Rock
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Jane says ⌠the tour is over. Janeâs Addiction has canceled its tour midway through the bandâs trek after frontman Perry Farrell threw a punch at guitarist Dave Navarro during the bandâs show on Friday (Sept. 13) in Boston at the Leader Bank Pavilion.
âThe band have made the difficult decision to take some time away as a group. As such, they will be cancelling the remainder of the tour,â the band said in a brief statement Monday (Sept. 16). Refunds will be issued at the point of purchase.
In fan-captured videos that went viral after the Friday show, Farrell is seen on stage singing toward the audience before turning to Navarro and screaming the lyrics, seemingly angrily. The frontman then makes his way over to the guitarist, continuing his scream, before body-checking the guitarist, backing away, then getting back in Navarroâs face to continue yelling while the guitarist-actor â who appears confused â calmly holds Farrell at armâs length while the frontman continues to yell. Farrell then throws a punch at his guitarist, and a crew member comes on stage, telling Farrell repeatedly to âStop! Stop!â More crew members rush to the stage to restrain the rocker and take him off stage.
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The next day, Janeâs Addiction issued a statement via the bandâs Instagram Stories. âWe want to extend a heartfelt apology to our fans for the events that unfolded last night,â the statement read. The band then noted that the following show on Sunday (Sept. 15) at the Hartford Healthcare Amphitheater was canceled.
Farrellâs wife, Etty Lau Farrell, shared a statement on her own Instagram after the altercation. Reposting video of the altercation, she explained how she saw the situation. âClearly there had been a lot of tension and animosity between the members.. the magic that made the band so dynamic,â she wrote. â Well, the dynamite was lit. Perry got up in Daveâs face and body checked him.â
âPerryâs frustration had been mounting, night after night, he felt that the stage volume had been extremely loud and his voice was being drowned out by the band,â she continued, noting that her husband had been battling a sore throat and tinnitus. âBut when the audience in the first row, started complaining up to Perry cussing at him that the band was planning too loud and that they couldnât hear him, Perry lost it.â
She went on to praise Navarro for trying to de-escalate the situation, noting that the guitarist âstill looked handsome and cool in the middle of a fight,â while her husband was âa crazed beastâ for a little bit. Added Etty, âHe finally did not calm down, but did breakdown and cried and cried.â
Janeâs Addiction â who logged one song on the Billboard Hot 100 and three No. 1 hits on the Alternative Airplay chart since forming in the mid-â80s â was about halfway through its tour alongside Love and Rockets. The tour â produced by Live Nation â had been scheduled to conclude on Oct. 16 at the YouTube Theater in Los Angeles.
See Janeâs Addictionâs statement below.
Janeâs Addiction has issued a statement following an onstage altercation between Perry Farrell and Dave Navarro.
The rock veterans took to social media on Saturday (Sept. 14) to apologize for the lead singer throwing a punch at the guitarist during the bandâs concert in Boston on Friday.
âWe want to extend a heartfelt apology for the events that unfolded last night,â Janeâs Addiction wrote on their Instagram Story. âAs a result we will be cancelling tomorrow nightâs show in Bridgeport.â
Janeâs Addiction added refund information for Sundayâs canceled show at the Hartford HealthCare Amphitheater in Connecticut.
The recently reunited bandâs Friday show at Bostonâs Leader Bank Pavilion came to a sudden halt when Farrell attacked Navarro midway through the their performance of âOcean Size.â Fan-captured video shows the frontman becoming angry for unknown reasons and throwing a punch at the guitarist, who appeared confused by the singerâs outburst.
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âWhat the fâk?â Navarro appeared to shout as crew members restrained Farrell and dragged him backstage. The guitarist then took off his guitar and walked off stage, ending the concert after 11 songs. Janeâs Addictionâs recent concerts have typically featured three or four additional performances.
Farrellâs wife, Etty Lau Farrell, took to social media shortly after Fridayâs concert to share her version of the story in a lengthy message.
âClearly there had been a lot of tension and animosity between the members.. the magic that made the band so dynamic. Well, the dynamite was lit,â she wrote on Instagram alongside a video of the onstage fight.
