Rock
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Europe will get more of The Boss in 2025.
Announced early Tuesday, Oct. 1, Bruce Springsteen and The E Street Band adds eight new shows to their previously-rescheduled European jaunt – including concerts in England, France, Germany and Spain.
The newly-confirmed dates kick off May 17 with the first of two nights at Co-op Live in Manchester, England.
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All told, Springsteen and Co. will play 12 dates on their 2025 run of the U.K. and Europe, including previously-rescheduled shows in Marseille, Prague and Milan, which were initially called off in May on doctor’s orders, as the rock legend recovered from “vocal issues.”
The announcement of new dates follow the world premiere of the Thom Zimny documentary Road Diary: Bruce Springsteen and the E Street Band, which arrives Oct. 25 on Hulu and Disney+.
After being sidelined for six years because of the global pandemic, and illness, including peptic ulcer issues, the road is calling to Springsteen. The Rock Hall-inducted artist and his band embarks on eight shows in Canada, beginning Oct. 31 in Montreal and running through Nov. 22 in Vancouver. That trek follows the completion of a U.S. tour with a Sept. 15 headlining spot at Sea.Hear.Now. festival in Springsteen’s old Asbury Park stomping grounds in his native New Jersey.
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If his comments during a performance Aug. 23 at Citizens Bank Park in Philadelphia are anything to go by, Springsteen is just getting started. “We’ve been around for 50 f***ing years, and we ain’t quitting!” he declared. “We ain’t doing no farewell tour bullsh*t! Jesus Christ! No farewell tour for the E Street Band!”
He added, “Farewell to what? A thousand people screaming your name? Get the hell out. I ain’t going anywhere!”
In a review of Springsteen’s Pittsburgh show, Billboard noted Springsteen’s “earth-quaking exuberance” and the band’s ability to deliver “magic moments” night after night. The same energy was palpable in Philadelphia, where the band delivered a set that spanned decades of hits.
Bruce Springsteen And The E Street Band 2025 European Tour Dates
May 17 – Manchester, England – Co-op Live – On-sale: Oct. 11 at 10am BST (5 am ET) ticketmaster.co.uk
May 20 – Manchester, England – Co-op Live – On-sale: Oct. 11 at 10am BST (5 am ET) ticketmaster.co.uk
May 24 – Lille, France – Stade Pierre Mauroy – On-sale: Oct. 7 at 10am CEST (4am ET) gdp.fr/en
May 31 – Marseille, France – Orange Velodrome (rescheduled from May 25, 2024) gdp.fr/en
June 4 – Liverpool, England – Anfield Stadium – On-sale: Oct. 11 at 10am BST (5am ET) ticketmaster.co.uk
June 11 – Berlin, Germany – Olympiastadion – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de
June 15 – Prague, Czech Republic – Airport Letnany (rescheduled from May 28, 2024) ticketmaster.cz
June 18 – Frankfurt, Germany – Deutsche Bank Park – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de
June 21 – San Sebastian, Spain – Estadio Reale Arena (Anoeta) – On-sale: Oct. 8 at 10am CEST (4am ET) doctormusic.com entradas.com
June 27 – Gelsenkirchen, Germany – Veltins Arena – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de
June 30 – Milan, Italy – San Siro Stadium (rescheduled from June 1, 2024) ticketmaster.it
July 3 – Milan, Italy – San Siro Stadium (rescheduled from June 3, 2024) ticketmaster.it
After 16 years of waiting for new music from The Cure, the beloved goth rock godheads have going from zero to the end in quick succession. After dropping the broody “Alone” last week, the Robert Smith-fronted band pulled the curtain back a bit more on Monday morning (Sept. 30) with a tantalizing tease of the even more morose “Endsong.”
The 15-second instrumental bit of the track previewed on the band’s Instagram Story was missing Smith’s iconic haunting melancholy vocals, but it leans hard into the English band’s signature turbulent songcraft via layers of chiming guitars, churning drums and an overall foreboding vibe.
Smith talked about the overall feel of their upcoming Songs of a Lost World studio album in a video interview posted on Friday in which the singer said he doesn’t recall there being an “official beginning” to the sessions for their 14th studio album. “Because it’s been kind of drifting in and out of my life for like an awful long time,” said Smith of the long-awaited follow-up to 2008’s 4:13 Dream.
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“I mean, if I have one regret it’s that I said anything at all about it in 2019,” he added of an interview he did five years ago in which he blamed himself for “going back over and redoing them [the songs]” endlessly during a time when he was grieving the losses of his mother, father and brother.
