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You may not always be able to sing them at work in full voice, but over the past half century Saturday Night Live has given us some of the most hilarious, surprisingly tuneful (and often NSFW) musical shorts and original comedy tunes in TV history.
From second season cast member Bill Murray’s smarmy Nick the Lounge Singer’s groovy original Star Wars theme song to Eddie Murphy’s dead-on impersonation of soul legend James Brown and Adam Sandler’s seasonal classic “Hanukkah Song” and howling Opera Man bits, the sketches work because — as former cast member Maya Rudolph said in one of the recent anniversary specials — “when you can really sing, that’s when you’re the funniest.”
Plus, when you really, really love the music you’re spoofing, it shows, as in the legendary “More Cowbell” sketch and, of course, Justin Timberlake and Andy Samberg’s ribbon-rung new jack surprise, “D–k in a Box.” Whether they’re parody songs, topical tunes or just left-field jams about crypto currency or airport sushi, the show has always found a way to balance earworm singability with LOL lyrics.
In the recent Questlove-directed Ladies & Gentleman… 50 Years of SNL Music primetime special, Rudolph — an accomplished vocalist herself, and daughter of legendary soul singer Minnie Riperton — explained that Murphy’s eerily spot-on version of Stevie Wonder was so perfectly funny, “not because he’s dressed as Stevie Wonder… it’s funny because he’s pulling off the musicality of Stevie Wonder.”
Parody songs and original musical bits have been a part of the show’s fabric since the Not-Ready-For-Primetime-Players debuted on Oct. 11, 1975 with a cast including future legends Chevy Chase, Laraine Newman, Dan Akroyd, John Belushi, Jane Curtin, Garrett Morris, Gilda Radner and others. But the volume, quality and virality of the show’s for-laughs songs have rocketed to new heights over the past 20 years thanks to a string of stone cold killer tunes from the Samberg-led writing/producing trio The Lonely Island.
Their roster of must-pass-around bits are among the modern era’s most beloved, including such chart-worthy ditties as “Lazy Sunday” — the first SNL digital short to blow up on a then-nascent YouTube — to “Motherlover,” “Jizz in My Pants,” “I’m on a Boat” and “I Just Had Sex.”
The trio’s golden ear for musical comedy gold has continued to keep SNL buzzing in our ears as recent casts have added in such modern marvels as “Murder Show,” “Yolo” and “This is Not a Feminist Song,” as well as former writer and frequent guest host John Mulaney’s bonkers off-Broadway-worthy musical extravaganzas. And if you missed A Complete Unknown star Timothée Chalamet’s 2020 ode to his favorite miniature mount, “Tiny Horse,” the first time — saddle up, it’s a whole ride.
Though the list of our favorites is way longer — and you won’t find any of Belushi’s iconic Blues Brothers bits here, because they featured covers of classic blues songs, not originals — here are our 50 favorite SNL original songs/musical shorts ever, as we prepare for the all-star prime-time SNL 50 special on NBC airing this Sunday (Feb. 16).
“Hotline Bling Parody”
Sum 41 singer Deryck Whibley offered up his sincerest apologies to the pop punk band’s Australian fans in a video posted this week after the group were unable to play what were slated to be the final-ever shows Down Under in December due to his illness. “This is the part that I hate… The fact […]
Kendrick Lamar hid a bunch of Easter eggs in his historic Super Bowl LIX halftime show. But there’s one little nod you may have missed, but Paramore‘s Hayley Williams sure didn’t. The rocker slipped into the comments on the Instagram feed of Good Dye Young earlier this week to jump for joy after see that […]
Oasis frontman Liam Gallagher has made his stance on the Rock and Roll Hall of Fame crystal clear following the band’s latest nomination, calling the institution “for wankers” in a blunt social media post.
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The Britpop icon reacted to the news after Oasis was named among the 2025 nominees, joining a list that includes New Order, Cyndi Lauper, The White Stripes, Mariah Carey, Bad Company, Chubby Checker, Outkast, Maná and the late Joe Cocker.
“RNR hall of fame is for WANKERS,” Gallagher posted on X under a flyer of the list of nominees on Feb. 12. He didn’t hold back when responding to a fan who asked what he’d do if Oasis were inducted, cheekily replying, “Obv go and say it’s the best thing EVER.”
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This isn’t the first time Gallagher has taken aim at the Rock and Roll Hall of Fame. When Oasis was nominated last year, he dismissed it entirely, writing, “F*** the Rock n Roll hall of fame its full of BUMBACLARTS LG.” He also told fans not to “waste your time” voting, calling the whole process “a load of bollox.”
