Vincent Cassous, Tribeca Curator of Music Programming, said in a statement. “There is something for every music fan on our lineup, from pop to experimental.”

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The line-up for the third night (June 8) will feature a tribute to late Psychic TV frontperson Genesis P-Orridge in conjunction with the world premiere of S/He Is Still Her/e – The Official Genesis P-Orridge Doc. Among the acts slated to perform in honor of the pioneering electronic artists are: CHRISTEENE, Bauhaus’ David J and members of Psychic TV (Alice Genese, Jeff Berner, Douglas Rushkoff and Randy Schrager), plus special guests and a PTV-acid house DJ set from Paul McCartney DJ Chris Holmes.

The series will wind up on June 9 with an intimate performance from Irish language hip-hop duo Kneecap in conjunction with the New York premiere of their self-titled musical film, described as a look at a “post-Troubles Belfast when the rap trio erupted as a defiant champion of the Irish language and potent symbol of Ireland’s disenfranchised youth.”

This year’s festival will also feature docs about Avicii, Liza Minnelli, the Montreaux Jazz Festival, Renée Elise Goldsberry, Carl Craig, Harry Belafonte, “Little” Steven Van Zandt and Ani DiFranco, among others.

In addition, the Storytellers series will feature R.E.M. singer Michael Stipe and Jon Batiste in conversation discussing Nat King Cole and a 40th anniversary celebration of landmark hip-hop film Beat Street with an introduction by Nas. This year’s festival, which runs from June 5-16, will also present the first-ever North American screening of the remastered 4K edition of the animated musical inspired by Daft Punk’s Discovery album, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem.

Slightly Stoopid and Cloud 9 Adventures announce details for the 10th edition of Closer to the Sun, their fan-favorite winter concert vacation. The annual event returns to Hard Rock Hotel Riviera Maya, an all-inclusive resort on the coast of Mexico, for four days and nights from Dec 11-15, 2024. Closer to the Sun is known […]

Duane Eddy has died at age 86. The Grammy-winning guitarist was known for his influential style as well as hits such as “Rebel-‘Rouser” and “Peter Gunn.” Eddy died Tuesday (April 30) of cancer in Franklin, Tenn., according to his wife, Deed Abbate. He is survived by his four children and wife. Explore Explore See latest […]

The title of stand-up comedian John Mulaney’s upcoming six-part Netflix series says it all: John Mulaney Presents: Everybody’s in L.A. The series that debuts on Friday (May 3) is part of the annual Netflix Is a Joke Festival, which will take place in Los Angeles from May 2-May 12 and the streamer describes the series as a “comically unconventional show” mixing special guests and field pieces in which Mulaney “explores the city of Los Angeles during a week when every funny person is in it.”

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While the festival will feature sets from some of the biggest and best stand-ups around, Mulaney has pulled together his own eclectic group of special guests for his live series that ranges from rock and hip-hip legends to scientists, journalists and movie directors. Among the musicians on tap for the series are: Beck, Weezer, Red Hot Chili Peppers bassist Flea, Ray J, Joyce Manor, Los Lobos, Warren G, and St. Vincent.

In addition, he’ll welcome fellow comedians David Letterman, Nate Bargatze, Jerry Seinfeld, Gabriel “Fluffy” Iglesias, Mae Martin, Earthquake, Jon Stewart, Patton Oswalt, Stavros Halkias, Sarah Silverman, Ronny Chieng, Tom Segura, Bill Hader, Luenell, Hannah Gadsby and Cedric the Entertainer.

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Other guests include seismologist Dr. Lucy Jones, Citizens for L.A. Wildlife representative Tony Tucci, hypnotherapist Kerry Gaynor, lawyer Marcia Clark, director John Carpenter, journalist Zoey Tur, actress Cassandra Peterson and Dr. Emily Lindsey, the assistant curator and excavation site director of the La Brea Tarpits and Museum, plus others. The series will air live beginning on May 3 at 10 p.m. ET and from May 6-May 10 at the same time.

Check out the poster and teaser video for the Everybody’s in L.A. below.