Rock
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American metal band Mastodon will join influential Brooklyn indie rockers TV on the Radio and 1990s alt- rock icons Pavement to headline this year’s Levitation festival, alongside reunited sludge metal band Acid Bath, Built to Spill, the Brian Jonestown Massacre and more.
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Launched in 2008 by Austin band The Black Angels to celebrate the resurgence of psychedelic rock and the formation of the label The Reverberation Appreciation Society or RVRB, the festival is now part of a partnership with Austin promoter Resound Presents, led by Graham Williams.
This year Levitation is moving to the festival grounds at the Palmer Events Center, in addition to nightly venue programming across Austin’s Downtown Red River District. Located on the shores of Town Lake overlooking the Austin skyline, the Palmer Events Center includes a massive 75,000 square foot environment for the indoor stage and a huge canvas for the artists on stage with 360 lighting and visuals, day or night. The indoor experience is accompanied by an outdoor stage set to a backdrop of lush trees and the Austin skyline. The new venue offers amenities like an air-conditioned common space, indoor experience for the main stage, ample outdoor green space, plenty of room to stretch out and hang, and an immersive setting for the music and visual experience.
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“The idea to use Palmer Events Center goes all the way back to 2011. I was riding my bike home from the cleanup day after that year’s festival at Seaholm Power Plant—our first and last year there before the site was redeveloped into convos and office spaces,” says Levitation’s co-founders Rob Fitzpatrick. “I took a detour through the park and stopped by Palmer. I’d been there before, but never seriously considered it as a festival site. That day I peeked inside and saw the massive indoor space and canopy around it and thought, ‘Damn, this would be perfect.’
The new home means larger acts can play the weekend festival, and Levitation’s Night Shows will continue to offer intimate club experiences downtown, celebrating the independent music scene—from up-and-comers to national headliners.
“When the 2016 edition at Carson Creek Ranch was canceled due to weather, it was a huge setback—we didn’t get a full insurance payout and were left with serious debt,” Fitzpatrick says. “So it was a disaster but the silver lining of the weekend was the way that the Austin music community and venues stepped up. They moved shows, shifted schedules, let us rebook shows in their clubs and helped save the weekend for fans. That experience sparked an idea: instead of building a temporary city in a remote location without infrastructure – and exposed to the weather – at the ranch, what if we brought the whole thing into downtown—with intention? That became the blueprint from 2018 to 2024.”
With this new chapter, Ftizpatrick says the fest was “finally able to merge both models. Palmer gives us the space, infrastructure, and production capabilities to bring back a larger-scale, multi-stage experience—and thanks to its downtown location, we can still collaborate with the Red River venues that have been the heart of the festival in recent years. It’s the best of both worlds.”
Passes for Levitation 2025 are now on sale, and night show tickets can be purchased separately here.
Levitation
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Guns N’ Roses busted out the live debut of an old favorite during their Tuesday (May 27) show in Abu Dhabi, seemingly pay tribute to late New York Dolls singer David Johansen two months after the pioneering punk icon died at 75 following a long battle with cancer. Explore See latest videos, charts and news […]
Ozzy Osbourne is going to make it to the stage for Black Sabbath’s final show no matter what it takes. As the metal icon gears up for his first full concert since 2018, he sat down with Billy Morrison on the latest episode of their SiriusXM “Ozzy Speaks” show to break down what he’s doing to gear up for the July 5 Back to the Beginning show in his hometown of Birmingham, England.
“I haven’t done any physical work for the last seven, six and a half, seven years,” Ozzy said, promising that “by hook or by crook, I’m gonna make it [to the stage at Villa Park],” where Black Sabbath’s final gig will find them joined by an all-star roster that will also include Metallica, Mastodon, Anthrax, Pantera, Alice in Chains, Gojira, Slayer and a supergroup featuring members of Guns N’ Roses, the Smashing Pumpkins, Limp Bizkit, Judas Priest, Rage Against the Machine and many more.
