Rock
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Canadian singer-songwriter ThxSoMch charts a song on the Billboard Hot 100 (dated Feb. 4) for the first time, as his breakthrough track “Spit in My Face!” opens at No. 100.
The song, released independently Nov. 1, debuts almost entirely on the strength of streaming: 5.3 million official U.S. streams in the Jan. 20-26 tracking week, according to Luminate. It concurrently climbs 7-6 on Hot Alternative Songs and 10-9 on Hot Rock & Alternative Songs (both of which use the same streaming-, airplay- and sales-based methodology as the Hot 100).
TikTok has been a crucial factor in the song’s growing popularity, as a portion of the song has been used in more than 70,000 videos on the platform to date. (TikTok does not presently contribute directly to Billboard’s charts.)
“You crush my heart and say it’s nothing,” ThxSoMuch sings in the brooding but tempo-driven “Spit in My Face!” “I bleed for you, but you never cared.”
ThxSoMch is brand new to Billboard’s charts, as “Spit in My Face!” marks his first and, to date, sole chart entry. He also rises 23-21 for a new best on the Emerging Artists chart.
The track is also gaining support worldwide, as it pushes 123-121 on the Billboard Global 200 and 181-165 on the Billboard Global Excl. U.S. chart.
Fall Out Boy announced the dates for their So Much For (Tour) Dust North American tour on Tuesday morning (Jan. 31). The 29-city tour in support of their upcoming So Much (For) Stardust album (March 24) is slated to kick off in the band’s home town on June 21 with a gig at the iconic home of the Chicago Cubs: Wrigley Field.
The run will then take the group through Dallas, Phoenix, Los Angeles, Salt Lake City, Cincinnati, Tampa, Atlanta, Toronto and Boston before winding down on August 5 at Freedom Mortgage Pavilion in Camden, New Jersey. They will be joined along the way by a number of opening acts including: Bring Me the Horizon on most dates, as well as Alkaline Trio, New Found Glory, Four Years Strong, The Academy Is…, Royal & the Serpent, Games We Play, Daisy Grenade and Carr on select shows.
Ticket pre-sales for the Live Nation-produced tour will start on Thursday (Feb. 2) beginning at 10 a.m. local time, with general tickets available beginning Friday (Feb. 3) at 10 a.m. local time; click here for ticketing information.
FOB kicked off the Stardust era in style last week with a surprise homecoming show at Chicago’s 1,100-capacity Metro, just over 20 years after their very first gig at the legendary club, which is just around the corner from Wrigley Field. The Metro show featured the live debut of two Stardust singles, “Love From the Other Side” and “Heartbreak Feels So Good,” as well as the live debut of the band’s current configuration, which, for the first time since their founding, will not feature guitarist Joe Trohman, who recently announce that he was taking an indefinite mental health hiatus.
In his stead, singer Patrick Stump is pulling double-duty on lead vocals and electric guitar alongside bassist Pete Wentz and drummer Andy Hurley. As was the case during a pair of previous promotional appearances, the group got some assistance from longtime guitar tech Ben Young, who played lead guitar from the side of the stage; at press time a spokesperson for the group had not responded to a request about whether Trohman will be back in the fold for the tour.
