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After conquering all terrestrial continents, Metallica are headed to Fortnite later this month when the metal veterans will become the first band to play appear across all Fortnite experiences. After launching Metallica-themed gameplay starting Thursday (June 13) in Fortnite Festival, Battle Royale, LEGO Fortnite and Rocket Racing, the Bay Area rockers will play a series […]

If you listen to enough Howard Stern you know that as much as he loves his SiriusXM channels, more work is the last thing he wants. But the veteran broadcaster has long held a special place in his heart for his sister rock channel, Lithium, so on Wednesday morning (June 12) Stern will help kick off SiriusXM’s new Guest DJ campaign by doing a takeover in which he gets to spin some of his favorite songs and tell a few stories about why they are so special to him.

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“Hi everybody, this is Howard Stern and welcome to the Howard Stern Guest DJ,” Stern says in his intro to the stunt. “Over the years I feature a lot of music on the show, I interview a lot of musicians, I just love music. And I also talk about music because I used to professional radio DJ.” In his best announcer voice, Stern then jokes that during his DJ stint he learned the delicate art of “talk-ups,” where a DJ speaks over a song’s instrumental intro until just before the vocals kick in.

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Or as Stern described it, “where you talk over really good songs and ruin them.” He notes that on his three-day-a-week Howard 100 show he often plays his favorite songs and talks about why he loves them, which is why he wanted to share his personal home playlist during his Lithium guest spot.

In a perfect example of a song-ruining talk-up, Stern describes how much he thinks about late Stone Temple Pilots singer Scott Weiland while playing the band’s 1994 hit “Vasoline,” saying, “what a charismatic dude. We had him on the show a bunch of times and I used to go to Stone Temple Pilot concerts and see him perform and… fabulous band. And I would go and I’d think, ‘geez, he’s got it all. He’s f–kin’ good looking. He can sing like an angel.’” Stern also reveals some background about the lyrics he gleaned from the band’s other members, talking through almost the entire song as longtime co-host Robin Quivers adds some of her patented positive accents to his banter.

In addition to songs by Soundgarden (“Black Hole Sun”), Jimi Hendrix (“Are You Experienced?”), Aurora (“Life on Mars?”) and Public Enemy (“911 Is a Joke”), Stern will also queue up the Rolling Stones’ 1971 Sticky Fingers track “Moonlight Mile,” calling it the “epitome of a great song. This is when music was staggeringly good. How did he come up with this? How does that happen?”

Stern says the only thing he knows about the song is that singer Mick Jagger came up with it while sitting on a train and staring at the moon before going home to write the lyrics. He then goes into one of his patented digressions about being raised with a deficit of emotion that he wore like a “suit of armor” his whole life that has started cracking as he’s gotten older. In theory, that sounds to him like a great idea for a song. But, unlike Jagger’s emotional revelation on his train ride, Stern says, “and then I sat and thought about this and nothing happened! There was no song!”

The special will premiere today at 11 a.m. on Lithium and is available anytime on the SiriusXM app. The Guest DJ campaign will feature more than 70 other entertainers doing take-overs, including: James Corden, Kate Hudson, Kevin Hart, Busy Philipps, Rob Lowe, Conan O’Brien, Andy Cohen, Gayle King, NFL player Maxx Crosby, NASCAR’s Chase Elliot and more. The campaign will be heard on more than 35 SiriusXM channels across a variety of genres.

Listen to Stern on Lithium below.

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Foreigner and Styx on tour together is a match made in classic rock heaven.
It’s happened many times over the years, though it’s been a decade since the bands were last on the road together — as they will be for this summer’s Renegades & Juke Box Heroes tour, which kicks off Tuesday (June 11) in Grand Rapids, Mich., and plays 36 North American dates through August. The bands will also release a joint compilation album, Renegades & Juke Box Heroes, on vinyl in conjunction with the trek. Available at tour stops and, as of July 12, at retail, it features four songs from each band, divided onto separate sides.

