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Rock

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Second Gentleman Dough Emhoff has established a reputation as a music nerd and, like his wife, Vice President Kamala Harris, an inveterate crate digger. So it made perfect sense that as he’s been grinding it out on the road like a rock band touring in a panel van to support Harris’ presidential campaign, Emhoff took time out to chop it up with Pearl Jam‘s Eddie Vedder and Jeff Ament to describe how he’s been connecting with voters at record shops around the country.
“I’m trying to highlight small business and talk about all the great things that Kamala Harris is gonna do for the country and merge it with my love of music,” Emhoff told the PJ singer and bassist during a visit to their SiriusXM Pearl Jam Radio channel. “And so it’s gotten me to local record stores across the country. I’ve gotten to, you know, meet you guys, but also [former R.E.M. singer] Michael Stipe kind of came out of semi-retirement, and Michael’s now done two events for us.”

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The most recent event featuring Stipe took place at an Oct. 4 Get Out the Vote concert in Pittsburgh that also featured Jason Isbell. Emhoff said indie rock legend Stipe took him to one of his favorite hometown indie rock shops [Wuxtry Records] in Athens, GA, which, he noted, is still standing. “I kind of did a whole, you know, go through shelf by shelf with him. I got to visit a record store with [California] Governor Gavin Newsom, who also loves music. So he and I were with a local business owner going through the stacks, picking out some records,” Emhoff said.

And that’s not all. Emhoff also noted that he’s gotten to hang and talk music with Jon Bon Jovi, another Harris/Walz campaign supporter, as well as Isbell. Though Bruce Springsteen has also given his thumbs-up to Harris, Emhoff lamented that he has yet to meet the Boss in person, while noting that Taylor Swift has also, famously, endorsed his wife’s 11th hour White House bid.

“So the music industry has come out in a way that you guys have always done this. It’s what you did from day one, using your voice, not only to make this music we all love, but to talk about the truth and being engaged,” Emhoff told the PJ members, who have long worn their activism on their sleeves. “And so to see that coming back and get to talk to some of the people I’ve listened to my whole life, and then see how active they are. But to do that in a record store with Michael Stipe in Athens and pick out some records was pretty, pretty damn cool, man.”

Vedder said he got the chills hearing the R.E.M. origin story, then reciting the details of it as chapter-and-verse, down to the album that Stipe and guitarist Peter Buck bonded over: Patti Smith’s Horses. To rub it in a bit more, Emhoff added that Stipe also took him to a compound of buildings he owns in Athens, where he got a personal tour, which included pointing out the very spot where the singer wrote the lyrics to the band’s 1985 album Fables of the Reconstruction.

Ament wondered what albums are still on Emhoff’s need-to-get list, which inspired the Second Gent to reel off a list of some more of his favorite bands, including the Pixies, Nirvana and, of course, PJ, as well as Radiohead and The Stone Roses’ legendary self-titled 1989 debut LP.

It also stood to reason that politically plugged-in Vedder would tell Emhoff what his biggest fears are about a potential second Donald Trump administration. “People’s safety is the most important thing. So you know, when I read about this event that happened, perhaps over the weekend. A large group gathered for Trump in the thousands, and there were 20 buses that brought them in. Intense heat in the Desert Valley there, gets up to 102 during the day,” Vedder said of a recent Trump rally in California’s Coachella Valley that reportedly left hundreds of followers stranded in desert heat with no way to get back to their cars.

Vedder said that chaotic scene of unpreparedness felt like a parallel to the whole vibe of the third White House campaign by the twice impeached former President. “Not to mention the confusion, again, chaos and some of the quotes are, are chilling. But I have to say, it seems analogous to the election,” Vedder said. “Unlike any other candidate in the history of our country, [Trump’s] got more at stake on a personal level, his personal freedoms, his future, all riding on this vote. And he’s, I think he needs people. And I think he uses people. And I think this Coachella’s situation is very analogous to what would happen if and when he would potentially win. He gets what he wants, uses the people as padding, and then they’re left in utter chaos to fend for themselves. That’s what we worry about.”