Check out the dates for FOB’s So Much For (Tour) Dust 2023 North American tour:
June 21 – Chicago, IL @ Wrigley FieldJune 23 – Maryland Heights, MO @ Hollywood Casino AmphitheatreJune 24 – Bonner Springs, KS @ Azura AmphitheaterJune 27 – The Woodlands, TX @ The Cynthia Woods Mitchell PavilionJune 28 – Dallas, TX @ Dos Equis PavilionJune 30 – Phoenix, AZ @ Talking Stick Resort AmphitheatreJuly 1 – Chula Vista, CA @ North Island Credit Union AmphitheatreJuly 2 – Los Angeles, CA @ BMO StadiumJuly 5 – Mountain View, CA @ Shoreline AmphitheatreJuly 7 – Salt Lake City, UT @ USANA AmphitheatreJuly 9 – Englewood, CO @ Fiddler’s Green AmphitheatreJuly 11 – Rogers, AR @ Walmart AMPJuly 13 – Somerset, WI @ Somerset AmphitheaterJuly 15 – Cincinnati, OH @ Riverbend Music CenterJuly 16 – Noblesville, IN @ Ruoff Music CenterJuly 18 – Cuyahoga Falls, OH @ Blossom Music CenterJuly 19 – Bristow, VA @ Jiffy Lube LiveJuly 21 – Charlotte, NC @ PNC Music PavilionJuly 22 – Virginia Beach, VA @ Veterans United Home Loans AmphitheaterJuly 24 – West Palm Beach, FL @ iTHINK Financial AmphitheatreJuly 25 – Tampa, FL @ MIDFLORIDA Credit Union AmphitheatreJuly 26 – Atlanta, GA @ Lakewood AmphitheaterJuly 29 – Clarkston, MI @ Pine Knob Music TheatreJuly 30 – Toronto, ON @ Budweiser StageAugust 1 – Forest Hills, NY @ Forest Hills StadiumAugust 2 – Boston, MA Fenway ParkAugust 4 – Darien Center, NY @ Darien Lake AmphitheaterAugust 5 – Holmdel, NJ @ PNC Bank Arts CenterAugust 6 – Camden, NJ @ Freedom Mortgage Pavilion
≠ Non-Live Nation date*Alkaline Trio as direct support; all other dates feature Bring Me The Horizon as direct support
If you thought all Coldplay were doing over the past year was selling out multiple nights at stadiums across the planet, think again. Singer Chris Martin revealed in an interview with Toronto’s City News that the group is nearing completion of the follow-up to their 2021 album, Music of the Spheres.
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“We’re finishing an album called Moon Music,” Martin told the outlet, “which is the second Music Of The Spheres volume, but that won’t come out for a little bit.” And while the wait is a bummer, Martin added that Coldplay “might” start playing some of the songs live “at some point this year.”
Martin would not reveal if their 10th studio album will feature any guest stars, but in his classic self-deprecating fashion, when the reporter suggested she would gladly sit in on xylophone, play the three guitar chords she knows or add terrible backing vocals if needed, he joked that she was precisely the problem. “You’re going to make us look bad,” he said.
“This is the trouble… we’ve had some amazing guests on albums recently and tours. But it’s always slightly deflating because you realize, ‘Oh, this person is so much more talented,’” Martin laughed, pointing to Spheres tour opening act H.E.R. as a “primary example” of someone who is just on a “different level of talent.” Spheres featured guests Selena Gomez (on “Let Somebody Go”), We Are King and Jacob Collier (“Human Heart”) and BTS on the Billboard Hot 100 No. 1 “My Universe” with BTS.
After launching the Spheres tour on March 18, 2022 is Costa Rica, Coldplay just added a series of new North American dates later this year, slated to kick off at Seattle’s Lumen Field on Sept. 20 and wind down on Oct. 1 at the Rose Bowl in Pasadena, California. The band will also be the musical guests on this weekend’s (Feb. 4) episode of Saturday Night Live with first-time host Pedro Pascal.
[Trigger warning: this article contains descriptions of domestic violence, as well as sexual and physical abuse.]
Marilyn Manson is the subject of a new lawsuit alleging sexual misconduct. The suit by the woman — identified anonymously as “Jane Doe” in the filing — alleges that the singer, now 54, groomed and sexually assaulted the then-underage girl during the early portion of his career.
Manson (born Brian Warner) is named as a defendant in the suit filed in Nassau County Supreme Court in Long Island, New York, alongside former labels Interscope and Nothing Records in a filing that includes accusations of sexual battery and intentional infliction of emotional distress against the singer, and negligence and intentional infliction of emotional distress against the labels.
The suit says Doe, then 16, first met Manson in 1995 after a show in Dallas when she waited outside his tour bus and the singer invited her and “one of the other younger girls” onto his tour bus where he allegedly asked for their ages and school grades while jotting down their phone numbers and addresses.
A spokesperson for Manson and the singer’s lawyer had not returned a request for comment on the Doe lawsuit at press time, and a spokesperson for Interscope/Universal Music Group had not yet responded to a request for comment.