With John Waite opening, the tour will be filled AOR-era hits, from Foreigner’s “Feels Like the First Time,” “Cold As Ice,” “Urgent,” “Juke Box Hero” and “I Want to Know What Love Is” to Styx’s “Lady,” “Come Sail Away,” “Renegade” and “Mr. Roboto.”

And so many more, for both. Foreigner, after all, has released nine studio albums since 1977 — seven of them platinum or better — with 14 top 20 hits on the Billboard Hot 100. Styx, formed during 1972, in Chicago, has been around a few years longer, with 17 studio albums and nine top 20 singles

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Foreigner, in the midst of a farewell tour that’s slated to go into 2025, will be inducted into the Rock and Roll Hall of Fame on Oct. 19 in Cleveland after its first nomination, following an extensive campaign spearheaded by founder Mick Jones’ son-in-law Mark Ronson. Styx is still waiting for that honor but has been (comparatively) prolific in the last decade, with new albums in 2017 (The Mission) and 2021 (Crash of the Crown).

Both bands have also gone through numerous membership changes during their histories, as well as recently. Earlier this month Styx brought keyboardist Lawrence Gowan’s brother Terry Gowan on board replacing bassist Ricky Phillips after 21 years. Foreigner, meanwhile, added guitarist Luis Maldonado three years ago after the amicable departure of multi-instrumentalist Thom Gimbel. But what both bands share is a staying power; in their cases — to turn a Pete Townshend phrase — it’s the songs not the identity of the singer that keeps the music moving along, and the popularity of those tunes has kept both bands healthy at the box office.

In advance of the tour, Billboard sat down with Styx’s Tommy Shaw and Foreigner’s Kelly Hansen, both eager to share their enthusiasm for hitting the road together once again with such friendly touring partners.

They Really Like Each Other

“It’s always been good, the respect and admiration we have for Foreigner and their music,” Shaw says of the kinship between the two groups. “They’re going for excellence all the time, and they’re achieving it. I think they are also true to the DNA of the music and really do a great job of playing the songs people have loved for so many years.”

Hansen adds that, “Both bands came out of the same era, the same kind of machinery of the time, of the ‘70s, when recording techniques were expanding colossally, when all different kinds of bands on a wide spectrum were all on the same radio station together, when every song you heard was completely different. It was a really a bountiful time, and I think that’s something both of these bands have experienced that kind of bonds us and creates a camaraderie.”

That extends to at least one end-of-tour prank that Hansen remembers. “(Bassist) Jeff Pilson and I dressed up in this crazy outfits. Jeff was wearing a dress and a wig and I had a mask on with a huge nose and a cape and tights and stuff. We were just trying to make them crack up when they were in the middle of a serious song.” Did it work? “No,” Hansen says. “They’ve experienced it before.”

The First Time They Heard The Other Band

“I had just moved to Niles, Mich.,” Shaw relates, “and was sitting in the bathtub in the middle of the afternoon, cooling off ’cause it was hot. I think it was ‘Cold As Ice’ that came on; that was the first time I heard anything by Foreigner, and I’m sitting there going, ‘Who is this?! Whoa! I have to hear more of this!’ From that point on they never let me down — in fact, they just kept getting better and better. The songwriting is just fantastic, really well thought-out and produced. I think that’s what makes their music so timeless.”

Hansen claims that he “couldn’t tell ya” when he first heard Styx. “It’s all a jumble. I was listening to pop radio — to singers with backup bands, mostly, like Aretha or Ray Charles or Rod Stewart, things like that. It wasn’t until years later that I fully understood the concept of what a band is, when I got into Zeppelin or whoever and realized, ‘Oh, these guys are really equally playing a part here. There’s not one guy out front and the rest of the band in back.’ That was a real revelation, and that’s the context I heard Styx in.”

