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Rock

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Pantera fans are getting psyched for the upcoming reunion of the beloved thrash metal icons. The group’s first major tour in more than 20 years will kick off in South America on Dec. 2 when they play at the Hell & Heaven Metal Fest in Texicoco, Mexico and over the weekend we got the first look at the new-look lineup of the group.

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Anthrax drummer Charlie Benante — who is filling-in for late original Pantera drummer Vinnie Paul — posted a pic of their reunion rehearsals on Sunday that featured him jamming in the studio with longtime Ozzy Osbourne guitarist Zakk Wylde, who will be playing late guitarist Dimebag Darrell’s parts. Also in the candids were longtime bassist Rex Brown and vocalist Phil Anselmo.

“2 weeks in NOLA with these boys, it’s been a lot of work but how could it not?,” Benante wrote. “So much heart and soul is going into it. This is all about the Love for Vinnie and Dime, the fans and the music that these 4 created.” Charlie said he’s really enjoying playing the songs, which he promised “sound Great! It’s very emotional and it’s just starting to hit me… see you soon, I need a drink.”

Pantera is one of the most successful and influential bands in metal history, combining elements of hardcore and thrash to create a menacing sound anchored by late brothers Vincent “Vinnie Paul” Abbott on drums and “Dimebag” Darrell Abbott on guitar; the reunion tour was given the green light by both mens’ estates. The group broke through after the release of their fifth album, 1990’s Cowboys from Hell, with then-new singer Anselmo and the 1992 follow-up, Vulgar Display of Power. “Dimebag” Darrell was murdered in 2004 while performing on stage during a show with his band Damageplan in Columbus, Ohio, while Vinnie died in 2018 from natural causes including heart disease.

In addition to the shows in Latin America and Mexico, Pantera are playing three Knotfests (in Colombia, Chile and Brazil), as well as a run of European festivals in 2023.

Check out the pictures and their tour dates below.

Pantera 2022-2023 tour dates:Dec. 2 – Texicoco, MX @ Hell & Heaven Metal FestDec. 6 – Monterrey, MX @ Monterrey Metal FestDec. 9 – Bogotá, CO @ Knotfest ColombiaDec. 11 – Santiago, CL @ Knotfest ChileDec. 12 – Santiago, CL @ Movistar ArenaDec. 15 – São Paulo, BR @ Vibra São PauloDec. 18 – São Paulo, BR @ Knotfest BrazilJune 2-4 – Nürburgring, DE @ Rock Am RingJune 2-4 – Nürnberg, DE @ Rock Im ParkJune 10 – Sölvesborg, SE @ Sweden Rock FestivalJune 22-24 – Oslo, NO @ Tons of Rock

Nandi Bushell is ready to rage — this time, with the help of her little brother on the drumkit. On Sunday (Nov. 20), the multi-instrumentalist sensation took to Twitter and Instagram to post an instrumental cover of Rage Against the Machine‘s popular protest song, 1992’s “Killing In the Name.”

“A family that Rages together, stays together! I love jamming with my brother Thomas,” Bushell shared on the social media platforms. “I am teaching him about all the greatest #rock and #metal#bands. @RATM is one of the bands at the top of my list! #ratm. Hey @tommorello and @bradwilk you guys are awesome! Thomas is really getting good!”

With assistance from Thomas on drums, Nandi led the guitar portion of the track, kicking it off with the song’s ominous intro guitar riffs before expertly hitting Morello’s crunchy notes with skilled precision.

“Killing In the Name” was released as the lead single from Rage Against the Machine’s self-titled Nov. 1992 debut album. The lyrics of the track were inspired by the police brutality suffered by Rodney King and the Los Angeles race riots in 1992 that occurred as a result.

Despite the track’s early 1990s release, “Killing In the Name” did not appear on the Billboard charts until the 2010s — the politically charged track first hit the Hard Rock Digital Song Sales chart in 2011, but peaked at No. 3 on June 20, 2020, during the thick of the George Floyd protests against police brutality.

Watch Nandi and her brother Thomas cover “Killing In the Name” below.