âPerryâs frustration had been mounting, night after night, he felt that the stage volume had been extremely loud and his voice was being drowned out by the band. Perry had been suffering from tinnitus and a sore throat every night. But when the audience in the first row, started complaining up to Perry cussing at him that the band was planning too loud and that they couldnât hear him, Perry lost it.â
She added that an altercation had occurred backstage between her husband and Janeâs Addiction bassist Eric Avery, who âput Perry in a headlock and punched him in the stomach three times.â
âPerry was a crazed beast for the next half an hour â he finally did not calm down, but did breakdown and cried and cried,â Etty Lau wrote. âEric, well he either didnât understand what descalation meant or took advantage of the situation and got in a few cheap shots on Perry.â
Janeâs Addictionâs Live Nation-produced reunion tour â which finds the four original members hitting the road for the first time in 14 years â launched in early August and is set to conclude in mid-October. At press time, the bandâs next show was scheduled for Torontoâs Budweiser Stage on Sept. 18.
Janeâs Addictionâs concert in Boston came to a sudden end on Friday (Sept. 13) when frontman Perry Farrell attacked guitarist Dave Navarro onstage.
The fan-captured altercation at Bostonâs Leader Bank Pavilion broke out midway through the reunited bandâs performance of âOcean Size,â when Farrell became angry for unknown reasons and lunged at the Navarroâs shoulder. Farrell, 65, then continued to shout at the guitarist, 57, who appeared confused, and the singer ultimately threw a punch at Navarro.
âWhat the fâ?â Navarro appeared to shout as crew members restrained Farrell and dragged him backstage. The guitarist then took off his guitar and walked off stage, ending the concert after 11 songs. Janeâs Addictionâs reunion shows have typically featured three or four additional performances.
Janeâs Addiction hadnât publicly commented on the situation at press time. Billboard has reached out to the bandâs representatives.
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Farrellâs wife, Etty Lau Farrell, took to social media shortly after Fridayâs concert to share her version of the story in a lengthy message. âClearly there had been a lot of tension and animosity between the members.. the magic that made the band so dynamic. Well, the dynamite was lit,â Etty Lau wrote on Instagram alongside a video of the onstage fight.
âPerryâs frustration had been mounting, night after night, he felt that the stage volume had been extremely loud and his voice was being drowned out by the band. Perry had been suffering from tinnitus and a sore throat every night. But when the audience in the first row, started complaining up to Perry cussing at him that the band was planning too loud and that they couldnât hear him, Perry lost it.â
She added that an altercation had occurred backstage between her husband and Janeâs Addiction bassist Eric Avery, who âput Perry in a headlock and punched him in the stomach three times.â
âPerry was a crazed beast for the next half an hour â he finally did not calm down, but did breakdown and cried and cried,â Etty Lau wrote. âEric, well he either didnât understand what descalation meant or took advantage of the situation and got in a few cheap shots on Perry.â
Janeâs Addictionâs Live Nation-produced reunion tour â which finds the four original members hitting the road for the first time in 14 years â launched in early August. At press time, the bandâs next show was scheduled for Sunday (Sept. 15) in Bridgeport, Conn.
The long wait appears to be over: The Cure may have confirmed the release date of their first LP in 16 years in postcards sent to fans. Earlier this week, speculation mounted that an announcement was incoming when the group updated social media profile pictures. Now fans of the band have received cryptic postcards in […]
Linkin Parkâs âThe Emptiness Machineâ vaults to the top of Billboardâs Rock & Alternative Airplay chart, soaring from No. 24, where it debuted a week ago, to No. 1 on the Sept. 21-dated survey.
The song reigns with 9.1 million rock radio audience impressions Sept. 6-12 â its first full week of tracking â according to Luminate. The single premiered at 6 p.m. ET on Sept. 5 and debuted on the Sept. 14-dated chart with 1.1 million in rock radio reach.
In the history of Rock & Alternative Airplay, which began in 2009, 14 songs â now including âThe Emptiness Machineâ â have reached No. 1 in just one or two weeks. Linkin Park had last achieved the feat when âFriendly Fire,â released on the bandâs best-of set Papercuts after originally being recorded for the sessions for 2017âs One More Light, launched at No. 1 this March.