Emhoff replied by echoing one of Harris’ frequent refrains, that she believes convicted felon Trump is “only in it for [himself and] doesn’t care about others. And we already saw that the first time that he was president, and he was like that then. And he is worse now. You know, he’s a degraded version of what he was, and he was a pretty horrible President that time around,” Emhoff said. “And he has just gotten worse. He’ll be surrounded by people who are like him, incompetent, who don’t really care about us extremists. And that’s what’s at stake right now.”

Elsewhere, Emhoff talked about being blown away by the sense of family and community backstage at a recent PJ show he attended in Philadelphia. The full interview is in available now on SiriusXM’s Pearl Jam Radio (ch. 22) and on the SiriusXM app, with re-broadcasts scheduled to air during the rest of the week.

Check out highlights from their chat below.

Original Iron Maiden singer Paul Di’Anno has died at 66 according to a statement from the late hard rock vocalist’s label, Conquest Music. “On behalf of his family, Conquest Music are sad to confirm the death of Paul Andrews, professionally known as Paul Di’Anno. Paul passed away at his home in Salisbury at the age of 66,” read Monday’s (Oct. 21) statement, which did not include the date or cause of death.

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Di’Anno was the lead singer for the legendary British metal group from 1978-1981, kicking off their 45-year run with his urgent, punk-inspired vocals on their self-titled 1980 debut, which featured the ripping lead-off track “Prowler” and the band’s turbo-charged eponymous anthem “Iron Maiden.”

He also sang on the band’s 1981 follow-up, Killers, which featured such knotty metal anthems as the opening instrumental “The Ides of March,” the pummeling “Wrathchild” and the blitzing barrage of “Purgatory,” which cemented the band’s pioneering mix of hard rock, punk and prog.

Iron Maiden issued a statement honoring Di’Anno on Monday featuring a picture of the singer with founding bassist — and reported chief antagonist while he was in Maiden — Steve Harris. “We are all deeply saddened to learn about the passing of Paul Di’Anno earlier today. Paul’s contribution to Iron Maiden was immense and helped set us on the path we have been travelling as a band for almost five decades. His pioneering presence as a frontman and vocalist, both on stage and on our first two albums, will be very fondly remembered not just by us, but by fans around the world,” read the statement.

“It’s just so sad he’s gone,” added Harris. “I was in touch with him only recently as we texted each other about West Ham and their ups and downs. At least he was still gigging until recently, it was something that kept him going, to be out there whenever he could. He will be missed by us all. Rest in peace mate.”

It concluded, “We were very grateful to have had the chance to catch up a couple of years ago and to spend time with him once more. On behalf of the band, Rod and Andy, and the whole Iron Maiden team, we extend our deepest sympathies to Paul’s family and close friends.”

Born in Chingford, East London on May 17, 1958, Di’Anno rose to prominence as the frontman of Iron Maiden, before splitting with the group before their 1982 commercial breakthrough with 1982’s The Number of the Beast, which introduced new vocalist Bruce Dickinson, who has held the gig ever since. After leaving Maiden, Di’Anno recorded a number of solo albums, as well as LPs with the bands Di’Anno’s Battlezone, Gogmagog, Killers, Praying Matins, Rockfellas and more.

The powerful singer continued to record and tour through 2016, when he was hospitalized for undisclosed medical reasons; at the time Blabbermouth reported that Di’Anno had been forced to perform from a wheelchair due to injuries from a number of motorcycle accidents. He also faced a number of other health challenges over the years, including a near-fatal battle with sepsis that landed him in the hospital for eight months in 2015.

“Despite being troubled by severe health issues in recent years that restricted him to performing in a wheelchair, Paul continued to entertain his fans around the world, racking up well over 100 shows since 2023,” read the statement from Conquest Music. Di’Anno first career retrospective album, The Book of the Beast, was released last month, featuring highlights of the songs he recorded post-Maiden.

According to an Oct. 10 post on Di’Anno’s FB page, he was slated to perform in Edinburgh on Dec. 30 of this year before that show was cancelled, though a string of UK dates later this month and in November were still slated to go on before his death.

Check out some of Di’Anno’s Maiden high points below.

He’s a “Lucky Man,” because the latest support act for Oasis’ upcoming reunion tour was announced Monday (Oct. 21). Richard Ashcroft of The Verve will join the Gallagher brothers on their upcoming U.K. and Ireland tour dates next summer. The band will play 19 sold-out shows beginning in Cardiff on July 4, with the trek including stops at stadiums in London, Edinburgh, Manchester and Dublin.