“While on the tour bus, Defendant Warner performed various acts of criminal sexual conduct upon Plaintiff, who was a virgin at the time, including but not limited to forced copulation and vaginal penetration,” the lawsuit claims. At the time, the age of consent in Texas was (and still is) 17 and the suit notes that one of Manson’s band members watched “Defendant Warner sexually assault Plaintiff… Plaintiff was in pain, scared, upset, humiliated and confused. After he was done, Defendant Warner laughed at her. … Then Defendant Warner demanded Plaintiff to ‘get the f–k off of my bus’ and threatened Plaintiff that, if she told anyone, he would kill her and her family.”
More than a dozen women have accused Manson of sexual, emotional and physical assault, including actress Evan Rachel Wood, who was the subject of the two-part HBO documentary Phoenix Rising last year that delved into her claims of the abuse she claims she allegedly suffered at the rocker’s hand during an on-and-off relationship that began when she was 18.
Manson and one of his accusers, actress Esme Bianco, recently reached a settlement to end her sexual assault lawsuit, and earlier in the month a judge dismissed another sexual abuse suit from model Ashley Morgan Smithline over her failure to find a new lawyer. Last May, an L.A. Superior Court judge dismissed a suit against Manson filed by a former personal assistant alleging sexual assault, sexual battery, sexual harassment and intentional infliction of emotional distress. Manson has denied the allegations.
The new Jane Doe lawsuit alleges that a member of Manson’s crew gave her a 1-800 number and a password so she could meet up with the singer again, noting that the teen began using drugs and alcohol soon after the alleged sexual assault, and continued to do so for years after. The suit also alleges that Manson would call and chat online with the teen while asking her for explicit photos of her and her friends.
In the same year they met, Doe claims that Manson convinced the teen to meet him in New Orleans, where he “groomed” her by complimenting her artwork before he became more “aggressive and again sexually assaulted Plaintiff, including kissing, biting her breast, oral copulation, and penetration,” the complaint alleges. “After the second assault, Defendant Warner acted in a kinder manner nicer to Plaintiff and told her that he wanted to see her again.” As with Texas, the age of consent in Louisiana at the time was, and is, 17.
Doe said she continued to be in touch with Manson and his band, and when she was 18 moved to Los Angeles and began dating then-Nine Inch Nails drummer Chris Vrenna. (Billboard has reached out to Vrenna for comment.) In 1999, she allegedly attended a Manson show in New Orleans, describing a typical backstage scene that included “the availability of large amounts of drugs for her and others to use.” The suit claims that the woman then spent the next month on the road with Manson, taking drugs and spending time with the disgraced singer during which he would “groom, harass and sexually abuse” her.
The suit goes on to describe Manson’s increasing psychological control over Doe, in which he allegedly “purposefully and intentionally laid the groundwork necessary to intimidate and control her … As he did on countless occasions, Defendant Warner exploited this vulnerability to keep Plaintiff under his control. Defendant Warner often made Plaintiff feel alone and isolated by telling her that no one understands her other than him, which included her family. At the time, Plaintiff believed Defendant Warner and was compelled to keep following him.”
The suit claims the alleged controlling and grooming behavior continued — including “coerce[ing] Plaintiff to have sex with him and other band members or his assistant at the same time,” while “providing Plaintiff with drugs.”
In details that bear a resemblance to allegations from a number of the other women who’ve accused Manson of abuse, Doe’s lawsuit claims that the singer employed “hostile and verbally abusive behavior,” as well as racially charged language mixed with the sharing of intimate personal details. The suit also claims that Interscope and Nothing Records “were well-aware of Defendant Warner’s obsession with sexual violence and childhood sexual assault,” and that the labels did not have a “reasonable system or procedure in place to investigate, supervise, or monitor its staff and/or agents, including Defendant Warner, to prevent pre-sexual grooming and sexual harassment, molestation, and assault of fans, including minors and women.”
The suit continues, “As a result of Brian Warner’s sexual abuse and assault, enabled and encouraged by Defendants Interscope and Nothing Records, Plaintiff has suffered severe emotional, physical, and psychological distress, including shame, and guilt, economic loss, economic capacity and emotional loss.”
