Rock
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It’s been nearly 30 years since Mariah Carey recorded a grunge album with her band, but it’s still not too late for the world to hear the icon embrace her inner rock star.
On the episode of Bowen Yang and Matt Rogers’ Las Culturistas podcast that dropped Wednesday (Oct. 16), the vocalist confirmed that she hasn’t forgotten about Someone’s Ugly Daughter, the alt-rock LP she worked on with her band in 1995 while simultaneously recording her album Daydream. “I’m so mad I haven’t done that yet,” she told the hosts of wanting to release the shelved project.
Even so, Mimi says there are some logistics she hasn’t yet thought about. “Who do I drop it with?” she said, to which Rogers suggested she release it independently through Garage Band.
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“I could do that,” Carey continued. “It’s a good album. OK, you will hear it. I was getting life from that, seriously. It was jokes, as well. They’re everlasting.”
As told by the “Obsessed” singer in her 2020 memoir The Meaning of Mariah Carey, the singer and her band wrote and recorded Someone’s Ugly Daughter to blow off steam while working on Daydream. She initially wanted to drop it as it was, but ended up releasing it under the pseudonym Chick with her friend Clarissa Dane on lead vocals.
The Songbird Supreme previously spoke about the grunge album on Rolling Stone Music Now in 2020, confirming that she’d uncovered the original version of the record with her voice at the forefront. “I think this unearthed version will become something that, yes, we should hear,” she said at the time. “But also, I’m working on a version of something where there’ll be another artist working on this with me as well … Possibly something built around the album. I’m just full of surprises.”
Carey’s episode of Las Culturistas comes as the superstar is gearing up to embark on her 2024 holiday tour, which kicks off Nov. 6 in Highland, Calif. The trek will run for about six weeks, with the star making stops in Texas, Georgia, Philadelphia and more parts of the U.S. before closing out Dec. 17 in Brooklyn, N.Y.
“It is going very well,” she recently told Entertainment Tonight of rehearsals for the tour. “We just finished up working on my setlist, getting the whole stage together, the ensembles, the fits — all of it.”
In April, Carey will reach the 20-year anniversary of her iconic album The Emancipation of Mimi, which spent two weeks at No. 1 on the Billboard 200 in 2005. The five-time Grammy winner kicked things off a few months early at the beginning of October with a performance of “We Belong Together” at the American Music Awards.
Listen to Carey’s Las Culturistas episode below.
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The long-standing animus between former Van Halen singer David Lee Roth and band’s late guitar legend Eddie Van Halen was legendary, and apparently permanent. In a new interview with Rolling Stone, the band’s retired drummer, Alex Van Halen, revealed that after Eddie’s death in 2020 at 65 due to complications from throat cancer, he approached Roth about a reunion tour that would pay tribute to his younger brother.
Following some rehearsals in 2022, Alex said the project fell apart over what he described as Roth’s refusal to include a segment paying homage to the rocker some consider the greatest guitarist of all time.
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“The thing that broke the camel’s back, and I can be honest about this now, was I said, ‘Dave, at some point, we have to have a very overt — not a bowing — but an acknowledgment of Ed in the gig,” he said of his get-back plans that began to go south when he felt numbness from peripheral neuropathy that he took as an “omen from above” that maybe things were not meant to be.
“If you look at how Queen does it, they show old footage,’” Alex said of that band’s hat-tipping to late singer Freddie Mercury on their recent tours with replacement singer Adam Lambert. “And the moment I said we gotta acknowledge Ed, Dave f–kin’ popped a fuse.… The vitriol that came out was unbelievable.”
Alex, in his first interview since Eddie’s death, said Roth adamantly refused the idea, finding it “offensive,” for reasons he still cannot understand and which raised his ire. “I’m from the street,” he told the magazine. “‘You talk to me like that, motherf–ker, I’m gonna beat your f–king brains out. You got it?’ And I mean that. And that’s how it ended… It’s just, my God. It’s like I didn’t know him anymore. I have nothing but the utmost respect for his work ethic and all that. But, Dave, you gotta work as a community, motherf–ker. It’s not you alone anymore”; RS said Roth declined to comment for the story.