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“As a fan from day one I was buzzing for many reasons when the news of Oasis’s return was announced,” Ashcroft said in a statement. “I can say with no exaggeration that the songwriting talent of Noel and Liam’s pure spirit as a lead singer helped to inspire me to create some of my best work. It was the perfection of ‘Live Forever’ that forced me to try and write my own.”

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He added: “They dared to be great, made the dreams we had real and I will always remember those days with joy. Now it’s time to create more memories and I’m ready to bring it. See you next summer. Music is power.”

The Gallagher brothers first met Ashcroft in the when Oasis supported The Verve on tour back in 1993, prior to the release of Oasis’ debut single “Supersonic.”

In 1995, Noel Gallagher dedicated “Cast No Shadow” from their second album (What’s the Story Morning Glory?) to Ashcroft. The band then recruited Ashcroft to perform backing vocals on Be Here Now single “All Around the World” in 1997; Liam Gallagher returned the favor when he appeared on Ashcroft’s Acoustic Hymns Vol 1 rework album in 2021.

The Verve released four albums during its career, including Urban Hymns in 1997, which went to No. 1 on the U.K.’s Albums Charts and No. 23 on the Billboard 200. They also had success with singles such as “Bittersweet Symphony,” “The Drugs Don’t Work” and “Lucky Man.” Ashcroft boasts two further chart-topping albums in the Verve and in his solo career.

Additional names will be announced as support acts in due course for Oasis’ European shows. In North America, it has been announced that rock band Cage the Elephant will appear as a special guest for their sold-out run next August and September in Toronto, Chicago, New Jersey, Los Angeles and Mexico City.

The band also recently announced – and promptly sold out – a string of dates in Australia. Last week, Liam said that he and Noel would not be doing joint interviews as a result of their reunion to avoid “intrusive” questions.

Morgan Wallen has revealed the multi-genre lineup for his previously announced Sand in My Boots Festival, set for May 16-18, 2025 in Gulf Shores, Ala.
The stacked lineup includes Wallen, Brooks & Dunn, Post Malone and Hardy headlining the fest.

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AEG Presents and Wallen, a 15-time Billboard Music Awards winner, have put together the festival, with Wallen curating a lineup that also includes Riley Green, Chase Rice, Ernest, Ian Munsick, Nate Smith, Ella Langley, Paul Cauthen, Kameron Marlowe, Josh Ross, Morgan Wade, Hailey Whitters, Lauren Watkins, John Morgan and Laci Kaye Booth.

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Alongside country music hitmakers, the lineup also features hip-hop luminaries T-Pain, Wiz Khalifa, 2 Chainz, Three 6 Mafia, Moneybagg Yo and BigXthaPlug, as well as indie alternative bands including The War on Drugs, 3 Doors Down, Future Islands, Real Estate, Wild Nothing and more.

“Morgan Wallen here to share some exciting news me and my team have been working on for a while for y’all,” the country star previously said on social media when announcing the festival. “We’re heading south to the beaches of Gulf Shores, Alabama and I’m bringing some good friends with me. Mark your calendars for May 16 – 18, 2025 for the Sand In My Boots Fest. Stay tuned and we’ll get you some more info soon!”

The Sand in My Boots festival will offer multiple pass types, including a three-day only general admission pass, Party Pit, VIP, Super VIP and “Livin’ the Dream” options. Amenities across the various pass tiers can include access to exclusive viewing areas and lounges, main stage in-ground swimming pools, complimentary bar and gourmet food options, private restrooms, dedicated festival entryways, and more.

Tickets go on sale Oct. 25 at 10 a.m. CT at the festival’s website.