Add Jack White to the growing list of musicians, activists and politicians who are fleeing Twitter in the wake of new owner Elon Musk’s so-far chaotic reign. Specifically, White blasted Musk for his controversial decision to reinstate former president Donald Trump to the platform after the site’s previous owners had permanently suspended the election-denying real estate mogul for violating company rules in the wake of the deadly Jan. 6 attack on the U.S. Capitol.
“So you gave trump his twitter platform back. Absolutely disgusting, Elon. That is officially an a–hole move,” White wrote in a lengthy note posted on Sunday (Nov. 20) after deactivating his Third Man Records label’s Twitter account in protest.

“Why dont you be truthful? Tell it like it is; people like you and Joe Rogan (who gives platforms to liarslike alex jones etc.); you come into a ton of money, see the tax bill, despise paying your fair share, and then think moving to Texas and supporting whatever republican you can is going to help you keep more of your money (How else could trump possibly interest you?),” White continued.

“You intend to give platforms to known liars and wash your hands like pontius pilate and claim no responsibility? trump was removed from twitter because he incited violence multiple times, people died and were injured as a result of his lies and his ego, (let alone what his coup did to attempt to destroy democracy and our Capitol).”

After posting a Twitter poll asking users if they would like to see Trump back on the service — just days after the failed 2020 candidate announced his third White House bid — Musk announced that he would return the suspended Trump account after around 15 million users allegedly voted 51.8% in favor of reinstating it. White’s post pointed to the division and “families broken apart” by Trump’s divisive rhetoric and its destructive impact on the nation as a reason to keep his conspiracy peddling account shuttered.

“That’s not ‘free speech’ or ‘what the poll decided’ or whatever nonsense you’re claiming it to be;this is straight up you trying to help a fascist have a platform so you can eventually get your tax breaks.I mean, how many more billions do you need that you have to risk democracy itself to obtain it?” White asked, giving Musk credit for doing “amazing things” with his electric car company, Tesla, which the rocker noted, he personally “supported the hell out of.”

But, White said, world’s’ richest Man Musk had gone “too far” and is now using his power to promote “horrible, violence-inducing liars, who are taking the country and the world backwards and endangering the democracy that made you rich and successful in the first place.” White said he steadfastly believes in free speech, though he noted that he would never let the Ku Klux Klan hold a rally at his record label’s performance stage, or sell the KKK gasoline burn crosses “then wash my hands as if I didn’t help facilitate hatred.”

White acknowledged that Musk took on a big responsibility in spending $44 billion on the site, but said that “‘free speech’ isn’t some umbrella that protects you from that.” In a follow-up comment on his Instagram, White said “shame on you” to Musk for giving Trump and other “professional liars” a place on Twitter; on Saturday, Trump, who launched his own social media site after being booted from Twitter, Facebook and Instagram after the insurrection, said he has no plans to return to the site. “And shame on you if you think it’s no big deal. It is,” wrote White of the decision Musk made in his signature move-fast-and-blow-up-things style.

Noting that he’s never had a personal Twitter account, White then announced that he’d de-activated the Third Man Records account, saying it’s a “shame that our label’s artists will los a social media outlet to promote their art,” and apologizing to his acts for doing so. “But we are not going to even tangentially support you or this platform that will help conspiracy spreading liars and out of touch narci-capitalists tear this country apart, all for trump’s ego and your tax break agenda,” he said.

White’s noisy exit follows Nine Inch Nails leader Trent Reznor announcing that he plans to leave his 1.6 million Twitter followers behind while saying “we don’t need the arrogance of the billionaire class to feel like they can just come in and solve everything.” Even without Trump, Reznor said he finds Twitter to be “such a toxic environment. For my mental health, I need to tune out. I don’t feel goo being there anymore.”

Among the other stars who’ve logged off for good in the days since Musk’s Oct. 28 acquisition of the company are: Alex Winter, David Dastmalchian, Laura Benanti, Gigi Hadid and Whoopi Goldberg, while others have signaled their intentions to stop using Twitter in the near future.

“You should return to using your money and influence in ways that help the world like the electric car did, not in ways that bring negativity and division to the populace,” White concluded his statement. “And no, this isn’t ‘funny’ either Elon, it’s dangerous. Enjoy your new found power as a ‘freedom of speech’ purveyor but remember that the violence and division that occurs based on those tweeting lies is directly related to you giving them a platform.”

