Rock
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Guns N’ Roses announced an extensive 2023 world tour on Tuesday (Feb.21), a run that will have the veteran hard rockers playing festivals, stadiums and arenas across the Middle East, Europe and North America.
The global trek is slated to kick off on June 5 in Tel Aviv, Israel at the Park Hayarkon and run through dates in Madrid, Copenhagen, London, Rome, Paris and Athens before hopping to North America on August 5 with a gig in Moncton, New Brunswick at the Medavie Blue Cross Stadium. The run will include shows in Montreal, Boston, Chicago, Nashville, Toronto, St. Louis, Houston, San Diego and Phoenix before winding down on Oct. 16 at BC Place in Vancouver.
Tickets sales for the Live Nation-promoted outing will begin with the band’s Nightrain presale, which kicks off on Wednesday (Feb. 22) at 10 a.m. local time, with a general onsale for all dates beginning on Friday (Feb. 24) at 10 .m. local time here.
Though the reunited band has not announced plans for any new music to follow-up 2008’s long-gestating Chinese Democracy, the Axl Rose-led group has been hitting the road hard over the past few years, including their three-year (2016-2019) Not in This Lifetime Tour and 2021’s We’re F’N Back! tour. But in an exciting tease, the release announcing the upcoming dates promises that they will be “unveiling more news and surprises soon.”
In November, GNR released a commemorative box set celebrating their 1991 two-album set Use Your Illusion with dozens of previously unreleased tracks and videos.
Check out the dates for GNR’s 2023 tour below.
June 5 – Tel Aviv, Israel @ Park Hayarkon
June 9 – Madrid, Spain @ Civitas Metropolitan Stadium
June 12 – Vigo, Spain @ Estadio Abanca Balaídos
June 15 – Dessel, Belgium @ Grasspop Metal Meeting
June 17 – Copenhagen, Denmark @ Copenhell
June 21 – Oslo, Norway @ Tons of Rock
June 27 – Glasgow, UK @ Bellahouston Park
June 30 – London, UK @ BST Hyde Park
July 3 – Frankfurt, Germany @ Deutsch Bank Park
July 5 – Bern, Switzerland @ BERNEXPO
July 8 – Rome, Italy @ Circo Massimo
July 11 – Landgraaf, Netherlands @ Megaland
July 13 – Paris, France @ La Defense
July 16 – Bucharest, Romania @ National Arena
July 19 – Budapest, Hungary @ Puskás Arena
July 22 – Athens, Greece @ Olympic Stadium
August 5 – Moncton, NB @ Medavie Blue Cross Stadium
August 8 – Montreal, QC @ Parc Jean Drapeau
August 11 – Hershey, PA @ Hersheypark Stadium
August 15 – East Rutherford, NJ @ MetLife Stadium
August 21 – Boston, MA @ Fenway Park
August 24 – Chicago, IL @ Wrigley Field
August 26 – Nashville, TN @ GEODIS Park
August 29 – Charlotte, NC @ Spectrum Center
Sept. 1 – Saratoga Springs, NY @ Saratoga Performing Arts Center
Sept. 3 – Toronto, ON @ Rogers Centre
Sept. 6 – Lexington, KY @ Rupp Arena
Sept. 9 – St. Louis, MO @ Busch Stadium
Sept. 12 – Knoxville, TN @ Thompson-Boling Arena
Sept. 15 – Hollywood, FL @ Hard Rock Live
Sept. 20 – Biloxi, MS @ Mississippi Coast Coliseum
Sept. 23 – Kansas City, MO @ Kauffman Stadium
Sept. 26 – San Antonio, TX @ Alamodome
Sept. 28 – Houston, TX @ Minute Maid Park
Oct. 1 – San Diego, CA @ Snapdragon Stadium
Oct. 8 – Sacramento, CA @ Aftershock Festival
Oct. 11 – Phoenix, AZ @ Chase Field
Oct. 16 – Vancouver, BC @ BC Place
Travis Barker is legendary for hitting his kit with wild abandon. But with the Blink-182 reunion slated to kick off on March 11 in Tijuana, Mexico, the dynamic drummer may want to slow his roll and heal up after suffering yet another injury to his ring finger. Two weeks after revealing that he’d smashed his finger so hard during rehearsals that he dislocated it and tore some ligaments, Barker said he did it again.
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TMZ reported that Barker posted an Instagram Story on Sunday in which he showed off his clearly swollen, bruised ring finger, with what looked like a giant bump on his middle knuckle, captioning the image “again.”