Gallagher doubled down in a 2024 interview, scoffing at the Hall of Fame’s inclusions. “As much as I love Mariah Carey and all that, I want to say: do me a favour and f*** off,” he told The Sunday Times. “It’s like putting me in the rap hall of fame, and I don’t want to be part of anything that mentally disturbed. Besides, I’ve done more for rock n’ roll than half of them clowns on that board.”
Like The White Stripes, Oasis seemed like a strong contender upon its first nomination in 2024 but didn’t make the cut. This time, their odds look better after announcing their highly anticipated reunion tour, which sparked near-Taylor/Beyoncé-level demand.
With the possibility of their first new music in over 15 years, Oasis stands out as one of the most likely inductees in the 2025 class—if Gallagher is willing to accept the honor.
Gallagher also recently found himself at the center of controversy surrounding Oasis’ reunion shows after Ticketmaster’s decision to cancel thousands of resold tickets.
On Monday (Feb. 10), Billboard reported that fans had indeed begun to see their tickets being cancelled, with Ticketmaster getting in touch with some ticket holders to inform them that their tickets have been refunded. Ticketmaster’s message to these ticket holders claimed that “it has been identified that bots were used to make this purchase,” meaning they “violate the tour’s terms and conditions.”
With some fans venting their anger on social media, one X user named Karen Kelly reached out to Gallagher, asking “Liam what do you think of the ticket situation? Thinking fans are bots and getting their money returned?”
The rocker was less than sympathetic when asked about the situation, writing, “I don’t make the rules. We’re trying to do the right thing. It is what it is, I’m the singer. Get off my case.”
Oasis’ Rock Hall nomination comes as anticipation builds for their reunion tour, which marks the first time Liam and Noel Gallagher will share a stage in over a decade.
In an increasingly expensive touring market, $50 has come to seem like a reasonable amount to pay for a night of live music. And when that ticket gets you into a 575-capacity venue in New York City to see Sir Paul McCartney? Well, it just might be the deal of a lifetime.
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Midday Tuesday (Feb. 11), it was revealed that the Beatle would perform a last-minute underplay at Manhattan’s peerless Bowery Ballroom that very evening – with tickets only available at the box office. Even with the in-person purchase requirement and a one-ticket-per-person limit, the show sold out in approximately 30 minutes.
Certainly more accustomed to playing to tens of thousands in stadiums than several hundred people in a dark Manhattan club, McCartney has been at this long enough (The Beatles first played America 61 years ago) that it’s hard to imagine any crowd fazing him. At this point, the same goes for his core backing band (Wix Wickens, keyboards/musical director; Abe Laboriel Jr., drums; Rusty Anderson, guitar; Brian Ray, guitar and bass), who have been providing unflappable support since the early ‘00s. Additionally, the Hot City Horns (who first joined McCartney during his Grand Central Station pop-up in 2018) rotated in and out to provide punchy backing on “Jet,” “Got to Get You Into My Life,” “Lady Madonna” and other classics. McCartney warned the audience that his band hadn’t had much time to rehearse, but you wouldn’t have known – only during a quickie jam session on Jimi Hendrix’s “Purple Haze” did the show sound anything short of meticulously timed, but there’s nothing wrong with flirting with a bit of chaos during that song anyway.
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Seeing Paul McCartney live remains a bit of a religious experience – tears were shed during “Let It Be,” couples were swaying during “Let Me Roll It” and inter-generational families were singing along during ripping opener “A Hard Day’s Night.” If you’ve been to a McCartney show before, you’re familiar with some of the stories he tells before each song, which he cheekily acknowledged during his mid-song banter: “Have you heard this story? Well, I’m gonna tell it anyway.”
A few of those anecdotes have a sense of newfound relevance. Prior to performing “Mrs. Vanderbilt” (which isn’t always in his setlists), McCartney talked about singing the Wings tune in Independence Square in Kyiv, Ukraine, back in 2008. With a note of sadness, McCartney recalled the concert had a sense of uplifting freedom. “Let’s hope we get back to that,” he said, tipping to Russia’s ongoing war of aggression in the Ukraine.
Prior to his Civil Rights-inspired ode “Blackbird,” McCartney talked about how the Beatles encountered legal segregation in the American south during their first tour of America. “We thought it was just stupid,” he said plainly before sharing the story of how the Beatles forced a Jacksonville, Flor., venue to integrate for their show. It’s a story that he’s told before, but at this moment in American history, we could use a reminder that it makes a difference when artists stand up to governments and courts that stoke racial divisions.
