Rock

Måneskin’s Damiano David Cuts Himself Open in Debut Solo Song ‘Silverlines’: ‘It’s Describing My Whole Journey’

Damiano David feels sorrow no more. The Måneskin frontman has embarked on his first solo project, releasing the song “Silverlines” — produced by Labrinth — on Thursday (Sept. 26).

“This song is a very special story to me,” the Italian artist tells Billboard of the emotional track that begins as a raw, stripped-back melancholy tune that fills with hope as it crescendos. “Sometimes, you hear a song and you think, ‘Oh my god, this song talks about me.’ … It was so amazing for me to get to work with such a huge artist and also on a song that, it’s basically describing my whole journey.”

According to David, singer-songwriter Sarah Hudson was already working on the tune with Labrinth when she came up with the idea to connect the two men and have the Måneskin rocker hop on the track, for which he helped pen the lyrics. And given the opportunity to collaborate with Labrinth — who has worked with the likes of Billie Eilish, The Weeknd, Nicki Minaj and more — he wasn’t about to say no. “If you have the chance to work with Labrinth, you don’t get precious! You just do it!” David laughs, praising his “extremely meticulous” producer and their “very easy” collaboration process. And he’s more than delighted with how “Silverlines” has turned out.

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“It was funny for me how [this] first song was actually, it was, like, all I hoped for,” he marvels of “Silverlines,” which finds him showing a vulnerable side that he had yet to share in his music with Måneskin. “It was like the lyrics are such a message of hope for me because it was exactly what I was aiming for with this record, and now that the record is finished, I look back to that song and it’s like, ‘Wow! That’s basically the last stop of my journey,’ and it’s so funny that it came at the beginning — like [it was] heaven sent.”

“There’s a level of vulnerability that I never reached and a level of honesty that I never managed to reach not because I was not being honest in the other songs,” he adds. “I had to dig deeper into myself in order to even get to this information and then be able to transform it into music.”

David explains that part of the reason he had not yet shared this more personal side of him in Måneskin was because he wanted to respect the band’s strong identity — which he credits as part of its success — and also the “role that was assigned to him,” but it wasn’t showing him as a whole person. “At one point I started to really suffer this very partial point of view of myself that I myself was giving to the world … I knew that I was the one choosing only to express that,” he shares, emphasizing that he takes responsibility for that, and is now, with his solo work, revealing a fuller picture of who Damiano David is. “Literally my brain and my body rebelled to me and forced me to actually kind of cut me open, cut myself open and show myself to the world.”

And that honesty is right there in his favorite lyrics from “Silverlines”: A smile/ I welcome you/ A darkness/ I’ve long forgotten you/ And peace belongs to me. “That’s what happened. This is the part that I share with the audience — it’s the public part of the work I’ve done,” explains David, who moved to Los Angeles in January, where he spent a few months by himself to figure out his priorities. “I of course did a lot of personal work and personal growing, and I cut some things out of my life and I replaced [them] with new, healthier, more beautiful ones. I think now things are better.”

Helping him pull back the curtain is the accompanying music video for “Silverlines,” a theatrical visual directed by Nono + Rodrigo that shows first the struggle, then the endless possibilities that await David. “One of the main topics of the whole thing is like, more than having the world,” he shares. “For me, it’s more like, from now on, it’s a white sheet and I’m able to actually … make my visuals become reality.”

And now that he’s sharing a closer look at himself with his solo music, the vocalist is excited to see what’s on the horizon, though nabbing a Billboard Hot 100 No. 1 for “Silverlines” may not be at the top of his list. “I don’t want to be like a hypocrite and say I don’t care about the charts because of course I care! Everybody cares!” he admits. “But at the same time, the goal of this song is not topping the charts. I’m introducing myself to the world, so I don’t expect to be first from the first day. Actually, I don’t expect to be first any time. But I’m just very glad I have the opportunity to do this, and the results will come.”

Check out Damiano David’s debut solo song, “Silverlines,” and its video below:

Foo Fighters Drop Out of Connecticut’s Soundside Music Festival

On Thursday (Sept. 26), just two days before the third annual Soundside Music Festival, headliner Foo Fighters dropped off the lineup.

“Foo Fighters will no longer be appearing at this weekend’s Soundside Music Festival,” read a statement on the band’s official Instagram account.

The cancellation comes just two weeks after frontman Dave Grohl revealed on his personal Instagram account that he had fathered a child outside of his marriage. “I’ve recently become the father of a new baby daughter, born outside of my marriage,” Grohl wrote. “I plan to be a loving and supportive parent to her. I love my wife and my children, and I am doing everything I can to regain their trust and earn their forgiveness.”