Barker confirmed the news in his Story on Monday, posting two x-ray images of his left middle finger that clearly depicted a serious ding on the ring fing. At press time it was unclear if the injury would have any impact on the band’s touring plans in support of their as-yet-untitled reunion album with twice former singer/guitarist Tom DeLonge; a spokesperson for the group had not returned requests for additional comment at press time.
In January, DeLonge teased that the collection is “the best album we’ve ever made,” assuring fans that they need to “buckle up.” Amping up the excitement, DeLonge added, “I’m personally tripping and so proud of what we have created TOGETHER. As one unified force of fun, eternal youth, and most of all- close friends.”
DeLonge — who rejoined the band in 2022 after leaving for a second time in 2014 — tagged bandmates drummer Travis Barker and singer/bassist Mark Hoppus in the post about the eagerly awaited follow-up to the trio’s 2019 album Nine, their second, and final, studio effort featuring fill-in third member Matt Skiba (Alkaline Trio).
While a release date and title for the new album have not yet been announced, the collection’s first single, “EDGING,” has been a smash at alternative radio.
The reunited trio’s massive world tour is slated to kick off on March 11 in Tijuana, Mexico at the Imperial GNP festival and keep the band on the road in South America and Mexico through April 2 before shifting to North America on May 4 with a show at the Xcel Energy Center in St. Paul, Minnesota; those dates will run through a July 16 gig in Nashville at the Bridgestone Arena and then move on to Europe in September and Australia/New Zealand in early 2024.
Demi Lovato hopped on TikTok on Thursday (Feb. 16) to offer fans a snippet of “Still Alive,” her new single for the Scream VI soundtrack.
To tease the song, the pop singer appears with her back to the camera, slowly circling to reveal that she’s holding the famous Ghostface mask in front of her face. As she lowers the shroud, Lovato’s voice can be heard singing, “Alive, I don’t want to just survive/ Give me something to sink my teeth in” before the song abruptly cuts out.
Naturally, Lovatics were chomping at the bit to hear the whole track, which will be released March 3. “Demi Lovato is coming for blood,” one fan predicted in the comments, punctuating the sentiment with a single drop of blood emoji. Another wrote, “I’m so here for this era…keep slayinggggg,” while a third amusingly commented, “I work in a cinema and when I tell you this better be the end credit song so I can hear it 5 times a day when I’m cleaning I swear.”
“Still Alive” will serve as Lovato’s first taste of new music since releasing her seventh studio album, Holy Fvck, back in 2022. The pop-punk fueled full-length contained collaborations with Yungblud, Royal & the Serpent and Dead Sara and ultimately topped three separate Billboard tallies: Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums.
Released last summer, Holy Fvck also inadvertently helped spark the ongoing outrage over queer artists utilizing Satanic imagery in their music, along with Lil Nas X giving the devil a lap dance in his “Montero (Call Me By Your Name)” music video and the controversy surrounding Sam Smith and Kim Petras’ Grammys performance of “Unholy.”
Get a preview of Lovato’s “Still Alive” below.
Weezer’s “Records” becomes the band’s eighth No. 1 on Billboard’s Alternative Airplay chart, lifting to the top of the Feb. 25-dated ranking.
Weezer now boasts four Alternative Airplay No. 1s in a row; each of the band’s entries this decade has led. “Hero” started the streak in 2020 (one week at No. 1 that August), followed by “All My Favorite Songs” (four weeks, July-August 2021) and “A Little Bit of Love” (two, June 2022).
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The Rivers Cuomo-fronted band first topped Alternative Airplay in 2005 with its one-week No. 1 “Beverly Hills” (over a decade after the band’s first entry, the No. 6-peaking “Buddy Holly,” in 1994). Subsequently, the act’s “Perfect Situation” ruled for four weeks in 2006, followed by “Pork and Beans” (11 weeks, 2008) and its cover of Toto‘s “Africa” (three, 2018).
Weezer’s eight Alternative Airplay No. 1s slot the band into a tie for the seventh-most in the chart’s 34-year history, alongside U2. Red Hot Chili Peppers pace all acts with 15.
Most No. 1s, Alternative Airplay:
15, Red Hot Chili Peppers
12, Green Day
11, Linkin Park
10, Cage the Elephant
10, Foo Fighters
10, twenty one pilots
8, U2
8, Weezer
7, Imagine Dragons
“Records” reigns in its 29th week on Alternative Airplay, completing Weezer’s longest trip to No. 1. It exceeds the 26-week journey of “All My Favorite Songs” in 2021.
