Rock
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Coldplay‘s never-ending Music of the Spheres tour has already set records as the best-selling and highest-grossing rock tour ever thanks to 10 million tickets sold and grosses over $1 billion to date during its three-year run. Explore Explore See latest videos, charts and news See latest videos, charts and news But next week, the “feelslikeimfallinginlove” […]
Inhaler have shared a new single titled “A Question Of You,” ahead of their forthcoming album, Open Wide (due Feb. 7 via Polydor).
Following recent tracks “Your House” and “Open Wide,” it marks the third preview to be lifted from the Irish band’s third record. The 13-track collection was recorded in London’s iconic RAK Studios with producer Kid Harpoon, who scooped a bevy of Grammy and BRIT awards in 2023 for his work on Harry Styles‘ blockbuster 2022 LP Harry’s House.
“This is love song territory for me,” said frontman Elijah Hewson, describing “A Question Of You” in a press release. “It’s about how in order to be honest with someone else you’ve got to be honest with yourself, like, ‘I’ve gotta sort my own s–t out so I can be around other people’. The choir really changed everything on this [song].”
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The release of Open Wide will coincide with Inhaler’s biggest headline tour to date. Through next month, the four-piece will perform at sold-out venues across the U.K, including two nights at the capital’s Brixton Academy. In May, they’ll perform a huge, 20,000-capacity hometown show at Dublin’s St. Anne’s Park alongside Stockport indie group Blossoms.
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Inhaler’s debut album It Won’t Always Be Like This soared to the summit of the Official U.K. Albums Chart in July 2021. They ended their release week with 18,000 chart sales, according to the Official Charts Company, with 92% of that sum generated by physical sales. The achievement also made Inhaler the first Irish act to top the chart with their debut in 13 years.
Its follow-up, Cuts & Bruises, which arrived two years later, landed at No. 2. Speaking to Billboard upon release, drummer Ryan MacMahon described Inhaler’s sophomore effort as “an album of love songs, about loving your friends,” adding that its songs were made to sound “a lot more loose and like a live band – which is what we wanted to achieve with the record.”
In recent years, the band have gone on to open for Arctic Monkeys, as well as tour the U.K. and European festival circuit extensively with shows at Reading & Leeds and Glasgow’s TRNSMT. Their 2025 live plans include a return to the latter, plus a slot at Warrington’s Neighbourhood Weekender in May.
Watch the “A Question of You” lyric video below.
Lil Wayne won’t be playing the Super Bowl halftime show at this year’s game in his hometown, but Weezy will be one of the headliners (with the Roots) of the 2025 New Orleans Jazz & Heritage Festival. The iconic event that will host more than 5,000 acts on 14 stages from April 24-May 4 on the Fair Grounds Race Course announced this year’s lineup on Wednesday (Jan. 15), which will also feature headliners Pearl Jam, the Dave Matthews Band, Luke Combs, Lenny Kravitz and Kacey Musgraves.
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Other acts booked for this year’s predictably eclectic edition include: Santana, John Fogerty, Burna Boy, HAIM, Cage the Elephant, Laufey, Bryson Tiller, Harry Connick, Jr., Patti LaBelle, Trombone Shorty, My Morning Jacket, Gladys Knight, Joan Jett and the Blackhearts, Cheap Trick, Babyface, Diana Krall, Goose, The Revivalists, Big Freedia and many more.
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Louisiana residents have the chance to snag lower prices for weekend passes and single-day tickets now, with non-resident weekend passes and VIP packages already available already and single-day tickets slated to go on sale at a later date; fans need to set up an account with AXS.com to purchase tickets, with more information available here.
Among the other acts slated to take the stage this year are: Banda MS, Irma Thomas, Tank and the Bangas, Branford Marsalis, Kamasi Washington, The Wailers with Julian Marley, Ledisi Sings Nina, PJ Morton, Preservation Hall Jazz Band, Maze Honoring Frankie Beverly, James Bay, Margo Price, Rickie Lee Jones, Seun Kuti & Egypt 80, Morris Day and the Time and others.
Check out the full lineup below.
Pete Parada, the former drummer of The Offspring, has detailed the controversial circumstances surrounding his dismissal from the band in 2021.
