Rock
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Jackie Farry, a music industry veteran who served as tour manager for Elliot Smith and the Lemonheads in the 1990s and who was Frances Bean Cobain’s first nanny, died on Sunday (Jan. 12) of complications from lung disease. Farry’s death was confirmed to The Hollywood Reporter by longtime friend manager/producer Janet Billig Rich.
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Farry’s career began in the 1980s when she served as a receptionist at Homestead Records, a beloved New York indie label whose roster included such beloved acts as Antietam, Babe the Blue Ox, The Meatmen, Tsunami, Volcano Suns and others. She moved on to gigs at Atlantic Records (1988-1989), Epic Records (1991-1992), where she worked in radio promotion, often with hard rock and metal bands.
She pivoted to working with Nirvana during the band’s heyday, serving as nanny to singer Kurt Cobain and wife Courtney Love’s daughter, Frances Bean, until Cobain’s death in 1994. After working with a number of metal bands early in her career, she also hosted the short-lived MTV series Superock, which launched in 1995 as a replacement for the former video music channel’s beloved Headbangers Ball series.
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Later in the decade, Farry was a tour manager for a number of indie rock acts, including Stereolab, the Lemonheads, Jon Spencer Blues Explosion, Quasi and others.
According to THR, Farry was born Jacquelyn Beth Farry in New York and raised in the controversial Synanon community, which was initially established as drug rehab program before growing into a cult in which leaders allegedly controlled members using confrontational “attack therapy.”
“Jackie carried with her an incredible trove of memories and songs from those formative years,” Billig told THR. “Jackie’s love for music was matched only by her sharp wit, humor, and magnetic personality. She was a beacon for friends and strangers alike, drawing people in with her infectious energy. Jackie Farry’s legacy is one of love, laughter and an indomitable spirit. She will be deeply missed — her unforgettable stories, her humor and her impact on those who knew her will live on forever.”
Farry was diagnosed with cancer in 2003, with her many friends standing by her and organizing a series of “f–k cancer” benefit shows featuring bands including the Breeders, TV on the Radio and Guided By Voices. In honor of her longtime support of pit bull rescue, donations in Farry’s honor can be made to her charity of choice, LovePaws.
As the devastating California wildfires continue to rage across the Los Angeles area, Primus singer/bassist Les Claypool took to Instagram over the weekend to reveal that the band’s guitarist, Ler LaLonde, had lost his home.
“All that is left of our good friend Larry ‘Ler’ LaLonde’s home,” Claypool wrote of the band’s longtime guitarist alongside a photo of a house reduced to ash, with just the remnants of a brick fireplace still standing. “When Mother Nature gets up on her hind legs, it can be brutal,” Claypool added. “My heart hurts for him and his family.”
The post included supportive responses from a number of fellow musicians, including former Police drummer Stewart Copeland, who wrote, “Dang. Ler did not deserve this,” with singer Carina Round adding, “Oh my. So much love to them.”
LaLonde’s wife, Shane Stirling LaLonde, posted a series of pictures and videos of the fires that ravaged the family’s home in the Pacific Palisades neighborhood, which has been almost completely destroyed by the Palisades fire, which is still raging. “Our home is gone, and so are the homes of every one of our friends and neighbors. I am still in shock, not quite sure what just happened. The first photo is the video confirmation we received that our home was lost. Ours is the second property with the tree still with oranges in the front yard but nothing else,” she wrote alongside a video of the destruction.
“We lost everything. It doesn’t sink in easily that you have nothing…. It’s still sinking in minute by minute. I know we are safe and yes I am grateful, but I can’t even begin to be close to grace yet as I can’t even comprehend this yet,” she added. “Not just the things, but our town, our community. We all no longer have a home, a neighborhood, a school,a community. I am gutted to the core.”
LaLonde is among the thousands of Angelenos who’ve lost everything during weeklong spate of out-of-control fires that have been fueled by strong Santa Ana winds, burning more than 38,000 acres so far (roughly 60 square miles) and destroying more than 12,000 homes and buildings. In addition, 24 people are confirmed dead and nearly 200,00 have been displaced to date, according to CNN.
A number of musicians and entertainment industry folks have spoken about the loss of their homes — including Mandy Moore, Paris Hilton, Beyoncé’s mother, Tina Knowles, Jhené Aiko, Paris Hilton, songwriter Diane Warren, Iron Maiden guitarist Adrian Smith, The Hills stars Spencer Pratt and Heidi Montag and many more — while others are stepping up to offer help.