Concurrently, “Records” ranks at its No. 6 high on the all-rock-format, audience-based Rock & Alternative Airplay chart, with 3.7 million audience impressions, according to Luminate. It also earned a two-week appearance on Adult Alternative Airplay in August-September 2022, peaking at No. 38.
“Records” is the radio single from the EP SZNZ: Summer (released last June), part of Weezer’s overarching four-EP SZNZ project. Preceding Alternative Airplay No. 1 “A Little Bit of Love” is also from SZNZ, on the Spring edition.
For the first time in over a decade, there’s a No. 1 debut on Billboard’s Rock & Alternative Airplay chart.
Linkin Park’s “Lost,” recorded during the sessions for the band’s 2003 album, Meteora, and released Feb. 11, bows at No. 1 on the all-rock-format, audience-based Rock & Alternative Airplay list dated Feb. 25.
In the Feb. 10-16 tracking week, “Lost” earned 10.1 million audience impressions, according to Luminate. That’s the best weekly impression count for any song since Lana Del Rey’s “Doin’ Time” earned 10.5 million in its sixth and final week at No. 1 (Oct. 12, 2019).
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The last song to debut with a higher audience total than “Lost”? “Jumpsuit” by Twenty One Pilots (10.2 million, July 21, 2018; it opened at No. 4 that week).
“Lost” is one of just four songs to bound in at No. 1 on Rock & Alternative Airplay dating to the chart’s June 2009 inception – and Linkin Park is the first act to achieve the feat twice. The band’s “The Catalyst” began atop the Aug. 21, 2010, survey, followed by Foo Fighters’ “Rope” (March 12, 2011) and Green Day’s “Oh Love” (Aug. 4, 2012).
Linkin Park lands its fourth Rock & Alternative Airplay No. 1, after “New Divide” ruled for 12 weeks in 2009, followed by “The Catalyst” (five weeks, 2010) and “Burn It Down” (11 weeks, 2012). In between “Burn” and “Lost,” the band appeared on the chart nine times, led by the No. 7-peaking “Lost in the Echo” in 2012, but had not made the list since 2017, following the death of frontman Chester Bennington that July. (“Lost” is the first song in the chart’s archives to hit No. 1 after the passing of its vocalist.)
Linkin Park ties Red Hot Chili Peppers for the seventh-most Rock & Alternative Airplay No. 1s. Foo Fighters lead all acts with nine.
Most No. 1s, Rock & Alternative Airplay:
9, Foo Fighters
6, Cage the Elephant
6, Green Day
6, twenty one pilots
5, The Black Keys
5, Imagine Dragons
4, Linkin Park
4, Red Hot Chili Peppers
3, Weezer
Concurrently, “Lost” starts at No. 4 on Alternative Airplay, the best premiere for any song since Linkin Park’s own “The Catalyst” soared in at No. 3 in 2010. It’s the band’s 18th top 10 and first since its Steve Aoki co-bill “A Light That Never Comes,” which reached No. 7 in 2013.
The band’s 18 top 10s tie it for seventh-best in the chart’s 34-year history. Foo Fighters and Red Hot Chili Peppers rule with 28 apiece.
Most Top 10s, Alternative Airplay:
28, Foo Fighters
28, Red Hot Chili Peppers
24, Green Day
23, U2
21, Weezer
19, Pearl Jam
18, Linkin Park
18, The Offspring
17, Muse
17, The Smashing Pumpkins
“Lost” also begins at No. 6 on Mainstream Rock Airplay, also Linkin Park’s 18th top 10 and, in this case, its first since “Until It’s Gone” ruled for a week in 2014.
While Linkin Park makes its first appearance on a Billboard airplay tally in more than five years, Bennington’s voice has been heard on charted entries following his passing via the release of music from Grey Daze, his pre-Linkin Park band. That act’s “Sickness” hit No. 2 on Mainstream Rock Airplay in May 2020, followed by a No. 29 peak for “B12” that September.
More chart appearances for “Lost” are set for other Billboard charts dated Feb. 25 (all to refresh on Billboard.com Wednesday, Feb. 22). “Lost” is a taste of the 20th-anniversary reissue of Meteora, due April 7. The album debuted as Linkin Park’s first of six No. 1s on the Billboard 200, ruling for two weeks in April 2003.
Two music legends united in Austin on Thursday (Feb. 16), when Bruce Springsteen brought his tour to the city’s Moody Center.