At press time it did not appear that Musk had responded to White.

See White’s full post below.

The Los Angeles Dodgers announced a $1 million donation to the Elton John AIDS Foundation during one of the star’s weekend performances at Dodger Stadium, the last North American stop on his final tour.
The team’s principal owner, Mark Walter, and Dodgers co-owner Billie Jean King presented a symbolic giant check at Saturday night’s (Nov. 19) show.

John thanked the team for its generosity and called Dodger Stadium “an iconic venue which has meant so much to me and my career.”

John made his 1970 U.S. debut at a local nightclub, the Troubadour, and surged to stardom, famously appearing at Dodger Stadium in sequined Dodgers uniforms in 1975.

His foundation is an independent organization dedicated to ending AIDS.

“Embarrassment,” offers Trent Reznor when asked for his take on Elon Musk’s Twitter takeover.
The Nine Inch Nails frontman and Oscar-winning composer (with longtime partner Atticus Ross) has a sizable 1.6 million following, even if he doesn’t tweet all that much. Nonetheless, he’s ready to say goodbye for good.

“I’m about to depart. We don’t need the arrogance of the billionaire class to feel like they can just come in and solve everything. Even without him involved, I just find that it has become such a toxic environment. For my mental health, I need to tune out. I don’t feel good being there anymore.”

He’s not alone in weighing his future on the platform. Stars who have logged off for good in the days since Musk’s Oct. 28 acquisition of the company include Alex Winter, David Dastmalchian, Laura Benanti, Gigi Hadid and Whoopi Goldberg, while others have signaled their intentions to stop using Twitter though their accounts have not yet been deleted. Those include Ariana DeBose, Brian Koppelman, Toni Braxton, Ken Olin and others.

The Hollywood Reporter caught up with Reznor and Ross during a joint interview on the red carpet outside TCL Chinese Theater where there was plenty to talk about aside from social media platforms. Specifically, the pair was keen to discuss their collaborations with Bones and All director Luca Guadagnino before heading in to catch the AFI Fest premiere.

Apparently, the gig working with the Italian auteur went so well that they are already months-in on a second collaboration on his tennis film Challengers starring Zendaya, Josh O’Connor and Mike Faist.

“It couldn’t have been better,” Reznor said of working on the cannibal love story. “We went from not knowing him going into this to meeting a genuine, authentic, respectful collaborator who has become a friend. We were able to work on material that, in every iteration, we were amazed by how it blossomed into something beyond our expectation. I know that sounds ridiculous, you can say, but it really was a magical experience.”

Later, during the post-screening Q&A moderated by Los Angeles Times critic Justin Chang, Reznor revealed that he and Ross started working on the music long before Guadagnino picked up any cameras. And it was the filmmaker who suggested an acoustic guitar as the anchor for a “simple, melodic component” that plays throughout the film.

“That started us on our process of approaching this as a love story,” he continued, referring to the flesh-eating couple at the center of the story, played by Timothée Chalamet and Taylor Russell. Months later, Guadagnino sent a rough cut of the film, four and a half hours in length.

“We sat bound watching that,” Reznor recalled. “To see these characters come to life with such skill and humanity and frailty, it really was a crazy experience. It really was one of those things. We’ll always remember how, wow, the genius, the choice of shots, the art direction. … It really struck us in a way.”

Bones and All opens in theaters on Nov. 18.

This story first appeared in the Nov. 16 issue of The Hollywood Reporter magazine. Click here to subscribe.

Landon Barker opened up about his relationship with Travis Barker in a new interview on Friday (Nov. 18).

“He’s always in my corner,” the 19-year-old told E! News. “He’s always there for me as I am for him.” That support naturally extending to the younger Barker’s budding rock music career, with his famous dad making a surprise appearance during his show at The Roxy in L.A. last month to perform a yet-to-be-released collaboration together.