The profile also runs down the other A-list rock icons who were discussed as potential frontmen for the band that has had three lead singers over the years. Founding vocalist Roth held the seat from 1974-1985, then again for a brief time in 1996 and once more from 2007-2020, while Sammy Hagar took over from 1985-1996 during the band’s chart peak, and again from 2003-2005, while Extreme’s Gary Cherone briefly kept the mic warm from 1996-1999 between the other two vocalist’s stints.
Around 2001, following Cherone’s exit and Hagar’s return, the Van Halens had a chat with Ozzy Osbourne and his wife, manager Sharon Osbourne, as they contemplated a plan to have the metal god take over as vocalist. “When you get a dog, you don’t expect it to be a cat,” Alex explained. “When you get an Ozzy, you get Ozzy. Play the music, he’ll sing, and it’s gonna be great.”
But, right before they were slated to get to in the studio, the Osbourne’s began working on their MTV reality show The Osbournes, which scotched the plan; Ozzy confirmed the talks and said if it had come to pass it would have been “phenomenal.”
Van Halen also noted that the brothers jammed with Soundgarden’s Chris Cornell at one point — he couldn’t remember when — and when Eddie stepped out of the room for a bit Alex jammed alone with the singer. “Chris was in a very fragile part of his life, so to speak,” he said of the singer who died in 2017 at age 52. “I got behind the drums, and he started playing bass. We played for 45 minutes. This motherf–ker got so into it he started bleeding. I said, ‘This is the man you want.’ And then he died.”
Saying the demise of the original lineup was the “most disappointing thing” he’d experienced in his life until Eddie’s death, Alex said, for him, another brick in the wall of their demise was Eddie’s decision in 1982 to play his infamously spiraling guitar solo on Michael Jackson’s “Beat It.” That led to Roth deciding to strike out on his own as a solo act which began what Alex said was a death spiral for the group. After asking his brother not to take the gig — suggesting that Jackson guest on a VH album instead — Eddie did it anyway and in 1984, Jackson’s monumental album Thriller blocked VH’s 1984 album from the No. 1 position on the Billboard 200 album chart.
“Why would you lend your talents to Michael Jackson? I just don’t f–king get it,” Alex told RS about the feud that went on for years. “And the funny part was that Ed fibbed his way out of it by saying, ‘Oh, who knows that kid anyway?’ You made the mistake! Fess up. Don’t add insult to injury by acting stupid.”
Alex Van Halen’s memoir, Brothers, is slated for release on Oct. 22.
Jake E. Lee — a former guitarist for Ozzy Osbourne — was shot multiple times in Las Vegas early Tuesday morning (Oct. 15) while walking his dog, TMZ reports. He is expected to make a full recovery. The outlet writes that the shooting occurred around 2:40 a.m. as Lee took his dog out for a […]
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With just three weeks to go before the crucial Nov. 5 presidential election, Donald Trump is doubling-down on a lot of his most controversial campaign rally greatest hits. In addition to denigrating his rival, Democratic Vice President Kamala Harris, by employing abelist slurs at a recent event, twice impeached convicted felon Trump threatened to employ the military to “handle” his left-wing detractors in an weekend interview. The MAGA leader also bailed on a planned town hall in Pennsylvania on Monday (Oct. 14) in favor of dancing along to a 40 minute playlist of songs featuring a number of artists who’ve explicitly asked him (more than once) to stop playing their music at his rallies.
According to ABC, the event in Oaks, PA in the crucial swing state was twice interrupted by medical emergencies in the crowd in the overheated Greater Philadelphia Expo Center and Fairgrounds. Half an hour in, an attendee was stretchered out of the venue, which reportedly prompted Trump to ask the sound person to fire up Schubert’s operatic “Ave Maria.” After a second person fainted and was attended to, Trump asked for the doors to be opened to let some fresh air in, before being told that was not possible for security reasons.
So, after making a joke about people passing out, Trump dispensed with questions and kicked off a bizarre 30-plus minute playlist song and dance during which he cued up a number of well-known tracks by artists who have explicitly, and repeatedly, asked him to cease and desist from playing their music at his rallies.