Speaking of the Beatles, McCartney gave “Now and Then” – the Grammy-winning final Fab Four song which came out in 2023 – its American debut Tuesday night, paying tribute to John Lennon after wrapping up the ballad on an upright piano. For a song that started as a Lennon demo in 1977, it’s fitting its first U.S. performance should take place in his beloved adopted home base of New York City.
Macca is in NYC to help Saturday Night Live (a slightly younger pop culture mainstay) celebrate 50 years on Sunday (Feb. 16). Whether his Bowery Ballroom show was a warm-up for a potential SNL performance or simply a chance for him to rock out at a venue where he can enforce a no-phones policy (all cells were bagged at the door) remains to be seen, but on Tuesday evening, it was certainly the best 50-buck investment anyone could make in Manhattan.
02/12/2025
Here’s how we handicap this year’s class of Rock & Roll Hall of Fame nominees and their respective chances of induction.
02/12/2025
Black Crowes‘ frontman Chris Robinson acknowledges, with a laugh, that “I’ve been cynical in the past about institutions” in general — and the Rock and Roll Hall of Fame specifically.
But he’s unreservedly pleased about the band’s first Rock Hall nomination.
“We’re just very excited,” Robinson, who formed the group with younger brother Rich Robinson, drummer Steve Gorman, bassist Johnny Colt and guitarist Jeff Cease in 1989 in the Robinson’s native Atlanta, tells Billboard. “I don’t think we ever really would have thought about it, so for it to be in front of us, it’s incredible. We’re thrilled.
“All sarcasm aside, it’s amazing to be thought of. It’s amazing to be included. We love music, and we understand the real magical, alchemic process in it, and that we’ve managed to still be here this many years later and still be making records and in a lot of ways having a level of recognition and success that we haven’t felt before.
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“Just to be mentioned (alongside) some of the names of the greatest artists, it’s fantastic,” he says of the band’s first nomination.
Robinson is well aware of his May 2017 remarks to SiriusXM’s Howard Stern, when he said he would not attend a Black Crowes’ induction and that “the Rock and Roll Hall of Fame to me is like going to the mall or something.”
“As if an interview with Howard Stern’s a deposition,” Robinson says with another laugh. “I think like anything with age… To say what I’m saying today is sincere. This isn’t one of those situations where I’ll grudgingly, ‘Oh, if we get in, I’ll go…’ If it happens for us, then I’ll be there with bells on my feet.”
The Black Crowes flew out of the box strong, of course, starting with two multi-platinum albums — 1990’s Shake Your Money Maker and 1992’s The Southern Harmony and Musical Companion — and a rash of 16 Mainstream Rock chart hits that includes “Jealous Again,” a rendition Otis Redding’s “Hard to Handle,” “She Talks to Angels,” “Remedy” and “Thorn in My Pride.” The group has released nine studio albums, selling more than 30 million copies worldwide. Its latest, 2024’s Happiness Bastards, was nominated for a Grammy Award for best rock album, losing out to the Rolling Stones’ Hackney Diamonds. “If you’re gonna lose a Grammy, lose it to Mick (Jagger) and Keith (Richards). We were just happy to be included,” Robinson says.
The Crowes have gone through three distinct eras during the band’s career — 1984-2002 and 2005-2015, with the Robinsons regrouping in 2019. More than two dozen musicians have played in the group during that time; in addition to the original lineup, guitarist Marc Ford and the late keyboardist Eddie Harsch are part of the nomination. There has been rancor over the years; Gorman published a revealing memoir, Hard to Handle: The Life and Death of the Black Crowes, in 2019 and subsequently sued the Robinsons for unpaid royalties, in a case that was settled during 2022. Chris Robinson says any amends prior to a Rock Hall induction is a matter for “down the road,” while the current state of the band remains strong.
“I think where our career has led us since Rich and I got back together… I think it just adds to how deeply we’re interested in our career and our band,” he explains.
The Black Crowes are planning a “light” year of performing, Robinson says, and the brothers have already started to write new songs. “We probably have another 20 new songs already, sketches,” he says. “I think Happiness Bastards was kind of the ignition, a very positive step. It was like, ‘Wow, that was fun’ and ‘Wow, now we have some new ideas. I think getting in the studio this spring is something that we feel we want to do. It’s very exciting.”
Robinson, a Los Angeles resident for more than two decades, is also still glowing about the FireAid benefit concert on Jan. 30 at the Kia Forum, where the Black Crowes performed “Remedy” and backed John and Shane Fogerty on Creedence Clearwater Revival’s “Have You Ever Seen the Rain” before the Robinsons teamed with Slash for a rendition of Led Zeppelin’s “Going to California.”