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In fact, of those 14 songs, five are by Linkin Park. âFriendly Fire,â âLostâ (2023) and âThe Catalystâ (2010) all debuted at No. 1, while âNew Divideâ (2009) reached the top spot in its second week, like âThe Emptiness Machine.â
The quick coronation for âThe Emptiness Machineâ is supported by its debuts at Nos. 4 and 5 on Mainstream Rock Airplay and Alternative Airplay, respectively. The songâs No. 4 start on Mainstream Rock Airplay is the best since December 2022, when Metallicaâs âLux Ăternaâ debuted at No. 2. Those two songs represent the only arrivals in the top four since 2008; before then, the last to make such a grand entrance was Linkin Parkâs âWhat Iâve Doneâ (No. 3, April 2007).
As for Alternative Airplay, No. 5 marks the best beginning since Linkin Parkâs âLostâ (No. 4, February 2023). In the last decade, only three songs have premiered that high, with the two Linkin Park songs joined by Mumford & Sonsâ âBelieveâ (No. 5, March 2015).
More chart activity for âThe Emptiness Machineâ will show once all Sept. 21-dated rankings refresh on Billboard.com Tuesday, Sept. 17. On the Sept. 14-dated Hot Hard Rock Songs chart, the track started at No. 7 from its first few hours of tracking; along with 1.1 million audience impressions, it drew 690,000 official U.S. streams and sold 1,000 downloads in that span.
âThe Emptiness Machineâ is the lead single from From Zero, Linkin Parkâs eighth studio album, due Nov. 15. Itâs the bandâs first full-length since the death of co-frontman Chester Bennington in 2017 and the departure of drummer Rob Bourdon. Singer Emily Armstrong and drummer Colin Brittain take over those duties on the new LP.
After a six-year wait, Snow Patrol is back with The Forest Is the Path, their first studio album since 2018âs Wildness.
Released today (Sept. 13), the 12-track project marks a new chapter for the Northern Irish band, showcasing their signature mix of introspective lyrics and sweeping melodies.
Produced by Fraser T Smith (Adele, Stormzy) and the band, The Forest Is the Path was written by Snow Patrolâs core trio: frontman Gary Lightbody, guitarist Johnny McDaid, and guitarist Nathan Connolly. The albumâs lead single, âThe Beginning,â offers a taste of the bandâs evolution, with its melodic thrum and poignant lyrics: âThere is only you and me in this life / And I donât want to fâ it up now.â
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In a previous statement, Lightbody shared how the album reflects on love and memory, saying, âThe album is rooted in reflection, introspection, and interrogation, with a key building block being the idea of looking at love from the distance of time passed.â
The Forest Is the Path also celebrates Snow Patrolâs 30-year career. âThis album took us on many uncharted routes,â the band wrote on Instagram upon announcing the album.
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âWe honor the past, deeply⌠but while we honor the past, we also want to cherish the present and look to the future.â
The band will support the LP with a tour in 2025, which includes dates in the U.K., Europe, and the U.S.
Snow Patrol has made a lasting impact on the Billboard 200, with two albums landing in the top 10. Fallen Empires (2012) peaked at No. 5, while A Hundred Million Suns (2008) reached No. 9. Their 2006 album Eyes Open spent 66 weeks on the chart, driven by the global smash hit âChasing Cars,â which became the most-played song of the 21st century on British radio, according to licensing body PPL. The track reached No. 6 on the Official U.K. Singles Chart, and No. 5 on the Billboard Hot 100, powered by a sync in Greyâs Anatomy.
Stream Snow Patrolâs The Forest Is the Path below.
Stop me if you know youâve heard this one before. Despite the end-times detente between long-battling brothers Noel and Liam Gallagher of Oasis that recently led to their announcement of a 2025 UK tour, some things in the music feud world never change.
Case in point: the Smiths. The legendary British purveyors of sorrowful rock broke up acrimoniously in 1987, and based on their latest alleged loggerheads it seems certain that they are never, ever getting back together. Not even to re-release their old music, according to lead lamenter Morrissey.
