Rock
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This year’s Beale Street Music Festival will feature sets from The Lumineers, Greta Van Fleet, Robert Plant and Alison Krauss, Earth, Wind & Fire, Hardy, Jazmine Sullivan, The Roots, AJR and 311.
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The event at Tom Lee Park in Memphis, Tennessee on May 5-7 will also feature appearances from GloRilla, Gary Clark Jr., Ziggy Marley, Young the Giant, Halestorm, Live, PJ Morton, The Struts, Gov’t Mule, Dru Hill, Mike., Andy Grammer, Yola, Toadies, Lucinda Williams and Living Colour.
Weekend VIP tickets will run you $995, while three-day tickets are $205 and one-day GA passes are $88.53; click here for more ticketing information.
Among the other acts slated to take the stage for this year’s fest are: Big Boogie, Cameo, the Bar-Kays, White Reaper, Shovels & Rope, Phony PPL, Low Cut Connie, Marcy Playground, Beach Weather, Jason D Williams, Myron Elkins, Dirty Streets, Mac Saturn, Tyke T, Sleep Theory and more.
The event will also host the Memphis Tourism Blues Stage on Beale at Handy Park — which is open to the public and free of charge — featuring Los Lobos, Keb Mo, North Mississippi Allstars, Bernard Allison, Ana Popovic, Cedric Burnside, Mr. Sipp, Colin James, Selwyn Birchwood, Ghost Town Blues Band, Blind Mississippi Morris and more.
“This year’s lineup reflects the broad musical tastes of our festival goers with a diverse lineup of some of today’s hottest artists as well past festival favorites and stars of tomorrow,” said Jim Holt, President and CEO of Memphis In May in a statement. “At the Beale Street Music Festival, we endeavor to offer something for almost every musical taste, and we have a few more surprise additions to come.”
Check out the full lineup below.
The 2023 Roskilde Festival in Denmark will feature headlining sets from Blur, Kendrick Lamar, Queens of the Stone Age, Christine and the Queens, Rosalía and others. Organizers announced a slew of new additions to the line-up on Monday (Feb. 27), including Angélique Kidjo, Caroline Polachek, Weyes Blood, Code Orange, Indigo De Souza and Special Interest.
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Other previously announced names on the roster for the fest slated to take place between June 24-July 1 are: Burna Boy, Sudan Archives, Big Freedia, GloRilla, Lil Nas X, Central Cee, Fever Ray, Hudson Mowhawke, Tinariwen, Lock Up, Benny Jamz, Clarissa Conelly’s Canon, 070 Shake, Derya Yildrim & Grup Simsek, Alice Glass, Rina Sawayama, Denzel Curry, Tove Lo, Japanese Breakfast, Nikki Lane, First Hate, Fulu Miziki, J.I.D., Rema, Armand Hammer, Billy Woods, Nora Brown and Phelimuncasi.
In a statement, Roskilde’s head of programming, Anders Wahrén, praised the eclectic lineup, saying, “This announcement features some of the most vehement vocalists and powerful performers right now, acts whom in each their own way convey hope, meaning and change. Roskilde Festival has shared a special, decade-spanning bond with artists like Kendrick Lamar and Angélique Kidjo, and they always bring something new to this festival.”
Speaking specifically about Lamar, Wahrén added, “Kendrick Lamar is one of the most requested artists among our festival audience, and he possesses a peerless artistic vision. He is no doubt the most influential rapper of his generation, and we’re excited to welcome him back.”
See the latest lineup announcement below.
After injuring his ring finger two times this month, Travis Barker revealed Monday (Feb. 27) on Instagram that he’s getting surgery.
“Surgery tomorrow,” Barker captioned an Instagram carousel of his injury, with the fingers-crossed emoji.
The first video in the carousel shows a medical professional trying to get the joint back in place. The next three photos show his swollen knuckle and a brace holding the ring finger in place.
Barker first injured the finger on Feb. 7 during rehearsals for Blink-182‘s upcoming reunion tour. “I was playing the drums at rehearsals yesterday and I smashed my finger so hard I dislocated it and tore the ligaments,” Barker tweeted on Feb. 8. Then, on Feb. 20, Barker shared an Instagram Story in which he showed off his swollen, bruised knuckle, captioning the image “again.”
Blink-182’s world tour — the first with reunited co-frontman Tom DeLonge back in the picture since 2014 — is set to kick off March 11 in Tijuana, Mexico. There’s no word yet how long Barker’s surgery recovery will take, but given how public the drummer has been with his injury journey, he’ll likely keep fans posted.
