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Metallica‘s Dec. 16 Helping Hands concert raised millions for the group’s All Within My Hands Foundation. In a release on Wednesday (Feb. 8), the band announced that the gig at the Microsoft Theater in Los Angeles raised around $3 million, all of which will go to the foundation’s efforts to support workforce education, fight hunger and provide disaster relief and other critical local services.
“The funds raised from the Helping Hands Concert & Auction will have a lasting impact on All Within My Hands’ ability to grow our Metallica Scholars Initiative, combat hunger, and aid in response to natural disasters,” said the organization’s executive director, Peter Delgrosso, in a statement. “The Los Angeles event was the largest fundraiser in our history, and we profoundly appreciate the generosity of everyone involved. We could not have achieved these results otherwise.”

The gig hosted by late night’s Jimmy Kimmel was streamed live on Paramount+ and also featured sets from Greta Van Fleet, a surprise appearance by St. Vincent and Robert Downey Jr. introducing the headliners. The Helping Hands Concert and a parallel auction honored a number of local organizations, including:  Baby2Baby, First Star, Feeding America, World Central Kitchen, mikeroweWorks Foundation, and The Skatepark Project.

The band also announced that the first donations from their 2021 The Metallica Blacklist compilation — which featured covers of the group’s songs by Mac DeMarco, Juanes, Rina Sawayama, Weezer, White Reaper, Royal Blood, Cage the Elephant, J Balvin, Phoebe Bridgers, Miley Cyrus, Elton John and more — has generated more than $1 million in donations to date.

According to the release, all the profits from the Blacklist project will be divided evenly between All Within My Hands and charities chosen by the participating artists — including Happy Hippie Foundation (Cyrus), Outlaw State of Kind (Chris Stapleton), RAINN (Bridgers), Dhamma Mahavana (Weezer), Borne Cancer Fonden Denmark (Volbeat), St. Jude Children’s Research Hospital (Balvin), The Doug Flutie Jr. Foundation For Autism (Jon Pardi), The Special Olympics (Cage The Elephant), Save The Children (Alessia Cara + The Warning, Ha*Ash), Camp Aranutiq (Ghost), and more.

London-based trio Dream Wife have revealed details for their third studio album, Social Lubrication, out June 9 via Lucky Number. The group — vocalist Rakel Mjöll, guitarist Alice Go and bassist Bella Podpadec — self-produced the 10-track set that includes previously released single “Leech” and latest song “Hot (Don’t Date a Musician),” which is out Tuesday (Feb. 7).

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In typical Dream Wife fashion, the band’s new single is a playful punk rager and inspired by Mjöll’s grandmother’s sage advice despite the fact that she herself dated many musicians in her day, according to the band.

“Dating musicians is a nightmare,” says Mjöll in a release. “Evoking imagery of late night makeouts with f–kboy/girl/ambiguously-gendered musicians on their mattress after being seduced by song-writing chat. The roles being equally reversed. Having a laugh together and being able to poke fun at ourselves is very much at the heart of this band. This song encapsulates our shared sense of humor. Sonically, it is the lovechild of CSS and Motorhead. It has our hard, live, rock edge combined with cheeky and playful vocals.”

Social Lubrication promises to be another electrifying album from the group, who released its debut album in 2018, followed by breakthrough record So When You Gonna… in 2020. The trio’s sophomore effort yielded remixes from Rina Sawayama, Nova Twins and Porridge Radio, and international touring at festivals slots at Lollapalooza and Primavera Sound. In addition, the band has opened up for rock headliners Garbage, The Kills and even the Rolling Stones at Hyde Park.

In the band’s words, Social Lubrication is “hyper lusty rock n’ roll with a political punch, exploring the alchemy of attraction, the lust for life, embracing community and calling out the patriarchy. With a healthy dose of playfulness and fun thrown in.”

“Music is one of the only forms of people experiencing an emotion together in a visceral, physical, real way,” says Go. “It’s cathartic to the systemic issues that are being called out across the board in the record. Music isn’t the cure, but it’s the remedy. That’s what Social Lubrication is: the positive glue that can create solidarity and community.”

Yeah Yeah Yeahs is coming to a city near you! On Tuesday (Feb. 7), the group — which consists of members Karen O, Brian Chase and Nick Zinner — announced that it will hit the road this summer for a tour across North America, Europe and Asia.