Doe is seeking damages to be determined at trial and an order “enjoining Defendants from future unlawful business practices including, but not limited to, exposing minors and vulnerable adults to sexual abuse and exploitation.”
Stories about sexual assault allegations can be traumatizing for survivors of sexual assault. If you or anyone you know needs support, you can reach out to the Rape, Abuse & Incest National Network (RAINN). The organization provides free, confidential support to sexual assault victims. Call RAINN’s National Sexual Assault Hotline (800.656.HOPE) or visit the anti-sexual violence organization’s website for more information.
In its 40th week on the chart, Zach Bryan’s “Something in the Orange” tops Billboard’s Hot Rock & Alternative Songs survey for the first time, lifting from No. 2 to No. 1 on the ranking dated Feb. 4.
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“Orange” accumulated 17.2 million official U.S. streams (up 2%), 4.7 million radio airplay audience impressions (up 5%) and 4,000 downloads sold (up 1%) in the Jan. 20-26 tracking week, according to Luminate.
The song’s 40-frame trip to No. 1 is tied for the fourth-steadiest in the history of the chart, which began in 2009, alongside the rise of Bastille’s “Pompeii” in 2014. The only songs to build support over longer stretches? Glass Animals‘ “Heat Waves” (60 weeks, 2020-21), twenty one pilots‘ “Ride” (47, 2015-16) and Passenger’s “Let Her Go” (43, 2013-14).
Most Time to No. 1 From Debut on Hot Rock & Alternative Songs60 weeks, “Heat Waves,” Glass Animals (first week at No. 1 in 2021)47, “Ride,” twenty one pilots (2016)43, “Let Her Go,” Passenger (2014)40, “Something in the Orange,” Zach Bryan (2023)40, “Pompeii,” Bastille (2014)39, “Hey Look Ma, I Made It,” Panic! at the Disco (2019)39, “Whatever It Takes,” Imagine Dragons (2018)35, “Stressed Out,” twenty one pilots (2016)32, “Ex’s & Oh’s,” Elle King (2015)30, “Feel It Still,” Portugal. The Man (2017)
“Orange” is Bryan’s first No. 1 on the chart. Bryan first made the tally in 2020 with “Heading South,” which eventually peaked at No. 27 in March 2021.
“Orange” concurrently spends its fifth week atop the Hot Country Songs list. On the all-format Billboard Hot 100, it rises 13-11, after reaching No. 10 two weeks earlier. It also bullets at its No. 27 high on Country Airplay with 4.2 million impressions (up 5%).
“Orange” is the lead radio single from American Heartbreak, Bryan’s third studio album and major-label debut, released on Belting Bronco/Warner Records. The set debuted and peaked at No. 5 on the Billboard 200 last June 4 and ranks at No. 9 on the latest survey with 23,000 equivalent album units earned. It has earned 1.2 million units to date.
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Kelly Clarkson let out her inner indie rocker on Monday (Jan. 30) to cover Arctic Monkeys’ “Do I Wanna Know?” on The Kelly Clarkson Show.
“Have you got color in your cheeks?/ Do you ever get that fear that you can’t shift the tide/ That sticks around like something in your teeth?/ Are there some aces up your sleeve?/ Have you no idea that you’re in deep?/ I’ve dreamed about you nearly every night this week/ How many secrets can you keep?” the talk-show host asked over the electric snarl of her backing band’s instrumentation.
Released as the second single off 2013’s AM, “Do I Wanna Know?” marked Arctic Monkeys’ very first entry on the Billboard Hot 100, where it peaked at No. 70. Of course, the English rockers had already long been a staple on the Official Singles Chart in their native U.K. by that point, thought it became their highest-charting hit in over a half-decade when it landed at No. 11 across the pond.
Later in the episode, Clarkson bonded with guest Hilary Duff, who confessed her 4-year-old daughter Banks is a diehard fan Harry Styles while promoting the new season of Hulu’s How I Met Your Father.