According to video of the evening, Trump played Rufus Wainwright’s cover of Leonard Cohen’s “Hallelujah,” as well as Sinead O’Connor’s “Nothing Compares 2 U,” Oliver Anthony’s “Rich Men North of Richmond,” Guns N’ Roses’ “November Rain,” James Brown’s “It’s a Man’s Man’s Man’s World,” Elvis’ “An American Trilogy,” the Village People’s “YMCA” and Andrea Bocelli’s “Time to Say Goodbye.”
In a statement issued Tuesday morning (Oct. 15), Harris supporter Wainwright lambasted Trump for playing the singer’s version of Cohen’s beloved 1984 hymn to the universal struggle of love and heartbreak.
“The song ‘Hallelujah’ by Leonard Cohen has become an anthem dedicated to peace, love and acceptance of the truth. I’ve been supremely honored over the years to be connected with this ode to tolerance,” wrote Wainwright. “Witnessing Trump and his supporters commune with this music last night was the height of blasphemy. Of course, I in no way condone this and was mortified, but the good in me hopes that perhaps in inhabiting and really listening to the lyrics of Cohen’s masterpiece, Donald Trump just might experience a hint of remorse over what he’s caused. I’m not holding my breath.” The statement also noted that the publishing company for the Cohen estate has sent a cease-and-desist order to the Trump campaign.
GNR and O’Connor’s reps have pointedly asked Trump not to play their music during his campaign stops, with the Village People threatening to sue the former reality TV star last year over what they said was a lookalike band playing their hits at his Mar-a-Lago Florida private club after years of asking him to remove their 1978 queer disco classic from his queue. At press time, spokespeople for all three acts had not returned Billboard‘s request for comment on Trump’s Monday playlist event, though a spokesperson for VP co-founder Victor Willis said a statement was in the works.
The candidate vying for a second White House stint — in the midst of his third overall campaign — has accumulated a long list of acts who do not want to be associated with his divisive, frequently mendacious rhetoric. Over the course of two weeks this summer, Beyoncé, the Foo Fighters and Jack White all slammed the Trump campaign for using their music without permission.
They joined a long list of acts who’ve made similar requests since Trump first ran for the nation’s highest office in 2016, a roster that includes: Adele, Panic! at the Disco’s Brendon Urie, Celine Dion, Earth, Wind & Fire, George Harrison, Neil Young, Isaac Hayes, Linkin Park, Nickelback, Ozzy Osbourne, Prince’s estate and R.E.M., among many others.
Trump has mostly ignored those pleas, even in the face of a lawsuit from the estate of Hayes, though according to previous Billboard reporting there is a long tradition of campaigns hijacking artist’s songs for their own political ends with little blowback. In reality, if a campaign obtains a license to use songs from the catalogs of the leading performing rights organizations BMI and ASCAP — which cover nearly every recognizable song you can think of — they are free to play them. There is, however, a “caveat” in the license that allows the songwriters to object to use of their compositions in a political campaign, which could result in the rights orgs pulling a song from a candidate’s license.
In August, the Foo Fighters vowed to donate royalties from “My Hero” to the Harris campaign following Trump’s blasting of the song at a rally where he was endorsed by rival-turned-supporter independent presidential candidate and anti-vaxxer Robert F. Kennedy Jr. At the time, the Independent reported that it had reviewed documents that appeared to confirm that the Trump campaign had licensed the song from BMI’s Songview service.
It was unknown at press time if the Trump campaign had licenses for the other songs played at Monday event, and a spokesperson had not yet returned Billboard‘s request for comment.
Ben Wyatt: “Get this — I just asked the DJ what R.E.M. albums he has. He’s got Monster, but not Automatic for the People.”
Leslie Knope: “Wow.”
Ben: “I know. It’s like, ‘What is this, a mid-‘90s party?’ No, it’s an early-‘90s party.”
——————–
In a 2013 episode of NBC’s Parks and Recreation, Leslie and Ben attend an early-1990s fête, the domain of, as Ben correctly notes, R.E.M.’s 1992 LP Automatic for the People.