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The North American leg of the tour will kick off on May 3 with a date at Washington, D.C.’s The Anthem. The trio will make stops, for solo gigs and on the festival circuit, throughout Atlanta, Houston, Minneapolis, Chicago and more before concluding on June 10 at The Greek Theatre in Berkley, Calif. After performing at Japan’s Fuji Rock Festival, the band will hit up London, Paris, Amsterdam and Berlin in August. The Faint and Perfume Genius will be supporting the band on select dates.

Fans wanting to see the Yeah Yeah Yeahs can score pre-sale tickets starting on Wednesday, Feb. 8, at  8 a.m. PT (password is COOLKIDZ23). General on-sale begins on Friday, Feb. 10, at 10 a.m. local. If your city has been skipped this time around, don’t worry. “We’ll be announcing some more dates soon!” the group wrote on Instagram.

In addition to the tour dates, the group dropped the video for “Blackdrop,” which hails from its fifth studio album, Cool It Down. The visual features lead singer Karen O in glittering eye makeup and glossy red lips, singing the track’s emotive lyrics in a fuzzy video reminiscent of the ’80s.

“‘Blacktop’ stuck out to me early on — the demo was very stripped down instrumentally and emotionally. It was a step towards what radical closeness feels like after a long separation,” the singer explained in a press release. “Each record has one of these diamonds in the rough that just feels like flying to me. It felt right to keep the video as stripped down and dare I say beautiful in its naïveté. David Black put us in front of his ’70s analog video camera with the intention to pull stills for band shots. He had me sing to ‘Blacktop’ before I had even memorized the lyrics — I thought I knew the song by heart but it felt like an introduction, like meeting it for the first time. It wasn’t intended to end up as a video and as a return to the earliest visuals from the record it completes a circle. We’re so happy we have it, a simple layered performance for a deceptively simple song. We hope you enjoy.”

Watch the visual for “Blacktop” in the video above. See the dates for Yeah Yeah Yeahs summer tour below.

YEAH YEAH YEAHS 2023 TOUR DATES

The decades-long bitter feud between former Pink Floyd bandmates Roger Waters and David Gilmour was re-ignited this week after guitarist/singer Gilmour’s wife, songwriter Polly Samson, issued a scathing rebuke of the former Floyd bassist/lyricist/singer in a tweet accusing him of antisemitism and misogyny, among other accusations.
Rogers was quick to respond, tweeting on Monday afternoon (Feb. 6) that, “Roger Waters is aware of the incendiary and wildly inaccurate comments made about him on Twitter which he refutes entirely. He is currently taking advice on his position.”

Waters’ response came after Samson — a novelist who helped to pen a number of songs on 1994’s The Division Bell and contributed to 2014’s The Endless River Pink Floyd albums following Waters’ split with the band in 1985 — posted her tweet about Waters earlier in the day.

“Sadly @rogerwaters you are antisemitic to your rotten core,” Samson tweeted. “Also a Putin apologist and a lying, thieving, hypocritical, tax-avoiding, lip-synching, misogynistic, sick-with-envy, megalomaniac. Enough of your nonsense.” Gilmour liked the post and then added, “Every word demonstrably true.”

At press time a spokesperson for Waters and Gilmour had not returned a request for comment on the back-and-forth.

Samson appeared to be responding to an interview Waters did with Germany’s Berliner Zeigtung in which — based on a translation from Waters’ site — he said his view of Russian dictator Vladimir Putin had changed over the past year in the midst of Russia’s ongoing, unprovoked war on Ukraine. “The most important reason for supplying arms to Ukraine is surely profit for the arms industry. And I wonder: is Putin a bigger gangster than Joe Biden and all those in charge of American politics since World War II? I am not so sure. Putin didn’t invade Vietnam or Iraq? Did he?,” Waters said in the interview, repeating previous statements he’s made, while adding that he’s “more open” now to listening to what Putin has to say.

“He launched it on the basis of reasons that if I have understood them well are: 1. We want to stop the potential genocide of the Russian-speaking population of the Donbas. 2. We want to fight Nazism in Ukraine,” Rogers said of Putin’ purported reasoning behind the year-long war that has killed tens of thousands of civilians and soldiers; there is a near unanimous consensus that Putin’s claims of rooting out Nazis in Ukraine is a false narrative.

When the reporter noted that Waters irritates people by making it sound like he is defending Putin, the singer made no apologies. “Compared to Biden, I am,” he said, adding that he thinks boycotting Russia would be “counterproductive” and that the cancellation last year of his planned concerts in Poland over his controversial statements were an example of “Russophobia.”

The interview also found Waters doubling-down on his longstanding view that the Israeli government is committing “genocide” against the Palestinian people, and included him once again comparing the state of Israel to Nazi Germany and questioning Israel’s right to exist.

