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Disturbed singer David Draiman is down with the nuptials. The 52-year-old hard rock singer popped the question to girlfriend model Sarah Uli during a surprise moment at his band’s Disturbed: The Sickness 25th anniversary concert in Sacramento, CA on Friday night (May 9). During the show at the Golden 1 Center honoring the band’s landmark […]
Pearl Jam have released a new four-track collection of songs connected to The Last of Us franchise, tying together their long-running relationship with the acclaimed video game series and its HBO adaptation.
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The EP includes studio cuts, a live performance, and a reworked fan favorite, and arrives with an exclusive vinyl edition available only to Ten Club members.
The tracklist features the original studio version of “Future Days” from 2013’s Lightning Bolt, as well as “All or None” from Riot Act (2002). On the flip side of the vinyl pressing, fans will find a new live version of “Future Days,” recorded at the 2024 Ohana Festival, and a reimagined take on No Code’s “Present Tense,” titled “Present Tense (Redux).”
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“Future Days” has become deeply embedded in the lore of The Last of Us. In The Last of Us Part II, Joel plays the song for Ellie in one of the game’s most emotional scenes, and it reappears throughout the storyline as a symbol of connection and loss.
That moment was first brought to life outside the game in 2020, when Eddie Vedder performed “Future Days” live at The Game Awards as a tribute to the game’s impact.
In season two of HBO’s The Last of Us, the song makes a quiet return. In episode five, Ellie picks up a guitar inside a Seattle theater and softly sings the first line of “Future Days,” the moment mirroring a pivotal scene from the video game The Last of Us Part II, where Joel plays the full song for Ellie in a flashback.
The compilation is available now on all major streaming platforms. A limited edition 12-inch vinyl version has also been released through Pearl Jam’s official site, but is exclusive to registered members of The Ten Club.
This release lands in the middle of Pearl Jam’s 2025 global tour in support of their twelfth studio album Dark Matter, which debuted at No. 5 on the Billboard 200. The band’s current run includes appearances across North America and Europe, and has already featured standout moments, including a performance of “Black” in Nashville with Peter Frampton.
When Metallica hit the stage at Lane Stadium on May 7, it wasn’t just another stadium show, it became a scientifically confirmed minor seismic event.
As the opening chords of “Enter Sandman” rang out at the show, more than 60,000 fans jumped together, creating enough force to register ground movement. The Virginia Tech Seismological Observatory, located a mile away, detected tremors during the set and later confirmed that the crowd had, quite literally, shaken the earth.
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“Metallica saved ‘Enter Sandman’ for the final song of the night. It did not disappoint, shaking Lane Stadium so hard it registered on the Virginia Tech Seismological Observatory’s helicorder. Nothing compares to experiencing it live, but this multi-camera video shared by the band comes pretty close,” Virginia Tech’s website reported.
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While the tremors posed no danger to the public, the moment quickly earned the nickname “Metallica Quake” across social media. According to the FOX Forecast Center, the seismic activity was too minor to be rated on the Richter scale.
“The magnitude would have been less than 1.0,” said Virginia Tech Seismological Observatory research associate Martin Chapman. “Too small to be felt even a mile away.”
For locals, the track holds deeper meaning. “Enter Sandman” has soundtracked Virginia Tech Hokies football team entrances for years, blasting through the stadium speakers to fire up the crowd.
Virginia Tech Athletics shared the moment online, saying, “Thanks for jumping with us, Metallica! Come back anytime.”
The concert was part of Metallica’s M72 World Tour, which supports their eleventh studio album 72 Seasons. The tour features two-night stops in each city, with no repeated songs across either set. Support acts on this leg include Pantera, Limp Bizkit, Suicidal Tendencies, and Ice Nine Kills.
72 Seasons debuted at No. 2 on the Billboard 200 following its release in April 2023. The set debuted with 146,000 units earned, achieving the largest week by units for any rock or hard rock album in over three-and-a-half years. It also marked the band’s 12th top 10 charting album, of which nine have reached the top two. 72 Seasons also marked the band’s first original album in seven years.