Had the DJ been more up on the timeline of R.E.M.’s discography — and Billboard chart history — he would have known that Monster made its mark on surveys in 1994-95. The set debuted at No. 1 on the Billboard 200 dated Oct. 15, 1994, with 344,000 copies sold in the United States, according to Luminate. (No data available on how many sold in Pawnee, Ind.) The frame marks the band’s best since Luminate began tracking sales in 1991, outperforming by 57% the 218,000 that Automatic for the People moved in its first week in October 1992, when it opened at its No. 2 peak.
Monster became R.E.M.’s second of two Billboard 200 No. 1s, after Out of Time also led for two weeks, in May and June 1991.
“It’s obvious that this album was eagerly anticipated by R.E.M.’s fans,” then-Billboard associate director of charts/retail Geoff Mayfield wrote upon Monster’s chart bow. (In that pre-Halloween issue’s Chart Beat column, Fred Bronson titled his recap of the arrival “‘Monster’ Mash.”)
Billboard’s review of Monster in the Oct. 1, 1994, issue praised R.E.M.’s crunchier turn on the set: “After a glorious acoustic phase, band reverts to the power-pop sound it sported in the late ‘80s, now sharpened with an industrial edge. Monster will live up to its name at rock, pop, college and alternative formats, reaffirming the band’s place as one of the most compelling, and uncompromising, in America.”
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Monster yielded the two most recent of R.E.M.’s six No. 1s on the Alternative Airplay chart: “What’s the Frequency, Kenneth?” for two weeks beginning in September 1994 — as it became the first song to debut at the list’s summit– and “Bang and Blame” (three weeks that December). The former also hit No. 10 on Pop Airplay, while three more cuts from the set reached Alternative Airplay, in 1995: “Star 69” (No. 8), “Strange Currencies” (No. 14) and “Crush With Eyeliner” (No. 33).
Warner Records re-signed R.E.M. (which had joined the label for 1988’s Green) to a reported $80 million contract in August 1996. The deal signified just how high the band had risen since releasing its first single, the eventual classic “Radio Free Europe,” on indie Hib-Tone in 1981. (The group signed with I.R.S. in 1982.)
In 1997, drummer Bill Berry left R.E.M., which continued as a trio of lead singer Michael Stipe, bassist Mike Mills and guitarist Peter Buck. The group was inducted into the Rock & Roll Hall of Fame in 2007 and upped its count to 10 Billboard 200 top 10s through its last LP of all-new music, Collapse Into Now, in 2011. That September, Stipe, Mills and Buck announced their amicable split on R.E.M.’s website.
On June 13, R.E.M. — including Berry — reunited to perform its highest-charting Billboard Hot 100 hit, “Losing My Religion,” which rose to No. 4 in 1991, at the Songwriters Hall of Fame annual celebration in New York, where the band was among 2024’s enshrinees.
“Writing songs and having a catalog of work that we’re all proud of that is out there for the rest of the world for all time is hands-down the most important aspect of what we did,” Stipe told the audience. “Second to that is that we managed to do so all those decades and remain friends. And not just friends, dear friends.” He added, “We are four people that very early on decided that we would own our own masters and we would split our royalties and songwriting credits equally. All for one and one for all.”
iHeartMedia has announced the lineup for the 2025 iHeartRadio ALTer EGO Presented by Capital One, set for Jan. 11 at the Kia Forum in L.A, and will feature performances from some of the biggest names in alternative rock.
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Among the star-studded bill includes Cage The Elephant, Fontaines D.C., Glass Animals, Incubus, St. Vincent, The Lumineers, The Head And The Heart and The Offspring, with a special solo performance from Damiano David of Måneskin.
Hosted by Woody from The Woody Show, the concert is set to be one of the most anticipated alternative rock events of the year.
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“For the 8th year in a row, every other option was exhausted, and with the announcement looming, a decision had to be made,” said Woody. “That’s when we were handed the keys and warned that we had better not screw this up. It’s an honor — one we fully intend to live up to. Here’s hoping Jan. 11 arrives before iHeart realizes their mistake!”