In a post on his official blog on Wednesday (Sept. 11) titled âSmiths Not OK,â the 65-year-old singer claimed that his ex-bandmate and chief nemesis, former Smiths guitarist Johnny Marr, has âblockedâ the release of a planned greatest hits compilation. âThe proposed greatest hits album by The Smiths entitled Smiths Rule OK! has been blocked by J Marr,â he wrote, in a post featuring a classic pic of the four-man Manchester band and what he said was a new cover image of their 1983 debut single, âHand in Glove.â
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Morrissey said that the single and hits comp were slated for release this year worldwide by Warner Records along with a deluxe box set of the bandâs 1984 self-titled debut album, which featured such beloved tales of woeful misery as âReel Around the Fountain,â âMiserable Lie,â âStill Illâ and âWhat Difference Does it Make?â The singer said the 40th anniversary edition of the album was to be packaged with a new 7-inch of the single âThis Charming Manâ as well.
âWarner approached Morrissey and [graphic designer] Darren Evans to assemble artwork for all four releases, all of which were rejected and halted out of hand by J Marr,â Morrissey wrote. At press time it did not appear that band composer Marr â whose iconic jangly, ringing guitar tone was as crucial to the bandâs sound as Morrisseyâs laconic, sad-eyed vocals and lyrics â had responded to the singerâs claims and a spokesperson for Marr had not returned Billboardâs request for comment.
During their brief, but highly impactful tenure, The Smiths released just four full-length studio albums, all of which featured songs that have become alt rock landmarks, including âThat Joke Isnât Funny Anymore,â âMeat Is Murder,â âBigmouth Strikes Again,â âThe Boy With the Thorn in His Side,â âThere Is a Light That Never Goes Out,â âGirlfriend in a Coma,â âLast Night I Dreamt That Somebody Loved Meâ and, of course, âStop Me If You Think Youâve Heard This One Before.â
Morrissey paid loving tribute to late bassist Andy Rourke â with whom he and Marr had also feuded with over the bandâs royalties â in May 2023 after Rourkeâs death at 59 from pancreatic cancer. âSometimes one of the most radical things you can do is to speak clearly. When someone dies, out come the usual blandishments⌠as if their death is there to be used. Iâm not prepared to do this with Andy,â the singer wrote at the time.
Last month, Morrissey posted a note claiming that in June of this year AEG Entertainment made a âlucrative offerâ to both Morrissey and Marr to reunite for a Smithâs world tour in 2025, to which he claimed he said yes while Marr âignored the offer.â In keeping with the sniping acrimony between the former bandmates, the misanthropic singer added that while he âundertakes a largely sold out tour of the USA in November, Marr continues to tour as a special guest to New Order.â
For the record, Marr is slated to kick off a headlining North American tour with opener James on Sept. 17 at the Paramount Theatre in Denver that will run through an Oct. 18 gig at the Palace Theatre in St. Paul, MN.
While the Gallaghers have miraculously managed to set aside their sibling rivalry for a run of shows most fans never thought would happen, the alleged greatest hits snit suggests the animosity between Marr and Morrissey will continue apace after nearly 40 years of public barbs and insults, blocking a much-desired get back from one of the most influential and beloved British indie rock bands of all time.
Green Day is heading down under next year for a multi-date stadium tour.
The Rock Hall-inducted rock trioâs The Saviors Tour will swing into Melbourneâs Marvel Stadium on March 1, followed by Engie Stadium in Sydney on March 3, and wrap March 5 at CBUS Super Stadium, on the Gold Coast.
Billie Joe Armstrong, Mike Dirnt and TrĂŠ Cool will play in full Dookie, which this year marks its 30th anniversary, and American Idiot, celebrating its 20th year. The set list will include cuts from Saviors, their 14th and latest album, and hits from across their career.
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West Coast rockers AFI is the support, marking their first dates in Australia since 2017.
âWeâve never been more excited to unleash new music than with Saviors, a record thatâs meant to be rocked live, together,â reads a statement from Billie Joe Armstrong, Mike Dirnt and TrĂŠ Cool. âAnd we cannot wait to return to Australia, itâs been way too long. So letâs thrash.â
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Live Nation and Triple M are presenting the Australian leg of Green Dayâs world tour.
