Rock

Oasis Fans Think Band Is Teasing U.S. Dates With Cryptic Billboard Campaign

If you were one of the millions of Oasis fans who spent the weekend furiously refreshing in an effort to score tickets to one of their first 17 UK reunion shows to no avail, there may be hope on the horizon. After brothers Noel and Liam Gallagher answered long-held prayers for their return after 15 years apart by announcing a series of summer 2025 gigs last week, ecstatic followers lined up to score seats for the shows in Cardiff, Manchester, London, Edinburgh and Dublin that are slated to kick off on July 4.

And while the Gallaghers have not yet announced any dates outside of the UK yet, they did tease last week that, “plans are underway for OASIS LIVE ’25 to go to other continents outside of Europe later next year.”

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Those plans appear to be bubbling based on images of billboards that popped up stateside over the weekend that appear to tease U.S. dates. The electronic messages spotted in New York’s Times Square, — which appear to be sponsored by Amazon Music — feature the company’s logo followed by the by-now-ubiquitous new scowly black and white photo of the Gallaghers, along with the hopeful message: “If we need to put up a billboard to get these guys to come to the States, here it is.”

Last week, along with the news of the UK shows, Oasis previewed two new throwback shirts that are available exclusively on Amazon Music.

At press time a spokesperson for Oasis had not returned Billboard‘s request for comment on the billboard or any potential 2025 U.S. dates. After more than one million tickets quickly sold out for the UK shows, a rep hinted over the weekend that more shows may be announced soon, saying, “anticipation for details of the tour’s international dates is now rapidly mounting.”

Oasis split in 2009 after years of massive chart success and tabloid headlines in the UK tied to the Gallagher siblings’ fierce rivalry, with main songwriter older brother Noel quitting the band after a backstage fight with Liam at a show near Paris that year. The brothers, now 57 and 51, haven’t performed live since then, though they often play Oasis songs during their solo gigs and with their side bands and, until last week, continued to snipe at each other online and in the press.

Check out a video of the billboard below.

Daughtry’s ‘Pieces’ Fits at No. 1 on Mainstream Rock Airplay Chart

Six months after earning its first No. 1 on Billboard’s Mainstream Rock Airplay chart, Daughtry now has its second, as “Pieces” lifts to the top of the Sept. 7-dated tally.

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“Pieces” reigns following the one-week rule of “Artificial” in February. The latter became Daughtry’s first No. 1 following 17 years of Mainstream Rock Airplay appearances (dating to 2007’s “It’s Not Over”), the longest stretch between a first entry and first leader since Jeff Beck set the record of 37 years between “People Get Ready” in 1985 and Ozzy Osbourne’s “Patient Number 9,” on which he’s featured, in 2022.

“Pieces” previously became the Chris Daughtry-led band’s sixth top 10 on Mainstream Rock Airplay and personal-best third in a row, following “Artificial” and the No. 5-peaking “Separate Ways (Worlds Apart),” a Journey cover featuring Lzzy Hale, in 2023.

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Concurrently, “Pieces” rises 13-12 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.2 million audience impressions, up 5%, in the week ending Aug. 29, according to Luminate. It ties “Artificial” for the band’s best rank since the survey began in 2009.

On the most recently published multimetric Hot Hard Rock Songs chart (dated Aug. 31, reflecting data Aug. 16-22), “Pieces” placed at No. 22, making the list for the first time since April. In addition to its radio airplay, the song earned 138,000 official U.S. streams.

“Pieces” is the second single from Shock to the System, Daughtry’s seventh studio album, due Sept. 27.

All charts dated Sept. 7 will update on Billboard.com Wednesday, Sept. 4 a day later than usual due to the Labor Day holiday Sept. 2.

Cage the Elephant’s ‘Rainbow’ Floats to No. 1 on Adult Alternative Airplay Chart

Cage the Elephant’s “Rainbow” leaps three spots to No. 1 on Billboard’s Adult Alternative Airplay chart dated Sept. 7.