Their Favorite Song By the Other Band

Hansen tries to demure — “There’s so many,” he protests — but pushed he allows that, “I like ‘Blue Collar Man.’ ‘Renegade’ is a big song. So, yeah, there’s two.” Shaw’s pick: “Well, of course, ‘I Want to Know What Love Is.’ But I can go down the list really — ‘Cold As Ice,’ ‘Hot Blooded,’ just really drop the needle anywhere and you’ll get a great song.”

Weathering Lineup Changes

“There’s the entity of the band and the music itself — the catalog of songs and what they carry with the audience,” explains Hansen, who’s been singing the songs made famous by original frontman Lou Gramm since 2005. “It’s all about the songs; it’s a testament to the writing and the recording of these songs originally.

“I think my job is to carry forward the legacy of those songs. To still be able to go out there and play these songs, and the songs still have meaning, is a rare thing to achieve. I think both bands have been doing that quite well.”

Styx, of course, still has founding guitarist James “J.Y.” Young and bassist Chuck Panozzo, who plays a few songs each night, while Shaw has been in the band since 1975.

“As we’ve gone on great people have come our way, and once you’re working in it it’s such a great world to be in, musically,” he says. “It’s the music that brings you all together.” Shaw adds that the benefit of legacy is “you’re not having to worry about having to make new music. We’re always working on new music, but the power of that music from the first time it came out and the experiences that our fans had and how they related to the music, that’s really what sticks with you.”

Is New Music Coming?

Foreigner hasn’t released anything since Can’t Slow Down back in 2009, but founder Mick Jones — who revealed via Billboard that he’s been battling Parkinson’s disease for several years — has confirmed that he’s still writing for both the band as well as for a solo project. Gramm has also discussed some unfinished material he and Jones wrote during the early 2000s that’s still around in demo form.

“As always, there’s unfinished stuff in the pipeline,” Hansen notes. “Maybe when we’re not on the road all the time we’ll have time to finish up some of those things. There’s definitely some good stuff that’s not finished yet, so time will tell.”

Shaw, meanwhile, says he’s been working on new Styx material with Will Evankovich, who produced the band’s last two albums and also tours with the group. “There’s music; the problem is there’s just not enough days in the week or hours in the day to get it all done. But we just keep plugging away at it and everyone brings a certain kind of magic to the new music, especially when it’s in the writing phases of it, and it’s all exciting.

“Whenever we’re creating new music we always remember who we are and the things that we love about Styx and not step out of the margins any more than we have to. But it’s such a wide lane to be in, anyway. (Styx) music can go just about anywhere.”

About the Rock Hall….

Hanses says that even though the current members of Foreigner will not be inducted, they’re thrilled for Jones, Gramm and the other members receiving the accolade.

“I think that the original guys in this band really deserve this recognition,” he says. “In so many ways they didn’t get recognition back in the day. It was somewhat of a faceless kind of thing; there wasn’t a David Lee Roth out there or a Jimmy Page or a Keith Richards public persona out there; they were a lot more about the music rather than showing off their personalities. I think they made a musical mark, so to be recognized for the music is a really great thing.”

As for the induction, Jones and Gramm have said they plan to perform, along with other members being inducted, but the current Foreigner lineup won’t be forgotten. “I know everyone has all kinds of ideas,” Hansen says. “I’m here to humbly assist in any way I can.”

Shaw is also stoked about his tour mates’ impending induction. “It’s fantastic,” he says. “You like to see your friends get in — (Peter) Frampton this year, too.” He’s circumspect about Styx’s prospects for the Rock Hall, however.

“We’re really powerless over it,” Shaw notes. “We don’t have any influence whatsoever. So to be anticipating it or be disappointed that we’re not in there…I don’t even know who the people are who judge (the Rock Hall), so I can’t really say much about it. We just know that our fans love us and we know that our music is good before we let them hear it. If that thing’s meant to happen, it will.”