Before Springsteen and the E Street Band launched into their 27-song set, Country Music Hall of Famer George Strait, clad in his signature jeans and cowboy hat, made an unexpected appearance as he strolled on stage to welcome Springsteen to Austin. The two superstars hugged, and The Boss stepped back as Strait made his introduction.
“Austin, Texas, it’s my honor tonight to introduce to you a band that really needs no introduction, right?” Strait said, eliciting applause from the crowd. “Bruce Springsteen and the E Street Band!”
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As the attendees cheered, Strait and Springsteen embraced again. The country star then waved to the crowd and exited the stage. He did not perform during his appearance, though he does have history with the Moody Center, having helped open the venue with his show on April 30, 2022, alongside Willie Nelson and the Randy Rogers Band.
Springsteen has been selling out venues across the country on his current tour, and recently added 18 new cities to the trek, including stops in Chicago, Baltimore, Pittsburgh, Toronto and San Francisco. The tour launched Feb. 1 with a show in Tampa, Fla., which marked Springsteen and the E Street Band’s first North American show in seven years.
Meanwhile, though Strait is known for being a torchbearer of traditional country music, with 44 No. 1 hits on Billboard‘s Hot Country Songs chart, in addition to 17 total CMA Awards wins to his credit (including three CMA entertainer of the year trophies), the lifelong Texan is also known for tipping his hat to rock classics. He’s previously covered Tom Petty’s “You Wreck Me” (included on Petty’s 1994 album Wildflowers) in concert.
Watch Strait’s introduction below:
The Foo Fighters remembered late drummer Taylor Hawkins on what would have been his 51st birthday on Friday (Feb. 17). “Miss you so much,” read an Instagram post featuring a picture of Hawkins looking directly into the camera with a half-smile on his face and his drum kit in the background.
In late March 2022, the beloved Foos drummer was found dead in his Bogotá, Colombia, hotel room at age 50. Hawkins’ death was announced through a social media statement from the band’s accounts; to date no cause of death has been officially announced.
In a New Year’s Eve post the band posted a heartfelt message about the challenges of 2022 while providing a peek into their future. “As we say goodbye to the most difficult and tragic year that our band has ever known, we are reminded of how thankful we are for the people that we love and cherish most, and for the loved ones who are no longer with us,” the Foos began their statement on Twitter.
“Foo Fighters were formed 27 years ago to represent the healing power of music and a continuation of life. And for the past 27 years out fans have built a worldwide community, a devoted support system that has helped us all get through the darkest of times together. A place to share our joy and our pain, our hopes and fears, and to join in a chorus of life together through music. Without Taylor, we never would have become the band that we were – and without Taylor, we know that we’re going to be a different band going forward.”
In the months following Hawkins’ death, Foo Fighters staged a pair of all-star tribute concerts in memory of the late drummer. The shows, which took place in London and Los Angeles, featured appearances by Travis Barker, Paul McCartney, Miley Cyrus, Liam Gallagher, Lars Ulrich, and dozens more.
The band recently announced its first string of dates following a year-long silence in the wake of Hawkins’ death, including spots at a number of festivals including Boston Calling (May 26), Sonic Temple (May 28), Rock Am Ring (June 2), Rock Im Park (June 4), Bonnaroo (June 18), Harley-Davidson Homecoming (July 15), Fuji Rock (July 28-30), The Town (Sept. 9) and Sea.Hear.Now (Sept. 17). At press time the group had not yet announced who will play drums on those dates.
Check out the Foos post below.
Depeche Mode expanded its upcoming world tour on Thursday (Feb. 16) by adding a new run of fall dates across North America.
“29 new shows just announced. On sale next week,” the duo announced on Instagram, directing fans to their official website for more information.
The new leg of shows will kick off Sept. 21 in Mexico City after Dave Gahan and Martin Gore wrap up their summer run in Europe. From there, the bandmates will head stateside and hit major cities including Dallas, Miami, Boston, New York City, Denver, Las Vegas, San Francisco as well as Canadian markets such as Montreal, Toronto, Edmonton and Vancouver. The tour closes then closes out Dec. 10 and 15 with dual shows in Los Angeles at the Kia Forum and Crypto.com Arena.
Tickets can be purchased by the general public starting next Friday, Feb. 24, at 10 a.m. local time. A special fan presale will take place a few days prior on Tuesday, Feb. 21.