He said he shouldn’t have talked about the album at all back then because the band had just started working on it at that point. “There are various points where I thought, ‘I think we’re gonna make a new album’… and then… for various reasons other things have happened and the idea’s been sort of pushed back.” During the course of the band’s nearly half-century career, Smith said the key to completing a record has been him nailing down both the opening and closing song on a project.
“[If I do that] I think that the album’s halfway done,” he said. “That’s the key for an album.” As proof, after releasing “Alone,” Smith said it was “the track that unlocked the record; as soon as we had that piece of music recorded I knew it was the opening song, and I felt the whole album come into focus.”
“Alone” and “Endsong” will appear on Songs of a Lost World, which is due out on Nov. 1 via Capitol Records. The album, whose full track list has not yet been announced, was produced by Smith and Paul Corkett, who also co-produced 2000’s Bloodflowers. It features contributions from Smith, Simon Gallup (bass), Jason Cooper (drums), Reeves Gabriel (guitar) and Roger O’Donnell (keyboards); the latter longtime member recently announced that he’d been diagnosed with rare and “aggressive” blood cancer a year ago, but added that “I’m fine and the prognosis is amazing”.
Listen to Smith talk about the new album below.
Metallica closed out its visit to Mexico on Sunday (Sept. 29) with a final tribute to the country. Bassist Robert Trujillo and guitarist Kirk Hammett once again surprised the crowd who gathered at the GNP Seguros Stadium (formerly known as Foro Sol) with a performance of another classic from the Mexican popular songbook: “Los Luchadores” by the legendary tropical music group La Sonora Santanera.
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“El Santo, el Cavernario, Blue Demon y el Bulldog,” sang Trujillo, who is of Mexican origin, while Hammett delighted the 65,000 fans gathered at the venue with his challenging riffs, according to figures provided by the promoter OCESA.
With the band’s unique interpretation of La Sonora Santanera’s classic song, the quartet ended a series of performances in Mexico City that marked its return to the country after a seven-year absence. In total, Metallica gathered 260,000 attendees during four sold-out shows, according to OCESA.
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The legendary Californian metal band, also made up of vocalist and guitarist James Hetfield and drummer Lars Ulrich, visited Mexico as part of its M72 World Tour. The group promoted its four dates —Sept. 20, 22, 27 and 29 — with photos of guitar picks with drawings of Mexican pop culture such as the iconic wrestler “El Santo” and a colorful piñata.
Each show included a song in Spanish by a Mexican act, all performed by Trujillo accompanied by Hammett. On Friday (Sept. 27), the band played its own version of the Mexican group El Tri’s classic “A.D.O.” The gesture was reciprocated hours later by the Mexican band’s frontman, veteran rocker Alex Lora, in a video posted on social media.
“Thank you, Metallica, for making my classic A.D.O. yours! Thank you, Trujillo! Thank you, Hammett! And long live rock n’ roll!” Lora said in a video on Instagram, in which he also played the first few verses of his celebrated song.
Previously, during the band’s first night on Sept. 20, Metallica paid tribute to the norteño music group Los Tucanes de Tijuana by playing “La Chona.” Two days later, the rockers paid tribute to rock group Caifanes with their cumbia-themed hit “La Negra Tomasa.”
Metallica’s history with Mexico began three decades ago while promoting its Black Album (1991), when they performed five shows at the Palacio de los Deportes in 1993. Since then, the band has maintained a close relationship with the country, including recording the live DVD Orgullo, Pasión y Gloria (2009), which portrays three spectacular nights in June 2009 at the Foro Sol (now the GNP Seguros Stadium).
Shortly after rolling out the first North American dates for their 2025 reunion tour, Oasis revealed that they will ditch Ticketmaster’s dynamic pricing scheme for the gigs. “Ticketmaster’s dynamic pricing model will not be applied to the forthcoming sale of tickets to Oasis concerts in North America,” the group announced on X in an official statement from their management on Monday morning (Sept. 30).
“It is widely accepted that dynamic pricing remains a useful tool to combat ticket touting and keep prices for a significant proportion of fans lower than the market rate and thus more affordable,” the statement continued. “But, when unprecedented ticket demand (where the entire tour could be sold many times over at the moment tickets go on sale) is combined with technology that cannot cope with that demand, it becomes less effective and can lead to an unacceptable experience for fans.”
The statement concluded, “We have made this decision for the North American tour to hopefully avoid a repeat of the issues fans in the UK and Ireland experienced recently.” At press time a spokesperson for Ticketmaster had not returned Billboard‘s request for comment.