Mark Hoppus, Barker and DeLonge announced back in October that they were reuniting the band’s classic lineup for the 2023-24 world tour and the new single “Edging,” which was released late last year. On Christmas Eve, DeLonge teased that the trio were working on “the best album we’ve ever made.”
“I’m personally tripping and so proud of what we have created TOGETHER,” he wrote on Instagram. “As one unified force of fun, eternal youth, and most of all- close friends.”
See Barker’s surgery announcement below:
The Doobie Brothers are not done celebrating half a century of rockin’ down the highway. On Monday (Feb. 27) the veteran group announced 35 new U.S. dates for their ongoing 50th anniversary tour. The shows, which will run from June through October of this year, extends the outing that has brought founding members guitarists Tom Johnston, Pat Simmons and John McFee and singer Michael McDonald back together for the first time in 25 years.
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Tickets for all the new dates will go on sale beginning Friday (March 3) at 10 a.m. local time (with the exception of the shows in Sparks, NV; New Brunswick, NJ; Morristown, NJ; Washington, DC; and Uncasville, CT, which will go on sale beginning March 10 at 10 a.m. local time.)
“We are thrilled to be back on the road in 2023 playing some cities we haven’t gotten to yet on this tour,” said guitarist Johnston in a statement.
The new dates include shows in Kansas City, Des Moines, Louisville, Biloxi, Charleston and Atlantic City. After wrapping the U.S. dates the group is slated to head overseas for shows in Australia, Japan and Singapore.
Check out the dates for the Doobie Brothers’ 50th anniversary extended U.S. tour below.
June 9 — Sparks, NV @ Nugget Event Center*
June 11 — West Valley, UT @ Maverik Center
June 14 — Kansas City, MO @ Starlight Theatre
June 15 — Springfield, MO @ Great Southern Bank Arena
June 17 — Sioux City, IA @ Tyson Events Center
June 18 — Des Moines, IA @ Wells Fargo Arena
June 20 — Duluth, MN @ AMSOIL Arena
June 21 — Madison, WI @ Breese Stevens Field
June 23 — Fort Wayne, IN @ Allen County War Memorial Coliseum
June 24 — Peoria, IL @ Peoria Civic Center
June 26 — Huber Heights, OH @ Rose Music Center at the Heights
June 28 — Youngstown, OH @ The Youngstown Foundation Amphitheatre
June 30 — Pikeville, KY @ Appalachian Wireless Arena
July 1 — Louisville, KY @The Palace Theatre
July 3 — Portsmouth, VA @ Atlantic Union Bank Pavilion
July 6 — Reading, PA @ Santander Performing Arts Center
July 8 — New Brunswick, NJ @ State Theatre New Jersey*
July 9 — New Brunswick, NJ @ State Theatre New Jersey*
July 11 — Morristown, NJ @ Mayo Performing Arts Center*
July 12 — Morristown, NJ @ Mayo Performing Arts Center*
August 18 — Waite Park, MN @ The Ledge Amphitheater
August 20 — Lincoln, NE @ Pinewood Bowl Theater
August 23 — Camdenton, MO @ Ozarks Amphitheater
August 26 — Brandon, MS @ Brandon Amphitheater
August 28 — Biloxi, MS @ Mississippi Coast Coliseum
August 30 — Huntsville, AL @ The Orion Amphitheater
August 31 — Franklin, TN @ FirstBank Amphitheater
Sept. 2 — Macon, GA @ Macon Centreplex
Sept. 3 — Savannah, GA @ Enmarket Arena
Sept. 6 — Simpsonville, SC @ CCNB Amphitheatre at Heritage Park
Sept. 7 — Greensboro, NC @ White Oak Amphitheatre
Sept. 9 — Charleston, SC @ Credit One Stadium
Oct. 4 — Washington, DC @ MGM National Harbor*
Oct. 6 — Uncasville, CT @ Mohegan Sun Arena*
Oct. 8 — Atlantic City, NJ @ Hard Rock Hotel & Casino
Five Finger Death Punch adds to its record streak of No. 1s on Billboard’s Mainstream Rock Airplay, as “Welcome to the Circus” jumps from No. 2 to the summit on the March 4-dated survey.
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The song is the Ivan Moody-fronted band’s 10th No. 1 in a row, the longest run of leading consecutive entries in the history of Mainstream Rock Airplay, which began in 1981.
Each of the band’s entries has ruled the chart starting with “Sham Pain,” which led for a week in 2018.
In all, Five Finger Death Punch now boasts 14 Mainstream Rock Airplay No. 1s, giving the group sole possession of the third-most leaders in the chart’s history. Only Shinedown (18) and Three Days Grace (17) have more.