The six-piece adds its seventh leader and second in a row, after “Neon Pill” ruled for four weeks beginning in March.

The group enters a four-way tie for the eighth-most No. 1s in the Adult Alternative Airplay chart’s 28-year history, alongside Counting Crows, Sheryl Crow and R.E.M. U2 leads all acts with 14 leaders.

Cage the Elephant first reigned in 2014 with “Come a Little Closer,” followed by 2016’s “Mess Around” and three consecutive No. 1s – “Ready to Let Go,” “Social Cues” and “Black Madonna” – in 2019-20, prior to “Neon Pill” and “Rainbow.”

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“Rainbow” concurrently rises to a new No. 3 high on Alternative Airplay, where Cage the Elephant boasts 11 No. 1s, including two in a row — “Skin and Bones” and “Neon Pill” — ahead of “Rainbow.”

On the all-rock-format, audience-based Rock & Alternative Airplay chart, “Rainbow” holds at its No. 6 best with 3.6 million audience impressions, up 13%, in the week ending Aug. 29, according to Luminate. The band has notched six No. 1s on the chart, most recently “Skin and Bones” in 2021.

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“Rainbow” is the second single from Neon Pill, Cage the Elephant’s sixth studio album. The LP debuted at No. 15 on the Top Rock & Alternative Albums chart dated June 1 and has earned 60,000 equivalent album units to date.

All charts dated Sept. 7 will update on Billboard.com Wednesday, Sept. 4, a day later than usual due to the Labor Day holiday Sept. 2.

The Cure Releasing Live Versions of Two New Songs on Eco Vinyl

While fans continue the seemingly interminable wait for the proper follow-up to 2008’s 4:13 Dream, The Cure will slake their thirst for new music in October with the release of live versions of two new songs. After debuting some fresh tracks on the road over the past few years, the Robert Smith-led group will issue the two-song live 12″ single Novembre: Live in France 2022 on Oct. 1, marking their first official release of new music in 16 years.

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The double A-side 12″ will have in concert versions of “And Nothing Is Forever” and “I Can Never Say Goodbye,” both songs the band started playing in concert two years ago. The songs will be released on Eco-vinyl through Naked Record Club, with net profits going to Brian Eno’s Earth Percent climate charity. Intense, dreamy ballad “And Nothing Is Forever,” was recorded at Montpellier Sud de France Arena on Nov. 8, 2022, while the equally gauzy “I Never Can Say Goodbye” was tracked in Toulouse at Zénith on Nov. 13, 2022 on the French leg of the goth rock group’s 2022 Shows of a Lost World tour.

“I’d like to thank The Cure and NAKED Record Club — both true innovators — for their generous support of vital climate projects through the release of The Cure – Novembre: Live In France 2022,” Eno said in a press release. “It’s a powerful example of how the music community can work together to build a better world.”

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The tracks will appear on 5,000 individually numbered vinyl LPs — 100 of which will be signed– with pre-orders open now. According to Naked Record Club, their releases are pressed on sustainable vinyl, which is made by an injection-molding machine that uses a reported 90% less electricity than traditional steam presses on non-toxic recyclable PET plastic instead of PVC, which is toxic and takes thousands of years to decompose.

Back in 2020, Smith promised that the band’s 14th album would “definitely be out soon,” saying at the time that he was wrapping up recording and was preparing to mix any day. “But until it’s completed, no one will believe me. I look forward to it coming out more than anyone else, trust me!” Smith added in February of that year.

See the announcement below.

How MJ Lenderman Became Indie-Rock’s New It-Kid

In August 2022, Allison Crutchfield, an A&R executive at ANTI- Records, traveled to Asheville, N.C., on a mission to sign the rising singer-songwriter known as MJ Lenderman. By year’s end, Crutchfield succeeded — and had also joined his tight-knit circle of friends.

“I’ve never had a meeting with an artist where they’ve been like, ‘Just come over and we’ll have a barbecue, we’ll just drink beer and eat,’ ” recalls Crutchfield, who got to know Lenderman at the property where he was living with several others, including members of the ascendant alt-country group Wednesday.