See the full Sand in My Boots 2025 lineup below:

2 Chainz

3 Doors Down

49 Winchester

Bailey Zimmerman

BigXthaPlug

Brooks & Dunn

Chase Rice

Diplo

Ella Langley

Ernest

Future Islands

Hailey Whitters

Hardy

Ian Munsick

John Morgan

Josh Ross

Kameron Marlowe

Laci Kaye Booth

Lauren Watkins

Moneybagg Yo

Morgan Wade

Morgan Wallen

Nate Smith

Ole 60

Paul Cauthen

Post Malone

Real Estate

Riley Green

The War on Drugs

Three 6 Mafia

T-Pain

Treaty Oak Revival

Wild Nothing

Wiz Khalifa

After a 55-year career, the sun will finally set on Mr Blue Sky next year. ELO, led by Jeff Lynne, have announced their date and location of their final live show.

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The gig will take place in London’s Hyde Park next year as part of BST Summertime festival on July 13, 2025. They are the first act to be announced for the annual run of gigs in the central London location. 2024 headliners included SZA, Morgan Wallen, Stevie Nicks and more.

“My return to touring began at Hyde Park in 2014,” band leader Jeff Lynne said in a statement. “It seems like the perfect place to do our final show. We couldn’t be more excited to share this special night in London with our UK fans. As the song goes, ‘we’re gonna do it One More Time!’”

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Tickets for the show go on sale on October 25 at 10am. A range of special guests are set to join the lineup, which will be announced in due course.

The band are currently in the midst of their Over and Out US tour, which will conclude with a pair of shows at Los Angeles’ Kia Forum on October 25 and 25.

The Electric Light Orchestra (ELO) formed in 1970 in Birmingham, England and became a stalwart of the British rock scene throughout the following decades. Initially composed of Lynne, songwriter Roy Wood and drummer Bev Bevan, the group released their eponymous debut album in 1971 and went on to release 14 studio albums, most recently in 2019 with From Out of Nowhere.

In the late ‘70s and early 1980s, the band amassed six Top 10 hits on the Billboard Hot 100, peaking with “Don’t Bring Me Down” in 1979 at No.4. They had similar success on the Billboard 200 with five Top 10 entries on the Billboard 200. Several of their albums, including 1977’s Out Of The Blue, were awarded platinum status in the US by the RIAA (Recording Industry Association of America).

Speaking on the announcement Jim King, CEO of European Festivals at AEG Presents says, “Jeff Lynne’s ELO are loved the world over. The live shows are nothing short of extraordinary and a testament to the incredible catalog of hits we’ve enjoyed for over 50 years. Hosting their final performance at BST Hyde Park is a true honor, especially 30 years after their first festival show in the same park. We’re excited to be part of this special moment in music history.”

Singer-songwriter GOAT Joni Mitchell took over the Hollywood Bowl in Los Angeles on Saturday (Oct. 19) for the first of two “Joni Jam” concerts.

Despite the size of the open-air, highway-adjacent venue, a crowd of 17,000 worshipful fans was gifted with a show that felt like an intimate, inviting look into life for Mitchell at 80: shooting the breeze with friends and admirers from the comfort of a plush (yet appropriately regal) chair, sipping pinot grigio by the mellow lamplight and singing a song (or 25) when the spirit takes her.

Cozy at that may sound, getting to this warm hug of a victory lap has been a hard-fought victory for Mitchell — a brain aneurysm in 2015 left her unable to speak or walk, and she had to watch videos of herself playing guitar to relearn her own songs. But the Canadian artist, who suffered from polio as a child, is no stranger to uphill battles, and after years of keeping out of the public eye following her health crisis, the Grammy-winning Rock & Roll Hall of Famer stunned the world in 2022 by making an unannounced return to the stage at the Newport Folk Festival.

A proper headlining gig followed in June 2023 at The Gorge Amphitheatre in Washington, and her soul-scraping turn at the 2024 Grammys allowed an even wider audience to experience the depth and gravitas Mitchell is still capable of bringing to a performance.

Joining her at each of those gigs was Brandi Carlile, an avowed acolyte whom Mitchell has described as “my ambassador.” Naturally, Carlile joined Mitchell onstage Saturday at the Bowl, too, radiating joy and nervous excitement as she sang with her hero and served as the de facto emcee/hype woman for the evening. Carlile even revealed that the Joni Jams – when held in Mitchell’s real-life living room “five or six years ago” – helped Mitchell heal following the aneurysm. It started out with friends and musicians singing Mitchell’s own material to her as she recovered, an experience Carlile said was “terrifying”; before too long, Mitchell began harmonizing and taking a verse or two from the comfort of her couch. Now, she’s regained enough vocal control to command an audience of thousands.