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The move comes in response to the bumpy rollout of the initial slate of dates for the first Oasis tour in 16 years. Back in August, the crushing demand for the summer 2025 UK/Ireland reunion shows by battling brothers Liam and Noel Gallagher sparked some fury among fans who spent hours on queue in a desperate bid to snag one of the one million tickets.
The anger was such that the British government promised to open a probe into the use of dynamic pricing for concert tickets after fans who waited on digital line for hours discovered that the cost of a standing ticket had nearly doubled due to high demand. At the time, a Ticketmaster spokesperson said that all ticket prices are set by the tour’s promoters.
Dynamic ticket pricing has become a staple in the U.S. live music industry in recent years, but Oasis’ comeback tour – jointly promoted by Live Nation, SJM Concerts, MCD and DF Concerts – marked its most high-profile and possibly biggest roll out for live concerts in the U.K. and Ireland. The U.K. competition regulator launched an investigation into TM over the Oasis ticket roll-out a week after the initial on-sale prompted hundreds of complains from fans.
At the time, Oasis said they had “no awareness that dynamic pricing was going to be used” for the UK ticketing roll-out, adding that “it needs to be made clear that Oasis leave decisions on ticketing and pricing entirely to their promoters and management.”
The North American run of stadium dates for the 2025 reunion tour were rolled out on Monday morning, consisting of visits to five North American stadiums beginning with an August 24 show at Rogers Stadium in Toronto, followed by an August 28 gig at Soldier Field in Chicago and an August 31 stop at MetLife Stadium in East Rutherford, N.J.
For now, the North American portion will wind down with a Sept. 6 show at the Rose Bowl Stadium in Los Angeles and a Sept. 12 stop at Estadio GNP Seguros in Mexico City. Cage the Elephant — led by brothers singer Matt Shultz and guitarist Brad Shultz — will open all the new dates.
Oasis warned fans to be “careful what you wish for” over the weekend, hinting that the long-awaited announcement of additional international dates for their reunion tour were on the horizon. Well, that tease became a reality on Monday morning (Sept. 30) when brothers Liam and Noel Gallagher revealed the first dates for the North American leg of their 2025 world tour.
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The run of shows will have the famously battling sibling playing a series of stadium shows in five North American cities beginning with an August 24 show at Rogers Stadium in Toronto, followed by an August 28 gig at Soldier Field in Chicago and an August 31 show at MetLife Stadium in East Rutherford, N.J.
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The run of concerts is currently slated to wind down with a Sept. 6 show at the Rose Bowl Stadium in Los Angeles and a Sept. 12 stop at Estadio GNP Seguros in Mexico City. A press release noted that the gigs will be Oasis first in North America in 16 years, with the band saying, “America. Oasis is coming. You have one last chance to prove that you loved us all along.” Cage the Elephant — led by singer Matt Shultz and his brother, guitarist Brad Shultz — will open all the new dates.
Oasis shocked the world in August when they revealed that they would put their differences aside and reunite for one of the most anticipated rock get-backs of all time. The first round of 2025 shows across the U.K. instantly sold out for the tour that is slated to kick off with two shows at Principality Stadium in Cardiff on July 4-5, followed by a five-night stand at Heaton Park in their native Manchester (July 11, 12, 16, 19, 20) and another five-night run at Wembley Stadium in London (July 25, 26, 30, August 2, 3).
The swing will then hit Dublin, Ireland for two shows at Croke Park (August 16, 17) before hopping the Atlantic for the North American shows and returning to Wembley for two more sold-out gigs on Sept. 27, 28.
The last time Oasis played the U.S. in 2008 on the Dig Out Your Soul tour they performed in 10,000-20,000 capacity arenas. The stadiums on their upcoming North American swing will accommodate between 45,000-80,000+ fans. According to the release announcing the new shows, plans are still underway for Oasis Live ’25 to hit “other continents outside of Europe and North America later next year.
Registration for a presale for the North American dates is open here through Tuesday (Oct. 1) at 8 a.m. ET, with a general onsale slated to begin on Friday (Oct. 4) at 12 p.m. ET local time here.
Stevie Nicks‘ “The Lighthouse” tops this week’s new music poll.
Music fans voted in a poll published Friday (Sept. 27) on Billboard, choosing the rock icon’s fresh song as their favorite new music release of the past week.
The poll presented stiff competition, but Nicks’ new song brought in almost 72% of the vote. Voters this week chose “The Lighthouse” over hot new music releases from talent including Lady Gaga, The Weeknd and Playboi Carti, Rosalía featuring Ralphie Choo, and more.
“The Lighthouse,” Nicks stated upon releasing the track on Sept. 27, “may be the most important thing I ever do.”