Other tracks the OG American Idol champ has dusted off recently for Kellyoke include CeCe Peniston’s club-ready ’90s anthem “Finally,” Hailey Whitters’ “Everything She Ain’t,” “She Drives Me Crazy” by Fine Young Cannibals and Taylor Swift’s “Better Man” from the Red (Taylor’s Version) vault.
Watch Clarkson rock out on Arctic Monkeys’ “Do I Wanna Know?” below.
The following is an excerpt from Gary Graff’s new book Alice Cooper @ 75 (Motorbooks, pre-order here), a lavish, comprehensive look at the game-changing shock rocker, which comes out Tuesday (Jan. 31), days ahead of Cooper’s actual 75th birthday on Feb. 4. Below, Graff – a veteran rock journalist and longtime Billboard contributor – tells the real story behind the name Alice Cooper.
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The Alice Cooper band had been through a couple of names, including the Earwigs and the Spiders, before settling on the Nazz when it moved from Phoenix to Los Angeles. But during the fall of 1968, another Nazz out of Philadelphia, led by Todd Rundgren, released its first album and had a hit with “Open My Eyes,” nixing the name for Cooper (then still Vincent Furnier) and company. Discussions were soon under way about a new moniker.
Rob Zombie, Alice Cooper Set 2023 ‘Freaks on Parade’ Joint North American Tour
01/30/2023
During this time, some of the band members joined then-manager Dick Phillips at his mother’s house. She was reputed to be a medium and pulled out a Ouija board to have a little fun. When Furnier asked the spirits whom he’d been in a previous life, the board led him toward the spelling of A-L-I-C-E-C-O-O-P-E-R.
A great story. But not a true one.
That actual adoption of the Alice Cooper name was more mundane. “I just kind of said, ‘Alice Cooper.’ It just came out of my mouth. That was it,” he said. “It had a quality to it—a little deranged, a little wholesome, a little spooky maybe. And . . . I felt like it would make people go, ‘Wait . . . what?! Alice Cooper? They’re all guys. Who’s Alice Cooper?’”
In Alice Cooper: Golf Addict he elaborated, “There was something about it. I conjured up an image of a little girl with a lollipop in one hand and a butcher knife in the other. Lizzie Borden. Alice Cooper. They had a similar ring.”
The moniker opened a wealth of conceptual possibilities for a group of long-haired rock ’n’ rollers who were already exercising their theatrical creativity on stage. They got help from friends in the groupie-cum-band GTOs (Girls Together Outrageously) and turned to the movies for inspiration. Tapping Bette Davis’s disturbing look in Whatever Happened to Baby Jane, Cooper began applying black mascara to roughly circle his eyes. “I had absolutely no qualms about it,” Cooper told Behind the Music. “I had to build a reputation somehow in this city.” Barbarella’s Great Tyrant (played by Anita Pallenberg) and The Avengers’ Emma Peel, meanwhile, were sources for futuristic leather and glam costuming that was both flashy and foreboding. It all struck a not-so-delicate balance between a soft femininity that complemented the band’s brand of counterculture vaudeville and the more aggressive aspects of its performance art.
“A guy, not a girl,” Cooper wrote. “A group not a solo act. A villain, not a hero or an idol. A woman killer. Weird. Eerie. Twisted. Ambiguous. It all came together—and nobody was doing anything remotely similar. On top of it all, everyone in the band was straight.”
Alice Cooper was never supposed to be one person, however. It was conceived solely as the band’s name, with Vince Furnier as a member of the band. But the singer’s name became Alice, as the song says—perhaps inevitably. “I was Vince,” said Cooper, who would change his legal name before the band’s first album. “But when we became Alice Cooper, everyone was like, ‘You’re Alice . . .Hey, Alice!’ ‘Oh . . . you mean me?’ It just stuck, and pretty soon I was Alice.”
The Ouija board myth hung around, however. And the original band would continue to reference it throughout its time together, including in guitarist Mike Bruce’s memoir No More Mr. Nice Guy. “It gave us a myth, a great story,” Cooper said. “People loved it even better than the truth.”