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“I’ve got this trainer guy who helps people get back to normal,” he said of the intense training he’s undergoing following a rough several years that included spinal surgery and a Parkinson’s disease diagnosis. “It’s hard going, but he’s convinced that he can pull it off for me. I’m giving it everything I’ve got.”
Ozzy, 76, said he’s definitely waking up and stressing about the show at times, but he knows that getting worked up is not what will get him through his first show with Sabbath bandmates guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward in more than 20 years. “Sometimes [I stress], but what I do, if I start obsessing all the time, I’ll be insane by Friday, you know?” he said. “So, I’m just taking it one day at a time and when I do it one day at a time. You know, when we were talking about this [obsessive-compulsive disorder], whatever. I have that badly. All I can say is I’m giving 120%. If my God wants me to do the show, I’ll do it.”
Speaking to the Guardian recently, Ozzy said “I’ll be there, and I’ll do the best I can. So all I can do is turn up,” a hedge that was in keeping with comments from Tool singer Maynard James Keenan, who said it will take need “modern miracles” for the rocker to perform one of his legendary high-energy shows given his health struggles.
Though he hasn’t played a full show since Dec. 31, 2018 — two months before revealing his Parkinson’s diagnosis — Ozzy has set a reasonable bar for the July show, saying in February that he isn’t “planning on doing a set with Black Sabbath,” but rather “little bits and pieces” with the group. “I am doing what I can, where I feel comfortable,” he promised.
Listen to Ozzy talk about his training for the show below.
The saga around Zak Starkey’s departure from The Who continues to rumble on. In a new Instagram post on Wednesday (May 28), the band’s former drummer called reports that he “retired” from his position in iconic group as “f-kin total bollox” while insisting that he was, indeed, “fired” from the group.
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Starkey’s position as the band’s drummer has been uncertain since a show at London’s Royal Albert Hall in March. Reports suggested that Daltrey was unhappy with Starkey’s playing on the night, and a number of songs were cut short. Starkey – Ringo Starr’s son and a prolific session drummer – has been a part of the live lineup since 1996. In a statement, the band said, “The band made a collective decision to part ways with Zak after this round of shows at the Royal Albert Hall. They have nothing but admiration for him and wish him the very best for his future.”
His position was reinstated briefly after “communication issues” were resolved, but following the announcement of The Who’s farewell tour dates in North America, guitarist Pete Townshend confirmed that time had “come for a change” in relation to their drummer, and that Scott Devours would be taking on the role.
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On Monday (May 26) the drummer shared an Instagram post stating that Daltrey had said that Starkey had not been “fired,” but “retired” to work on his project with supergroup Mantra Of The Cosmos, which includes Starkey and members of Happy Mondays. The group’s upcoming debut LP features a song written by Oasis’ Noel Gallagher; Starkey was Oasis’ drummer from 2004-2008.
Two days later, on Wednesday (May 28), Starkey shared a new update with a screengrab of a news story that again indicated that he “retired” from the group. He called the report “f-kin total bollox,” insisted that “I was fired” and that Daltrey’s “new word for it is ‘retired’ to complete my other musical projects.”
He continued, “I called Roger last week and told him in person I had spent nearly 2 months at my studio in Jamaica completing my studio projects. That I had a mantra of the cosmos single out next week and then I was completely available for the foreseeable future… he was a little surprised but understood. It’s true – I have no plan’s whatsoever for the fall as I thought I was touring with The Who and my mantra band mates are v busy in oasis and happy Mondays until the new year . So this is simply a load of bollox … Am I fired , retired, deffo not tired as I’m 20 years younger than these guys as they keep saying.
Starkey added, “Dropping two beats on our second show is not a firing offence – I’ve watched the show on tv I can’t see where I dropped them – I looked everywhere- it’s the who ffs if it was perfect it would be so f–king boring …”
A spokesperson for The Who offered no comment on the latest update when approached by Billboard U.K.