At the time, Lenderman had just released his breakthrough album, Boat Songs, a collection of detailed vignettes set to fuzzed-out country-rock riffs, on independent label Dear Life Records. And the 25-year-old hasn’t slowed down since: In late 2023, Lenderman made his ANTI- debut with his acclaimed live album Live and Loose!; in early 2024, he hit the road with Wednesday, for which he sings and plays guitar; and in March, Waxahatchee (fronted by Crutchfield’s twin sister, Katie) released her lauded album Tigers Blood, for which she invited Lenderman into her small creative circle. Lenderman made his Billboard chart debut, on Adult Alternative Airplay, with his feature on that set’s aching lead single, “Right Back to It,” and performed it alongside Waxahatchee on The Late Show With Stephen Colbert.

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As Lenderman’s profile grew, he was assembling Manning Fireworks, which is set for release Sept. 6 and his first studio album for ANTI-. “It was kind of strange,” he says when reflecting on the whirlwind that accompanied becoming one of indie rock’s most heralded new artists. “I guess it was more of an obstacle of making the new record — just trying to figure out how to not think about that and make a record like I would before.”

For Lenderman, that wasn’t so long ago. A child of music lovers — “My dad was a Deadhead,” he says, detailing the Derek Trucks and Gov’t Mule shows he saw as a kid growing up in Asheville — Lenderman began playing guitar in early grade school and eventually gravitated toward indie and punk music as a teenager playing in bands around his hometown. Soon he began recording, and the pandemic afforded him more time to complete 2021’s Ghost of Your Guitar Solo and, eventually, Boat Songs.

When Lenderman’s manager, Rusty Sutton, passed along a Boat Songs promo to Crutchfield, she knew she had to sign him “probably 10 seconds” into its opening song. “In a medium like indie rock,” she explains, “where there really is only so much you can do, for someone to do something where they’re honoring the tradition of this type of music but to do it in a way that does totally feel refreshing and like something that we haven’t heard, it’s really exciting.”

Lenderman is heavily influenced by Neil Young — “I can trace back most bands that I like to Neil,” he says, citing the rock legend’s scuzzy mid-’70s phase — and he also counts Drive-By Truckers, Dinosaur Jr. and Will Oldham as key touchstones. But his music has connected with younger audiences thanks to its modern sensibility and the way it careens from absurdist humor to deep, sometimes dark, profundity. (One new song, “Wristwatch,” is an ode to loneliness where the narrator notes that he’s “got a houseboat docked at the Himbo Dome.”)

“Obviously, my real life is going to bleed through a little bit, but I try to keep it more from a third-person perspective,” he says. “I feel like that opens more possibilities — and it’s kind of more fun writing fiction.”



For Manning Fireworks, recorded whenever he could find time between tours, Lenderman followed a familiar approach, reuniting with producer Alex Farrar at Asheville’s Drop of Sun Studios, where he has recorded tracks several times before. But the album, which expands Lenderman’s country-rock creative palette without losing its signature wit or intimacy, is far from a redux.

“I want my records to be dynamic,” Lenderman says. “For a while, I was trying to maybe take it up a notch and go louder or faster or something — and then that just really wasn’t where I was at. So I decided to go in the opposite direction and make it more acoustic and quieter.”

On Manning Fireworks, Lenderman does a bit of both. The music has never sounded richer, with fiddle and brass bolstering his guitar, but he also explores the flip side, like on album closer “Bark at the Sun,” which ends Manning Fireworks with a ­multiminute noise outro driven by “bass clarinet abuse drone.” While Lenderman “couldn’t tell you why” he made the creative choice — “it just felt right to me” — it’s indicative of his growth. “There’s a level of confidence coming from [him] at this point that feels different from Boat Songs,” Crutchfield says. “This is a person who is unbelievably talented and now understands how to wield that.”

Not that the eternally nonchalant Lenderman would ever describe his intuitive choices so grandly. 