On Monday (Jan. 13), Beyonce’s BeyGOOD foundation announced a $2.5 million donation to the L.A. Fire Relief Fund to assist families in need, while Regional Mexican stars Fuerza Regida are renting out hotel rooms for displaced families. Hilton — whose Malibu home burned down live on TV — launched an emergency fund through her 11:11 Media Impact nonprofit to support families who’ve lost homes.
In addition, MusiCares and the Recording Academy launched the Los Angeles Fire Relief Effort to support music professionals impacted by the crisis, with a combined pledge of $1 million to launch the effort. Anyone who has worked in the music industry for more than five years may qualify for immediate assistance, including up to $1,500 in financial aid and $500 in food vouchers.
For health alerts, evacuation updates and additional shelter information as the wildfire battle continues, go to L.A. County’s emergency website here. A number of organizations, listed here, are also offering help to those impacted by the wildfires, which began last Tuesday. Musicians and music industry professionals who are affected can get more details about assistance here.
01/13/2025
There’s plenty of prospects to get excited about this year.
01/13/2025
Bruce Springsteen is honoring Sam Moore following the soul icon’s passing at 89 on Friday (Jan. 10).
Taking to social media on Saturday, Springsteen shared a heartfelt message: “Over on E Street, we are heartbroken to hear of the death of Sam Moore, one of America’s greatest soul voices,” the Boss wrote on Instagram. “There simply isn’t another sound like Sam’s soulful tenor in American music.”
The two friends shared both the stage and studio over the years. Moore contributed backing vocals to several tracks on Springsteen’s 1992 album, Human Touch, while Springsteen reciprocated on Moore’s 2006 song “Better to Have and Not Need.”
One of Springsteen and Moore’s most memorable live performances took place at the Rock and Roll Hall of Fame’s 25th anniversary concert in New York in October 2009, where they joined the E Street Band to perform “Soul Man” and “Hold On, I’m Comin’.”
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“Having had the honor to work with Sam on several occasions, he was a sweet and funny man,” Springsteen continued in his post. “He was filled with stores of the halcyon days of soul music, and to the end had the edge of deep authenticity in his voice I could only wonder at.”
Moore, half of the seminal duo Sam & Dave, passed away in Coral Gables, Fla. The cause of death was complications from surgery.
In addition to Springsteen, Moore was revered by artists like Phil Collins, Garth Brooks and Jon Bon Jovi. His instantly recognizable tenor first gained attention on iconic call-and-response classics such as Sam & Dave’s 1960s hits “Hold On, I’m Coming” and the Grammy-winning “Soul Man,” both of which topped Billboard’s Hot R&B Singles chart. Moore also made his mark with other timeless tracks like “I Thank You” and “When Something Is Wrong with My Baby.”
Following Moore’s death on Friday, Springsteen’s E Street bandmate Steven Van Zandt also paid tribute on social media.
“RIP Sam Moore. One of the last of the great Soul Men, he wrote on X. “Him and Dave Prater were the inspiration for me and Johnny to start Southside Johnny and the Asbury Jukes. An important righteous wonderful man.
See Springsteen’s tribute to Moore on Instagram below.
Smashing Pumpkins leader Billy Corgan said he is among the nearly 200,000 people in Los Angeles who’ve been forced to evacuate due to the historic wildfires burning around the city. The singer/guitarist posted a video on Thursday night (Jan. 9) of airtankers flying over the hills dropping water on a giant plume of white smoke in the distance.
“Footage I shot the other night of a fire near where we’d been temporarily staying,” wrote Corgan. “High praise for how the LAFD put this out; as the fire had spread from what you see here to the right and down the ridge. Please pray for everyone who has been hurt or displaced or lost homes and properties in this unprecedented situation.”
In an earlier selfie video, Corgan shifted the camera over his shoulder and noted that the white puffs behind him were not clouds, but smoke from the fires that have killed 10 people to date while destroying more than 10,000 homes and businesses and causing an estimated $57 billion in damage.
“I wanted to kind of give everyone a little message today, I’m feeling better. Thank you for all your well wishes,” Corgan said. “I’m out here in LA right now, and it’s kind of the apocalypse. I think about 1,000 structures built burned last night. People I know I’ve had to evacuate and it’s a pretty intense situation.”