Soundside Music Festival will take place Saturday and Sunday (Sept. 28-29) in Bridgeport, Connecticut. Noah Kahan is set to headline the first night. The Foos have now been replaced by Jack White and Greta Van Fleet sharing top billing on the updated festival flier.

Foo Fighters released their 11th studio album last year, But Here We Are. It was the band’s first release since the loss of longtime drummer Taylor Hawkins.

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In August, White released his sixth album, No Name, and made headlines for the surprising release strategy. The project was initially secretly released in July as a free, unlabeled vinyl to Third Man Records customers across its Detroit, Nashville and London locations. It was then widely released in early August as a blue-colored vinyl LP (exclusive to independent record stores) before becoming available as a digital download album one day later.

Last year, Greta Van Fleet released their third album, Starcatcher.

Other artists on the Soundside lineup include Goo Goo Dolls, Grace Potter, Bleachers, Teddy Swims and more.

Limited tickets are available here.

The Cure Share First New Song in 16 Years, Announce Album Release Date

The long wait is over: The Cure have released their new song in over 16 years and confirmed the release date for their upcoming 14th album.

“Alone” will appear on the upcoming LP Songs From a Lost World, which is set to be released Nov 1, 2024 via Polydor/Fiction. Listen to the track below.

The track appeared as the opening song on the band’s Shows of a Lost World global tour throughout 2022 and 2023. The album has been long in the making, with its original release dates mooted for 2019. The album’s tracklist will be revealed in the coming weeks on the band’s social media channels.

Speaking about the song, frontman Robert Smith said that “Alone” was “the track that unlocked the record; as soon as we had that piece of music recorded I knew it was the opening song, and I felt the whole album come into focus.”

He added: “I had been struggling to find the right opening line for the right opening song for a while, working with the simple idea of ‘being alone’, always in the back of my mind this nagging feeling that I already knew what the opening line should be… as soon as we finished recording I remembered the poem Dregs by the English poet Ernest Dowson. That was the moment when I knew the song – and the album – were real.”

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Songs From a Lost World was produced by Smith and Paul Corkett, who co-produced The Cure’s 2000 album Bloodflowers. The album features contributions from Smith, Simon Gallup (bass), Jason Cooper (drums), Reeves Gabriel (guitar) and Roger O’Donnell (keyboards). The latter recently announced he’d been diagnosed with rare and “aggressive” blood cancer a year ago, but added that “I’m fine and the prognosis is amazing”.

In recent weeks the band had been teasing the release of Songs From a Lost World to fans via mystery postcards and puzzles. Smith has been revealing details of the LP for many years, and speaking to the Los Angeles Times in 2019, he blamed himself for some of the delays. “I keep going back over and redoing them, which is silly. At some point, I have to say that’s it. It’s very much on the darker side of the spectrum,” Smith added.

“I lost my mother and my father and my brother recently, and obviously it had an effect on me. It’s not relentlessly doom and gloom. It has soundscapes on it, like Disintegration, I suppose. I was trying to create a big palette, a big wash of sound.”

Radiohead’s ‘Hail To The Thief’ to Soundtrack New Production of Shakespeare’s ‘Hamlet’

A new production of Shakespeare’s Hamlet will be soundtracked by Radiohead’s 2003 album Hail to the Thief.

Hamlet Hail to the Thief will see “Shakespeare’s words and Radiohead’s album illuminate one
another in thrilling new ways as the music becomes a critical part of the narrative” a press release reveals. The production will include a cast of 20 musicians and actors performing the album live onstage during the play.

Radiohead frontman Thom Yorke has collaborated with Tony and Olivier award-winner Christine Jones and Olivier award-winner Steven Hoggett for the production.

Hamlet Hail to the Thief will premiere at Manchester’s Aviva Studios, home of Factory International, in Manchester on Apr 27 and will run there until May 18, 2025. The production then transfers to the Royal Shakespeare Theatre in Stratford Upon Avon, England from June 4 – 28, 2025. Tickets for the production go on sale on October 2; more details can be found here.

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Hail To The Thief

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Speaking about the new arrangements of Hail To The Thief, Yorke said in a statement that it was an “interesting and intimidating challenge”. He added: “Adapting the original music of Hail To The Thief for live performance with the actors on stage to tell this story that is forever being told, using its familiarity and sounds, pulling them into and out of context, seeing what chimes with the underlying grief and paranoia of Hamlet, using the music as a ‘presence’ in the room, watching how it collides with the action and the text. Ghosting one against the other.”