Landon also commented on what it’s like seeing his dad reunite with his Blink-182 bandmates for their upcoming reunion tour and new musical era, saying, “I guess the best way to say it is he’s making s–t happen and doing things that he genuinely enjoys. If that’s putting Blink back together, if that’s being in the studio, whatever it is, I feel like he’s prioritizing what he wants and people are impressed by it and people enjoy it. I feel like he’s really just doing what makes him happy.”

Most recently, the famed drummer has been spending time in the studio with The Veronicas as the Australian sibling duo charts a new course under John Feldmann’s label Big Noise. Earlier this week, he rang in his 47th birthday with sweet well wishes from wife Kourtney Kardashian, her sisters Kim and Khloé Kardashian, Kris Jenner and more.

Barker and the other two-thirds of Blink-182 are slated to kick off their hotly anticipated world tour next March with stops in North America, South America, Mexico, Europe, Australia and New Zealand. The international trek will also include headlining slots at 2023 Lollapaloozas in Chile, Argentina and Brazil as well as next year’s iteration of When We Were Young.

One day after the estate of Isaac Hayes threatened legal action against twice-impeached one-term president Donald Trump for unauthorized use of a song, one of the former reality TV star’s most vocal supporters got a similar do not play request.
“The Tom Petty estate and our partners were shocked to find out that Tom’s song ‘I Won’t Back Down’ was stolen and used without permission or a license to promote Kari Lake’s failed campaign,” the estate of the late rock icon tweeted on Thursday night (Nov. 17) after Lake released a campaign video cued to the beloved 1989 single.

Lake, one of a raft of prominent Trump-endorsed election deniers who failed in their bids in the midterm elections, dropped the ad on Wednesday. The two-minute spot features a montage of Lake posing with Trump, wielding a rifle while hunting, smashing TVs playing CNN and speaking to Arizonans with no voice-over or sound beyond Petty’s track.

“This is illegal,” Petty’s camp continued. “We are exploring all of our legal options to stop this unauthorized use and to prohibit future misappropriations of Tom’s beloved anthem. Thank you to all of the fans who brought this to our attention and who help us protect his legacy every day.”

Former local Fox news anchor Lake lost her bid for the Arizona governorship to democrat Katie Hobbs, but in keeping with her election denialism stance has so far refused to concede the race while offering up baseless, unproven allegations of voter fraud. Petty’s estate had a similar reaction when then-president Trump used “Won’t Back Down” at a June 2020 campaign rally.

Over the five years of his campaigns and presidency, artists ranging from Adele to Bruce Springsteen, Elton John, R.E.M., Aerosmith, Panic! at the Disco, Guns N’ Roses, The Rolling Stones, Rihanna and the estates of Leonard Cohen, Petty and Prince vociferously objected to Trump playing their music at his rallies. At press time a spokesperson for Lake could not be reached for comment on the Petty estate’s tweet.

Hayes’ estate said it was exploring all legal options after Trump played Sam & Dave’s “Hold On I’m Coming” — co-written by Hayes — at his Tuesday campaign event, in which the legally embattled real estate developer announced his third bid for the White House.

See the Petty estate’s statement below.

The Tom Petty estate and our partners were shocked to find out that Tom’s song “I Won’t Back Down” was stolen and used without permission or a license to promote Kari Lake’s failed campaign. pic.twitter.com/DoT71whO43— Tom Petty (@tompetty) November 18, 2022

Bad Omens ride TikTok virality to their first No. 1 on a multi-metric Billboard songs chart, jumping to the top of the Hot Hard Rock Songs list dated Nov. 19 with “Just Pretend.”

In the Nov. 4-10 tracking week, the song earned 2.8 million official U.S. streams, up 26%, according to Luminate. It also garnered 538,000 audience impressions on radio and sold 1,000 downloads.

Bad Omens’ first Hot Hard Rock Songs No. 1 follows the band’s “Like a Villain,” which hit No. 17 in March. The other song that the band has placed on the chart, “The Death of Peace of Mind,” re-enters the latest tally at No. 19, a new high (689,000 streams).

“Just Pretend” also appears at Nos. 22, a new best, and 32 on Hot Rock Songs and Hot Rock & Alternative Songs, respectively. The TikTok trend for the song largely finds users lip syncing the lyrics, particularly a portion directly before and during the chorus, with some videos also addressing mental health.

