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Rock

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Alanis Morissette released her take on the holiday classic “Little Drummer Boy” on Friday (Dec. 9) via Epiphany Music/Thirty Tigers.

For her rendition of the song made famous by the Harry Simeone Chorale in 1958, the alt-rock icon adds a flurry of floating harmonies, bell-like synths and the requisite snare drum as she rum-pum-pums her way through her cover of the 1951 yuletide tune. “Little baby, pa-rum-pum-pum-pum/ I am a poor girl too, pa-rum-pum-pum-pum/ I have no gift to bring pa-rum-pum-pum-pum/ That’s fit to give our king pa-rum-pum-pum-pum/ Ru-pu-pum-pum, ru-pu-pum-pum/ Shall I play for you, pa-rum-pum-pum-pum/ On my drum?”

“I played my best for you. #thedrummerboy #happyholidays #feelingitall #loveyou,” Morissette added on Instagram alongside a look at the single’s cover art, which shows her leaning her head on Mary’s shoulder as the Biblical figure cradles baby Jesus on California street lined with palm trees.

In November, Morissette turned down an invitation to perform at this year’s Rock & Roll Hall of Fame induction ceremony, citing what she viewed as the industry’s “overarching anti-woman sentiment” and “disrespect of the feminine in all of us,” which she laid out in a no-holds-barred Instagram Story. (The singer was meant to duet on Carly Simon’s “You’re So Vain” with Olivia Rodrigo, who ended up performing the iconic 1972 kiss-off solo during the ceremony.)

Two months prior, though, Morissette was inducted — by Rodrigo, in fact — into the Canadian Songwriters Hall of Fame along with the likes of David Foster, Bryan Adams, Jim Vallance and francophone legend Daniel Lavoie.

Stream Morissette’s new studio version of “Little Drummer Boy” below.

Phoenix links its third consecutive, and total, No. 1 on Billboard’s Adult Alternative Airplay chart, as “Tonight” climbs to the top of the Dec. 10-dated survey.

The song features Vampire Weekend’s Ezra Koenig, who leads in his first solo appearance on the list. Vampire Weekend as tallied two Adult Alternative Airplay No. 1s, both in 2019.

“Tonight” follows the two-week rules each for Phoenix’s “Alpha Zulu” in August and “Identical” in late 2020. The band first hit the top 10 with “1901” in 2010. It has also scored a top 10 with “J-Boy” in 2017.

Phoenix is the first act to earn three straight Adult Alternative Airplay No. 1s since Cage the Elephant, which snagged three in a row in 2019-20: “Ready to Let Go,” “Social Cues” and “Black Madonna.”

Concurrently, “Tonight” lifts 15-12 on Alternative Airplay, where it’s the band’s highest rank since “Trying to Be Cool” peaked at No. 10 in 2013. The band boasts a top 10 there via “1901” in 2010 and an additional top five with “Lisztomania” later that year.

On the all-rock-format, audience-based Rock & Alternative Airplay chart, “Tonight” jumps 19-13 with 2.4 million audience impressions, up 38%, according to Luminate. The band last ranked that high in 2010, when “Lisztomania” hit No. 5 (its all-time best, “1901,” peaked at No. 3).

“Tonight” is the third single from Phoenix’s seventh album, Alpha Zulu, following “Identical” and the title track. The set was released in November and has earned 20,000 equivalent album units to date.

We’re still two weeks away from Christmas but the gifts keep coming early for music fans with long-awaited albums and surprise singles arriving from their favorite stars. And as always, Billboard wants to know which new release you’re most grateful for this holiday season!

On Friday (Dec. 9), SZA‘s hotly anticipated sophomore album SOS finally arrived after a five-and-a-half year wait. Preceded by lead single “Shirt” and a tease of “Nobody Gets Me,” the studio set follows the recent Billboard cover star‘s smash 2017 debut album Ctrl, which spawned hits like “Drew Barrymore,” “Love Galore” and “The Weekend.”

Then there’s Lana Del Rey, who shocked her fans earlier this week with the surprise announcement of her upcoming ninth album, Did you know that there’s a tunnel under Ocean Blvd. The pop songstress even sweetened the reveal by unveiling the title track — a reflective, choir-backed ballad in the form of her early releases — in all its sweeping, wistful glory.

Polo G and Paramore also released new singles on Friday, with the rapper previewing his forthcoming project set for 2023 with “My All” and the pop-punk stalwarts unfurling “The News” ahead of their comeback LP This Is Why dropping on Feb. 10.