Green Day is always welcome in Australia. Earlier this year, Saviors arrived at No. 2 on the ARIA Chart, for the rockersâ 12th top 10 album here. Three of those LPs led the national chart: Dookie (in 1994), American Idiot (2004) and Father Of All Motherfâers (2020).
The California band was last booked to play Australia and New Zealand in 2020 for the four-date Hella Mega Tour, also featuring Fall Out Boy and Weezer. That run, however, was cancelled due to the pandemic. The Saviors Tour will be their first visit to these parts since 2017, in support of Revolution Radio.
Green Dayâs Saviors Tour made headlines last week when their performance at Comerica Park in Detroit was paused when a unauthorized drone was reportedly spotted hovering within sight of the stage. The bandmates were pulled from the stage, mid-song, returning 10 minutes later.
Green Dayâs âThe Saviors Tourâ â Australia 2025 With AFI
March 1 â Marvel Stadium, Melbourne
March 3 â Engie Stadium, Sydney
March 5 â Cbus Super Stadium, Gold Coast
Shawn Mendes debuted a new song from his upcoming album Shawn live at the 2024 MTV Video Music Awards on Wednesday (Sept. 11) at the UBS Arena in Elmont, New York. Mendes and his band delivered the new tune on a massive rug lined with candles on a smoky stage, giving the whole performance a […]

Chester Benningtonâs son is currently at odds with some of Linkin Parkâs fanbase, with the 28-year-old recently alleging that people have been âcruel, unusual and aggressiveâ to him following his criticism of the bandâs reunion.
In a slew of videos posted to Instagram Stories on Monday (Sept. 9), Jaime opened up about wanting to attend Linkin Parkâs fast-approaching comeback show in Los Angeles, in spite of his qualms with the groupâs new vocalist Emily Armstrong. However, he claims his late fatherâs former bandmates didnât offer him a ticket â and even if they had, he wouldnât feel safe in the crowd.
âI havenât heard anything back from the band themselves, which is not unexpected,â Jaime says in the clips. âThey didnât come to me with this announcement, they didnât ask me how I felt.â
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âThere are a lot of people who do not like me,â he continued. âThere are a lot of people saying some real awful shâ right now to me. To be honest, I donât think Iâd feel safe going to the show under general admission ⌠I donât know who would take it upon themselves to respond to me in an aggressive manner. The audience themselves could actually be unsafe for me.â
Jaimeâs comments come shortly after he lobbed criticism at Linkin Park for tapping Armstrong as the bandâs new co-vocalist, accusing Mike Shinoda of âquietly erasing my fatherâs life and legacy in real time.â
âYou betrayed the trust loaned to you by decades of fans and supporting human beings including myself,â he added at the time, slamming Armstrongâs past connection to Scientology and support of convicted rapist Danny Masterson. âWe trusted you to be the bigger, better person. To be the change. Because you promised us that was your intention. Now youâre just senile and tone deaf.â
In response to the backlash, the Dead Sara co-founder issued a statement on Sept. 6 distancing herself from the That â70s Show star. âSeveral years ago, I was asked to support someone I considered a friend at a court appearance and went to one early hearing as an observer,â she said. âSoon after, I realized I shouldnât have. I have never spoken with him since. To say it as clearly as possible: I do not condone abuse or violence against women, and I empathize with the victims of these crimes.â
All of the commotion follows the bandâs announcement that Linkin Park would be returning in 2024 after a seven-year hiatus sparked by the death of Chester in 2017. In addition to the lineup changes, the rockers will be releasing a new album, From Zero, on Nov. 15, and embarking on a massive tour starting with six arena shows kicking off Wednesday (Sept. 11) at the Kia Forum.
But much like Linkin Parkâs fanbase, Jaime has conflicted feelings about the bandâs new direction. âI want to go [to the concert],â he said on his Story. âThere are reasons that I might not be allowed into the venue, which I canât talk about right now, but unless Iâm told explicitly, âYou canât go for this reason,â I do want to go.â
âSo many of these Linkin Park fans who will be attending have been cruel, unusual and aggressive,â he added. âYouâre telling me to kill myself, youâre telling me that Iâm awful, youâre telling me that my father doesnât appreciate me ⌠What are you talking about? You didnât give a fâk when he died. If you did, you would understand what the problem is. You would understand why this is all wrong.â