Speaking on the Try That In A Small Town podcast, Parada recounted the events that led to his exit, citing medical advice and a turbulent interaction with the band’s management as key factors. Parada, who joined The Offspring in 2007, shared that his decision not to get vaccinated against COVID-19 was based on medical guidance.
Claiming he previously suffered from Guillain-Barré syndrome—a rare neurological disorder—his doctor advised against the vaccine due to potential risks. Despite presenting this exemption, Parada claimed it was dismissed outright by the band’s newly appointed manager.
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“He was new with the band. He’d only been with them since Covid hit. So I didn’t have a lot of history with this guy,” Parada said. “He chose to come at me like a flamethrower. I’ve gotten crappy phone calls before, this was the most abusive and threatening call I’ve ever had in my entire career.”
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“He made it clear that I was either to get vaccinated or I’d be replaced,” he added. “The phone call was so shocking.”
Parada revealed that he reached out to his long-time bandmates to voice concerns about the manager’s behavior, but his attempts were met with indifference.
“I tried to talk to them about him and I said, ‘You might fire me over this but you should know, this guy is not representing you well and if he’s treating me like this, he’s treating your crew even worse’”, he claimed. “I was told, ‘That’s not the concern right now, he’s not the concern, your refusal to do this is the concern.’”
Communication broke down soon after, Parada claimed, adding that he realized he had been replaced when his flight to a rehearsal was unexpectedly canceled. “That’s how I found out,” he said.
At the time, The Offspring was gearing up to promote their tenth studio album, Let the Bad Times Roll, released in April 2021, which hit No. 1 on Billboard’s Alternative Albums Chart and No. 27 on the Billboard 200.
The band has yet to publicly address Parada’s recent comments, and they are currently preparing for their Supercharged Worldwide in ’25 tour in support of their 11th studio album, Supercharged., released in October. The album reached No.1 on the Rock & Alternative Airplay chart, while the lead single “Make It All Right” reached No. 1. reached No. 1 on both the Alternative Airplay and Active Rock charts. The band have since released “Light It Up”, as well as “Come To Brazil”.
The Offspring: Supercharged Worldwide in ’25 Australian tour will kick off on Sunday, May 4 in Adelaide, heading onto Melbourne and Sydney, and closing out on Wednesday, May 14 in Brisbane.
In a statement before its release, Dexter Holland revealed that Supercharged was recorded in Maui, Vancouver and the group’s home studio in Huntington Beach with legendary producer Bob Rock (Metallica, Bon Jovi). “I feel like this is the best we have ever sounded! We’ve been rocking out and headbanging to it for months! And we can’t wait for you guys to hear it!” he said.
Skillet’s John Cooper has a good sense of humor about some of the hard lessons he’s learned about the music business in nearly three decades as a musician. The outspoken, gregarious singer, fresh off the release of a new album (Revolution) and a European tour, laughs heartily when asked what lessons he wish he learned early his career.
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“I would go back to my younger self and say, ‘They call it the music business for a reason,” he tells Billboard’s Behind the Setlist podcast. “That part — ‘business’ — actually matters. Because when you first start — I mean, I don’t know if everybody’s like this, but I certainly was like, ‘No, no, it’s not a business, it’s art. It’s no business involved. It’s just what I want to sing about. It’s all about me and my feelings and my artwork, and I’m never gonna let anybody bastardize my art.’ And you just end up making a bunch of dumb decisions because you don’t realize that, yes, it is about art, but you still got to pay bills. And you’re in the van in the middle of the night — if anybody’s in a band out there, they’re going to know what I’m talking about — you’re driving the van, and all of a sudden you feel something. You look out the side as you’re driving and you see one of the wheels from the trailer going past you [and] it flies off in the middle of the night. And I’m sitting there going, ‘I don’t care. It’s all about my art.’ That’s not real! You’ve got to pay for that, man!”
It took Cooper a few years to realize he needed to be more hands-on and not expect others to handle his business the way he wants. “If you want it done right, you have to get involved,” he insists. “That’s not to say [my manager and business manager] didn’t do their job, but they’re never going to do it the way you want it done. And it’s easy to complain about it, but just get your hands dirty.”
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The need to be more involved in the business side of his career “really hit home” early in Cooper’s career when the person preparing his taxes asked to see his taxes for the band’s first four years. “And I said, ‘Well, we lost money for the first four years, so I didn’t turn them in,’” Cooper recalls. “He’s like, ‘Well, you’re gonna pay for that now. You’ve gotta pay a fee for not doing it right.’ And so I would go back and just say [to my younger self], ‘Hey, yes, it’s about the art, but you can’t be a moron. You’ve got to grow up.’”