Last month, Metallica also dropped the first trailer for their upcoming fan-focused documentary, Metallica Saved My Life, directed by the band’s longtime collaborator, Grammy-winner Jonas Åkerlund, which will be screened in select cities on the band’s ongoing M72 world tour.
In a statement on April 8, the group wrote, “As a few of you may know, we’ve been working behind the scenes the last couple of years on a new film that will be released later this year starring you guys! Metallica Saved My Life explores our world through the lives of fans who have supported each other through highs, lows, trials and triumphs for over four decades. And yeah, we’re in it a little bit too.”
Behold, a new offering. In the last five years, an enigmatic rock band named Sleep Token has bent metal to its will. Emerging from the pandemic shadows of 2020, the masked group quickly established itself as an amorphous entity, syncing guttural screams with pop melodies, hip-hop drums and reggaetón grooves to the growing curiosity of […]
When you look at the bonkers hard rock roster for the upcoming final Black Sabbath show in Birmingham, U.K. on July 5 at Villa Park, there is definitely one name that is conspicuously absent: Judas Priest. The masters of British leather-and-motorcycle metal simply are nowhere to be found among the head-banging roster of greats lined lined up for the Back to the Beginning show that includes Guns N’ Roses, Metallica, Slayer, Anthrax, Alice in Chains, Pantera, Lamb of God and many more.
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Apparently, there is a very good explanation for their absence, according to singer Rob Halford: they’re double-booked. Speaking to Metal Hammer, Halford explained that his band is slated to join the Scorpions in Hanover, Germany on that date for a 60th anniversary celebration of the German rock group.
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“I had no idea it [the Sabbath show] was happening. It all got announced and was a big deal,” he said of the Scorpions and Priest concert taking place more than 630 miles away from fellow Brummie Ozzy’s show. “Suddenly I get this phone call [from Ozzy Osbourne’s wife and manager Sharon Osbourne], ‘Robbie, I know you’ve got this gig with Scorpions, but could you consider coming over to do a thing with Ozzy and the guys. He’d love to see you.’”
But Halford said as much as he’d like to be on hand for the last run with Ozzy and the gang, trying to pull double-duty would be too difficult. He said Sharon Osbourne even offered to fly him back to Birmingham on the day of the show to make an appearance a la Phil Collins’ legendary Concord flight from London to Philadelphia to play two sets at Live Aid in July 1985.
And though Collins’ whirlwind flights, technically, got him to the U.S. before he left due to the timezones he crossed, Halford said as much as he’d like to double-down he thinks it might be “dangerous… Even with a private plane, there’s a word called ‘technical’, where something could go wrong, or the weather that time of year could cause problems… I was absolutely gutted [to miss the show],” he said.
The Sabbath swan song, which will also be Ozzy’s final solo show, has the 76-year-old metal legend pushing himself to deliver a curtain call worthy of his nearly 60-year career. “I do weights, bike riding, I’ve got a guy living at my house who’s working with me. It’s tough – I’ve been laid up for such a long time,” Osbourne said of his workout regimen to get pumped for his first full set since New Year’s Eve in 2018 in the wake of a series of health issues and surgeries that have laid him low for several years and kept him off stages.
“I’ve been lying on my back doing nothing and the first thing to go is your strength. It’s like starting all over again,” he said. “I’ve got a vocal coach coming round four days a week to keep my voice going. I have problems walking. I also get blood pressure issues, from blood clots on my legs. I’m used to doing two hours on stage, jumping and running around. I don’t think I’ll be doing much jumping or running around this time. I may be sitting down.”
Though Halford will not be on hand, former longtime Priest guitarist K.K. Downing will perform at the show alongside members of Limp Bizkit, Smashing Pumpkins, Living Colour, Megadeth, Halestorm, Faith No More, Sleep Token, Red Hot Chili Peppers, Megadeth, Ghost, Soundgarden and Aerosmith singer Steven Tyler.