Hail To The Thief was released in 2003 by the British band amidst the fallout of the invasion of Iraq and was critical of President George W. Bush’s ‘war on terror’ following 9/11. The album landed at No.3 on the Billboard 200 and at No.1 on the U.K.’s Official Album Charts and its artwork, which is incorporated in the play’s promotional poster, was created by frequent collaborator Stanley Donwood.

Speaking in 2003, Yorke said that the album’s lyrical content was influenced by “the rise of doublethink and the rise of general intolerance and madness, and feeling very much like individuals were totally out of control of the situation” and that “the force of the music gave me licence I think to explore all these things, really”. It spawned three singles, “2+2=5”, “Go To Sleep” and “There, There”.

Jones, who has previously collaborated with Hoggett on Harry Potter and the Cursed Child, and the stage adaptation of Green Day’s American Idiot said that William Shakespeare’s play, written between 1599 and 1601, aligned with their love of Radiohead’s record.

“Paying attention to the lyrics, I became aware of how many songs from Hail to the Thief speak to the themes of the play,” Jones says. “There are uncanny reverberances between the text and the album. For years I’ve wanted to see the play and album collide in a piece of theatre; eventually I shared the idea with Thom, who was intrigued.

Radiohead released their most recent album A Moon Shaped Pool in 2016 and the band members have worked on new projects ever since. Yorke and Jonny Greenwood’s The Smile will release their third studio album Cutouts on XL Recordings on Oct 4.

The band’s bassist Colin Greenwood recently revealed that the band had recently reconvened to rehearse but shared no news of imminent music.

Rock & Roll Hall of Fame Unveils Eclectic List of 2024 Performers & Presenters

In less than a month, a genre-spanning batch of legends will join the Rock & Roll Hall of Fame as part of its Class of 2024. On Wednesday (Sept. 25) morning, the Rock Hall revealed the list of performers and presenters who will be on hand at the Oct. 19 ceremony.

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Take a deep breath: Busta Rhymes, Dr. Dre, Demi Lovato, Dua Lipa, Ella Mai, James Taylor, Jelly Roll, Julia Roberts, Keith Urban, Kenny Chesney, Lucky Daye, Mac McAnally, Method Man, Roger Daltrey, Sammy Hagar, Slash and The Roots will all be present at the Rocket Mortgage Fieldhouse in Cleveland, Ohio (which isn’t too far from the Rock & Roll Hall of Fame’s Cleveland headquarters).

It’s not yet known which performers and presenters are attached to which 2024 Rock Hall inductees. The Class of 2024 includes Mary J. Blige, Cher, Dave Matthews Band, Foreigner, Peter Frampton, Kool & the Gang, Ozzy Osbourne and A Tribe Called Quest in the performers category. In the musical influence category, Alexis Korner, John Mayall and “Big Mama” Thornton will be inducted; all three pioneers are deceased, with Mayall dying at the age of 90 this July, just three months after his induction was announced.

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Additionally, Jimmy Buffett, MC5, Dionne Warwick and Norman Whitfield enter the Rock Hall in the musical excellence category. Suzanne de Passe will be given the Ahmet Ertegun Award.

The Rock & Roll Hall of Fame’s 2024 induction ceremony will livestream on Disney+ on Oct. 19 at 7 p.m. ET. ABC will air a primetime special featuring the evening’s biggest moments on Jan. 1, 2025, at 8 p.m. ET, which will be available on Disney+ and Hulu on Jan. 2.

Crazy Town Singer Shifty Shellshock’s Official Cause of Death Revealed

Official have released the official cause of death for late Crazy Town singer Seth “Shifty Shellshock” Brooks Binzer. According to a statement from the Los Angeles County Medical Examiner’s office on Tuesday (Sept. 24), Binzer, 49, died as a result of the combined effects of the powerful synthetic opioid fentanyl, cocaine and methamphetamine. The manner of death was ruled “accidental.”

The Medical Examiner’s office said Binzer was found unresponsive at a Los Angeles-area home on June 24 and after a postmortem probe, his cause of death was certified on Tuesday. The “Butterfly” singer’s passing as a result of an accidental overdose came after years of substance struggles for the rap-rock group’s frontman.

After Binzer’s death, group manager Howie Hubberman said in a statement, “Seth Binzer, after struggling with addiction and Crazy Town’s rapid success with ‘Butterfly’, never was able to reach out on a more successful level to deal with his addictions. We all tried, but ultimately we all failed, or Shifty would still be here.”