Ever since Waters left Floyd in 1985 he has been involved in an ongoing legal dispute with Gilmour and drummer Nick Mason about the use of the band’s name, failing in his bid to block the Gilmour-fronted version of the band from releasing albums and touring in the 1990s.

See the tweets below.

Sadly @rogerwaters you are antisemitic to your rotten core. Also a Putin apologist and a lying, thieving, hypocritical, tax-avoiding, lip-synching,misogynistic, sick-with-envy, megalomaniac. Enough of your nonsense.— pollysamson (@PollySamson) February 6, 2023

Ozzy Osbourne reacted to winning two Grammy Awards on Sunday (Feb. 5) in the exact way you’d expect from heavy metal’s legendarily salty king of darkness. After landing best rock album for Patient Number 9 and best metal performance for the album track “Degradation Rules,” in a statement on Monday (Feb. 6) Osbourne, 74, was perfectly candid about what it felt like to land his fourth and fifth Grammys wins.

“I’m one lucky motherf—er to have won the ‘best rock album’ Grammy,” Osbourne said. “I was blessed to work with some of the greatest musicians in the world and [producer] Andrew Watt was my producer on this album.” The rock icon added that winning best metal performance was “equally gratifying being that the song featured my longtime friend and Black Sabbath bandmate, [guitarist] Tony Iommi.”

Osbourne’s 13th solo studio album was indeed packed with some of his favorite players, from the title track (one of several that featured late guitar legend Jeff Beck), to songs featuring Pearl Jam guitarist Mike McCready (“Immortal”) and Ozzy’s longtime musical partner guitarist Zakk Wylde (“Parasite,” “Mr. Darkness,” “Nothing Feels Right,” “Evil Shuffle”) and Eric Clapton (“One of Those Days”). Other guest performers/songwriters included: Queens of the Stone Age’s Josh Homme, Metallica bassist Robert Trujillo, Guns N’ Roses bassist Duff McKagan, Jane’s Addiction bassist Chris Chaney, Red Hot Chili Peppers drummer Chad Smith, late Foo Fighters drummer Taylor Hawkins and others.

Though Osbourne will make a hilarious appearance in a Super Bowl LVII commercial on Sunday (Feb. 12), he recently revealed that he will never tour again due to a spinal injury, which forced the cancelation of his scheduled European/UK tour.

All Time Low reaches No. 1 on Billboard’s Alternative Airplay chart for the second time, as “Sleepwalking” rises to the top of the Feb. 11-dated survey.

“Sleepwalking” follows the 18-week reign of the act’s “Monsters,” featuring blackbear, in 2020-21. It stands as the third longest-leading hit in the chart’s 34-year history, alongside Foo Fighters’ “The Pretender” and behind only Portugal. The Man’s “Feel It Still” (20 weeks) and Muse’s “Madness” (19). Its overall 88-week stay is the longest in the chart’s archives.

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In between “Monsters” and “Sleepwalking,” All Time Low earned an additional top five hit with “Once in a Lifetime,” which peaked at No. 5 in 2021.

Concurrently, “Sleepwalking” bullets at its No. 5 high on the all-rock-format, audience-based Rock & Alternative Airplay tally with 3.6 million audience impressions, up 1%, Jan. 27-Feb. 2, according to Luminate.

On the most recently published multimetric Hot Rock & Alternative Songs chart (dated Feb. 4), “Sleepwalking” ranks at No. 48, after reaching No. 45, with 1.1 million official U.S. streams, in addition to its radio audience.

“Sleepwalking” is the lead single from Tell Me I’m Alive, All Time Low’s ninth studio album, due March 17.

Brendon Urie is officially a father! The former Panic! At the Disco singer and his wife, Sarah Orzechowski, have welcomed their first baby together, Billboard can confirm. TMZ was first to report the news.

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Though the Urie family has yet to reveal the baby’s name or gender, the arrival of the bundle of joy comes shortly after the singer revealed that Panic! At the Disco would no longer continue.

“Well, it’s been a hell of a journey…,” Urie wrote via Instagram on Jan. 24, thanking the band’s fans for 20 years of dedication and loyalty. “Growing up in Vegas I could’ve never imagined where this life would take me. So many places all over the world, and all the friends we’ve made along the way. But sometimes a journey must end for a new one to begin.”

In the statement, Urie announced that he and Sarah were expecting their first child. “We’ve been trying to keep it to ourselves, though some of you may have heard… Sarah and I are expecting a baby very soon!” he shared at the time. “The prospect of being a father and getting to watch my wife become a mother is both humbling and exciting.”