This story appears in the Aug. 24, 2024, issue of Billboard.

The Dream Setlist for Oasis’ Reunion Tour

Despite what Oasis singer Liam Gallagher promised us 30 years ago, we are, sadly, not going to “Live Forever.” In fact, most of us didn’t think we’d live long enough to see the band perform again after they famously called it quits in 2009 due to the bitter sibling rivalry that both fueled and faltered their family band.

After years of soaring hits, swaggering boasts and a kind of feverish fame in the U.K. that reminded some of a previous generation’s Beatlemania — fitting, given Oasis’ hiding-in-plain-sight Fab Four fixation — songwriter/guitarist Noel Gallagher announced at the time (“with great relief”) that he’d quit the group because he simply “could not go on working with Liam a day longer.”

Alas, times change, money trucks are backed up, and despite years of public sniping and vows that they never, ever intended to look back with anything but anger, Liam and Noel have buried the hatchets they stuck in each other’s backs and announced a 2025 reunion tour. For now, the 17 dates of Oasis Live ’25 are confined to the U.K. and Ireland, with the promise of more shows around the world to come.

Which means it’s the right time to do some setlist manifestation for the songs superfans want to hear when Liam, Noel and whoever else they recruit for the reboot take the stage for the first planned gig on July 4 in Cardiff. Rest assured that such U.K. chart-toppers as “Some Might Say,” “Don’t Look Back In Anger,” “Lyla” and “D’You Know What I Mean” will be in the mix, along with stone-cold must-haves like “Rock n’ Roll Star,” “Supersonic,” “Cast No Shadow,” “Wonderwall” and, duh, “Live Forever.”

But what else do we want in the mix for the big comeback? Check out our 23-song wish list below.

Noel Gallagher Does First Oasis Reunion Interview Explaining Band Split… With a Cheeky Little Boy In a Shop

Bands split up for all kinds of reasons: professional jealousy, money, stolen girlfriends, exhaustion, creative cul de sacs and just plain I-hate-your-stupid-face-and-I-can’t-do-this-anymore rage.

But stuffed animals?

According to the first official interview Noel Gallagher did promoting his shock Oasis reunion with brother Liam, the famously battling siblings broke up the band 15 years ago over a lovey. Oasis superfan Steve Sheward ran into Noel at the Stone Island Shop in London on Thursday (August 29) and while their meet cute didn’t exactly turn into what he said was his boyhood dream of walking into a pub for a pint with the Gallagher bros, it actually was way better than that.

“Trumped that with my children making memories and just hope I can get tickets next year,” Sheward wrote on X alongside a series of snaps with a smiling Noel, as well as a video of one of his sons laying the interview hammer on the band’s songwriter in search of the real reason he and Liam couldn’t work together anymore. After introducing his four children to Noel by saying “this is dad’s legendary band!” Sheward’s kids got right to work.

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His daughter asks, “Wait, is he getting back with his brother?” When Noel answers “yeah” about the 17 UK shows the group announced earlier this week, one of the other boys has a very pressing query.

“Why did you fall out with your brother?” he wonders. Noel, being Noel, deadpans, “‘Cause he stole my teddy bear.” The kids and their dad have a good laugh at that cheeky response.

Smelling a rat, the boy says, “You’re lying!” Noel swears it’s true, doubling down and explaining, “I’m not lying. He stole it in 1978.” One of the other kids isn’t having it, as Sheward’s son, holding a Winnie the Pooh teddy bear, walks away while blurting a perfect approximation of Gallagher attitude, “You’re a fake. See ya!”

The kids are then seen strolling with Gallagher outside the shop as they ask if the black Rolls Royce across the street is his car. Of course the luxury ride is, with Gallagher jokingly asking the youngster if he has his license. As Sheward writes of Gallagher in his post, “A true gentleman in scholar.”

Oasis will play their first shows since 2009 next summer as part of their Oasis Live ’25 world tour, though so far only the dates in England and Ireland have been announced. So far only the Gallaghers have been confirmed for the shows, with the rest of the band lineup not yet announced and other dates around the world promised but not yet formally unveiled.