Björk‘s Cornucopia is heading overseas. On Monday (Jan. 30), the singer announced that her successful Cornucopia residency shows at New York City’s The Shed will travel to Europe for an arena tour this year
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“Cornucopia was always intended to be a world for both utopia and the album after that … which is now out there called Fossora. So I am truly excited to premier those two worlds colliding, this autumn in southern Europe,” Björk said in a press release.
The original show is based on her album Utopia and includes her catalogue of music. The Cornucopia arena tour shows will be reworked to include music from Fossora, according to the press release. Fossora is nominated for the best alternative music album Grammy, which will be handed out Feb. 5.
The tour will kick off on Sept. 1 in Lisbon, Portugal, at the Altice Arena. After making stops across the continent in Madrid, Paris, Milan, Prague, Vienna and more, the trek will conclude on Dec. 5 at Bordeaux, France’s Arkéa Arena. The shows arrive after Björk’s scheduled concert dates earlier in the year, which includes a run at Australia’s Perth Festival and stops in Japan in March, as well as a Coachella appearance in April.
Tickets for the 2023 European Cornucopia tour dates go on sale starting Friday, Feb. 3, at 9 a.m. local time. Tickets for Madrid will go on sale the same day at 10 a.m. local time. See the full list of dates below.
BJÖRK 2023 TOUR DATES
Sept. 1 – Altice Arena, Lisbon, Portugal
Sept. 4 – WiZink Centre, Madrid, Spain
Sept. 8 – Accor Arena, Paris, France
Sept. 12 – Mediolanum Forum, Milan, Italy
Sept. 16 – O2 Arena, Prague, Czech Republic
Sept. 19 – Wiener Stadthalle, Vienna, Austria
Sept. 23 – Unipol Arena, Bologna, Italy
Nov. 18 – Tauron Arena, Krakow, Poland
Nov. 21 – Barclays Arena, Hamburg, Germany
Nov. 24 – Quarterback Immobilien Arena, Leipzig, Germany
Nov. 28 – Hallenstadion, Zurich, Switzerland
Dec. 2 – Zénith, Nantes, France
Dec. 5 – Arkéa Arena, Bordeaux, France
Rob Zombie and Alice Cooper: two great ghouls who scare best together. The O.G. shock rocker and his spookiest offspring announced a joint summer tour on Monday (Jan. 30), the 19-city Freaks on Parade outing, which will follow-up Zombie’s terrifying 2022 tour of the same name.
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The Live Nation-produced swing with opens Filter and Ministry is slated to kick off on August 24 at the Dos Equis Pavilion in Dallas, Texas and keep the show on the road through dates in Tampa, Toronto, Nashville and Anaheim before winding down on Sept. 24 with a gig at Talking Stick Resort Amphitheatre in Phoenix, Arizona.
Tickets for the tour will go on sale on Friday (Feb. 3) at 10 a.m. local time here, with a Citi presale slated to start on Tuesday (Jan. 31) at 10 a.m. local time through Thursday (Feb. 2) at 10 p.m. local time here.
Zombie dropped The Lunar Injection Kool Aid Eclipse album in 2021 and his reimagining of the classic monster family sitcom The Munsters in 2022; last summer’s Freaks on Parade tour featured Mudvayne, StaticX and Powerman 5000. Cooper is planning to drop two new albums in 2023 — to follow his 2021 Detroit Stories collection — while continuing to host hist syndicated “Nights with Alice Cooper” radio show.
Check out the Freaks on Parade 2023 tour preview and dates below.