“Joni is about to destroy us right now,” Carlile said with a Cheshire Cat grin before Mitchell sang the Blue standout “A Case of You” in a resonant, husky tone. That statement could easily have been inserted into any number of between-song moments, given how frequently folks could be spotted wiping away tears to the icon’s lyrically incisive meditations on love, pain and our brief lives on a rock circling a giant ball of gas.

“I’m honored to have her as a friend because she brought me out of retirement,” Mitchell said of Carlile during the show, laughing.

Thanks to a backing band that included Blake Mills, Robin Pecknold, Jacob Collier, Lucius, Annie Lennox, Marcus Mumford, Jon Batiste, Allison Russell, Wendy & Lisa, Rita Wilson, Celisse and more, Mitchell’s remarkable songs were treated more like jazz compositions than pop songs, stretched out and contracted depending on the lead vocal, embellished with curious flourishes in some moments then pointedly unadorned the next. Even if the Bowl got a little chilly toward the end of the evening, the warm tapestry of Mitchell’s music kept spirits warm.

Here are some of the highlights from an unforgettable evening.

‘Hejira’ Highlights

The 2024 Rock & Roll Hall of Fame Induction ceremony in Cleveland on Saturday (Oct. 19) meant a lot to everyone involved, of course. But you can consider Peter Frampton among, if not the most, delighted people in the Rocket Mortgage FieldHouse.
Long considered one of the Rock Hall’s great snubs, Frampton’s induction was particularly poignant in light of his nearly decade-long battle with Inclusion Body Myositis (IBM), a degenerative condition that was expected to take him out of commission shortly after he revealed it six years ago and went on what was supposed to be a farewell tour. Yet he’s still playing — including at the induction ceremony, joined by his band and guest Keith Urban — and was beaming after his time on stage at Cleveland’s Rocket Mortgage FieldHouse.

“It was fantastic,” Frampton told Billboard. “It went better than I thought, which was wonderful.” He did note, however, that “halfway through the speech, as I looked down at my family… I needed a drink of water at that point. It can be a tear-jerker. It’s very emotional having everybody here. All my children are never all here together at a show. There’s always one here, one there or whatever. So it was wonderful.”

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Given, like other inductees, just seven minutes of performance time, Frampton originally planned a shortened version of his signature hit “Do You Feel Like We Do,” a song — featuring a Talk Box solo — that can stretch to 20 minutes during his concerts. “That’s the one everybody wants to hear,” Frampton noted, “so we edited that down, and that includes jamming with Keith as well. But then (show producers) said, ‘We feel really bad you’re doing just one number.’ I said, ‘Well, I’ve got the same amount of time as everyone else.’ They said, well, can you do another one for two minutes?’” For the “bonus cut” he chose “Baby (Somethin’s Happening)” from his third solo album, Somethin’s Happening, which turned 60 this year.

“The actual playing part, which I was most concerned about, obviously, because I’m the stupid perfectionist person and I worry about every little tiny detail… it just had to be great. That’s what made me nervous,” Frampton explained. “Or excited. Keith said, ‘Don’t say nervous. Say excited.’”

Urban, for his part, was excited to jam out with Frampton, even in an abbreviated fashion, on “Do You Feel Like We Do.” “When he called and asked me if I’d play that song, of all songs, I was very happy to get to do it,” Urban, who subbed for Bryan Adams at the 2021 Rock Hall inductions in Cleveland, told Billboard after the performance. “It was amazing getting to play with Peter. He’s just got such a control over sensitivity and dynamics and intents. He makes to look easy, but it’s really hard to do what he does. He’s like a black diamond (trail) skier making it look like a green. It’s insane.”

Peter Frampton performs onstage at the 2024 Rock & Roll Hall Of Fame Induction Ceremony at Rocket Mortgage Fieldhouse on October 19, 2024 in Cleveland, Ohio.