Corgan noted that he and his family were safe where they were staying, seemingly out of the “zone of concern” in the midst of a number of raging fires (Hollywood Hills, Pasadena, Altadena, Sylmar, Calabasas) that are barely contained and which have been whipped up by near-hurricane strength Santa Ana winds in the city that has seen a fraction of an inch of rain over the past six months.
“We lost power last night and that was pretty intense because obviously, with the power out, it’s hard to get information and you know, you’re kind of almost fearful of going to bed, lest you miss an alert or something,” the Chicago-bred Corgan continued. “With this dry brush, the fires can move very quickly. So lots of love, of course, to all our friends and family that have been affected. The air quality where I’m at is not too bad. It hasn’t helped the recovering cough, but this at very minor against all this incredible and fearful devastation. So just wanted to give everyone an update, as I get tired of texting or writing things out, just seemed easier to put this in a video. So lots of love. Check in with you later.”
In the accompanying caption, Corgan also noted that he and his family had to evacuate the night before amid a situation he said was “at times chaotic,” revealing that one fire came within 250 yards of where they were staying. He also sent his thanks and love to the first responders who are tirelessly working to save homes and citizens in what has been described by many as an apocalyptic situation.
“Praying for everyone today as hopefully this can come under control for the entire area, which is vast in scope and so full of nature. The loss overall is awful and unspeakable and that is what I wish to highlight; as the fires touch every strata of society,” Corgan wrote.
The fast-spreading fires obliterated the Pacific Palisades neighborhood, with a growing list of celebrities sharing that their homes have been completely destroyed, including Mandy Moore, Paris Hilton, Tina Knowles, Diane Warren, Eugene Levy, Spencer Pratt and Heidi Montag, Jhené Aiko, Milo Ventimiglia, Adam Brody and Leighton Meester, Billy Crystal, Brad Paisley and Anna Faris joining tens of thousands of others who’ve been displaced or lost their homes.
The Recording Academy and MusiCares have launched the Los Angeles Fire Relief Effort to support music professionals impacted by the crisis, making a combined pledge of $1 million to launch the effort.
See Corgan’s posts below.
Cast recordings are a crucial part of supporting a musical’s life, during its initial run on or off-Broadway, as well as far beyond that. While a show is running, a recording available on streaming platforms can reach a wide ticket-buying audience and thus potentially help increase its performing lifespan; the recording is also often the way that regional theaters first discover shows they might produce — which proves especially important to shows that have shorter lives on Broadway.
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But while shows have ample platforms for releasing their original cast recordings — from boutique labels specializing in theater to major labels getting in on the next big hit — a trio of journeyman theater musicians noticed a gaping hole in the market for a new kind of label: one that would support a show from its earliest writing stages all the way through is fully realized production.
That new label — aimed at amplifying new voices in musical theater as well as individual solo performers — is Joy Machine Records, co-founded and run by Ian Kagey, Sonny Paladino, Brian Usifer and Will Van Dyke.
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The quartet have musical theater bonafides in spades. Kagey is a Grammy-winning engineer and mixer who has engineered numerous Broadway cast recordings in addition to working in TV, film, and with artists including Bruce Springsteen and Paul McCartney; Paladino is a seasoned arranger and producer who most recently was music supervisor, arranger, orchestrator and conductor for Neil Diamond bio-musical A Beautiful Noise; Usifer is an orchestrator, arranger, music director, pianist, producer and composer who recently worked on the acclaimed (but short-lived) Swept Away and Huey Lewis’ The Heart of Rock and Roll musical; and Van Dyke is a Grammy-nominated producer, songwriter, music supervisor, orchestrator and arranger who was music director of Swept Away and is music supervisor/orchestrator/arranger for the long-running off-Broadway hit Little Shop of Horrors.
“Our approach comes from our experience being on many sides of the table in that process, and understanding what it takes to see a show from inception through opening night and beyond,” says Usifer. “We approach every project with not only a high bar musically but an emphasis on kindness and transparency throughout the process.”
Joy Machine, which will be distributed by The Orchard, is launched as a full-service record label which will offer what it calls “three tiers of support for musical development.” As Van Dyke explains, “from the first piano/vocal demos through fully produced tracks,” Joy Machine’s team will “help producers think about budgeting for these recordings from the jump. That kind of awareness will also help teams build a cast recording into their budget to be able to fully preserve their final product.”
The label’s current and upcoming client roster includes The Avett Brothers’ original Broadway cast recording of Swept Away; Huey Lewis’ OBCR of The Heart of Rock and Roll; and solo projects with Joy Woods (currently starring as Louise in Gypsy on Broadway), composer Joe Iconis (Be More Chill), Corey Cott (a star of The Heart of Rock and Roll) and more.