Binzer was born on Aug. 23, 1974 and met Crazy Town co-founder Bret “Epic” Mazur in 1992. The pair fleshed the group out with members Adam Goldstein (better known as DJ AM, who died from an accidental overdose in 2009), guitarist Charles “Rust Epique” Lopez (who died in 2004), guitarist Antonio Lorenzo “Trouble” Valli and drummer James “JBJ” Bradley Jr. The band’s Nov. 1999 debut album, The Gift of Game, peaked at No. 9 on the Billboard 200 on the chart dated March 3, 2001, and remained on the tally for 34 weeks.

The LP’s first two singles, “Toxic” and “Darkside,” didn’t chart, but their third effort and best-known track, the uber-catchy “Butterfly,” ran all the way to No. 1 on the Billboard Hot 100 singles charts, where it held the top spot for two weeks. The band broke up less than a year after the Nov. 2002 release of follow-up album Darkhorse. With a rotating roster of members Crazy Town reformed several times in the years after, but were never able to regain their early career momentum.

In 2023, Crazy Town were booted from a tour with HedPE after an intra-band brawl between Binzer and co-vocalist/guitarist Bobby Reeves.

Linkin Park Drop Epic League of Legends World Championship Anthem ‘Heavy Is the Crown’: Listen

Linkin Park are going back back to the start. The rock band dropped the hard-hitting new single “Heavy Is the Crown” on Tuesday (Sept. 24), a rager that will be the official anthem for the League of Legends World Championship. The follow-up to the band’s first new music in seven years — the previously released “The Emptiness Machine” — has the revived LP line-up leaning into its patented rap/rock attack, while new singer Emily Armstrong pays tribute to classic LP on the song’s screamed chorus.

“This is what you asked for, heavy is the crown/ Fire in the sunrise, ashes rainin’ down,” yowls Armstrong, the former Dead Sara vocalist who has stepped into late singer Chester Bennington’s co-lead singer spot. “Try to hold it in, but it keeps bleeding out,” she adds in a touching homage to one of LP 1.0’s most beloved hits, the 2007 Minutes to Midnight single “Bleed It Out.”

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The song is the band’s first collaboration with Riot Games, the company behind multiplayer online battle game League, and it serves as the latest taste of LP’s first album since 2017, From Zero (Nov. 15). In addition, co-founders singer/rapper Mike Shinoda, guitarist Brad Delson, turntablist Joe Hahn and bassist Dave “Phoenix” Farrell, as well as Armstrong and new drummer Colin Brittain, have announced three additional stadium dates to their current six-show From Zero World Tour, which lands at London’s O2 Arena on Tuesday night.

After hitting South Korea on Sept. 28, the band will play a pair of newly announced shows in Paris at the La Defense Arena on Nov. 3 and Globe Life Field in Dallas on Nov. 8 before flying down to Bogota, Colombia for a previously announced gig at the Coliseo Medplus on Nov. 11 and wrapping things up on Nov. 15 at Allianz Park in São Paulo, Brazil in the final of three just-added dates.

As they gear up for their album release, LP are celebrating “The Emptiness Machine” jumping from No. 24-to-No. 1 in its second week on Billboard’s Rock & Alternative Airplay chart; the song has also shot to No. 1 on the Billboard Hot Hard Rock Songs chart dated Sept. 21.

Listen to “Heavy Is the Crown” and watch a preview of the video below.

Halestorm & I Prevail’s ‘Can U See Me in the Dark?’ Tops Mainstream Rock Airplay Chart

Halestorm and I Prevail’s collaboration “Can U See Me in the Dark?” is the newest No. 1 on Billboard’s Mainstream Rock Airplay chart, rising a spot to top the tally dated Sept. 28.

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The song becomes Halestorm’s seventh No. 1 and first since “The Steeple” ruled for a week in June 2022. The Lzzy Hale-fronted band ties the Taylor Momsen-led The Pretty Reckless for the most rulers by women or women-fronted acts in the Mainstream Rock Airplay chart’s 43-year history.

I Prevail notches its third No. 1 and first since “Bad Things” in November 2022.

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“Can U See Me in the Dark?” marks the first Mainstream Rock Airplay No. 1 by at least two multi-person entities – Halestorm is a four-piece band; I Prevail is a quintet – since Metallica and the San Francisco Symphony led with “All Within My Hands” in September 2020.