Tickets for the shows will go on sale to the general public on Saturday (August 31).

See Sheward’s post below.

Oasis’ Daily Streams Nearly Quadruple Thanks to 2025 Reunion Tour News

The nearly impossible, the previously unthinkable, is happening: Oasis has announced a reunion, with Liam and Noel Gallagher re-forming the British rock group that made them famous after 15 years and countless verbal jabs at each other. And over the past few days, U.S. music listeners have toasted the unlikely comeback by revisiting (or discovering) the band’s back catalog, nearly quadrupling their daily audio streams in the process.

On Sunday (Aug. 25), Oasis’ social accounts ” rel=””>teased an announcement for the morning of Tuesday, Aug. 27, prompting fans to hold out hope that recent reports in the British press of an official reunion would turn out to be true. Prior to the teaser, Oasis’ daily U.S. on-demand audio streams hovered around the 750,000 mark, with the band earning 754,000 streams last Saturday, according to Luminate; the social hinting on Sunday helped push that number to 820,000 streams that day.

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That number crossed into seven-digit territory by Monday (1.31 million streams) as anticipation built for Oasis’ announcement. And once the Oasis Live ’25 Tour was unveiled on Tuesday morning, that streaming total more than doubled, to 2.80 million U.S. on-demand audio streams on Tuesday.

Oasis’ reunion tour will begin July 4, 2025, and include 17 dates across five cities in the United Kingdom, more than 15 years after the Gallagher brothers’ last performance together in 2009. General tickets will go on sale this Saturday (Aug. 31).

Next week, we’ll have a better sense of which Oasis songs have benefited the most from the reunion news on streaming platforms, as well as expected upticks in consumption of the band’s biggest albums. Since debuting with Definitely Maybe in 1994, Oasis released seven studio albums and sent their iconic sing-along “Wonderwall” into the top 10 of the Billboard Hot 100 chart, where it peaked at No. 8 in early 1996.



MIYAVI’s New Album ‘Lost in Love’ Featuring a George Clinton Collab Is Coming This Fall

Ending his lengthiest break between album releases, MIYAVI is ready to make a powerful return to the global music scene with a new project that the Japanese rock guitarist says “represents a three-year journey of sonic exploration.”

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Billboard can exclusively confirm MIYAVI’s long-awaited Lost in Love album is slated for release this October via Rise Records. Nicknamed the “Samurai Guitarist” for his distinctive slap-guitar style, MIYAVI’s latest project comes after establishing himself as a trailblazer in the industry with more than two decades under his belt, earning multiple hits on the Billboard Japan Hot 100 and making his debut on the U.S.-based Alternative Digital Song Sales chart in 2021 with his PVRIS collaboration “Snakes.”

“This album represents a three-year journey of sonic exploration where I allowed the creative process to lead the way,” MIYAVI tells Billboard in a statement. “I intentionally took my time with this record, stepping outside my artistic comfort zone to push my boundaries and craft my best work. It’s been a vulnerable place to be after so many years in the music industry, but I knew it was necessary.”

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With new collaborators such as funk legend George Clinton and enlisting longtime musical partners including Lenny Skolnik, MIYAVI says Lost in Love symbolizes his international viewpoint as an ever-evolving artist.

“I was fortunate to collaborate with a diverse group of artists whose influences have woven their way into the album with MIYAVI’s signature guitar serving as the unifying thread,” the Osaka-born musician adds. “My life has always been split between Japan and the U.S., and that duality is deeply reflected in this album. Some tracks hit hard, while others are just pure fun, giving the record a split personality. Lost in Love is the culmination of a lifetime of experiences, encapsulating all the facets of who I am as MIYAVI.”