The event will broadcast live for fans on iHeartRadio Alternative and Rock stations across the country and on iHeartRadio.com.
Now in its eighth year, the iHeartRadio ALTer EGO event continues to grow, attracting top-tier alternative acts. The festival is part of iHeartMedia’s lineup of nationally recognized concert events, including the iHeartRadio Music Festival and Jingle Ball, with Capital One as a returning presenting partner.
“We are thrilled to present this incredible lineup of artists representing all genres of Alternative and Rock returning to one of the most iconic Rock venues Los Angeles has to offer, the Kia Forum,” said Lisa Worden, Program Director for ALT 98.7 and Senior Vice President of Rock and Alternative for iHeartMedia.
“It’s our 8th year doing this and each year it keeps getting better.”
Capital One cardholders will have exclusive early access to presale tickets starting on Oct. 22 at 10 a.m. PT, lasting through Oct. 24 or until supplies run out.
The presale tickets come with an option to add a Capital One Access Pass, allowing attendees to experience a private soundcheck performance by Cage The Elephant, along with complimentary food, drinks, and more. General ticket sales will begin on Oct. 25 at 12 p.m. PT through Ticketmaster.
Listeners will also have access to a limited number of tickets through ALT 98.7’s 24-hour VIP-Sale. Fans can register to become an ALT VIP to access tickets beginning Thursday, Oct. 24 at 10 a.m. PT through Friday, October 25 at 10 a.m.
For more information on presales and tickets, visit iHeartRadio.com.
Jon Bon Jovi announced his endorsement of Democrat Kamala Harris for President in a song on Friday, spotlighting the patriotic Forever album tune “The People’s House” featuring the War and Treaty in a post explaining his decision.
“The People’s House is a song that celebrates this beautiful place that we call home, from sea to shining sea. @thewarandtreaty,” Bon Jovi wrote. “The truth matters. And the truth is on election day I’ll be voting for @KamalaHarris and @TimWalz because I believe in the power of we, not of me. I’ve written a song reminding us that out of many, we are still one.”
Second Gentleman Doug Emhoff thanked the Jersey rocker in a Bon Jovi-quoting post on X, writing, “It’s my wife, and it’s now or never. Election’s coming in November. Thanks for supporting Kamala, @JonBonJovi!” alongside a pic of him posing with the band’s singer.
Bon Jovi has long been a supporter of the Democratic party, lining up behind President Joe Biden at the current commander in chief’s 2021 inauguration day “Celebrating America” concert, where he performed an acoustic take on the Beatles’ “Here Comes the Sun,” as well as a pre-election “I Will Vote” concert that also featured Jennifer Hudson, Ciara, Ne-Yo, Sara Bareilles, A$AP Ferg, P!nk, John Legend and others.
After replacing Biden following the President’s surprise decision to drop out of the race in July following a disastrous debate performance against three-time candidate former President Donald Trump, Harris has racked up a bumper crop of A-list endorsements. Among the chart-topping musicians lining up behind the Vice President and Minnesota Gov. Tim Walz are: P!nk, Billie Eilish, Charli XCX, Beyoncé, Neil Young, Stevie Wonder, Megan Thee Stallion, Olivia Rodrigo and Taylor Swift.
Twice impeached convicted felon Trump reacted with his typical disdain when Swift helped cap August’s Democratic National Convention by posting a full-throated endorsement of Harris, announcing on his Truth Social platform, “I HATE TAYLOR SWIFT.”
Check out Bon Jovi’s post and Emhoff’s response below.
Darius Rucker isn’t exactly feeling like a spring chicken after a recent onstage mishap at a Hootie & the Blowfish concert. As captured on video by a fan, the 58-year-old singer/songwriter took a tumble while performing with his band at Riverfront Revival in Charleston, South Carolina, on Saturday. In the middle of singing the opening […]
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Robert’s Smith’s songwriting in The Cure has long focused squarely on melancholy and dark themes. But on the band’s long-awaited upcoming album, Songs of a Lost World (Nov. 1), he takes on a bit of real-life heartache that he said inspired him to pay tribute to his late brother. In a nearly two-hour interview with British journalist Matt Everitt — which can be unlocked by flipping to the album’s release date in Roman numerals here — Smith explains the origins of “I Can Never Say Goodbye.”