A Boogie wit da Hoodie, meanwhile, shared his combatively titled fourth studio album, Me vs. Myself, which includes collabs with the likes of H.E.R. (“Playa”), Roddy Ricch (“B.R.O. (Better Ride Out)”), Kodak Black (“Water (Drowning Pt. 2)”) G Herbo (“Last Time”) and more.

Vote for the new music you’re loving the most in BIllboard‘s weekly poll below.

Jet Black, one of the co-founders and the original drummer in beloved British new wave/punk band The Stranglers has died at 84. “It is with heavy hearts we announce the passing of our dear friend, colleague and band elder statesman Jet Black,” the band wrote in a statement on Thursday (Dec. 8). “Jet died peacefully at home surrounded by his family. Fond adieu, fly straight JB.”
In a lengthy tribute, the band said that Black (born Brian John Duffy on Aug. 26, 1938 in Essex, England) died on Tuesday (Dec. 6) of unspecified causes. “As the ‘elder statesmen’ of the group, Jet was already a successful businessman in the Guildford area when The Stranglers formed in 1974,” they wrote. “Jet owned a fleet of ice cream vans, one of which, as many fans will fondly remember, was used to tour the UK in the early years. Jet also owned an off licence, the upstairs apartment of which doubled as ‘Stranglers HQ’ in the early days.”

The group credited Black with keeping the beat on 23 top 40 singles in the UK, as well as 19 top 40 albums on the official UK charts thanks to his jazz-influenced style on such beloved hits as “Golden Brown,” “Patches” and “No More Heroes.” Just years after forming, the band became a vital part of the UK punk and new wave scenes, making their bones supporting American punks such as the Ramones and Patti Smith on their UK tours.

The Stranglers’ lone remaining original member, bassist/co-frontman JJ Burnel said, “The welcoming committee has doubled. After years of ill health Jet has finally been released. He was a force of nature. An inspiration. The Stranglers would not have been if it wasn’t for him. The most erudite of men. A rebel with many causes. Say hi to Dave for me.” The band’s former keyboardist/vocalist, Dave Greenfield, died in 2020.

Black retired from touring and performing live with the Stranglers in 2015 due to complications from respiratory issues that had dogged him since childhood and which had caused him to take a series of health-related pauses from touring in the early and mid-200s. “Despite difficulties in performing towards the end of his career, Jet’s charismatic charm resonated with fans who would endlessly chant his name as he took his place at the drums,” they wrote.

In addition to his steady-on drumming, Black also wrote two books about the band’s notorious 1980 arrest in Nice, France for allegedly inciting a riot, 1981’s Much Ado About Nothing and 2010’s Seven Days in Nice.

See the band’s tweet and other tributes below.

RIP Jet Black drummer and co founder of The Stranglers. As young punks we saw them play many times. Jet was always the solid foundation of the band.— Lol Tolhurst (@LolTolhurst) December 9, 2022

The backbone of The Stranglers’ rhythm.Rest in peace Jet Black, drummer and co-founder of pivotal proto-punk band The Stranglers. Thank you for so many classics 🖤 pic.twitter.com/bp820x0VvZ— Rough Trade (@RoughTrade) December 9, 2022

The rumors are true: Mick Fleetwood’s balls are worth a whole lot of money. On Dec. 3 and 4 in Beverly Hills, items from the Fleetwood Mac archives were auctioned off shortly after the death of Christine McVie, with the biggest sale price — $128,000, to be exact — going to the pair of wooden balls sported by the band’s namesake on the iconic Rumours album cover.
The balls were just one (or two, if you want to be precise) of nearly 900 items sold during the sale — which was announced before McVie’s death — hosted by Julien’s Auctions. Mick Fleetwood, Christine McVie and John McVie’s belongings specifically were up for grabs, with the collection spanning used instruments, band memorabilia and nostalgic pieces of clothing.

Fleetwood Mac, “Rumours”

Courtesy Photo

A Thea Porter dress worn by McVie onstage in 1971 went for $31,250, and one of her Hammond organ speakers used on tour was sold for $37,500. The dress she wore on the back cover of Rumours brought in $56,250, while a crow top hat made by Stevie Nicks for Mick earned $16,000.

A portion of the auction’s proceeds were donated to MusiCares, according to the event’s webpage. The organization, run by the Recording Academy, provides health and human services to the music community.