Farewell is a relative term for Foreigner, by the way. Despite last year’s farewell tour announcement — which is expected to roll into 2025 — Foreigner is “not disappearing off the face of the earth,” according to Hansen, who’s blamed the vocal demands of singing that material as one of the reasons he’s dialing down.

“We’re just not gonna tour nine months out of the year anymore; it doesn’t get easier, especially for someone of my years,” explains the 63-year-old. “There’ll be some shows here and there, but there’ll be a lot more time for doing other things in my life that I’m passionate about,” including family, cooking, working on cars and motorcycles and “a social life that I’ve had to miss out on for many years. There’s just a lot of other things for me to do.”

Shaw says Styx is nowhere near such a point, but he does understand where Hansen’s coming from. “Y’know, I’m one of the singers (in Styx); there are good vocalists in our band who can take the leads,” he notes. “Kelly’s the guy in their band, and there’s a lot of high vocals in those (songs) that aren’t easy to do. So that’s a decision they have to make but, y’know, I never say never. They can say it’s the end; a lot of people do, and then a lot of people are right back there a year and a half later. I just hope they do what’s right for them and everybody’s happy.”

At 76 years old, Stevie Nicks — who breezily brought up her age a few times on stage Sunday night (June 9) — maintains the distinct, strong vocal performance for which she’s become iconic. She carries it through a showtime of about two hours, with a 15-song set and several stories spanning her fascinating journey in rock ‘n’ roll.

Nicks brought her headlining tour to the Mohegan Sun Arena, a well-designed, 10,000-seat venue in southeastern Connecticut that’s within the Mohegan Sun casino/entertainment complex owned by the Mohegan Tribe.

She has plenty to play, and so much to say — and with the life experience she’s had as an entertainer for so many years, rightly so. On Sunday Nicks was a lively conversationalist, letting her sense of humor shine while telling the crowd about her early days with Fleetwood Mac in the 1970s, how her debut solo album hit No. 1 on the Billboard 200 in 1981, and what’s currently on her mind in 2024.

Who wouldn’t want to hear what Stevie Nicks has to say? This January it’ll be 50 years since the 1975 lineup of Fleetwood Mac (with Nicks) came to be, a musical ride that followed humble beginnings alongside eventual Mac co-star Lindsey Buckingham with the Buckingham Nicks project, and preceded the ascent of her solo career.

Nicks’ concert at Mohegan Sun Arena featured setlist staples like “Dreams,” “Stop Draggin’ My Heart Around,” “Stand Back,” “Leather and Lace,” “Rhiannon,” “Gypsy” and an encore of “Landslide,” a beautiful tribute to late best friend and bandmate Christine McVie. Mixed in with the chart-toppers were the singer-songwriter’s stories, almost like mini lessons on the history of Nicks’ path.

During a quick restroom break my husband overheard someone making small-talk wisecracks at the urinal: “She talks a lot, huh?” I grew up with a parent who’d listen to Fleetwood Mac albums on repeat. I could listen to her voice telling stories 100 times over and still find it soothing. We didn’t find the bathroom joke funny, but it was amusing timing.

As though she could sense what someone, somewhere, was saying, a charming Nicks was actually on stage poking fun at herself: “I’m trying, I’m making a big effort to shorten down my stories. My stories are starting to become as long as the show,” she quipped at the start of a 13-minute introduction to her performance of 1982 single “Gypsy.”

“Every time I do it, I mess up,” she said. “I take a part off, it’s impossible to understand where I’ve stopped and where I should start up again. I’m only sharing this with you because it’s part of the fun of being my age.”

“I’m so old … What’s everybody gonna say to me? ‘Stop! You can’t do this anymore!’ I’ll say, ‘OK. Fine. I’ll just go home and be alone in a rocking chair with my dog Lily,” Nicks said with a grin.

Below, see five of the best moments from Stevie Nicks’ concert at Mohegan Sun Arena. Nicks is currently on tour through June 21 in North America, then heading to Europe in July. See the full tour date list on her official website.