Thus far, the team has recorded at Kagey’s own Renaissance Recording in New York for demos and smaller concept albums, and at the storied Power Station studios for original Broadway cast albums. (“They really know how to make a cast album and make it a seamless and un-chaotic experience,” says Usifer of the latter). Joy Machine is currently working on a concept album for the new musical Joy, meant to give audiences an insight into the show’s music before it ventures to Broadway.
01/10/2025
From international superstars to that Oasis reunion, it’s set to be a busy year for music lovers.
01/10/2025
There are a raft of unknowns about the upcoming Oasis reunion tour. We know that the battling Gallagher brothers have buried the hatchet and will be hitting the road around the world starting on July 4 for their first shows since 2009. But at this point we still have no idea who else will be joining singer Liam Gallagher and guitarist/songwriter and occasional vocalist Noel Gallagher, whether there will be new music from the siblings or what songs the duo will play when they hit the stage for one of the most anticipated get-backs of the decade.
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Well, now we (sort of) have a sense of which of their most iconic tracks might make the cut. Eschewing his typically snarky reaction to unsolicited speculation about the tour from fans, on Tuesday Liam gave a dream setlist posted on X a half thumbs-up.
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“It’s not far off,” Gallagher said of the question asking “is this setlist official?” The unsolicited rundown was filled with the roster of hits and fan favorites you’d expect, including such live staples as: “Acquiesce,” “Some Might Say,” “Lyla,” “Shakermaker,” “The Hindu Times,” “Cast No Shadow,” “Slide Away,” “Supersonic,” “Morning Glory,” “Rock ‘n’ Roll Star,” “Cigarettes & Alcohol,” “Don’t Look Back in Anger,” “Live Forever” and “Champagne Supernova.”
Of course, there were some biggies missing from the rundown, including one of the band’s most beloved tracks, “Wonderwall,” as well as “D’You Know What I Mean,” “Roll With It” and “Go Let It Out.” In a follow, the same fan asked, “Liam Which solo song of yours would you include in the oasis live setlist if you could?”
Hopping right back into character, Liam gave a terse, one-word response: “None.”
In December, equally stoic older brother Noel tapped the brakes on suggestions that the tour might devolve into the type of haymaker-throwing, petulant chaos of the past, which at one point found a purportedly sick Liam sitting in the audience and heckling his brother after declining to participate in the band’s MTV Unplugged recording in London in 1996.
“No, it won’t be as raucous as back in the day, because we’re on the wrong side of 50 now, so we’re too old,” Noel said. “We’re too old to give a s–t now, so there won’t be any fallouts, there won’t be any fighting. It’s a lap of honour for the band.”
To date, Oasis have announced 41 dates on their reunion Live ’25 outing, which will launch with a run of stadium dates in the U.K., followed by a North American run in August and September and dates in Asia in October, before moving on to Australia and South America; the tour is currently slated to wrap-up with a Nov. 23 date at Estadio MorumBIS in São Paulo, Brazil.
See the dream setlist below.
Many bands that rose to prominence in the ‘80s have turned into oldies bands, tied to a moment in history and profiting from fans’ love for nostalgia. Roland Orzabal and Curt Smith of Tears for Fears haven’t fallen into the stagnant rut that has captured so many of their contemporaries. More than four decades after forming in Bath, England, in 1981, Tears for Fears is producing some of its best material.
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Orzabal and Smith began their creative resurgence in 2022 with their first studio album in nearly 18 years, The Tipping Point, which reached No. 1 on Billboard‘s Top Album Sales and Top Alternative Albums charts. In October, the band continued its hot streak by releasing four new songs as part of a live album, Songs for a Nervous Planet.
“It’s because we care,” Smith tells Billboard‘s Behind the Setlist podcast when explaining the caliber of the band’s recent songwriting and recordings. “We don’t want to do bad work. We still have a desire to get better. I don’t think that’s ever going to leave us. We look at other artists and still wish we were that good. That will never leave us, because we’re never going to become that good, I don’t think. There’s always going to be someone that’s better than us, without question. So when you still have that desire, you’re going to continue to do good work because you are continuing to try and achieve something better than you’ve done before. And that’s what keeps us going.”