The Who will kick off the U.S. leg of their farewell tour on August 16 at the Amerant Bank Arena in Sunrise, FL.
John Fogerty has announced a new album titled Legacy: The Creedence Clearwater Revival Years, due out Aug. 22 via Concord.
To celebrate, Fogerty has released three newly recorded versions of CCR classics: “Up Around the Bend,” “Have You Ever Seen the Rain,” and “Porterville,” the latter originally released in 1967 under the band’s earlier name, The Golliwogs.
The new recordings are labeled “John’s Version,” a nod to Taylor Swift’s “Taylor’s Version” project, though Fogerty now owns his masters. He won control over his publishing rights in early 2023, ending a legal battle that spanned five decades.
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“For most of my life I did not own the songs I had written,” Fogerty said in a statement. “Getting them back changes everything. Legacy is my way of celebrating that — of playing these songs on my terms, with the people I love.”
The sessions feature Fogerty’s sons Shane and Tyler on guitars, with Matt Chamberlain on drums, Bob Malone on keys, Bob Glaub on bass, and Rob Stone on saxophone. Shane Fogerty also co-produced the album with his father, while Julie Fogerty, John’s wife, served as executive producer.
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“I knew firsthand how much it meant for John to get his publishing back,” said Julie. “It has been so joyful and beautiful since this happened for him. This is a celebration of his life’s work. It is the biggest party for the good guy/artist winning.”
Legacy features 20 tracks, including CCR staples like “Proud Mary,” “Bad Moon Rising,” “Fortunate Son,” and “Down on the Corner.” The project arrives as Fogerty celebrates his 80th birthday with a pair of shows at New York’s Beacon Theatre, ahead of a European summer tour and a performance at Glastonbury Festival.
Fogerty co-founded Creedence Clearwater Revival in the late 1960s and went on to write and perform some of the most enduring hits of the era. The band scored nine Top 10 hits on the Billboard Hot 100 between 1969 and 1971, including “Proud Mary,” “Bad Moon Rising,” “Green River,” and “Lookin’ Out My Back Door.”
Legacy: The Creedence Clearwater Revival Years is available for pre-order now.
Metallica are in rarified air when it comes to album sales. According to a release from the iconic metal group’s publicist, the band’s self-titled fifth album, commonly referred to as The Black Album, has been certified 20x platinum by the RIAA for sales of more than 20 million copies. The 1991 LP that earned Metallica […]
For the record, Bono said he has never endorsed a politician for office. But when Jimmy Kimmel asked him on Tuesday night (May 27) where he stood in the ongoing, escalating battle between Donald Trump and Bruce Springsteen, the socially conscious U2 singer said there was only one endorsement he could possibly give.
“I think there’s only one ‘Boss’ in America,” the Irish rock legend responded cheekily in reference to Springsteen’s longtime nickname. The dig at the president came after a recent late night Truth Social rant in which Trump called for a “major investigation” into celebrities who supported former vice president Kamala Harris in her White House bid. “HOW MUCH DID KAMALA HARRIS PAY BRUCE SPRINGSTEEN FOR HIS POOR PERFORMANCE DURING HER CAMPAIGN FOR PRESIDENT?” Trump wrote. “WHY DID HE ACCEPT THAT MONEY IF HE IS SUCH A FAN OF HERS? ISN’T THAT A MAJOR AND ILLEGAL CAMPAIGN CONTRIBUTION? WHAT ABOUT BEYONCÉ? …AND HOW MUCH WENT TO OPRAH, AND BONO???”
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According to Newsweek, there is no official record of any of those artist being paid to perform in support of Harris. In addition, Irish citizen Bono did not endorse a candidate in the 2024 U.S. presidential election and did not participate in any campaign events.
That said, Bono was more than happy to be included in the Trump dump. “To be in the company of Bruce Springsteen, Beyoncé and Oprah, I’d play tambourine in that band,” he told Kimmel, clarifying that neither he nor U2 have ever “paid or played a show to support any candidate from any party. It has never happened. It’s called ‘Truth Social,’ but it seems to be very antisocial and it’s not very true,” he quipped about the president’s social media platform.