“I have my scars, you have yours/ Don’t let them take your power,” she sings with skilled restraint, with verses leading up to a dynamic chorus that urges listeners to “see the future and get mad.”
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“I wrote this song a few months after Roe v. Wade was overturned,” wrote Nicks in a post on Instagram. “It seemed like overnight, people were saying ‘what can we, as a collective force, do about this…’ For me, it was to write a song.”
She continued, “It took a while because I was on the road. Then early one morning I was watching the news on TV and a certain newscaster said something that felt like she was talking to me~ explaining what the loss of Roe v. Wade would come to mean. I wrote the song the next morning and recorded it that night. That was September 6, 2022. I have been working on it ever since. I have often said to myself, ‘This may be the most important thing I ever do. To stand up for the women of the United States and their daughters and granddaughters ~ and the men that love them.”
“This is an anthem,” Nicks said.
Among the new music trailing behind “The Lighthouse” on this week’s poll is Lady Gaga’s Harlequin project, nearing 18% of the vote, and The Weeknd and Playboi Carti’s new collab “Timeless,” with 3% of the vote.
See the final results of this week’s poll below.
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Congratulations are in order for Frances Bean Cobain and her husband, Riley Hawk, who have welcomed their first child together.
The daughter of late Nirvana frontman Kurt Cobain revealed through Instagram on Saturday (Sept. 28) that she and the son of skateboarding legend Tony Hawk are now proud parents to a baby boy.
“Ronin Walker Cobain Hawk,” Frances, 32, captioned adorable black-and-white photos of the newborn, revealing he was born on Sept. 17. “Welcome to the world most beautiful son. We love you more than anything.”
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In the first photo, the tiny baby is seen holding his mother’s hand, while another shows proud dad Riley, 31, cradling his son in a soft blanket.
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The couple’s friends and family flooded the comments section of France’s post, sharing messages of well-wishes and congratulations. New grandfather Tony Hawk joked, “My favorite grandson!” and Harper Grohl, the daughter of the Kurt’s former bandmate Dave Grohl, replied with heart and teary-eyed emojis.
The comments section also included touching notes from famous musicians, including R.E.M.’s Michael Stipe, Sonic Youth’s Kim Gordon and Dresden Dolls’ Amanda Palmer, among others.
“With all the love and energy in the whole world,” commented Stipe, who is France’s godfather. Gordon added, “Huge congratulations!” And Palmer wrote, Oh my god!!! MAZEL TOV to all of you and everyone over there. I am so incredible happy to see this universe-stitching news. All the love to you.”
Frances and Riley’s romance was first revealed through social media in 2022, and the couple married about a year later in an intimate ceremony officiated by R.E.M.’s Stipe.
See France Bean Cobain’s baby announcement on Instagram here.
Oasis is gearing up for another big announcement.
On Saturday (Sept. 28), the recently reunited Britpop shared images on social media of large advertisements on buildings featuring a black-and-white photo of brothers Noel and Liam Gallagher and a teaser scheduled for early Monday (Sept. 30) morning about Oasis’ Live ’25 international tour.
“Be careful what you wish for,” the billboard campaign reads, along with the words “Monday, 8AM ET” and the U.K. group’s oasisinet.com website.
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It was unclear at press time which cities the billboards were located in, but eagle-eyed fans in the post’s comments section on X (formerly Twitter) speculated that two of the buildings were in Toronto and Chicago.
Earlier in the month, Oasis images on billboards popped up stateside that appeared to tease U.S. dates. The electronic messages spotted in New York’s Times Square — which appeared to be sponsored by Amazon Music — featured the company’s logo followed by a photo of the Gallaghers, along with the message: “If we need to put up a billboard to get these guys to come to the States, here it is.”
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Both teasers follows Oasis’ reunion tour announcement in late August. The long-feuding Gallagher brothers will hit the road in 2025 for multiple dates across the British Isles, including Cardiff, Manchester, London, Edinburgh, and Dublin, for what will be their “only shows in Europe next year.”
Liam and Noel have also promised an extended international run in the near future. “Plans are underway for OASIS LIVE ’25 to go to other continents outside of Europe later next year,” a statement read.
Oasis split in 2009 after years of massive chart success and tabloid headlines in the U.K. tied to the Gallagher siblings’ fierce rivalry, with main songwriter older brother Noel quitting the band after a backstage fight with Liam at a show near Paris that year. The brothers haven’t performed live since then, though they often play Oasis songs during their solo gigs and with their side bands and, until the reunion announcement, continued to snipe at each other online and in the press.