Depeche Mode’s announcement extends their global trek to 75 dates in support of the group’s upcoming 15th album, Memento Mori, which is set to be released March 24 via Columbia Records. Preceded by lead single “Ghosts Again,” the studio set is the English electronic act’s first full-length since 2017’s Spirit. In the interim, founding member and original keyboardist Andy Fletcher passed away last May, leaving Gahan and Gore as a duo for the first time.
Check out all the dates on Depeche Mode’s newly announced second North American leg below.
Red Hot Chili Peppers tie Foo Fighters for the most top 10s in the history of Billboard’s Alternative Airplay chart, as “The Drummer” lifts 13-10 on the Feb. 18-dated ranking.
The song becomes the Chili Peppers’ 28th top 10.
The band previously had sole possession of the record before Foo Fighters tied it at 25 in 2020 and surpassed it in 2021, eventually rattling off two more through 2022 to put themselves at 28.
The Chili Peppers caught back up on the strength of “Black Summer,” a four-week No. 1 last year, followed by one-week ruler “Tippa My Tongue” last year and now “The Drummer.”
Most Top 10s, Alternative Airplay
28, Foo Fighters
28, Red Hot Chili Peppers
24, Green Day
23, U2
21, Weezer
19, Pearl Jam
18, The Offspring
17, Linkin Park
17, Muse
17, The Smashing Pumpkins
The Anthony Kiedis-fronted Chili Peppers first reached the Alternative Airplay top 10 in 1989 with “Knock Me Down.” The group is currently the only act in the chart’s 34-year history to have appeared on the survey in each decade of the list’s existence, from the ’80s through the ’20s.
Concurrently, “The Drummer” jumps 28-21 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 1.6 million audience impressions, up 21%, according to Luminate.
The song is the second single from Return of the Dream Canteen, the band’s 13th studio album. It debuted at No. 1 on the Top Rock & Alternative Albums charted dated Oct. 29, 2022, and has earned 130,000 equivalent album units through Feb. 9.
Paramore‘s sixth studio album, This Is Why, arrived last week Friday, and the goodies from the new set continue to roll in. The band released a brand new music video for “Running Out of Time” on Thursday (Feb. 16), and things get a little trippy for the trio.
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The visual kicks off with lead singer Hayley Williams attempting to create magic in a music studio, vacantly strumming a guitar and trying to come up with lyrics to no avail — inspiration does not come to her easily. After looking to where bandmates Taylor York and Zac Farro would take their place in the studio, the drum kit and guitar become 10 feet tall and walk with a human gait, prompting Willams to seek refuge in a guitar case, which then pops her into an alternate dimension.
Things go topsy turvy when Williams, dolled up in a vintage corset and pink satin pants, falls into an alternate universe filled with horse-shaped bushes, larger than life flowers and gigantic mushrooms. York and Farro are there dressed in monochromatic orange and purple ensembles, but there’s one major problem — their arms appear to be over four feet tall in length.
“Intentions only get you so far/ (It was on my list, I swear I meant to get to it)/ A harsh reality to discover, ah/ I’m always runnin’ out of time/ (She’s always runnin’ out of time)/ I’m always runnin’ out of time,” Williams sings on the track’s punchy chorus.
After a series of unusual shenanigans unfold, the band reconvenes and runs on a track in space trying to reach the studio once again, only for there to be a twist at the end of the video.
Williams explained in an interview with Zane Lowe that the groovy track was partly inspired by her relationship with Taylor Swift. After taking a trip to the superstar’s abode and realizing she keeps thank you, birthday and holiday gifts for her friends and family months in advance, Williams was struck with the realization that her life was not together.
“I was like, ‘I can barely remember to send someone a card or flowers.’ There are still Christmas gifts at my house that I have not sent to my friends just sitting there in the back of my closet,” the 34-year-old revealed. “Two of the people I was supposed to give a gift to, I was like, ‘Sorry, I forgot to put [the gifts] in my suitcase so you still don’t get a gift.’ I wish that I was the person that felt like I had all my s–t together and I was like, ‘Oh, I had some extra time, so I’m just popping by with some flowers.’ That kind of a thing, that is my idealized self.”
In an interview with Genius, the Grammy-winning vocalist also shared “my sense of anxiety around time management has gotten worse since the pandemic.” She added, “How does a person who is self-aware enough, but also politically and culturally aware, socially aware, how do you even pick what thing to focus on and maybe devote your life to in some respect, when everything is an emergency? It does feel like there’s not enough time in the day, in the month, in the year, to fix everything.”
Watch Paramore’s video for “Running Out of Time” above.