Rock

Djo’s ‘End of Beginning’ Rises to No. 1 on Hot Alternative Songs Chart

Djo’s “End of Beginning” reaches top of Billboard’s Hot Alternative Songs chart dated March 30, rising from No. 2 to No. 1 in its sixth week on the list.

“End of Beginning” drew 18.5 million official U.S. streams (up 11%) and 3.1 million radio audience impressions (up 69%) and sold 2,000 downloads (up 46%) March 15-21, according to Luminate.

The move marks Djo’s first No. 1 on a multimetric Billboard chart. Concurrently, the song ranks at No. 2 on Hot Rock & Alternative Songs and Hot Rock Songs, sporting top Streaming Gainer honors on the former. On the all-genre Billboard Hot 100, it vaults 21-11.

The track also tallies a second week at No. 1 on Alternative Streaming Songs and jumps 12-6 on the all-genre Streaming Songs chart, and it lifts 4-2 on Alternative Digital Song Sales.

“End of Beginning” is additionally a rising multi-format radio hit. It has reached No. 22 on Alternative Airplay and debuts at No. 35 on Pop Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it places at No. 20 via 1.4 million audience impressions.

Released in 2022 on Djo’s sophomore album Decide, “End of Beginning” has taken off in 2024 due in large part to usage on TikTok; it has crowned the TikTok Billboard Top 50 for two weeks (March 2 and 23) and ranks at No. 2 on the latest list.

Djo – real name Joe Keery – has already solidified himself under his birth name as an actor during his run as Steve Harrington in Netflix’s Stranger Things, among other roles. He has been releasing music for nearly a decade; he was a member of Chicago band Post Animal in 2015-18 and launched his solo career as Djo in 2019.

Alek Olsen’s ‘Someday I’ll Get It’ Rules TikTok Billboard Top 50

Alek Olsen’s “Someday I’ll Get It” becomes the latest song to top the TikTok Billboard Top 50, vaulting 19-1 on the March 30-dated survey.

The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity March 18-24. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50. As previously noted, titles that are part of Universal Music Group’s catalog are currently unavailable on TikTok.

The ascent of “Someday I’ll Get It” comes in just its second week on the TikTok Billboard Top 50, as it debuted at No. 19 on the March 23 list. The lo-fi acoustic track has exploded on TikTok due to a trend using the song with creators either reminiscing about deceased pets or showing some of said pets’ final days.

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As a result, much of the sound’s usage also shows people reacting to having seen the pet trend all over their For You Page, often taking photos or videos of themselves in tears.

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Concurrently, “Someday I’ll Get It” bows at No. 24 on Billboard’s multimetric Hot Rock & Alternative Songs chart, Olsen’s first appearance on a tally that isn’t populated by TikTok data. It starts via 2.6 million official U.S. streams March 15-21, up 126% from 1.2 million the previous frame, according to Luminate.

“Someday I’ll Get It” takes No. 1 on the TikTok Billboard Top 50 from Djo’s “End of Beginning,” which falls to No. 2 – though it continues to rise on other Billboard charts, nearing the Billboard Hot 100 top 10 by jumping 21-11. Beyonce’s “Texas Hold ‘Em” and Dasha’s “Austin,” a pair of country songs previously discussed due to their trends featuring line dances as the main driver for their activity, follow at Nos. 3 and 4, respectively, and Benson Boone’s “Beautiful Things” rounds out the top five.

The week’s top debut is G-Eazy’s “Lady Killers II (Christoph Andersson Remix),” which bows at No. 7.
“Lady Killers” was initially released in 2012 as part of G-Eazy’s album Must Be Nice, while the new version premiered March 17.

The remix’s move onto streaming services was no coincidence; it was released after the Andersson remix went viral on TikTok in the past month. G-Eazy himself got in on the fun with a lip-synching clip announcing the song’s wide release while also adhering to the “Lady Killers II” general trend, which aligns with the “Make her disappear just like poof/ Then she’s gone” line, with the creator turning off the light illuminating them previously after the verse is said.

“Lady Killers II” snagged 758,000 official U.S. streams in its first week of release and will continue to rise during the April 6-dated Billboard tracking week (March 22-28). The original “Lady Killers” also sported a sizable bump: 1.5 million streams March 15-21, up 125%.

Madison Beer’s “Make You Mine” also reaches the TikTok Billboard Top 50 for the first time, launching 18-10 in its second week on the survey. The sound, which largely highlights the song’s opening “I wanna feel, feel, feel/ Wanna taste, taste, taste/ Wanna get you goin’” refrain, has been used a variety of ways, from lip synchs to hair tutorials to fancam edits.