The auction took place just a couple days after Christine passed away Nov. 30 at age 79 following “a short illness,” according to her family. Since her death, both the keyboardist’s former bandmates and artists from all over the world have put out statements mourning her, while Harry Styles performed perhaps her most recognizable song, “Songbird,” at a recent concert in her honor.

“A few hours ago I was told that my best friend in the whole world since the first day of 1975, had passed away,” wrote Nicks in an emotional message on Twitter. “See you on the other side, my love. Don’t forget me.”

The lineups for 2023’s Reading & Leeds Festival was revealed on Friday morning (Dec. 9), with Billie Eilish, The Killers, Imagine Dragons, Foals, Lewis Capaldi and Sam Fender announced as headliners. It will be a return to the top slot for previous headliners the Killers and Foals, while the rest will be making their topline debut; Eilish, 20, will also become the youngest solo artist to headline.

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Other acts revealed on the first poster for the event that will take place from Aug. 25-27 include Wet Leg, Loyle Carner, Steve Lacy, Central Cee, Slowthai, Becky Hills, Lil Tjay, Meekz, Nessa Barrett, You Met at Six, Nothing But Thieves, Baby Queen, Bicep Live, Georgia, Inhaler, Trippie Redd, LF System, MK, Yung Lean, Tion Wayne and Andy C.

The initial poster also reveals that Don Broco, Eliza Rose, Songer, Lovejoy, Chase Atlantic, Declan McKenna, Muna, Shy FX, Songer and The Snuts will be performing as well. Tickets go on sale to the general public on Monday (Dec. 12) here.

Fender could hardly contain his excitement, tweeting, “I first went to Leeds festival 10 years ago as a teenager, me and Deano spent the entire week launching hot dogs out of a gazebo pole at random crowds of lads chanting ‘Yorkshire Yorkshire’. One night I was out cold in my tent from necking a bottle of vodka at Eagles of Death Metal my tent got set alight – some fine young hero from Sheffield pissed out the fire to save me. Thankfully because of that lad whose name I can’t remember, I didn’t perish in the flames, little did he know he’d just saved Reading and Leeds’s 2023 headliner.”

Check out the official poster for the 2023 Reading & Leeds festival and some artist reactions below.

‘Reading and leeds is a ROCK festival what the fuck is Lewis capaldi doing there’ ‘Lewis capaldi isn’t festival material 🤦🏻’ Fuck ye. Dream come true to be one of the headliners for @OfficialRandL next year, see ye there ❤️x pic.twitter.com/IshlXJjyG3— Lewis Capaldi (@LewisCapaldi) December 9, 2022

I first went to Leeds festival 10 years ago as a teenager, me and Deano spent the entire week launching hot dogs out of a gazebo pole at random crowds of lads chanting ‘Yorkshire Yorkshire’. One night I was out cold in my tent from necking a bottle of vodka at… pic.twitter.com/I8uQC2pz9V— Sam Fender (@samfendermusic) December 9, 2022

When Guns N’ Roses come to an arena or stadium near you, there won’t be any chance of Axl Rose’s microphone smacking you in the face.
The reunited rock legends’ front man has pledged to quit throwing his mic into the crowd, a decades-long tradition, after a fan apparently sustained facial injuries when she was hit during a concert in Australia.

According to the Adelaide Advertiser, Rebecca Howe was left with two black eyes and a bloody nose when Rose threw his mic at the completion of their set.

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Following a rendition of the final song “Paradise City,” Rose “took a bow and then he launched the microphone out to the crowd … and then bang, right on the bridge of my nose,” she told the title.

The microphone then reportedly bounced into the hands of another concertgoer.

“My mind went, ‘Oh my God, my face is caved in,” she continued, adding that she was left hyperventilating following the incident, and in a state of “shock”.

Rose heard the story, he saw the photos, and he’ll change the show accordingly.

“It’s come to my attention that a fan may have been hurt at r show in Adelaide Australia possible being hit by the microphone at the end of the show when I traditionally toss the mic to the fans,” he writes in a social post.

“If true obviously we don’t want anyone getting hurt or to somehow in anyway hurt anyone at any of r shows anywhere,” Rose wrote.

Having tossed the mic at the end of show for over 30 years, the singer continued, the band felt “it was a known part” the performance “that fans wanted and were aware of to have an opportunity to catch the mic.”

That said, “in the interest of public safety from now on we’ll refrain from tossing the mic or anything to the fans during or at r performances.”