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Frampton and Urban spoke of their Nashville history, meeting up during the ’90s after they’d both moved there and before Urban’s career took full flight. “I was living in an absolutely awful, crap house in a pretty gloomy part of town at the time,” Urban recalled, “and my manager called and said, ‘Hey, do you want to write with Peter Frampton? I’m like, ‘Holy s—, yeah! Where are we gonna write.’ He goes, ‘He’s gonna come to your house.’ I Go, ‘No, no, no. He’s not gonna come to my house. But sure enough he came over to my dwelling and we spent the day just playing music and writing.” Nothing came out of the session, however. “It was one of those strange, mismatched moments, musically. I wasn’t in a good headspace. I don’t think either of us was in the best place we’ve been in — but I was glad we got a good, solid friendship out of it.”

Another friend on hand Saturday was the Who’s Roger Daltrey, who delivered the induction speech for Frampton, who had opened for the Who on his first tour with his band the Herd. Daltrey also led the humorous revelry in the press room after the induction, joking that the original tour was “the pinnacle of your (Frampton’s) decline. No wonder you joined up with [Humble Pie], because you needed to be there. You were gonna be forever stuck in the Who — if being in the Who is forever stuck.”

Daltrey also gushed about hearing Frampton and Urban playing together at the ceremony.“It was fabulous to hear the sound of real guitars instead of all the fuzz box s— that they put out these days, detuned…,” Daltrey noted. “It’s not rock ‘n’ roll. It’s not music… and it was wonderful to hear Peter’s guitar sound and Keith and the band work together, and the sensitivity in (Frampton’s) voice… Your secret is everything you do comes from the heart and it’s always been that way and it’s always affected me… And I mean it! I’m not blowing smoke up your ass, or blowing it on the way down. I really do mean it.”

Frampton, who partied after the ceremony with family and friends back at the Four Seasons hotel, recently finished a short late summer concert tour and said he’s hoping to go out again next year. In the meantime he’s working on completing both an album of all-new songs as well as a documentary that’s being directed by his keyboardist Rob Arthur.

For nearly 40 years, the Rock & Roll Hall of Fame has made it a tradition to gather together a batch of the biggest stars in the world and invite them to join the ranks of some of the greatest performers who have ever lived. On Saturday night (Oct. 19), that tradition continued with the […]

Sarcastically noting that answering questions is “my favorite thing to do,” Cher answered a few from the press backstage at the 2024 Rock and Roll Hall of Fame induction ceremony on Saturday (Oct. 19).
After taking the Rock Hall to task during her speech for waiting 35 years to induct her after she became eligible, Cher acknowledges that, “I have a kind love hate relationship [with the Rock Hall], because I thought, ‘What do I have to f–king do , y’know, to be inducted into this place? What do you have to do to be a part of it?’”

Though tempted to tell David Geffen, who she said wrote a letter to the Hall of Fame Foundation on her behalf, to “please take it back,” Cher said that in the end she was happy with the way things turned out. “I felt good. I can say that I’m happy that I’m in,” she says. “If I didn’t [think] it, I wouldn’t be here.”

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Reflecting on a 60-year career dating back to work with her late ex-husband Sonny Bono and sessions with Phil Spector’s Wrecking Crew, the singer said that she struggles with thoughts of legacy. “I [didn’t] have perspective, exactly — I just was busy living my life, so I wasn’t like thinking about it at all,” she says. “I was thinking about it from minute to minute, thing to thing. I thought of myself as a bumper car and when I hit a road I would just back up and turn in a different direction, because I wasn’t going to stop doing what I loved.”

And what about Sonny & Cher making it to the Rock Hall one day? “I think that we deserve it, ” Cher tells Billboard. “Even if we weren’t exactly rock ‘n roll, we represented music. I know it’s not like … we were corny, but we were very avant garde for what was happening at the time, so, I don’t know. I didn’t expect to get in. I just thought, ‘They’re never gonna let you in, b–ch.’”

During her speech, Cher made sure to send a message to all of the women watching around the world: “The one thing I have never done, is I never give up,” she explained. “And I am talking to the women, okay … we have been down and out, but we keep striving, and we keep going and we are somebody. We are special.”

Alex Van Halen hopes that those coming to his new memoir, Brothers, for a tell-all will be disappointed.
“It’s not about the dirt,” Van Halen, older brother and bandmate of the late Eddie Van Halen, tells Billboard. “If I start throwing dirt, it’ll never end. I think some people would like that; that’s how projects are sold nowadays. I think it divides the audience, and we’re not here to divide. I think the tone of the book and how I want the book to be perceived is more on a spiritual and creative level. That’s why there’s very little, or any, dirt in there.