“It was a super, super special event,” Robinson recalls. “Los Angeles gets this rap for being so shallow and vapid and stuff… but it just goes to show the real heart and soul of a place like Los Angeles. That’s what happens when you’re in a show business industry town. That’s where this town is pointed towards. So it was just spectacular.
“And to do it with Slash, who’s a friend but he’s synonymous with the Los Angeles music scene… I thought it was a really nice moment. And Jimmy (Page) saw it and he thought it was great. So, win-in.”
The Class of 2025 will be revealed in late April. That announcement typically details which artists are inducted as performers, which names are entering the Rock Hall in the musical influence or musical excellence categories and who the year’s Ahmet Ertegun award recipient will be. The 2025 Rock & Roll Hall of Fame induction ceremony will take place in Los Angeles this fall.
02/11/2025
The power ballads and rave-ups to best have you swooning this Valentine’s Day.
02/11/2025
Patti Smith is hitting the road this fall to celebrate the 50th anniversary of her iconic debut album, Horses. The singer will be joined by longtime side men guitarist Lenny Kaye and drummer Jay Dee Daugherty, who both played on the seminal 1975 LP that is considered a punk classic and is often cited by R.E.M. singer Michael Stipe as the album that made him want to make music.
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The Patti Smith Group will be joined by longtime keyboardist/bassist Tony Shanahan and the singer’s son and guitarist, Jackson Smith, on the tour slated to kick off on Oct. 6 at the 3Arena in Dublin, Ireland. The outing is then booked to hit Madrid, London, Burssels, Oslo and Paris before moving over to the U.S. for theater gigs in Seattle, Oakland, San Francisco, Los Angeles, Chicago, New York, Boston and Washington, D.C. before winding down on Nov. 29 at the Met in Philadelphia.
“Please join us to help celebrate the final ride of our irreverent thoroughbred,” read a statement announcing the run that will mark the first time in 20 years that Smith, 78, has performed the whole album; she celebrated its 30th anniversary in 2005 a that year’s Meltdown Festival in London, which she curated.
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Smith’s debut album was released on Arista Records on Nov. 10, 1975 and combined the singer’s urgent, vivid poetry with spiky, minimal arrangements that incorporated reggae rhythms with spoken word and propulsive rock energy. The album produced by the Velvet Underground’s John Cale failed to spawn a chart hit, but it is considered one of the founding text of punk rock and has been enshrined in the Library of Congress’ National Recording Registry as a historically significant work.
Before she hits the road, Smith will be feted at a March 26 all-star concert at New York’s Carnegie Hall, “People Have the Power: Celebrating the Music of Patti Smith,” which will feature appearances by Stipe, former Sonic Youth guitarist Kim Gordon, the National singer Matt Berninger, the Yeah Yeah Yeah’s Karen O, Sharon Van Etten, the Kills’ Alison Mosshart, the Kronos Quartet, Ben Harper, Courtney Barnett, Angel Olsen and others.
Last month, Smith assured fans that she was okay after collapsing on stage in São Paulo, Brazil on Jan. 29. “This is letting everyone know that I am fine,” the singer wrote on Instagram along with a selfie in which she was smiling and waving at the camera. “A grossly exaggerated account is being spread by the press and social media. I had some post migraine dizziness. Had a small incident, left the stage, and returned 10 minutes later and talked to the people, told them I was fine and sang them Wing and Because the night.”
The health scare came a month after Smith was ordered by a doctor to rest following a brief stay in an Italian hospital to deal with what was described as a sudden, unnamed illness, resulting in the cancellation of a pair of European shows.
Tickets for the Horses tour will go on sale on Friday (Feb. 14) at 10 a.m. local time, with a pre-sale slated to kick-off on Wednesday (Feb. 12) at 10 a.m. local time; click here for details and check out the full list of dates below.
Oct. 6 – Dublin, Ireland @ 3ArenaOct. 8 – Madrid, Spain @ Teatro RealOct. 10 – Bergamo, Italy @ ChorusLife ArenaOct. 12 – London, U.K. @ London PalladiumOct. 13 – London, U.K. @ London PalladiumOct. 15 – Brussels, Belgium @ Cirque RoyaleOct. 16 – Brussels, Belgium @ Cirque RoyaleOct. 18 – Oslo, Norway @ Sentrum SceneOct. 20 – Paris, France @ L’OlympiaOct. 21 – Paris, France @ L’OlympiaNov. 10 – Seattle, WA @ Paramount TheatreNov. 12 – Oakland, CA @ Fox TheatreNov. 13 – San Francisco, CA @ The MasonicNov. 15 – Los Angeles, CA @ Walt Disney Concert HallNov. 17 – Chicago, IL @ The Chicago TheatreNov. 21 – New York, N.Y. @ The Beacon TheatreNov. 22 – New York, N.Y. @ The Beacon TheatreNov. 24 – Boston, MA @ The Orpheum TheatreNov. 28 – Washington D.C., The AnthemNov. 29 – Philadelphia, PA @ The Met
New York Dolls co-founder and punk icon David Johansen has revealed that he is battling a brain tumor and stage four cancer. The news came via a Sweet Relief Fund in his name seeking to raise money for the singer’s ongoing care in which his daughter, Leah Hennessey, revealed the extent of her 75-year-old father’s health issues.