Over time, Cooper has learned the business side of music from a variety of people, including a manager that arrived six years into his career and his business manager. He also took inspiration from Mötley Crüe bass player Nikki Sixx, who Cooper says “understood it’s about art, but you got to take care of your business. You want to be around for 30 years? You better get it in gear, son!”
The lessons Cooper learned will help now that Skillet is independent and self-releasing its music. After nearly two decades with Atlantic Records — 99% of which was positive, Cooper says — the band released Revolution on its own Hear It Loud imprint. While Atlantic Records helped Skillet find mainstream success (“Awake and Alive” reached No. 1 on the Billboard Active Rock chart in 2011) there was more bureaucracy than Cooper would have preferred. “A lot of red tape,” he says. “A lot of people having to approve the songs.” Now, Skillet now has greater creative control and can release music more frequently.
“We wrote 11 songs for this record, and I loved it,” he says. “I loved making the project. It was so much fun. We wrote, recorded and released this album in 13 months. And I’ll tell you what, it was so fun, and I love the music.”
Listen to the entire interview with Skillet’s John Cooper using the embedded Spotify player below, or go to Spotify, Apple Podcasts, iHeart, Amazon Music, Podbean or Everand.
My Morning Jacket announced on Wednesday morning (Jan. 15) that their 10th studio album, Is, will be released via ATO Records on March 21. The group’s first new full-length LP in more than three years was produced by Grammy-winner Brendan O’Brien (Bruce Springsteen, Pearl Jam).
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The Louisville-bred group that has typically self-produced their albums in the past mostly recorded Is at Henson Recording Studios in Los Angeles with O’Brien. Lead singer/guitarist Jim James — who has produced or co-produced all of their studio albums since 1999 — explained in a statement that their interest in working with the acclaimed producer came from a “newfound willingness to open up their process and involve an outside creative force.”
“Up until now I’ve never been able to let go and allow someone else to steer the ship,” James said in the statement. “It almost felt like an out-of-body experience to step back and give control over to someone who’s far more accomplished and made so many more records than us, but in the end I was able to enjoy the process maybe more than I ever have before.”
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The first fruits of those efforts is available now via the gauzy lead single “Time Waited,” which dropped on Wednesday along with a Danny Clinch-directed video. The impressionistic clip from the photographer/director known for his work with the Foo Fighters and Pearl Jam features a mix of performance footage and floating flowers with archival photos from throughout the band’s quarter-century-plus history.
“I made a loop of that piano intro and listened as I went for a walk, and all these melodies started coming to me,” said James about the song that was inspired by a sample of a piano part the singer found on pedal steel master Buddy Emmons’ classic 1969 Emmons Guitar Inc. album.
“For a long time, I didn’t have lyrics, but then I had a dream where I was in a café and a song was playing, and the lyrics to that song became the lyrics to ‘Time Waited’ – the melodies just fit perfectly,” he added. “And the lyrics are about how flexible time is, how we can bend and warp time, especially if we are following our hearts, the universe and time itself can flow to work with us.”
“Well they say time waits for no one dear/ And it takes near death to show one, yeah/ But time waited… for you and me,” James sings over a hypnotic piano and gentle drums in the first verse before the track expands into one of the group’s patented psychedelic pop slow-burns.
According to the release, before teaming up with O’Brien for the sessions for their follow-up to 2021’s self-titled ninth album, they had recorded more than 100 demos to land on the final 10 that made the cut.
The final list includes: “Out in the Open,” “Half a Lifetime,” “Everyday Magic,” “I Can Hear Your Love,” “Time Waited,” “Beginning From the Ending,” “Lemme Know,” “Squid Ink,” “Die For It” and “River Road.”
“It feels really great to have a collection of songs we all love this much, and to know that we worked as hard as we possibly could on them,” James said. “Hopefully those songs will be helpful to people and give them some kind of peace as they try to deal with the insanity of the world – because that’s what music does for me, and doing the same for others is always my greatest dream come true.”
The band also said they will announced tour dates in support of the album soon. Before that, they will head down to Florida for the next edition of their three-night My Morning Jacket’s One Big Holiday festival at Miramar Beach’s Seascape Resort from April 3-5.