He did, however, suspect that his name may have made it into Trump’s rant because he co-founded the non-profit One Campaign, a global non-partisan organization that has raised millions to create economic opportunities in Africa. In the midst of the Trump administration’s unprecedented dismantling of U.S. government agencies — including efforts to completely defund and eliminated the U.S. Agency for International Development — Bono noted that people across the political spectrum, including the many “very religious Catholics and evangelicals and conservatives” who support his organization are “very, very, very angry with the person that they voted into office having demolished instruments of mercy and compassion, like USAID or PEPFAR,” he said.
The latter is a reference to a global initiative launched by Republican President George W. Bush in 2003 that is credited to date with saving 26 million lives of people living with AIDS and and allowing nearly 8 million babies to be born with HIV infection. “They are not happy and there will be trouble,” Bono predicted of the blow-back from Trump’s actions.
While he was happy to weigh in on the American pop-litical back-and-forth, Bono was actually there to promote his new biographical film, Bono: Stories of Surrender, which premieres on Apple TV+ on Friday (May 30). In a rare TV chat appearance, the singer jokingly said the memoir-tuned-one-man-show-turned-film has him playing an “aging rock star on a massive ego trip… It’s quite a stretch.”
He briefly described how the film had him exploring his “rather complicated” relationship with his strong-willed late father, Brendan Robert Hewson, as well as his own struggles to be a good father and son. When Kimmel noted that the film got a nearly 9-minute ovation at its Cannes Film Festival debut, Bono, despite being one of the world’s biggest rock stars, admitted to feeling a sense of imposter syndrome while walking the red carpet at the glamorous French film fête.
In fact, he was somewhat unnerved to even sit with Kimmel, asking actress daughter Eve Hewson (Bad Sisters) for advice, which she dutifully provided. “‘Dad, just bring it,’” she counseled the 65-year-old music legend. “And I’m like, ‘bring what?,’” he replied. “She said, ‘it. It. Just answer Jimmy’s questions. None of the jazz conversation without full stops and commas. Just answer his question, no false modesty.’”
Sage advice indeed. So, when Kimmel asked what’s next for U2, Bono gave a somewhat jazz-less answer. “Oh, oh yes,” Bono said in response to a query about whether the band is recording new music. “We’ve been in a studio. I think you’ve sometimes got to deal with the past to get to the present… in order to make the sound of the future.”
Bono described the sound as that of “four men who feel like their lives depend on it,” noting that “nobody needs a new U2 album unless it’s an extraordinary one. And I’m feeling very strong about it.” The unnamed album would be the follow-up to 2023’s Songs of Surrender, which featured re-recorded versions of 40 of the group’s previously released tracks.
Pumping up the jazz, Bono said the new tracks are songs for the “kitchen… the speedway, the garage… just for every part of your life. Songs to make up to, songs to break up to.” The best news is that drummer Larry Mullen Jr. is back in the fold following neck surgery that kept him out of U2’s residency at Las Vegas’ Sphere in late 2023 and early 2024. “He’s really innovative,” Bono said of the band’s time keeper.
Watch Bono on Jimmy Kimmel Live! below.
Wet Leg has shared the second taste of its upcoming album Moisturizer with the LP’s opening track, “CPR.” The song was released on Tuesday evening (May 27) and follows its live debut at a recent run of live shows. The group – led by singer Rhian Teasdale and guitarist Hester Chambers – headlined two nights […]
The see-saw story of The Who‘s drummer chair continued to tilt over the weekend when former, then current and then former again time keeper Zak Starkey clarified that he had not been fired from the band but rather “retired.” The 59-year-old son of Beatles drummer Ringo Starr and in-demand session player wrote in an Instagram […]
Tom Morello has never been one to mince words when it comes to his thoughts on Donald Trump. The firebrand Rage Against the Machine guitarist and solo star joined his friend and fellow rock agitator Bruce Springsteen over the weekend in giving a NSFW salute No. 27 from the stage.