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“Five years ago at the beginning of the pandemic we discovered that David’s cancer had progressed and he had a brain tumor,” Leah wrote. “There have been complications ever since. He’s never made his diagnosis public, as he and my mother Mara are generally very private people, but we feel compelled to share this now, due to the increasingly severe financial burden our family is facing.” She noted that in a further blow, the singer known for his outrageous, high-energy stage persona, fell down a flight of stairs after Thanksgiving and broke his back in two places.
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Following a week-long hospital stay and a successful surgery, Leah said her dad has been bedridden and incapacitated since then and “due to the trauma, David’s illness has progressed exponentially and my mother is caring for him around the clock.” Given the multiple health crises, Leah said that in order to continue treatment and give her dad the best chance at a full recovery he will need full-time assistance.
“As hilarious and wise as David continues to be, he is physically debilitated and his care exceeds what we are capable of providing without specialized professional help,” she wrote, adding, “David has worked continuously as a singer and actor for the better part of six decades, to the delight of his fans all over the world. However for the past five years, David has been unable to work as a performer. “
The non-profit Sweet Relief Musicians Fund was initially founded by singer Victoria Williams in 1994 to help her pay medical bills after a multiple sclerosis diagnosis and has since grown into a 501 (c)(3) that has helped raise funds for professional musicians in need of health or financial assistance.
In a statement, Johansen said, “We’ve been living with my illness for a long time, still having fun, seeing friends & family, carrying on, but this tumble the day after Thanksgiving really brought us to a whole new level of debilitation. This is the worst pain i’ve ever experienced in my entire life. I’ve never been one to ask for help but this is an emergency. Thank you.”
The organization’s executive director, Aric Steinberg, added in a statement, “Our Directed Artist Funds can provide a meaningful solution when the community rallies around the recipient, and we anticipate that David’s community will be eager to help here. His influence on the musical landscape with the New York Dolls is indelible, and his career as an actor and an artist has touched many people around the world. He’s been knocked down but we’re here to help him back up with the help of his family, friends and wider community of supporters.”
The family said that their most immediate needs are for full-time nursing, physical therapy and funding for day-to-day vital living expenses, aimed at helping Johansen regain “some mobility and independence.” Supporters can donate to the David Johansen Fund here, or buy a “luv” shirt benefitting Johansen’s fund here.
Johansen has long been a beloved figure on the New York scene, beginning with his time as the lead singer and provocateur of the gender-bending New York Dolls. That band — which also featured guitarists Johnny Thunders and Sylvain Sylvain, bassist Arthur Kane and drummer Jerry Nolan — emerged from the fertile underground New York rock scene in the early 1970s, releasing a pair of albums in 1973 and 1974 that helped set the template for the punk revolution and, later, inspired the lipstick and Aqua Net late 1980s hair metal scene.
After drugs and weak sales pushed the band’s members apart, Johansen went on to start his own solo band and then reinvent himself in the 1980s as the smarmy lounge lizard Buster Poindexter, through which he explored his love of the blues, jazz, swing and Latin music on such radio hits as “Hot Hot Hot.” He later formed the Harry Smiths, a group dedicated to early folk, blues and country music gathered by music historian Harry Everett Smith in the Anthology of American Folk Music.
In addition to the occasional reunion with the Dolls over the years, Johansen also hosted a freewheeling Sirius satellite radio show, David Johansen’s Mansion of Fun and acted in projects including the HBO series Oz and the movies Scrooged, Let It Ride, Freejack, Mr. Nanny and others.
Johansen was the subject of the 2020 Martin Scorsese and David Tedeschi-directed Showtime documentary feature Personality Crisis: One Night Only, which told the singer’s life story and chronicled one of his freewheeling shows at New York’s Café Carlyle.
“My mother’s favorite acronym for God is ‘Grace Over Drama,’” Leah Hennessey wrote. “Together we have endured crisis after crisis, but with the support of our community we hope to carry on laughing and loving our way through this most trying of times. Thank you for embracing our family, and for your love and generosity.”
Check out some of Johansen’s most beloved moments below.