GNR’s stadium tour down under wraps this Saturday (Dec. 10) at Eden Park in Auckland, New Zealand, the finale of an eight-city swing. TEG Dainty is producing the Australia and NZ leg, which features the classic line-up of Axl, Slash and Duff McKagan, with The Chats, Cosmic Psychos and Alien Weaponry in support.

Tom Petty & The Heartbreakers’ archival release Live at the Fillmore, 1997 debuts in the top 10 across a range of Billboard charts (all dated Dec. 10), including Top Album Sales, Top Current Album Sales, Top Rock & Alternative Albums, Top Rock Albums and Tastemaker Albums. It also launches in the top 40 of the all-genre Billboard 200, arriving at No. 35 — Petty’s 21st top 40 album.

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Also in the top 10 on Top Album Sales: Taylor Swift’s Midnights holds at No. 1 for a sixth consecutive week as it surpasses 1.5 million in U.S. sales while the Cure’s Wish re-enters at No. 4 after its 30th anniversary reissue. Plus, Matteo, Andrea and Virginia Bocelli’s A Family Christmas hits the top 10 for the first time as it jumps 38-5 following the trio’s appearance on CBS’ Sunday Morning (Nov. 27) and NBC’s Christmas at Rockefeller Center special (Nov. 30).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Top Current Album Sales lists the week’s best-selling current (not catalog, or older albums) albums by traditional album sales. Independent Albums reflects the week’s most popular albums, by units, released by independent record labels.  Vinyl Albums tallies the top-selling vinyl albums of the week. Tastemaker Albums ranks the week’s best-selling albums at independent and small chain record stores.

Live at the Fillmore, 1997 – which commemorates Petty’s 20-show run at the historic theater in 1997 – sold 16,000 copies in the U.S. in the week ending Dec. 1, according to Luminate. Live at the Fillmore was available in multiple configurations (with either 33 tracks on a standard edition or 58 tracks on an expanded version) that ranged in price from a basic $20 digital download album to a $550 uber deluxe collector’s boxed set with six vinyl LPs. All versions of the album are tracked together for sales and charting purposes.

Of Live at the Fillmore’s 16,000 sold, physical sales comprise 14,000 (with 9,000 on CD and 5,000 on vinyl) and digital album download sales comprise 2,000. The set features live takes of such songs as “American Girl,” “Free Fallin’” and “Mary Jane’s Last Dance.”

At No. 1 on Top Album Sales, Swift’s Midnights holds atop the list for a sixth straight week (60,000 sold; up 5%). It’s the first album to sell at least 50,000 copies in each of its first six weeks of release in nearly a year, since Adele’s 30 also sold 50,000-plus in its first six frames (Dec. 4, 2021-Jan. 8, 2022-dated charts).

Midnights’ total U.S. sales now stand at 1.525 million – more than twice the sales of year’s second-largest selling album, Harry Styles’ Harry’s House (678,000).

Michael Jackson’s Thriller is a non-mover on Top Album Sales with 18,000 sold (down 35%).

The Cure’s Wish re-enters Top Album Sales at No. 4 with 15,000 sold (up from a negligible sum the previous week) following its 30th anniversary reissue. The set, originally released in 1992, debuted and peaked at No. 2 on Top Album Sales and the Billboard 200. It’s the highest-charting effort for the act on the latter list.

Matteo, Andrea and Virginia Bocelli’s A Family Christmas vaults from No. 38 to No. 5 on Top Album Sales — its first week in the top 10 — with its best sales week yet, 14,000 (up 169%). The gain comes after the trio appeared on CBS’ Sunday Morning (Nov. 27) and NBC’s Christmas at Rockefeller Center special (Nov. 30). (The album’s title is truth in advertising: Matteo and Virginia are Andrea’s children, ages 24 and 10.)

Styles’ Harry’s House rises 9-6 on Top Album Sales with nearly 14,000 (up 28%), Vince Guaraldi Trio’s A Charlie Brown Christmas soundtrack climbs 11-7 with 13,000 (up 35%), Swift’s Folklore bumps 13-8 with 13,000 (up 57%) and another Swift set, Red (Taylor’s Version) rises 17-9 with 11,000 (up 33%). Most albums in the top 10 also benefit from Black Friday sale pricing and promotion at major retailers, as the tracking week reflected on the latest chart covers the Nov. 25 – Dec. 1 time frame (with Nov. 25 Black Friday).

Fleetwood Mac’s Rumours rounds out the top 10 of Top Album Sales, vaulting 21-10 with 10,000 sold (up 31%) following the death of the band’s Christine McVie on Nov. 30.