“That said, I am going to bring this chapter of my life to an end and put my focus and energy on my family,” he added, “with that Panic! At The Disco will be no more.”

Urie and Orzechowski’s baby arrives nearly 10 years after the couple tied the knot. The pair got engaged in 2011, and married in April 2013.

Woody Harrelson will be enshrined in the Saturday Night Live five-timers club on Feb. 25 when he hosts the show during an episode that will feature musical guest Jack White. Harrelson — who will soon be seen in the upcoming movie Champions and the HBO political drama White House Plumbers — previously hosted in 1989, 1992, 2014 and 2019.

In a cosmic coincidence, it will also mark White’s fifth appearance on the show; he previously rocked the Studio 8H stage in 2002, 2012, 2018 and 2020. The news comes on the heels of the announcement that White’s previous band, The White Stripes, are among the nominees for the 2023 Rock and Roll Hall of Fame. The last time White appeared he was a last-minute fill-in for country singer Morgan Wallen, who was booted from the line-up for violating the show’s COVID-19 protocols at the height of the pandemic.

White dropped two albums in 2022, April’s Fear of the Dawn and July’s Entering Heaven Alive.

This year has already brought memorable musical guests Sam Smith, Lil Baby and, this past weekend, Coldplay. For their seventh appearance on SNL, Coldplay opened with their 2022 single, “The Astronaut,” on which they collaborated with BTS’ Jin. Their second song was a medley of “Human Heart” from 2021’s Music of the Spheres and their 2005 fan favorite “Fix You,” from X&Y. The band was joined during the emotional performance by Jacob Collier and choral ensemble Jason Max Ferdinand Singers.

Check out the SNL announce from White.

Coldplay returned to Saturday Night Live as musical guest on Feb. 4 to deliver some recent tunes and revisit a fan-favorite classic.
The British band, led by charismatic frontman Chris Martin, opened with their 2022 single “The Astronaut,” a collaboration with BTS member Jin. The song opened with a starry background and colorful shooting lights, and later revealed the musicians donning friendly looking alien masks while performing the upbeat track.

For their second performance, Coldplay opted for a medley of their heartfelt songs “Human Heart,” from their 2021 Music of the Spheres album, and their 2005 classic “Fix You,” from X&Y. The band was joined during the emotional performance by Jacob Collier and choral ensemble Jason Max Ferdinand Singers.

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This marked Coldplay’s seventh time performing as musical guest on the NBC sketch comedy show. The episode also featured first-time host and The Last of Us actor Pedro Pascal.

Coldplay is currently nearing completion of its 10th studio album, the follow-up to 2021’s Music of the Spheres, which peaked at No. 4 on the Billboard 200.

“We’re finishing an album called Moon Music,” Martin recently told Toronto’s City News, “which is the second Music of the Spheres volume, but that won’t come out for a little bit.” The singer added that Coldplay “might” start playing some of the songs live “at some point this year.”

After launching the Music of the Spheres tour in Costa Rica last March, Coldplay recently added a series of new North American dates for later this year, slated to launch at Seattle’s Lumen Field on Sept. 20 and wind down on Oct. 1 at the Rose Bowl in Pasadena, California.

Watch Coldplay’s SNL performances below. For those without cable, the broadcast will also stream on NBC’s streaming service, Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans on demand access to previous SNL episodes as well.

White Reaper notches its No. 1 on Billboard’s Adult Alternative Airplay with “Pages,” which lifts to the top of the Feb. 11-dated survey.

The song becomes the Kentucky band’s second top 10, after its debut entry “Might Be Right” hit No. 4 in 2019.

In between the two tracks, the quintet also appeared on the chart with the No. 19-peaking “Real Long Time” in 2020.

White Reaper is the second straight act to earn a first No. 1 on Adult Alternative Airplay, following TALK, whose “Run Away to Mars” led the two preceding weeks.

Concurrently, “Pages” rises 10-9 on Alternative Airplay, a new high. It’s likewise White Reaper’s second top 10, after “Right” reigned for a week in 2020.

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On the all-rock-format, audience-based Rock & Alternative Airplay chart, “Pages” leaps 19-13 with 2.3 million audience impressions, a boost of 10%, according to Luminate.

“Pages” is the lead single from White Reaper’s newly released fourth album Waiting for a Ride, which arrived Jan. 27.

All Billboard charts dated Feb. 11 will refresh on Billboard.com Tuesday, Feb. 7.