Stevie Arrives in Style for Her Show

06/10/2024

The weekend was packed with performances of new songs, killer costumes and more.

06/10/2024

Jon Bon Jovi has been making the rounds lately to talk up Bon Jovi‘s new album, Forever, as well as to promote the recent Hulu series, Thank You, Goodnight – The Bon Jovi Story, which chronicles the Jersey band’s history and his long, hard road back from vocal cord surgery in 2022.

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The one thing he hasn’t really done, though, is perform a set with the band as he tests whether all the work he’s been doing to strengthen his voice has paid off. But on Friday night the band hit the stage at the singer’s new Nashville bar, JBJ’s, for a special mini-set to celebrate opening night. And, by the sounds of the fan videos of the pop-up gig Bon Jovi is in fine form.

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According to Setlist.fm, the set opened with “Blood on Blood” (from 1988’s New Jersey) and included “We Weren’t Born to Follow,” “You Give Love a Bad Name,” “Born to Be My Baby” and the Forever single “Legendary.”

Wearing a black t-shirt, jeans and a white sneakers, at the top of the show Bon Jovi welcomed the capacity crowd to the bar and said, “we’re just gonna play you a couple and then we’ll get to drinking.” Bon Jovi recently said that he doesn’t think the band can do a full tour in support of the album, so the club show was a rare treat for the group’s fans.

The Tennessean reported on Bon Jovi and the band’s first walk-through of the five-story Broadway bar — now the tallest one on the city’s main drag — during a media preview on Thursday. The singer was joined by drummer Tico Torres, keyboardist David Bryan and bassist Hugh McDonald as they unveiled the 37,000 square-foot space. “It’s like Christmas morning. I knew this space as a parking lot,” Bon Jovi said. “We came once during the construction, but we haven’t seen the finished product until today.”

According to the paper, the open floor plan includes all the levels opening up to a three-tiered stage on the ground floor, with the walls covered in Bon Jovi pictures spanning the group’s four-decade career and bathrooms bearing sings for “Tommy” and “Gina.”

Four decades later, Courteney Cox‘s fire is still burning. The Friends star hopped onto the viral “asking my mom how she danced in the ’80s” TikTok trend on Sunday (June 9) when she posted a video featuring her Reagan-era moves by throwing back to the moment that started it all for her. Explore See latest […]

Connecting via Zoom from across the pond, Roger Daltrey declares with great exuberance, “I’m actually looking forward to a tour! I’m out there to have a good time this time.”

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Daltrey doesn’t mean to cast aspersions on his many treks with The Who, mind you — most recently the symphonic tours he and Pete Townshend began in 2019. But his upcoming nine-date North American run, which kicks off June 12 in Vienna, Va., is something else entirely, described as “a mostly acoustic set of Who gems, rarities, solo nuggets and other surprises,” along with Q&A opportunities for the audiences.

“I’ve done all those years with The Who, and I’ve done my solo stuff and charity gigs and all that,” Daltrey tells Billboard. “I just want to branch out and do something different, where I’ve got different instrumentation and I can stop using tape loops. It just creates a whole new sound and allows me the freedom as a singer to put some other people’s songs in I’ve been fond of over the years. It’s gonna be quite interesting. I’m just determined to enjoy myself and explore the freedom I’ve got to do what I want to do on this tour, and let’s see where it ends up.”

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Don’t ask what those songs will be, however.

“I’m not gonna talk about songs,” Daltrey says. “Too many people reveal songs. There’s no surprises left with concerts these days, ’cause everybody wants to see the setlist. I’m f–king sick of it. The Internet’s ruined the live shows for me. Who wants to know what’s coming next? People forget about surprises. I can’t stand it.”

Maybe, it’s suggested, that it’s just an audience with weak bladders who want to pick the right spot to visit the loo? “Why not just start to listen to the bloody show in the toilet, then?” he says with a laugh.