“All my mates are going to be there though, great bands and artists,” Halford told Metal Hammer, saying that Downing’s appearance will represent the “spirt” of Priest. “It’s a wonderful and epic moment for Sabbath and heavy metal — it re-emphasizes that Birmingham is where metal came from.”
It’s one thing for the Virginia Tech Hokies to blast Metallica‘s “Enter Sandman” as the football team’s game-day hype song when they take the field at Lane Stadium for home games. It’s quite another thing for the band to play the song on the team’s home field for the first time in front of a […]
Alice in Chains were forced to call off their planned Thursday night (May 8) show at the Mohegan Sun Arena in Uncasville, CT after drummer Sean Kinney fell ill. According to a post on the group’s X feed, “After our soundcheck this evening at the Mohegan Sun Arena, Sean experienced a non-life-threatening medical emergency. We […]
Ahead of the band’s first tour in more than 15 years, Oasis‘ full catalog is now available in Spatial Audio with Dolby Atmos on Apple Music. Grammy-winning engineer Ryan Hewitt was commissioned by the band’s Big Brother Recordings Ltd. label to re-create the mixes from scratch, spending 18 months on the ambitious project. “Honoring the […]
Sam Fender has teamed up with Adolescence director Phillip Barantini on a video for new single “Little Bit Closer.”
The clip, which was shot in the Lake District in the north west of England, follows Owen Cooper — who played Jamie Miller in the Netflix drama — and a group of friends on a trip to the Lakes, where Cooper’s character contemplates questions of faith.
Lifted from February’s People Watching LP, the track itself sees Fender dive deep into his relationship with religion, depicting the emotional complexities of growing up in the Christian faith.
Fender previously collaborated with Barantini back in 2021, working alongside him and fellow Adolescence star and co-writer Stephen Graham for the video to stirring single “Spit of You.” In a press release, he said, “It’s so great to be working with Phil [Barantini] again, I had no doubt he was the right director for this piece, his video for ‘Spit of You’ was my favorite.
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“Phil called to say he’d asked Owen if he’d like to be in the video, and that Owen was keen,” he continued. “I was elated that he could do it after seeing his incredible performance in Adolescence. Alongside Semera Khan [Creative Director] and the rest of the cast and team, they have created something beautiful.”
Barantini added: “To have the opportunity to direct another video for Sam was an immediate yes — an absolute no-brainer for me! Not only is Sam an incredible artist but he’s a beautiful human and a great friend! Also, the opportunity to direct Owen again so soon after Adolescence was an absolute joy!”
Adolescence took the U.K. by storm when it hit screens earlier this year; upon release in March, episode one pulled the largest ever audience for any streaming TV show in the country in a single week. The four-part series, which explores complex issues such as toxic masculinity and the dangers of online radicalization, is set to be made freely accessible to secondary school pupils through a partnership between Netflix and the Into Film+ streaming service.
Speaking to Billboard U.K. in April, Barantini discussed the show’s ongoing impact and the vital discussions it has encouraged in recent months. “I always wanted [Adolescence] to be a conversation starter, or certainly for people to take different things away from it and have their own experience with it,” he said.
“There was definitely that feeling when we were on set,” he continued. “When we screened it to people, the audience were having the same reaction, but I did not think for one second it would be doing what it’s doing and still continues to do.”
Fender, meanwhile, has had a banner year so far. People Watching took the No. 1 spot on the Official Albums Chart upon release with 107,000 units sold across physicals and streaming. He becomes the first British solo artist to surpass 100,000 sales in an opening week since Harry Styles’ Harry’s House in 2022. He then scooped the alternative/rock act going at the BRIT Awards in March, and is now gearing up for a run of U.K. headline stadium shows this summer with dates in London and Newcastle.
After 61 years, The Song is Over for rock titans The Who. On Thursday (May 8) the band announced they’ll play their final run of shows in North America this coming August and September as part of a farewell tour. The announcement was made by guitarist Pete Townshend at a press conference in London with singer Roger Daltrey appearing via video link.