“I wrote this song a lot of different ways, until I hit on a very simple narrative of what actually happened on the night he died,” he said of the song dedicated to his late older brother, Richard, while also copping to the Cure’s songs always having an edge of the “fear of morality” in them. “It went all around the houses and I went everywhere with this song to sum up how I felt. In the end, it turned into a reasonably bleak little vignette.”
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The singer said he struggled to balance the “outpouring” of emotion he felt at the time with the need to write a coherent song, admitting that some earlier versions of the tune were “too overwrought” for general consumption. For the record, he loved them, but other people suggested they night be “too much.” In fact, when Smith, 65, performed “Goodbye” live on the Cure’s 2023 tour, he said he had trouble not going over the top and being overcome by emotion in concert.
Smith continued, “I wrote the song about it, and the music itself was what I wanted to breathe. I didn’t want the words to dominate the song, in a way that the music can become a backdrop to what you’re singing. In this, I think the music is more important than what I’m singing in a way. It’s a very difficult song to sing. People say ‘cathartic’ too much, but it was. It allowed me to deal with it, and I think it’s helped me enormously.”
Realizing he hasn’t got “that many more albums” in his future, Smith said he wanted his new songs to “mean something,” as opposed to some older Cure songs he said were not as personal. “On this album they all matter [to me],” he said of songs such as “I Can Never Say Goodbye,” which finds him singing, “Something wicked this way comes/ To steal away my brother’s life/ Something wicked this way comes/ I could never say goodbye.”
“When you’re younger, you romanticize [death], even without knowing it. Then it starts happening to your immediate family and friends and suddenly it’s a different thing. It’s something that I struggled with lyrically: how to put this into the songs? I feel like I am different person than I was when we last made an album. I wanted that to come through.”
Songs of a Lost World is the Cure’s long-awaited follow-up to 2008’s 4:13 Dream; so far the group has previewed the LP with the songs “A Fragile Thing,” as well as “Alone.”
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Neil Young has made it clear he’s no fan of Donald Trump. The “Keep on Rockin’ in the Free World” guitar hero has threatened to sue twice impeached convicted felon Trump before for playing his songs at campaign rallies, and over the weekend Young made it clear that he does not want to give the former President a second chance in Washington.
“Kamala Harris — She is an honest forthright truth teller who is experienced in the White House, free from ambiguity or evasiveness, who goes straight to the point,” wrote Young on his Archives site on Friday about the sitting Vice President, who is less than a month away from possibly becoming the nation’s first female President.
“Clear headed, young enough to hold the office for a couple of bright future terms, Kamala Harris is a good person who is unafraid to take on criminals and uphold the law of the USA. She’s my candidate for the future of this country,” he continued.
Toronto-born Young, 78 — who became a naturalized American citizen in 2020 — has been very vocal about his disdain for Trump, who continues to peddle the false narrative that he won the 2020 election over President Joe Biden, while over the weekend hurling his latest insult at his opponent when he referred to former Senator and California Attorney General Harris as “retarded.”
“Kamala Harris will take on the billionaire class and make them pay their fair share of taxes,” Young concluded. “She will not owe them favors. She is a kind, considerate American. Cast your vote for a beautiful future for your family. Kamala Harris for President.”
After years of threatening to sue Trump for using his music at campaign rallies without permission, as well as penning a scathing open letter to the former reality TV star in which he referred to Trump as “a disgrace to my country,” Young’s endorsement is a double-down on his August decision to let Harris’ VP pic, Gov. Tim Walz, officially use his song “Rockin’ in the Free World” during campaign events.
Young joins a growing list of A-list stars who’ve stepped up to support Harris since she unexpectedly jumped into the race in July when President Biden agreed to not seek a second term. Among the artists proudly supporting Harris are: Beyoncé, Charli XCX, Billie Eilish, Barbra Streisand, Taylor Swift, Megan Thee Stallion, P!nk, Bon Iver, Bruce Springsteen, Olivia Rodrigo, Ariana Grande and many more.