Watch the “Time Waited” video and check out the band’s album announcement below.
Dream Theater‘s Mike Portnoy recently ventured into unexpected territory by reimagining the drumming on Taylor Swift’s chart-topping pop anthem “Shake It Off.”
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As part of Drumeo’s popular First Time series, the legendary prog-metal drummer approached Swift’s infectiously upbeat track with his technical brilliance, creating a fascinating hybrid of pop and prog.
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After hearing a snippet of the song—stripped of its original drum tracks—Portnoy immediately immersed himself in crafting his own interpretation, quipping, “My daughter is going to get a kick out of this … It sounds like something out of Disneyland Japan or something.”
While figuring out how to approach the song, Portnoy commented on its unconventional structure: “It’s like Bob Dylan. It’s all verses, it doesn’t change keys. I don’t even know what to write. I’m just going to jam to it, I guess.” Despite the challenges, he powered through, delivering an impressive interpretation filled with his rhythmic flair.
Despite the playful mismatch of styles, Portnoy maintained his admiration for Swift, adding, “Taylor, I’m really sorry. I still would play with you in a heartbeat, but I wouldn’t do that [drum pattern].”
The unexpected crossover comes as Portnoy gears up for a major moment in his own career. Dream Theater—the iconic prog-metal band he co-founded in 1985 with John Petrucci and John Myung—is preparing to release their highly anticipated album Parasomnia on Feb. 7.
It marks the first record featuring Portnoy since his 2009 departure following Black Clouds & Silver Linings, and subsequent return in late 2023.
“There is so much shared history between us all… so many memories, so much music… to think we’re coming up on 40 years since this journey began!” Portnoy said. “The idea of creating new music together is so exciting and I absolutely cannot wait to hit the road and get to play live for a whole new generation of fans that weren’t ever able to see this lineup before…There’s no place like home!!”
Taylor Swift, meanwhile, continues to shatter records in her own right. Her Eras Tour concluded in December 2024 as the highest-grossing tour of all time, earning $2.2 billion.
Swift also made waves with The Tortured Poets Department, which debuted at No. 1 on the Billboard 200 chart, spent a career-best 17 weeks at the top, sold 2.61 million equivalent album units in its first week.
You can watch Portnoy tackle Taylor Swift’s “Shake It Off” here.
Ringo Starr is heading down South while simultaneously giving a little help to his friends in the West. As announced Tuesday (Jan. 14), the former Beatle’s upcoming concert special at Nashville’s Ryman Auditorium will air this spring on CBS and Paramount+, with some of the proceeds benefiting wildfire relief amid the ongoing crisis in the Los Angeles area.
Titled Ringo & Friends at the Ryman, the two-hour special will find Starr performing songs from his new country album, Look Up, which arrived Jan. 10. He’ll be joined by a star-studded list of friends on stage, including Billy Strings and Molly Tuttle — both of whom collaborated on the drummer’s new LP — as well as Sheryl Crow, Rodney Crowell, Mickey Guyton, Emmylou Harris, Sarah Jarosz, Jamey Johnson, Brenda Lee, Larkin Poe, The War and Treaty, and Jack White.
Beyond the selections from Look Up, Starr and his cohorts will also reimagine tracks such as “Boys,” “Act Naturally,” “With a Little Help From My Friends,” “Yellow Submarine,” “Don’t Pass Me By” and “It Don’t Come Easy” with a country twist. Plus, the rock icon will delve into his life and career as his guest stars reflect on their own personal memories of his influence in the special.
Proceeds from the show will go toward the American Red Cross supporting people affected by the fires devastating L.A. County. In the past week, numerous blazes have broken out in the area — starting in Pacific Palisades followed by Eaton and Hurst — displacing tens of thousands of residents from their homes and burning countless structures. At least 24 people have been reported dead, according to CNN.
Starr’s taping is set for Tuesday and Wednesday (Jan. 15), marking just the latest of six total times the musician has performed at the famed Nashville venue. While speaking to Billboard about his new album and the special earlier this month, he said, “The Ryman means a lot to my soul, because most of the acts that I was following [growing up] were at the Ryman.”
“It is always a thrill to play the Ryman and this time we are going country!” Starr added in a release. “I’m excited to hear my songs done in a country vein and to play with this incredible group of musicians. It will be two nights of peace, love and country music.”