Most No. 1s, Mainstream Rock Airplay:18, Shinedown17, Three Days Grace14, Five Finger Death Punch13, Van Halen12, Godsmack11, Disturbed11, Foo Fighters11, Metallica10, Tom Petty (solo and with the Heartbreakers)10, Volbeat
Five Finger Death Punch first crowned Mainstream Rock Airplay with the two-week No. 1 “Coming Down” in 2012.
Concurrently, “Circus” leaps 13-10 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.8 million audience impressions, up 11%, Feb. 17-23, according to Luminate. It’s the band’s sixth top 10 and first since “Afterlife,” which peaked at No. 8 last July.
“Circus” ranked at No. 14 on the latest multi-metric Hot Hard Rock Songs survey (dated Feb. 25). In addition to its radio airplay, it earned 714,000 official U.S. streams in the Feb. 10-16 tracking week.
Linkin Park debuts at No. 1 on Billboard’s Hot Hard Rock Songs chart, as its recently unearthed track “Lost” bows atop the Feb. 25-dated ranking.
In the Feb. 10-16 tracking week, “Lost” earned 10.3 million radio audience impressions and 9 million official U.S. streams and sold 12,000 downloads in the United States, according to Luminate.
It’s Linkin Park’s second No. 1 on Hot Hard Rock Songs, which began in 2020, following “In the End,” which reigned for two weeks in 2021 due to gains sparked by iTunes sale pricing.
“Lost” also begins at No. 2 on Hot Alternative Songs and at No. 4 on both Hot Rock & Alternative Songs and Hot Rock Songs.
On the all-genre Billboard Hot 100, “Lost” starts at No. 38, Linkin Park’s highest charting entry since “Burn It Down” reached No. 30 in 2012. It’s the band’s 11th top 40 Hot 100 hit, and fifth to debut in the region. The group hit a No. 2 best with “In the End” in 2002.
As previously reported, “Lost” became the first to debut at No. 1 on the Rock & Alternative Airplay chart in more than a decade on the strength of its radio audience.
The track also tops the Rock Digital Song Sales, Alternative Digital Song Sales and Hard Rock Digital Song Sales surveys, as well as Hard Rock Streaming Songs.
“Lost,” with vocals by Chester Bennington, who died in 2017, was originally recorded for the sessions for Meteora, Linkin Park’s second studio album, released in March 2003. It’s part of a 20th anniversary reissue of the album, due April 7.
Shinedown has the record for the most top 10s on Billboard’s Mainstream Rock Airplay chart all to itself, as “Dead Don’t Die” climbs into the top 10 of the ranking dated Feb. 25.
“Die,” which jumps from No. 13 to No. 9, is Shinedown’s 30th top 10, as the band becomes the first act to cross the threshold in the history of the list, which began in 1981.
Previously, the Brent Smith-fronted outfit was in a three-way tie with Five Finger Death Punch and Foo Fighters for the most top 10s, with 29 apiece.
Most Top 10s, Mainstream Rock Airplay:
30, Shinedown
29, Five Finger Death Punch
29, Foo Fighters
28, Tom Petty (solo and with the Heartbreakers)
27, Godsmack
26, Van Halen
25, Disturbed
25, Metallica
Each of Shinedown’s entries on Mainstream Rock Airplay has reached the top five, dating to its debut entry “Fly From the Inside,” which hit No. 5 in September 2003.
Shinedown is currently riding a streak of eight No. 1s in a row on the chart, a run that began with “How Did You Love” in 2017. The record is held by Five Finger Death Punch, which has notched 10 straight.
Shinedown also boasts the most No. 1s – 18 – of any act in the chart’s history.
Concurrently, “Die” pushes 22-18 on the all-rock-format, audience-based Rock & Alternative Airplay tally with 1.8 million audience impressions, up 18%, Feb. 10-16, according to Luminate.
The song is the third rock radio single from Planet Zero, Shinedown’s seventh studio album, following the title track and “Daylight.” The set debuted at No. 1 on the Top Rock & Alternative Albums chart dated July 16, 2022, and has earned 158,000 equivalent album units to date.
Nearly 18 years after first appearing on Billboard’s Alternative Airplay chart, Fall Out Boy has its first No. 1.
“Love From the Other Side,” from the four-piece’s upcoming eighth studio album So Much (for) Stardust (due March 24), jumps from No. 3 to the top of the chart dated March 4. The band previously rose as high as No. 2 with “Dance, Dance” in 2006.