August 24 – Dallas, TX @ Dos Equis Pavilion
August 26 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre
August 27 – West Palm Beach, FL @ iTHINK Financial Amphitheatre
August 29 – Raleigh, NC @ Coastal Credit Union Music Park at Walnut Creek
August 30 – Virginia Beach, VA @ Veterans United Home Loans Amphitheater
Sept. 1 – Tinley Park, IL @ Hollywood Casino Amphitheatre
Sept. 2 – Des Moines, IA @ Wells Fargo Arena
Sept. 5 – Clarkston, MI @ Pine Knob Music Theatre
Sept. 6 – Toronto, ON @ Budweiser Stage
Sept. 8 – Scranton, PA @ The Pavilion at Montage Mountain
Sept. 9 – Wantagh, NY @ Northwell Health at Jones Beach Theater
Sept. 10 – Hartford, CT @ The XFINITY Theatre
Sept. 12 – Nashville, TN @ Bridgestone Arena
Sept. 16 – Englewood, CO @ Fiddler’s Green Amphitheatre *
Sept. 19 – Ridgefield, WA @ RV Inn Style Resorts Amphitheater
Sept. 20 – Auburn, WA @ White River Amphitheatre
Sept. 22 – Concord, CA @ Concord Pavilion
Sept. 23 – Anaheim, CA @ Honda Center
Sept. 24 – Phoenix, AZ @ Talking Stick Resort Amphitheatre
*Non-Live Nation Date
The Foo Fighters have added two more festival gigs to their busy summer schedule. After thrash metal icons Pantera were dropped from the lineup of Germany’s Rock Am Ring and Rock Im Park fests last week, the Foos announced that they are sliding into the June 2nd headlining slot at Rock Am Ring as well as the top spot on June 4th at Rock Im Park.
The Dave Grohl-led band join a lineup that also includes headliners Kings of Leon and Die Toten Hosen, as well as Rise Against, Limp Bizkit, Yungblud, Tenacious D, Evanescence, Incubus, Papa Roach, Bring Me the Horizon, Machine Gun Kelly, NOFX, Turnstile and more.
Pantera were also removed from the lineup of Austria’s Gasometer Festival just days after they were erased from the German fests. Promoter Mind Over Mater Music announced in a FB message that the Pantera performance originally announced for May 31 at Gasometer has been cancelled; the post did not give any further information on the reason for the decision.
According to a report in Vienna’s Die Presse, the Austrian Green Party had a hand in the cancellation after demanding that Pantera be removed in a statement that echoed one from Germany’s Greens in advocating for Pantera to be dropped from that country’s events. “Due to its National Socialist past, Vienna in particular has a special historical responsibility to oppose any form of right-wing extremism. The appearance of Pantera is completely incompatible with this responsibility,” the statement from the Austrian party reportedly read.
While organizers did not give a specific reason for their decision, speculation has centered on an incident from 2016 when Anselmo was filmed giving a nazi salute and shouting “white power” during a tribute to late Pantera guitarist Dimebag Darrell. Shortly after, Anselmo issued an apology, in which he said he had been drinking at the Dimebash and, “There was heavy-duty talk between myself and those who love Dime. And heavy emotions were flowing, jokes were made backstage that transpired upon the stage, and it was ugly. It was uncalled for. And anyone who knows me and my true nature knows that I don’t believe in any of that; I don’t want to be part of any group… just give me another chance.”
A spokesperson for Pantera said management had no official statement on the German or Austrian festival date cancellations.
The Foos are preparing to hit the road this summer for their first major gigs since the death of drummer Taylor Hawkins, 50, last summer in Bogota, Colombia on the eve of a festival gig there. Though the band has not yet announced who will be playing drums with them on the upcoming gigs, the roster already includes seven major dates, including appearances at Boston Calling Music Festival (May 26), Sonic Temple Arts & Music Festival (Columbus, OH, May 28), Rock Am Ring (June 2), Rock Im Park (June 4), Bonnaroo (Manchester, TN, June 18), Harley-Davidson Homecoming Festival (Milwaukee, WI, July 15) and Sao Paulo, Brazil’s The Town (Sept. 9).
On New Year’s Eve the group shared a heartfelt message about the challenges of 2022 and offered a glimpse into what the future may hold. “As we say goodbye to the most difficult and tragic year that our band has ever known, we are reminded of how thankful we are for the people that we love and cherish most, and for the loved ones who are no longer with us,” the Foos began their statement on Twitter.
“Foo Fighters were formed 27 years ago to represent the healing power of music and a continuation of life. And for the past 27 years out fans have built a worldwide community, a devoted support system that has helped us all get through the darkest of times together. A place to share our joy and our pain, our hopes and fears, and to join in a chorus of life together through music. Without Taylor, we never would have become the band that we were – and without Taylor, we know that we’re going to be a different band going forward.”
See the new poster for the events below.