“The majority of things that were written about Ed were third party,” he continues. “They weren’t really there. I’m not degrading any of it, but it’s not accurate. I really felt like a lot of the stuff that was out there was incorrect, and it didn’t do justice to the more sensitive side of Ed. So before I die I would like to at least partially set the record straight.”

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Brothers, publishing Oct. 22 and written with New Yorker staff writer Ariel Levy, acknowledges the sex and drugs and rock n’ roll. But as the title indicates it’s primarily a chronicle of the drummer’s relationship with his guitar hero brother, who passed way during Oct. 2020 at the age of 65 after a long battle with cancer. The tome is undeniably emotional, with some passages written directly to his late brother. Van Halen acknowledges that the process “really took its toll on me.”

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“You have to remember we were together for 65 years; that’s a lifetime, if not more,” explains Van Halen, who was born in Amsterdam and came to the United States with his family in 1962, eventually settling in Pasadena, Calif., where the Van Halen band was formed in 1974. “(Brothers) not only forced me to look at everything Ed and I had done in our lifetime, but also — and I should thank Ed for this — it forced me to look at me. What are my motivations? Why am I really doing this? Who does anybody do this? It took me a lot of places…very heavy.”

Throughout Brothers’ 231 pages, Van Halen discloses the tight bond between him and Eddie, personally and musically — and presents the connection between those two as one and the same thing. Van Halen offers a detailed account of the entire family dynamics, too, from the influence of their father, Jan, a jazz musician, and their more strict Dutch East Indies-born mother Eugenia, and the impact of immigrating to America and being treated as outsiders. The passion for music came early and was a constant, of course, and one can read in Brothers a kind of mission on Van Halen’s part to offer a more expansive and sophisticated view of his brother’s talents.

“There was more going on than most people recognize or realize, and it’s not our job to ‘teach’ people,” explains Van Halen, who also makes use in the book of a variety of other sources, including published interviews with his brother, books by original frontman David Lee Roth and producer Ted Templeman, and philosophers such as Friedrich Nietzsche. The brothers, who first learned to play piano, actually started out on each other’s instruments before switching as teenagers. “When Ed picked (the guitar) up he could make it sing. It was amazing. That sound, that intonation was phenomenal. You couldn’t express it in words. Everybody gets blinded by the fact Ed was such a phenomenal player (that) you’re not even understanding who the human being was. Maybe people don’t care, but I care. He’s my brother.”

Brothers of a Band

Writing about Van Halen the rock band in Brothers, Van Halen says that “me, Ed and Dave were very subversive in the way we looked at music and the political system and the way we looked at people in general…The band was dysfunctional. It was completely running on three wheels, if you will. I think Ed was quoted as saying ‘but we always played well,’ and that was ultimately what kept it together until it was no longer together. It was a very sad moment when that whole thing fell apart.” Van Halen, in fact, writes in Brothers that Van Halen’s 1985 split with Roth “was the most disappointing thing I’d experienced in my life, the thing that seemed the most wasteful and unjust. Until I lost my brother.”

Despite the acknowledged rancor with Roth over the years – and blaming Roth for the failure of a planned Eddie Van Halen tribute tour — Van Halen maintains that “I’m not angry at all with Dave. He was one of the three main components of the band. At the time we didn’t recognize it because we were constantly battling things out. That’s why I mentioned (in the book) that the first person I called when Ed died was Dave because I felt like I owed him that, to the work we had done together and the fact that our families knew each other and the fact that everybody was sort of on the same level, if you will, when we first started. I don’t know where things went wrong…I have nothing but the utmost respect for Dave and his work ethic. I just think some of his choices were really strange to me, but that’s not my job to figure it out.”

Other than his brother’s death, Van Halen chose to stop the story with the Roth split, leaving out subsequent runs with Sammy Hagar and Gary Cherone and even the reunion with Roth that started in 2007. (Roth and Hagar both wrote memoirs after their respective tenures with the band.) Van Halen cites “limitations to how big the book could be” but also says it the scope of the narrative made sense to him.