The 42-year-old shares such experiences on the LP’s first song, “Broken Fantasy,” which delves into MIYAVI’s near identity crisis after relocating his family from Tokyo to Los Angeles after he found critical and commercial success starring in Unbroken, the Oscar-nominated Angelina Jolie-directed film released in 2014. The George Clinton collaboration “I’m So Amazing” displays his ability to blend different eras and genres into his signature sound for a universal message of how to maintain one’s confidence. The album closes with “One More Time,” a heartfelt tribute to his wife, Melody, highlighting their challenges and love while supporting his family through a demanding career.

Elsewhere, tracks such as “We Stay Up All Night” and “Real Monster” continue MIYAVI’s exploration of identity and connection as displayed on his earlier records, while “Mirror Mirror” offers a raw introspection into the rock star’s inner struggles with lyrics such as “All my life I’m fighting for you” capturing his internal monologue.



Fans got a taste of Lost in Love via February’s double single release of “Broken Fantasy” and “Tragedy of Us,” as well as the stomping, ominous rock-pop anthem “Eat Eat Eat,” released last month. In addition to his forthcoming album, MIYAVI recently joined Amazon MGM Studios’ upcoming action comedy The Wrecking Crew alongside Dave Bautista and Jason Momoa.

MIYAVI’s Lost in Love album drops Oct. 9. Peep the full tracklist below:

  1. “Intro”
  2. “Broken Fantasy”
  3. “Tragedy of Us”
  4. “Eat Eat Eat”
  5. “We Stay Up All Night”
  6. “Real Monsters”
  7. “Mirror Mirror”
  8. “I’m So Amazing” (feat. George Clinton)
  9. “You Already Know”
  10. “Put Your Hands on Me”
  11. “If You Know How to Dance”
  12. “One More Time”

Incubus Says Morning View Tour Is a ‘Departure From the Way People Listen to Music’

In an era of infinite niches and personalized playlists, rock band Incubus is giving concertgoers the kind of shared experience they had while growing up together in Calabasas, Calif., on the outskirts of Los Angeles. The five-piece is currently on a 10-city arena tour, Morning View + The Hits, and playing its album Morning View in its entirety before tacking on eight or so favorites (such as “Drive” from 1999’s Make Yourself and a cover of The Beatles’ “Come Together”). 

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Albums are “nostalgic sort of experiences,” guitarist Mike Einziger tells Billboard’s Behind the Setlist podcast. For the band’s older fans, the concert might take them back to buying the Morning View CD in 2001 and listening from start to finish. “But people don’t consume music that way anymore,” he says. For the band’s younger fans who are most comfortable streaming playlists, the Morning View tour could be a first time hearing the songs in their original sequence. “So, it’s like kind of, in my opinion, a really welcome now departure from the way that people listen to music,” says Einziger.

For all the familiarity built into playing an album in its entirety, the songs aren’t a carbon copy of the versions originally released in 2001. As the band was re-recording the songs of Morning View for its latest release, Morning View XXIII, it realized they no longer performed the songs as they did when recording the album decades ago. Parts of songs had “naturally evolved into sounding different,” says singer Brandon Boyd. “For example, ‘Echo’ has, like, a different ending that we kind of added to it. The song ‘Nice to Know You,’ which starts off the record, begins differently.”

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The band’s lineup has changed since Morning View was originally released, too. Boyd, Einziger and drummer José Pasillas founded the band in 1991. DJ/keyboardist/multi-purpose player Chris Kilmore has been with the band since 1998. Original bass player Alex Katinuch’s replacement, Ben Kenney, left in February. “We have a new bass player, Nicole Rowe, who’s kind of brought her own sort of new energy into the mix of what we’re doing,” says Einziger. “A new member of the band just changes a lot of the dynamics.”

The Morning View + The Hits tour stops Thursday (Aug. 29) at New York City’s Madison Square Garden, goes to Boston’s TD Garden on Aug. 31 and heads west before finishing at San Francisco’s Chase Center on Sept. 12.

Listen to the entire interview with Brandon Boyd and Mike Einziger via the embedded Spotify player below, or go to Spotify, Apple Podcasts, iHeart, Amazon Music or Everand