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Songs for a Nervous Planet is the audio complement to a live concert film, Tears for Fears Live (A Tipping Point Film), that was given a brief release in theaters in October before being made available online. Recorded at the FirstBank Amphitheater — a former quarry that provides a spectacular backdrop — in Franklin, Tenn., the film captures the band performing at the top of its game. “Everyone that had come to see the show said it was amazing,” says Smith. “We get a limited view of it because we’re looking the other way. So we agreed to record it. And the reason being that we felt the band was the strongest they’d ever been — or we had ever been, should I say. And we were playing great. We sounded great. We were singing better than we ever had, playing better than we ever had. So it seemed like a good time to do it.”
The four new songs make Songs From a Nervous Planet, as Smith puts it, more like an EP with 18 live bonus tracks rather than a live album with a few new songs. “The record company wanted us to do a couple new tracks,” says Smith. “We felt that was kind of a way of saying, ‘Add some throwaway tracks.’”
Instead, they went into the studio and emerged with “four tracks that we felt really strongly about,” says Smith. The Songs for a Nervous Planet opener, “Say Goodbye to Mum and Dad,” perfectly captures the political and environmental tension of the day (“It’s no life, this island of fear/ When tomorrow comes, we’ll brave the wild frontier”). “The Girl That I Call Home” is a love song for Orzabal’s wife with a catchy melody (“Princes adore you/ They cower before you/ You’re the girl that I call home”). The stirring “Emily Said” is classic Tears for Fears: a complex song structure that doesn’t distract or become superfluous.
To Orzabal, the new songs “hold up brilliantly” to the band’s deep catalog of beloved songs that includes “Mad World” from the 1983 debut The Hurting and “Shout” from the U.S. chart-topping 1985 album Songs From the Big Chair. He’s particularly proud of “Astronaut,” a song that mixes disillusionment with a space travel theme (“I don’t belong here/ I got one eye on a different world”), which didn’t make the cut for The Tipping Point. “It didn’t quite fit, for whatever reason just didn’t feel right,” says Smith. “A lot of these things are not easy to articulate, because it’s just a feeling you have of what works, what doesn’t work.”
But “Astronaut” was “perfect” for Songs for a Nervous Planet, says Orzabal. “The whole imagery of the astronaut and the field of sunflowers [seen on the album cover], the continuity in the videos with the astronaut and his girlfriend, always featuring them, is superb.” In a couple decades, he adds, “Astronaut” will be “a huge hit for someone — not us, but for someone.”
Listen to the interview with Roland Orzabal and Curt Smith in the embedded Spotify player below, or listen at Spotify, Apple Podcasts, Amazon Music, iHeart, PodBean or Everand.
This summer’s Bonnaroo Festival will feature headline sets from Luke Combs, Tyler, the Creator, Olivia Rodrigo and Hozier. The June 12-15 mega fest on the ‘Roo Farm in Manchester, TN will also feature sets from John Summit, Dom Dolla, Avril Lavigne, Glass Animals, Vampire Weekend, Justice, Queens of the Stone Age and an “Insanely Fire 1970’s Pool Party” SuperJam curated by Remi Wolf.
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This year’s edition will also introduce the first-ever ‘Roo Residency, which will find prolific Australian rockers King Gizzard and the Lizard Wizard playing three sets over three days. Also performing on the fest’s 10 stages over four days: Marcus King, Insane Clown Posse, Goose, The Red Clay Strays, Rainbow Kitten Surprise, Megadeth, Wallows, Foster the People, Nelly, GloRilla, Mt. Joy, RL Grime, Beabadoobee, Tyla, MJ Lenderman, Modest Mouse, Raye, Royel Otis, Dispatch, Aly & AJ, Action Bronson, Role Model, Natasha Bedingfield and BossMan Dlow, among many others.
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Tickets for the festival will go on sale on Thursday (Jan. 9) beginning at 10 a.m. CT exclusively here, with guaranteed lowest-priced tickets available during the first hour of sales (10-11 a.m. CT). In addition, fans looking for a heightened experience can opt for GA+ tickets, with unlimited access to the Centeroo GA+ lounge, as well as VIP and Platinum options featuring close-in and on-field viewing areas and other perks; click here for more information on VIP and Platinum tickets.
Among the new elements added this year is the “Infinity Stage,” described as a “one-of-a-kind” venue created in partnership with Polygon Live that will feature “spatial sound, synchronized lights and an unprecedented three-dome, open-air design to create the world’s largest, most immersive 360-degree live music experience.”
Check out the full Bonnaroo 2025 lineup below.