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The tour – named after their 1971 song “The Song is Over” – kicks off in Newark, N.J. on Aug. 19 and runs through major cities including New York City, Boston, Toronto, Los Angeles and more. See the full run of shows below. The band has not announced any further shows outside of the U.S. and Canada at this time.
Tickets will be available through The Who Fan Club, beginning May 13. Additional presales will run throughout the week ahead of the general sale starting May 16 at 10 a.m. local time. See the full information here.
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“Well, all good things must come to an end,” Townshend said in a statement. “It is a poignant time. For me, playing to American audiences and those in Canada has always been incredible.”
“The warmth and engagement of those audiences began back in 1967 with hippies smoking dope, sitting on their blankets and listening deeply and intensely. Music was everywhere. We all felt equal,” he continued. “Today, Roger and I still carry the banner for the late [drummer] Keith Moon and [bassist] John Entwistle and of course, all of our longtime Who fans.”
Daltrey added, “Every musician’s dream in the early 60’s was to make it big in the U.S. charts. For the Who, that dream came true in 1967 and our lives were changed forever. The warmth of the American audiences over the years have been inspirational to me, and reflect the feeling I remember getting after hearing the first rock records coming across the radio. Musical freedom! Rock gave us a feeling of generational rebellion.”
“To me, America has always been great. The cultural differences had a huge impact on me, this was the land of the possible,” Daltrey continued. “It’s not easy to end the big part of my life that touring with The Who has been. Thanks for being there for us and look forward to seeing you one last time.”
Daltery, Townshend and Entwistle first performed live together as The Detours in 1962, and officially became The Who in 1964, with drummer Moon completing the classic lineup in May of that year. They toured primarily in the U.K. and Europe and first hit the U.S. in 1967 to support their third LP The Who Sell Out.
Their hell-raising tours continued with the releases of rock operas Tommy (1969) and Quadrophenia (1973). Their 1970 live collection Live at Leeds is widely considered one of the defining live rock albums of its era.
This isn’t the first time that The Who have announced a ‘farewell tour.’ In 1982 the band played a final run of shows in the U.K. and North America and immortalised the show with live album Who’s Last. They reunited for short performances at Live Aid in 1985 and 1988, and a year later in 1989, the group reunited for a 50-show tour.
In 2015, The Who’s 50th anniversary tour was dubbed as a “long goodbye” by Daltrey and saw them play 70 shows in Europe, North America and Asia. Between 2019 and 2021, the band toured their 2019 album WHO, their first in 13 years.
The news follows a recent concert at London’s Royal Albert Hall which saw longtime drummer Zak Starkey, son of Ringo Starr, sacked from the group for his performance. After a brief period of uncertainty, Starkey was reinstated with Townshend saying, “There have been some communication issues, personal and private on all sides, that needed to be dealt with, and these have been aired happily.
The Who ‘The Song is Over’ North American Tour Dates
Aug. 19 – Newark, NJ @ Prudential Center
Aug. 21 – Philadelphia, PA @ Wells Fargo Center
Aug. 23 – Atlantic City, NJ @ Jim Whelan Boardwalk Hall
Aug. 26 – Boston, MA @ Fenway Park
Aug. 28 – Wantagh, NY @ Northwell at Jones Beach Theater
Aug. 30 – New York, NY @ Madison Square Garden
Sept. 2 – Toronto, ON @ Budweiser Stage
Sept. 4 – Toronto, ON @ Budweiser Stage
Sept. 7 – Chicago, IL @ United Center
Sept. 17 – Los Angeles, CA @ Hollywood Bowl
Sept. 19 – Los Angeles, CA @ Hollywood Bowl
Sept. 21 – Mountain View, CA @ Shoreline Amphitheatre
Sept. 23 – Vancouver, BC @ Rogers Arena
Sept. 25 – Seattle, WA @ Climate Pledge Arena
Sept. 28 – Las Vegas, NV @ MGM Grand Garden Arena