One song Daltrey expects to perform is The Who opus “Won’t Get Fooled Again,” but, he adds, “We don’t use a tape loop for the instrumentation. We do it on real instruments. It just takes it off the rails and gives me more room as a singer.” That said, Daltrey notes, “I’m not gonna do the scream. I’m gonna get the f–king audience to do the scream. I’ve done that scream for 55 years, and I’ve had enough of it. I don’t even want to try it now; it’s brutal on the vocal cords. They can do the scream, and I’ll do everything else. I’m more into singing these days. At the age of 80, I think I deserve to be.”

Daltrey’s band for the tour includes Who musicians Simon Townshend (Pete’s younger brother) on guitar, violinist Katie Jacoby and Billy Nicholls on mandolin and vocals, rounded out by Jody Linscott on percussion, guitarist Doug Boyle, bassist John Hogg, harmonica player Steve Weston, Geraint Watkins on keyboards and accordion and drummer Scott Devours. “I like to put bands together where we’re a real band and everybody gets the spotlight and there’s camaraderie,” Daltrey says. “To me a band is more than choosing great musicians; you can sometimes have five great musicians on stage and there’s no chemistry whatsoever and it falls flat on its face. That’s not gonna happen here.”

As for the Q&A part of the night, Daltrey did something similar for a show in England back in 2022 and enjoyed it. Fans will be able to submit written questions to boxes at the venues before the show, then the band will review them backstage and choose “the most interesting ones…and I just draw them out of a hat. It creates a great deal of fun, and you can get some good comedy out of it if you’re lucky.”

The tour, meanwhile, is just one of the projects Daltrey has in motion these days. He has no plans yet to record another solo album — his last, As Long as I Have You, came out in 2018 — but doesn’t rule it out, either. “I don’t really think about it,” he says. “If anything turns up that I find interesting and challenging and musically progressive, I’ll have a go at it.” Meanwhile he’s continuing to work on making a biopic about late Who drummer Keith Moon that he’s been plugging away at for many years; Daltrey has a script in place that will be finalized once he finds a director, which is the next step in the process.

“That’s taken up quite a lot of my time; I want to get this made while I’m still alive to promote it,” he says. “I’m trying not to make that (typical) kind of biopic. There’s some good ones out there; I thought the Amy Winehouse (Back to Black) was better than the reviews it got. I thought (star Marisa Abela) was really good, actually, ’cause I knew Amy. But was that a film? I’m not so sure. I think it’s a TV film, and that’s the problem cinema has at the moment. What are you making it for — streaming or theaters? And I suggest that if you’re making great films you’ve got to think of theater. You’ve got to take them into theater and blow their minds. You never get your mind blown on a TV, do ya?”

Daltrey is also contemplating a second book to follow his 2018 memoir Thanks a Lot Mr. Kibblewhite: My Story, one that will delve further into the shyness and insecurities he felt during the early days of The Who. “I didn’t really go deep enough in my first book,” he says. “Quite a lot of it was terrifying, but I didn’t show it. I need to write about it.” The Who itself, meanwhile, is back of mind for Daltrey, who claims that “I don’t really think about it.”

“I’ll do it if Pete wants to do it, really wants to do it and do it properly,” Daltrey explains. “As far as I’m concerned, do we need another Who tour? We were a great group and two of our members died, and it’s been different since. Equally, there’s a chemistry between Pete and I. I love him dearly. There’s something special there, but it needs us both to be on fire and both wanting to be there. So if he really, really wants to do it I’m gonna turn up even with a broken leg, and I’ll deliver for you.”

But if The Who never return, Daltrey says he’s satisfied the band did its bit — and then some. “We did as much as I could ever have wished for, and more. I thought it ended on the ultimate presentation of Pete Townshend’s music, which is out with the orchestra while maintaining the thunder of a rock band. That’s what the music deserved.”