In early September, Liam teased the possibility of new music from Oasis. After receiving a question from a fan on X about about a forthcoming album, the singer-songwriter replied, “Yep it’s already finished.” When another fan inquired if a new music project was “in the air,” Liam wrote, “It’s in the bag mate f— the air.” And one word to describe the supposed album? “TURDOS,” he added.
Oasis’ seventh and final album, Dig Out Your Soul, peaked at No 5 on the Billboard 200 chart in October 2008.
See Oasis’ Live ’25 announcement teaser on Instagram below.
Louder Than Life organizers in Louisville, Ky., were forced to cancel the rock festival‘s second day due to severe weather conditions caused by Hurricane Helene.
The four-day event at Louisville’s Highland Festival Grounds was called off Friday (Sept. 27) as 50-mile-per-hour winds blew into the region, along with heavy rains brought on by the remnants of Hurricane Helene.
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“Louder Family, we’re heartbroken to share this, but the weather just isn’t in our favor today. We’ve been working closely with our meteorologists and local authorities, holding on to the hope that we can open doors, but the continuous wind gusts simply make it impossible for us to proceed safely,” Louder Than Life organizers wrote on Instagram. “We know how disappointing this is — it’s gut-wrenching for us too. But your safety, along with the safety of our artists and crew, will always be our number one priority.”
Louder Than Life’s Friday lineup included performances by Slayer, Till Lindemann, Anthrax, Evanescence and In This Moment. Organizers noted that single-day ticket-holders would be allowed to attend the festival on Saturday or Sunday, but they must be wearing their original Friday wristband for admittance.
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Saturday’s lineup includes performances by Mötley Crüe, Falling in Reverse, Disturbed, Chevelle, Dropkick Murphys and Mastodon. And Sunday will being sets by Korn, Judas Priest, Breaking Benjamin and Staind.
Louder Than Life launched on Thursday (Sept. 26) with performances by Slipknot, Five Finger Death Punch, The Offspring and Halestorm. On Friday, however, organizers warned on social media, “Rest assured, we’re keeping a close eye on the situation and will provide updates as soon as we can. Parking, doors, and set times will be adjusted, and we are committed to rockin’ with you as soon as it’s safe.”
On Thursday, a festival spokesperson told told the Courier-Journal that the event is “built to handle rain, but lightning and wind are what would cause us to need to pause the event. We’ll always make the right decision to ensure our fans’ safety.”
See Louder Than Life’s statement on Instagram below.
Metallica continued its tribute to Mexican bands during their trek in Mexico on Friday (Sept. 28). On their third of four shows in the capital city, the metal legends honored legendary rock band El Tri by performing a unique cover of their famous song “A.D.O.,” once again with bassist Robert Trujillo doing the vocals.
Just as last week, Trujillo and guitarist Kirk Hammett surprised the 65,000 spectators gathered at the GNP Seguros Stadium, according to figures from promoter Ocesa, with their own version of a classic from the Mexican popular songbook. On the first night (Sept. 20), Metallica paid tribute to the norteño music group Los Tucanes de Tijuana by playing the song “La Chona.” Two days later (Sept. 22), they honored the rock band Caifanes with their cumbia hit “La Negra Tomasa.”
“A.D.O.,” by the band led by veteran rocker Alex Lora, refers to the Autobuses de Oriente (ADO) central bus station, one of the largest in the country.
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“Mom, turn on the recorder because #Metallica is singing A.D.O. Long live rock and roll!” tweeted user @Orlas33 on X, paraphrasing Lora, along with a video of the moment.
On Sept. 21, during a private talk by photographer Ross Halfin with a group of Metallica fans attended by Trujillo and Hammett, the bass player of Mexican descent hinted at the possibility of including a song from El Tri as part of the covers they would perform during their shows in Mexico City.
With 55 years of history, El Tri is one of the pioneering bands in the Mexican and Latin American rock scene. It has sold more than 30 million records over the years, and has received four Grammy nominations for best latin rock album. In 2022, Lora received a Latin Recording Academy Lifetime Achievement Award.
Metallica’s history with Mexico began three decades ago with the tour of their 1991 self-titled album (often referred to as The Black Album), which included five dates at the Palacio de los Deportes in 1993. Since then, the band has maintained a very close relationship with the country, where they recorded their live DVD Orgullo, Pasión y Gloria (2009), which portrays three spectacular nights at the Foro Sol (today GNP Seguros Stadium) in June 2009.
Their fourth and final show in Mexico City as part of their M72 World Tour, which brought them back to the Latin American country after seven years of absence, is Sunday (Sept. 29).