“What happened after Dave left is not the same band,” Van Halen explains. “I’m not saying it was better or worse or any of that. The fact is Ed and I did our best work whenever we played. We always gave it our best shot. But the magic was in the first years, when we didn’t know what we were doing, when we were willing to try anything.” Not surprisingly, Van Halen was not responsive, either, when Hagar and bassist Michael Anthony reached out about him taking part in some way in their Best of All Worlds tour celebrating Van Halen.

“I’m not interested,” he says. “They’re not doing the band justice. They can do what they want to do. That’s not my business.”

Everybody Wants Some

Van Halen does add, however, that his auction of drum equipment and other items in June “was misinterpreted” and simply clearing out a warehouse of gear that wasn’t being used.

“I’m not quitting. I don’t know where that came from,” Van Halen says. “I’ll die with sticks in my hand.” Spinal issues he’s been battling for decades are still present, he adds, including a recent injury during a trip to a shooting range in 2022. “But with modern technology we have now I should be OK in about five years,” he says.

Despite rumors of what the Van Halens were up to between the last tour with Roth (in 2015) and Eddie’s death, Alex maintains there was little to report. “We never really talked about it,” he says. “We prefer that things just happen by some kind of magic. The issue was Ed had been dealing with cancer for quite a number of years, and some of the stuff that he was doing out of the normal procedures, if you will, had side effects. Some of the stuff that was being said about Ed was completely wrong, and it was painful…. He was fighting cancer. It’s as simple as that.”

Fans are certainly excited about the presence of a new instrumental track, “Unfinished,” that’s part of the audio version of Brothers. It hails from a trove of ideas the brothers recorded at Eddie’s 5150 studio and stashed away, and Alex anticipates releasing more of that material “when it feels right.”

“I’m not in a hurry,” he says. “I do have a certain obligation to keep it to Ed’s standards. He was meticulous and he was a pain in the ass…and I need to have access to the right takes, ’cause not every day did we play at our best. But we always had the tape recorders running. We didn’t go in the studio like, ‘Yeah, we’re gonna make a record from beginning to end.’ We had little pieces here, little pieces there, you put ’em away until the time comes and you go, ‘Hey, I think I like that piece…’ and then go back to it and build something from there.” He told Rolling Stone that he’s approached OpenAI about using its technology to help turn some of the material into songs.

“I know people want to hear it,” Van Halen adds, before cautioning that, “the other side of the coin is this doesn’t sound like Van Halen. You’re damned if you do, damned if you don’t.” He says that for future releases he’s also “looking forward to getting some people involved…other musicians and producers. You have to have the right team, because not everybody can do everything. So we’ll see.”

For the time being Van Halen is focused on promoting Brothers, which he’d also like to turn into a movie — though he notes that, “I learned a long time ago not to put your hope in things that don’t exist yet. I know people who would be willing to participate, but it’s a very complex fabric of things that need to happen.” Meanwhile Van Halen has three book events lined up — signings at Barnes & Noble in New York on Oct. 21 and at Books & Greetings in Northvale, N.J., the following day, and a live conversation on Oct. 24 at the Frost Auditorium in Culver City, Calif.

“People can ask whatever they like — that’s their prerogative,” Van Halen says. “It’s my prerogative to answer. Or not answer.”

One thing Van Halen will make clear, however, is that his brother is still a strong presence in his life.

“He’s not gone for me,” Van Halen says, citing the “island voodoo” of their mother’s upbringing and the Spooky Action at a Distance concept of quantum physics. “He’s still there. His spirit’s here, and it’s not something you can grab or touch. There’s something between us that’s just connected on a level that is beyond explanation. Scientists will tell you that you cannot destroy energy, it just takes different shapes, and that’s kind of how it is for me with Ed.

“I really had a tough time when Ed passed — full of rage, for a number of reasons. I heard this thing by Billy Bob Thornton; he just said basically when his brother died he didn’t know how to deal with it, and he basically said that you’re not running away from the fact that you’re not together anymore. You accept it for what it is and then the pain will slowly diminish, but it’ll never go away. That’s why i said (in the book), ‘When I see you again, I’m gonna kick yo’ ass…’”

Brothers by Alex Van Halen

Courtesy Photo