Daltrey’s upcoming tour itinerary includes:June 12 / Wolf Trap – Filene Center / Vienna, VAJune 14 / OLG Stage at Fallsview Casino / Niagara Falls, ONJune 16 / Bethel Woods Center for the Arts / Bethel, NYJune 18 / The Capitol Theatre / Port Chester, NYJune 20 / Leader Bank Pavilion / Boston, MAJune 22 / Tanglewood – The Koussevitzky Music Shed / Lenox, MAJune 25 / Meadow Brook Amphitheatre / Detroit, MIJune 27 / Murat Theatre at Old National Centre / Indianapolis, INJune 29 / The Pavilion at Ravinia / Highland Park, IL

Robert Plant has mostly kept his Led Zeppelin past at arms-length since the group officially disbanded in 1980. But there are a few songs from the Rock and Roll Hall of Fame band’s catalog that he has revisited and revised over the years, including on his current Can’t Let Go summer tour with Alison Krauss. […]

Five Finger Death Punch extends its record streak of No. 1s on Billboard’s Mainstream Rock Airplay chart, while featured artist DMX achieves a posthumous leader, as “This Is the Way” tops the June 15-dated survey.
The song is Five Finger Death Punch’s 11th straight Mainstream Rock Airplay No. 1, lengthening the longest streak of leaders in the chart’s 43-year history. The Ivan Moody-fronted band’s run began in 2018 with “Sham Pain.”

In all, Five Finger Death Punch boasts 15 No. 1s. That gives the band sole possession of the third-most in the chart’s history, breaking out of a tie with Foo Fighters and Metallica. Five Finger Death Punch first led in 2012 with “Coming Down.”

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Most No. 1s, Mainstream Rock Airplay:

19, Shinedown

17, Three Days Grace

15, Five Finger Death Punch

14, Foo Fighters

14, Metallica

13, Godsmack

13, Van Halen

12, Disturbed

As for DMX, “This Is the Way” is the late rapper’s first No. 1 on Mainstream Rock Airplay, logged in his first appearance on the tally. The track is a mashup of two songs, mixing vocals from his “The Way It’s Gonna Be,” released in 2009, and Five Finger Death Punch’s “Judgement Day,” from the band’s 2022 LP AfterLife.

DMX now sports two No. 1s on Billboard airplay charts. His previously ruled Rap Airplay for six weeks in 2000 with “Party Up (Up in Here).” He died of a heart attack on April 9, 2021.

Concurrently, “This Is the Way” holds at its No. 9 high on the all-rock-format, audience-based Rock & Alternative Airplay chart with 3.3 million audience impressions, up 24%, in the week ending June 6, according to Luminate. On the most recent multimetric Hot Hard Rock Songs chart (dated June 8, reflecting data over May 24-30), the single ranked at No. 14, after reaching No. 4 in April; in addition to its airplay, it earned 576,000 official U.S. streams and sold 1,000 downloads.

“This Is the Way” is on the deluxe reissue of AfterLife, released April 5.

“The idea of collaborating with DMX had been in discussion for years, and it was a long and winding road to turn this particular item on our wish list into reality,” Five Finger Death Punch guitarist Zoltan Bathory said in a press release announcing the song. “He was a lyrical warrior, a true original who spoke his mind incorruptibly. We have always viewed DMX as the metalhead of hip-hop because of his aggressive, raw and untamed style. He growled and snarled, aiming to rattle some cages – an attitude we share, as Five Finger Death Punch has always been drawn to the fearless and the real. It made all the sense in the world, but today this is more than just a song; it’s a salute to a legend, a way to honor DMX’s memory.”

AfterLife debuted at No. 1 on the Top Hard Rock Albums chart in September 2022 and has earned 276,000 equivalent album units to date.

Five Finger Death Punch is on tour in Europe through July, ahead of a return to the U.S. beginning in August.

All Billboard charts dated June 15 will update on Billboard.com Tuesday, June 11.