In the week ending Dec. 1, there were 2.708 million albums sold in the U.S. (up 17.3% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 2.361 million (up 22.4%) and digital albums comprised 348,000 (down 8.8%).

There were 862,000 CD albums sold in the week ending Dec. 1 (up 18.1% week-over-week) and 1.485 vinyl albums sold (up 25%). Year-to-date CD album sales stand at 31.892 million (down 10.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 36.871 million (up 3.4%).

Overall year-to-date album sales total 87.949 million (down 8.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 69.265 million (down 3.3%) and digital album sales total 18.683 million (down 22.5%).

Ben Gibbard will be pulling some serious double-duty next fall when he takes both his indie rock favorite bands on the road for the first ever Death Cab For Cutie/The Postal Service joint tour. The co-headlining outing that will mark the 20th anniversary of Death Cab’s breakthrough fourth album, 2003’s Transatlanticism and that year’s Postal Service debut, Give Up, will feature both bands performing the respective albums in full.
Gibbard, co-founder of both groups, will front the bands for the unique tour announced on Thursday (Dec. 8). “I know for a fact I will never have a year again like 2003,” the singer said in a release announcing the run of 17 U.S. shows that is slated to kick off on Sept. 8, 2023 in Portland, Maine and run through an Oct. 13 gig at the Hollywood Bowl in Los Angeles. “The Postal Service record came out, Transatlanticism came out. These two records will be on my tombstone, and I’m totally fine with that. I’ve never had a more creatively inspired year.”

The Postal Service lineup of Gibbard, keyboardist Jimmy Tamborello and singer/guitarist Jenny Lewis will perform alongside Death Cab, which features bassist Nick Harmer, guitarist/keyboardists Dave Depper and Zac Rae and drummer Jason McGerr. The unique outing will mark The Postal Service’s first live performances in more than a decade following 2013’s 10-year anniversary reunion tour for Give Up, which remains Sub Pop Records’ second highest-selling album of all time behind Nirvana’s 1989 debut full-length album Bleach.

Pre-sales begin on Dec. 14 at 10 am. local and continue through Dec. 15 at 10 p.m. local; sign up for early access here and check out complete ticket information here. The general on-sale will begin at 10 a.m. local time on Dec. 16.

Check out the fall 2023 tour dates and a teaser video below.

Sept. 8 – Portland, ME @ Cross Insurance Arena

Sept. 9 – Kingston, RI @ The Ryan Center

Sept. 10 – New Haven, CT @ Westville Music Bowl

Sept. 12 – Boston, MA @ MGM Music Hall

Sept. 13 – Boston, MA @ MGM Music Hall

Sept. 14 – Washington, DC @ Merriweather Post Pavilion

Sept. 17 – Detroit, MI @ Meadow Brook Amphitheater

Sept. 20 – New York, NY @ Madison Square Garden

Sept. 21 – Philadelphia, PA @ The Mann Center

Sept. 24 – Minneapolis, MN @ Armory

Sept. 26 – Denver, CO @ Mission Ballroom

Sept. 27 – Denver, CO @ Mission Ballroom

Oct. 3 – Phoenix, AZ @ Arizona Financial Theatre

Oct. 4 – Las Vegas, NV @ The Chelsea Ballroom at The Cosmopolitan of Las Vegas

Oct. 7 – Seattle, WA @ Climate Pledge Arena

Oct. 10 – Berkeley, CA @ Greek Theatre – UC Berkeley

Oct. 13 – Los Angeles, CA @ Hollywood Bowl

Alicia Keys, Metallica, Ariana Grande, Snoop Dogg, Anitta and… Jeff Tweedy? Some of music’s biggest superstars have hopped in the driver’s seat for Apple TV’s Carpool Karaoke: The Series over the past five years. But when comedian Nikki Glaser was asked by the show’s producers who she wanted to tool around with the first name that came to mind was one of her favorite bands: Tweedy’s Wilco.
“They are objectively one of the best rock bands of all time. This isn’t up for debate,” Glaser tells Billboard about the beloved band she admits she was introduced to by her parents. “Their music has an emotional depth that I haven’t really found in any other male artists,” she adds. “I am first and foremost a depressed girl and I think Jeff Tweedy might be, too. But he’s also a good person who sees and wants what’s good for the world and others and that comes through in the music… Their music always leaves me with hope, no matter how bleak the song might be.”