When you love the place you live, you keep it in your heart, even if that place isn’t there anymore. That was the monumental task for Dawes singer Taylor Goldsmith and brother drummer Griffin Goldsmith when they performed “Time Spent in Los Angeles,” a 2011 homage to their hometown, on Jimmy Kimmel Live! on Monday night (Jan. 13).
The emotional, stripped-down take on the song from the band’s Nothing Is Wrong album came less than a week after Taylor lost his home studio and most of the band’s musical gear and equipment and Griffin’s home in Altadena burned to the ground in one of the biggest wildfires still burning in Los Angeles.
Sitting on a chair and strumming an acoustic guitar, Taylor sang the tune’s melancholy opening lines, “These days my friends don’t seem to know me/ Without my suitcase in my hand/ Where I am standing still/ I seem to disappear,” as an image of a “Welcome to Altadena” postcard flashed behind them.
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As they played, images of firefighters battling the blazes, displaced Angelenos assessing the damage and the unimaginable destruction caused by the Santa Ana wind-fueled conflagrations rolled behind them, with Taylor, his eyes shut tight, singing, “But you got that special kind of sadness/ You got that tragic set of charms/ That only comes from times spent in Los Angeles/ Makes me wanna wrap you in my arms.”
The performance was in support of MusiCares, which, in coordination with the Recording Academy has launched the Los Angeles Fire Relief Effort to support musicians impacted by the crisis. In an Instagram post before the appearance, they wrote, “In an incredibly dark time, @jimmykimmellive has asked us to come sing a song about the city we love tonight. It’s not a joyous occasion for music, but hopefully a cathartic one amidst all this chaos.”
In an earlier post featuring images of the ashen remnants of their homes and properties, Griffin wrote, “It’s impossible to express how much we’re feeling right now. We’ve lost everything. 8 years of memories made in our house. 20 years of gear. My wife @quintessentiallykit was applying the finishing touches to the nursery for our baby boy who’s due in a few weeks. She had, throughout the years, poured her heart and soul into making the property a literal piece of paradise.”
He continued, “Anyone who had the chance the visit can attest. We often would say to each other ‘I want to live together in this house for the rest of our lives’. We had convinced our whole family and closest friends to join us in Altadena. Our parents were around the corner. They lost their house as well. Taylor and [wife] Mandy [Moore] are just down the street. Kit’s best childhood best friend Chelsey and her husband Michael live about six blocks away. Wylie and his wife Clara are two blocks from us. Our first crew member and very old friend, Jake, and his wife Andy are just down the street. All of these houses are gone. The thing we mourn the most is the loss of the community.”
Last week, Moore posted about fleeing the fires that have raged across the L.A. region for the past week, grateful that she and her family were able to make it out safely, while mourning the destruction of her children’s school, friends and family who lost everything and the unimaginable toll on their beloved city of Altadena, which has been decimated by the Eaton Fire. To date, that blaze has burned more than 14,000 acres and killed 16 people while only being 33% contained at press time, even as officials warn of another round of fierce windstorms in the days ahead; to date the fires have killed at least 24, with officials saying the death toll could rise once they are able to assess the damage.
A number of resources are available for those who have lost their homes or need assistance in other ways. The MusiCares and the Recording Academy Los Angeles Fire Relief Effort will help music professionals impacted by the crisis, with a combined pledge of $1 million to kick off the efforts. People who have worked in the music industry for more than five years may qualify for immediate assistance, including up to $1,500 in financial aid and $500 in food vouchers.
Monday night’s Kimmel! was the show’s first after a week off in the midst of the fires that have become the most destructive in the state’s history. Host Jimmy Kimmel opened the show with an emotional monologue about the impact of the fires on his staff and fellow Angelenos, verging on tears as he praised the brave firefighters who have been working around the clock to save lives and property. Kimmel has opened an L.A. fire resource donation center on the backlot of his shot to gather essential items for those displaced by the fires.
Watch Dawes on Kimmel below.
Metallica is using their platform to give back to communities within Los Angeles that have been affected by the catastrophic fires across the city. The band’s philanthropic foundation, All Within My Hands, is granting $500,000 to relief efforts carried out by the California Community Foundation’s Wildfire Recovery Fund and the Pasadena Community Foundation’s Eaton Canyon […]