Concurrently, “Can U See Me in the Dark?” lifts 10-9 on the all-rock-format, audience-based Rock & Alternative Airplay chart via 2.7 million audience impressions, up 15%, in the week ending Sept. 19, according to Luminate. It’s I Prevail’s highest-charting song, surpassing the No. 10 peak of “Bad Things”; Halestorm’s best remains “The Steeple,” which hit No. 8.

“Can U See Me in the Dark?” is currently a standalone single that helped promote the bands’ co-headlining tour that ran from July through mid-August. Halestorm’s most recent album, Back From the Dead, peaked at No. 2 on the Top Hard Rock Albums chart in May 2022 and has earned 97,000 equivalent album units to date. I Prevail’s latest LP is True Power, which reached No. 3 on Top Hard Rock Albums in September 2022 and has earned 258,000 units.

All Billboard charts dated Sept. 28 will update on Billboard.com on Tuesday, Sept. 24.

Heavenly Ascent: Myles Smith Scores First No. 1 Song With ‘Stargazing’

Myles Smith earns his first No. 1 on a Billboard songs chart, ruling the Alternative Airplay tally dated Sept. 28 with “Stargazing.”

The song became Smith’s first Alternative Airplay entry when it debuted in June. The British singer-songwriter is the first act to reign in a first appearance this year and the first since Bad Omens with “Just Pretend” in September 2023.

Smith is also the first artist to score a first Alternative Airplay No. 1 in 2024.

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Smith scores the second straight Alternative Airplay leader for RCA Records, after Cage the Elephant’s “Rainbow” ruled for two weeks. It’s the first time that a label has linked two consecutive No. 1s since April 2021, when MGK and blackbear’s “My Ex’s Best Friend” led for two weeks, followed by Imagine Dragons’ “Follow You,” both via Interscope Records.

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RCA last led in succession with three titles in December 2014-March 2015: “Something From Nothing” by Foo Fighters, “Cigarette Daydreams” by Cage the Elephant and “Shut Up and Dance” by Walk the Moon.

Concurrently, “Stargazing” jumps into the top 10 of Adult Alternative Airplay (12-8) to become Smith’s first top 10, also on his first try. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it bullets at its No. 3 high with 5.1 million audience impressions, up 5%, in the week ending Sept. 19, according to Luminate.

A multi-format radio hit, “Stargazing” also lifts 18-16 on Adult Pop Airplay and 26-24 on Pop Airplay, both new best ranks.

“Stargazing” ranks at No. 6 on the latest multimetric Hot Rock & Alternative Songs chart. In addition to its radio airplay, it earned 8.3 million official U.S. streams and sold 2,000 downloads in the week ending Sept. 19.

All Billboard charts dated Sept. 28 will update on Billboard.com on Tuesday, Sept. 24.

Michael Kiwanuka Collects First Adult Alternative Airplay No. 1 With ‘Floating Parade’

After 12 years of appearing on Billboard’s Adult Alternative Airplay chart, Michael Kiwanuka achieves his first No. 1, as “Floating Parade” marches to the top of the tally dated Sept. 28.

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The British singer-songwriter and producer first reached the chart with “I’m Getting Ready,” which peaked at No. 8 in October 2012. He logged his previous best with “Hero,” a No. 3-peaking track in March 2020. He has earned seven career top 10s, including an ongoing streak of five in a row dating to “Love & Hate” in 2017.

Kiwanuka’s dozen-year wait for his first No. 1 marks the longest on Adult Alternative Airplay since an exceptionally fab break: The Beatles went a record 27 years, 10 months and two weeks between “Free as a Bird,” which ranked on the inaugural list in January 1996, and the coronation of “Now and Then” in December 2023.

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Kiwanuka is also the first artist to claim a maiden Adult Alternative Airplay No. 1 since Pharrell Williams, the co-lead act alongside Mumford & Sons on “Good People,” in April. Prior to Smith, Noah Kahan last did so with no accompanying acts, with “Dial Drunk” in September 2023.

Concurrently, “Floating Parade” rises 26-25 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 1.2 million audience impressions, up 4%, in the week ending Sept. 19, according to Luminate. It’s Kiwanuka’s highest-charting song on the list, having surpassed the No. 42 high of “Rolling” in 2020.

“Floating Parade” is the lead single from Small Changes, Kiwanuka’s fourth studio album, due Nov. 15. Predecessor Kiwanuka peaked at No. 3 on the Americana/Folk Albums chart in November 2019 and has earned 100,000 equivalent album units to date.

All Billboard charts dated Sept. 28 will update on Billboard.com on Tuesday, Sept. 24.