“Love” became the act’s seventh Alternative Airplay top 10, a run that started with its first entry, “Sugar, We’re Goin’ Down” (No. 3, 2005). Fall Out Boy had most recently reached the top 10 with the No. 10-peaking “Dear Future Self (Hands Up)” in 2019.
Fall Out Boy’s 17-year, nine-month run from a first charting song (“Sugar” debuted on the June 4, 2005, survey) to first a No. 1 is the longest in the Alternative Airplay survey’s 34-year history, surpassing the 17 years and two weeks it took Stone Temple Pilots between 1993’s “Plush” and 2010’s “Between the Lines.”
It also follows up the similarly lengthy 15 years, six months and two weeks it took Paramore between “Misery Business” and first ruler “This Is Why,” which reigned just a month ago.
Longest Wait Between First Appearance and First No. 1, Alternative Airplay:17 years, nine months: Fall Out Boy, “Love From the Other Side” (2005-23)17 years, two weeks: Stone Temple Pilots, “Between the Lines” (1993-2010)16 years, 10 months, two weeks: Alice in Chains, “Check My Brain” (1992-2009)15 years, six months, two weeks: Paramore, “This Is Why” (2007-23)15 years, five months, two weeks: Nine Inch Nails, “The Hand That Feeds” (1989-2005)
Concurrently, “Love” bullets at No. 31, after reaching No. 30 the previous week, on Mainstream Rock Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, the song rises 3-2 with 4.8 million audience impressions, up 10%, Feb. 17-23, according to Luminate.
On the latest Hot Rock & Alternative Songs chart (dated Feb. 25), “Love” placed at No. 31, after rising as high as No. 11 (Feb. 4). In addition to its radio airplay, the song earned 1.4 million official U.S. streams in the Feb. 10-16 tracking week.
So Much (for) Stardust marks Fall Out Boy’s first full-length since Mania, which debuted at No. 1 on the Billboard 200 in February 2018, and has earned 558,000 equivalent album units to date.
All Billboard charts dated March 4 will refresh on Billboard.com Tuesday, Feb. 28.
Paramore and Pierce the Veil lead Billboard’s rock albums charts dated Feb. 25 with new releases This Is Why and The Jaws of Life, respectively.
Paramore’s sixth studio album and first since 2017’s After Laughter bows atop the Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums tallies with 64,000 equivalent album units earned Feb. 10-16, according to Luminate. That sum includes 47,000 units via album sales.
The set is Paramore’s fourth straight No. 1 on Top Rock & Alternative Albums, dating to 2009, when Brand New Eyes ruled for a week. Its successors Paramore (2013) and the aforementioned Laughter also led for one frame each.
With four No. 1s, Paramore is tied with Florence + the Machine for the most rulers by a woman or woman-led act since the chart began in 2006. Concurrently, as previously reported, Why starts at No. 2 on the all-genre Billboard 200, the band’s best rank since Paramore debuted at No. 1 in 2013.
All 10 of the new album’s tracks appear on the multi-metric Hot Rock & Alternative Songs survey, paced by “Running Out of Time,” which debuts at No. 18 with 3.3 million official U.S. streams in the tracking week. The album’s title track and lead single (which ranks at No. 19 on the latest Hot Rock & Alternative Songs list, after rising to No. 15 in October) became the band’s first Alternative Airplay No. 1 when it reigned for one week in February.
Carlos de la Garza, who produced the album, concurrently debuts at No. 1 on Billboard’s Rock & Alternative Producers chart for the first time. De la Garza is the sole producer behind all 10 of Paramore’s chart entries on Hot Rock & Alternative Songs. De la Garza dethrones Steve Lacy on Rock & Alternative Producers after leading for 30 consecutive weeks (dating to July 30, 2022).
Meanwhile, Pierce the Veil’s Jaws bows at No. 1 on Top Hard Rock Albums with 27,000 units earned. It’s the band’s third Top Hard Rock Albums leader (and third in a row), following 2012’s Collide With the Sky and 2016’s Misadventures. The new LP also launches at No. 2 on Top Alternative Albums and No. 3 on both Top Rock & Alternative Albums and Top Rock Albums.
On the Billboard 200, Jaws starts at No. 14. Multiple songs from the set appear on Hot Hard Rock Songs, paced by “Death of an Executioner,” which premieres at No. 7 (1.8 million streams). The album’s lead single, “Pass the Nirvana,” appeared on Mainstream Rock Airplay for three weeks, peaking at No. 39 in December. Follow-up “Emergency Contact” climbs 27-24 on Alternative Airplay.