The track concurrently rules Hard Rock Digital Song Sales for a third week (after debuting on the Oct. 22 survey) and leaps 24-11 in its second week on Hard Rock Streaming Songs. The song — the band’s current radio single — climbs 22-17 on Mainstream Rock Airplay and it marks Bad Omens’ third top 20 hit, following the aforementioned “Villain” (No. 10, June) and “Limits” (No. 19, 2020).

“Just Pretend” is the second single from the album The Death of Peace of Mind, which zooms 25-13 on Top Hard Rock Albums with 5,000 equivalent album units earned, up 20%. The set premiered at its No. 11 peak in March with 6,000 units and has earned 93,000 units to date.

If things had gone to plan, Anthrax would be back home by now basking in the glow of their first major European tour since 2019. But instead the group were forced to cancel 20 dates on their 40th anniversary Euro jaunt, instead playing just 8 gigs in the UK before packing things up.
“When I saw the numbers, they were literally triple what they originally started at,” bassist Frank Bello told TotalRock‘s Neil Jones about the scotched shows. “We would be coming home at such a loss. You don’t mind a little bit of a loss just to play to the fans, but such a loss — we would have been really bad off for a while. So it didn’t make sense.”

When Jones asked if it was a “Brexit thing” that forced the cancellations, Bello said, “it’s a human thing at this point, my God. I mean, it’s a budgetary thing.” Bello explained that the group were excited to play for their “great big” overseas fanbase, but once they did the budget before the shows went on sale things were totally upended by the global pandemic. “After COVID, when everything went crazy, money-wise, financially it wasn’t feasible to do it anymore,” he said.

“When [we] looked at it, we said, ‘All right. There’s better times ahead.’ And that’s the way to look at it now. Look, heating costs and everybody’s gotta put food on the table. I get it right now. So it’s just a really hard time for everybody.”

Bello said he can’t wait to return to Europe “the next time around,” but at this point no new dates have been announced for the run that was slated to run from Oct. 11-Nov. 5. Anthrax played a run of UK dates from Sept. 27-Oct. 8 after announcing on Aug. 31 that, “sadly due to ongoing logistical issues and 2022 costs that are out of our control, we have no other option but to cancel the European leg of our upcoming 2022 tour.”

Anthrax are a month a raft of acts who’ve opened up about the financial and logistical hardships of touring right now. Recently Lorde said things are “at an almost unprecedented level of difficulty” out there on the road, while earlier this year a number of smaller and medium-sized acts told Billboard that “out of control” gas prices were seriously eating into profit margins.

Watch Bello’s interview below.

The Walkmen are reuniting for their first shows in nearly a decade. The beloved New York band whose initial 13-year run ended in 2013 will play a pair of hometown shows at New York’s Webster Hall on April 26 and 27.

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“Back in 2013, an unnamed Walkmen band member (bassist Peter Bauer) announced to the Washington Post that we were going on an ‘extreme hiatus.’ I assumed that meant there would be a lot of monster energy drinks and maybe that red-headed snowboarder guy would be hanging around a lot,” wrote singer Hamilton Leithauser in a statement announcing the get-back by the band that also features drummer Matt Barrick, guitarist Paul Maroon and multi-instrumentalist Walter Martin.

“But none of that actually happened,” he continued. “Instead, in the ensuing years we’ve all worked on a ton of different projects in a ton of different places. Recently, someone sent us a clip of us playing at Irving Plaza from 2003, and it just looked very exciting. So, we’ve decided we’d like to play together again.”

The official presale for the is open now through 10 p.m. ET on Thursday (Nov. 17); click here to register. The general on-sale will begin on Friday (Nov. 18) at 11 a.m. ET.

The garage rock-inspired band — whose members grew up in the Washington, D.C. area — formed in 2000 after the break-up of the groups Jonathan Fire*Eater and The Recoys. They released their full-length debut, Everyone Who Pretended to Like Me Is Gone, in 2002, followed by Bows + Arrows (2004), A Hundred Miles Off (2006), a 2006 covers collection, You & Me (2008) and Lisbon (2010) before dropping their final full-length, Heaven, in 2012.

Check out a trailer for the Webster Hall shows below.