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Performing at the Boston Calling 2025 music festival on Sunday (May 25), Morello took the stage in front of a towering backdrop that featured a series of images of the president amid a sea of oversized buttons that spelled out “F–K TRUMP.” If that message wasn’t clear enough, at one point during his set, Morello flipped his instrument up to play with his teeth and revealed another pointed message aimed at the current administration taped to the back of his guitar that read “F–k I.C.E.,” in seeming reference to U.S. Immigration and Customs Enforcement, the federal agency charged with implementing Trump’s aggressive deportation policy.
Introducing a cover of Bruce Springsteen’s “The Ghost of Tom Joad,” Morello dedicated the track to The Boss, noting that the rocker has been “in a tussle with the president lately” after the Jersey giant recently dubbed the current administration “corrupt, incompetent and treasonous,” a broadside that raised the ire of the commander in chief.
“Bruce is going after Trump because Bruce, his whole life, he’s been about truth, justice, democracy, equality,” Morello said. “And Trump is mad at him because Bruce draws a much bigger audience. F–k that guy.” According to Boston.com, at the top of his set, Morello invited fans to enjoy “the last big event before they throw us in jail.”
In the midst of the Trump administration’s attack on universities it claims are not doing enough to combat antisemitism, Morello also mentioned his alma mater, Harvard University, which has particularly drawn Trump’s ire. In its latest actions, the administration has threatened to strip the school of more than $3 billion in grants following Trump’s order to freeze more than $2.2 billion in federal funding grants for the university and threats to revoke its tax-exempt status. Morello praised Harvard’s recent decision to offer a free online course called “We the People: Civic Engagement in a Constitutional Democracy.”
Morello, who graduated with honors from Harvard in 1986 with a B.A. in political science, described the class as a primer on “basic U.S. government, understanding the Constitution, and how to recognize a dictatorship takeover of your country.”
The lash out against Trump by Morello amid the president’s slash-and-burn reshaping of democratic norms came after Springsteen kicked off his Land of Hope and Dreams tour in Manchester, England on May 14 by lambasting the blitz of strong-arm actions that many political pundits have deemed authoritarian.
“In my home, the America I love, the America I’ve written about, and has been a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent and treasonous administration,” Springsteen told the crowd. “Tonight, we ask all who believe in democracy and the best of our American experience to rise with us, raise your voices against the authoritarianism, and let freedom ring.”
As is his wont, Trump replied to Springsteen’s harsh words with one of his all-caps Truth Social disses, calling the Rock and Roll Hall of Famer “highly overrated” and “dumb as a rock.” The president continued, “Never liked him, never liked his music, or his Radical Left Politics and, importantly, he’s not a talented guy — Just a pushy, obnoxious JERK, who fervently supported Crooked Joe Biden, a mentally incompetent FOOL, and our WORST EVER President, who came close to destroying our Country.”
On the precipice of what many financial experts say could be a ruinous global recession sparked by Trump’s unpredictable, see-saw tariffs, the president continued his attacks on Springsteen over the ensuing days, adding in another of his favorite targets: Taylor Swift. On May 16, the 78-year-old leader of the free world wrote, “Has anyone noticed that, since i said ‘I HATE TAYLOR SWIFT,’ she’s no longer ‘HOT?‘”
While Swift has not responded to the unprovoked attack to date, Springsteen was unbowed, doubling down on his disdain for Trump on May 17, telling a crowd in Manchester, “Things are happening right now that are altering the very nature of our country’s democracy, and they’re too important to ignore… In my home, they’re persecuting people for their right to free speech and voicing their dissent. That’s happening now… In America, the richest men are taking satisfaction in abandoning the world’s poorest children to sickness and death. That’s happening now. In my country, they’re taking sadistic pleasure in the pain they inflict on loyal American workers,” calling Trump an “unfit president” who is running a “rogue government.”
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