Tweedy tells Billboard it was definitely “confusing” when his band got the call that Glaser wanted to take a ride with them; drummer Glenn Kotche and bassist John Stirratt hold down the back seat in the episode that is part of the new fifth season, which drops on Apple TV on Friday (Dec. 9). “I think the only reason might be because Nikki’s a fan,” he says. “She gave them a list and we were on the top of it and I thought it was fun and I like Nikki and thought it would be a fun day.”

Glaser was in fact given a list of acts she could ride with, and actually turned down a major group already booked for this season. But when producers accepted her request for the “Via Chicago” band, she says it was, “maybe the most exciting news I’ve ever received in my career.” She, of course, immediately called her parents and asked them to guess what her big news was. “They thought I was engaged, pregnant or dying,” says the comedian who returned for Wednesday night’s Masked Singer holiday special as Snowstorm and is currently on her nationwide Good Girl stand-up Tour.

The band’s singer and founder had seen some of Glaser’s stand-up before they signed on and figured she was a fan after his wife noticed that Nikki was a frequent guest during Wilco’s COVID-19 pandemic Instagram series. And while he didn’t study past episodes to get up to speed — though he definitely watched the Sir Paul McCartney one — Tweedy says he was impressed with how tricked out the car was and the fact that he would actually have to drive around while chatting Glaser up. “I always liked doing the driving on our van tours and it helps a guy like me to have something to do with my hands,” he laughs.

One of the most revealing moments in the episode comes when prolific, poetic songwriter Tweedy reveals that as a kid he once pretended to write Bruce Springsteen’s “Born to Run” to impress his school mates. “I had a homemade cassette and I played it for people on the playground and told them it was me,” he says. “I don’t think anybody believed it, but I didn’t care. It was a wish-casting thing.”

Definitely one of the weirder mainstream gigs Wilco has played, Tweedy figures that the “Karaoke” trip will probably land with his wife, kids and extended family, though he suspects his late parents would not have been so impressed. “They probably would have thought Nikki was a bit too blue for their taste.”

They may not have loved her more NC-17-rated material, but surely Tweedy’s folks would appreciate that Glaser is such a mega-fan of their son’s work that in describing the conversation they have in the episode about not over-thinking while writing she quotes one of her favorite Wilco songs, “What a Light” from 2007’s Sky Blue Sky album: “And if the whole world’s singing your songs/ And all of your paintings have been hung/ Just remember what was yours/ Is everyone’s from now on.”

Glaser — who recently began trying to write songs — says the ride was a dream come true and that the band members were “nicer than I already knew they would be. And funnier,” not to mention super “normal, kind, patient and easy.” In fact, after a long day of doing “a lot of wacky stuff with a hyperventilating superfan comedian” the band seemed to have as much fun as she did. Plus they gave her the greatest gift of all.

“Because my parents got me into Wilco, I couldn’t resist inviting them to set that day,” she says of the weekend shoot in Chicago that also included longtime Wilco pal and legendary gospel singer Mavis Staples. “I had them keep their distance the whole day while we shot, but after we wrapped, I introduced them to the band and we took some pics. Within seconds, they invited us back to The Loft — their iconic studio in Chicago. We were in shock. Me, my mom, my dad, and my boyfriend got to take a tour of their recording space, play Glen’s drums, gawk at memorabilia and just hang.”

None of that was originally scheduled and in the time since their March shoot the Glasers have stayed friendly with Wilco and she even flew her folks out to Denver to hang some more and see the band at Red Rocks in September.

The comedian tagged “She’s a Jar” from 1999’s Summerteeth as her favorite Wilco tune (“I don’t know what any of it means, but at the same time I have never felt so understood”) and says she was sure the moody ballad about a fractured relationship was a “long shot” to be included in the typically upbeat series. “They literally said, ‘this won’t air, but you deserve this moment,’” she says producers told her.

Spoiler alert: it did make the final cut and Glaser could not be more excited. “Singing ‘She’s a Jar’ with Jeff was one of the only times I have ever forcibly relinquished any kind of performative edifice while actively being filmed,” she says.

The entire fifth season debuts on Friday, also featuring: Sandra Oh and Duran Duran (Simon Le Bon and John Taylor), Chris Redd and Method Man, Ciara and Russell Wilson, the For All Mankind cast, Kevin and Michael Bacon and Hillary and Chelsea Clinton with Amber Ruffin and Vanessa Williams.

Watch the Wilco/Glaser and season 5 previews below.