“Make You Mine” is currently bubbling under the Hot 100. It earned 3.4 million official U.S. streams March 15-21, up 1%. It’s also Beer’s first Pop Airplay appearance since 2021 (“Reckless”), having reached No. 34 so far.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

Lorde Unveils ‘Take Me to the River’ Cover for Talking Heads Tribute Album: Stream It Now

There may still be a couple days left until Easter, but the Lorde has been resurrected. The 27-year-old singer-songwriter finally returned Thursday (March 28), nearly three years after she dropped her last studio record, Solar Power, to release her version of Talking Heads‘ “Take Me to the River,” becoming the third artist to cover the rock band ahead of A24’s Stop Making Sense tribute album. 

The new track finds Lorde channeling the effortless coolness of David Byrne as she croons over a sauntering bass line and plucky percussion. “I don’t know why I love you like I do/ After all the things that you put me through,” she sings. “The 16 candles burning on my wall/ Turning me into the biggest fool of them all.” 

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The “Green Light” artist also penned a nostalgic note to fans recalling the moment she first discovered Talking Heads in 2008, describing herself as “twelve years old, eyes painted black, jaw blasted with acne” watching an old video of Byrne and bassist Tina Weymouth performing “Take Me to the River” on TV. The group — which also consisted of Chris Frantz and Jerry Harrison — reached No. 26 on the Billboard Hot 100 in 1979 with their version of the track, which was originally performed by Al Green. 

“I feel a portal open between me and the screen,” Lorde wrote, setting the scene. “Humour, lust, rhythm and ritual course through me. I don’t understand what I’m feeling, but I do understand that the band in the grainy video live with the same strangeness that I do. My palms tingle. My insides are replaced.” 

The Grammy winner also explained that she wanted her cover to invoke the same untamed youthfulness she felt in the moment she first watched Byrne perform. “We did it fast, I didn’t let myself tidy it up too much,” she wrote of the track. “It had to feel young and imperfect.” 

Lorde’s cover follows Paramore’s take on “Burning Down the House” and Teezo Touchdown’s rendition of “Making Flippy Floppy.” All three songs will be featured on A24’s upcoming Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense music compilation, which celebrates the 40th anniversary of the group’s iconic 1984 Stop Making Sense concert film.  

Listen to Lorde’s version of “Take Me to the River” below. 

Paul McCartney’s Original, Handwritten ‘Lovely Rita’ Lyrics Are Headed to An Iconic NYC Book Fair

If you’re a fan of the Beatles (and who isn’t?) and have well over half-a-million dollars to spare (who doesn’t?!) you may want to grab a ticket to ride to the ABAA New York International Antiquarian Book Fair, which returns to Manhattan’s Park Avenue Armory from April 4-7.

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The 64th edition of this celebrated book fair boasts a rare piece of Beatles memorabilia that is up for sale: Paul McCartney’s handwritten rough draft of the Beatles classic “Lovely Rita” from Sgt. Pepper’s Lonely Hearts Club Band, one of the most acclaimed and influential rock albums of all time. On a piece of paper, torn from a spiral notebook, you can check out McCartney’s first go at the lyrics in black ink, as well as Macca’s later revisions in blue ink (he changed “writing all the numbers in her little black book” to “filling in a ticket with her little blue pen,” neither of which made it to the final product). Biblioctopus Rare Books brings the item to the fair with an asking price of $650,000. (And you thought renting a cottage on the Isle of Wight was too dear.)

That piece of Beatles history is far from the only bit of music memorabilia available for viewing (and purchase) at the book fair. Royal Books, Inc., is selling three alternate artwork proof designs for the Pixies’ 1989 cult classic Doolittle, designed by Vaughan Oliver with photography by Simon Larbalestier. Elsewhere at the fair, B&B Rare Books is set to host a collection of vintage Nirvana posters and flyers, including one from Dec. 1988, as well as an MTV guest book from the late ‘90s, signed by everyone from *NSYNC to TLC to Foo Fighters. And Schubertiade “B” Dry Goods has everything from a Bob Dylan paper dress from the ‘60s to a Nat “King” Cole Trio bowtie rack to a tank top signed by Miles Davis (the shirt is, in fact, a Kind of Blue).

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And if you’re a Beatles fanatic who can’t quite cover the “Lovely Rita” asking price, you can also check out an original artwork by Dutch art collective The Fool (Marijke Koger and Simon Posthuma) that the Beatles commissioned for Sgt. Pepper’s. The piece, available from Voewood Rare Books, is signed by Ringo Starr as “Billy S” (Billy Shears, his fictional Pepper persona).

Details about the ABAA New York International Antiquarian Book Fair can be found here.

Linkin Park Biography ‘It Starts With One’ On the Way From Billboard Executive Director of Music Jason Lipshutz

A biography of Linkin Park written by Billboard‘s Executive Director of Music Jason Lipshutz is coming out in October, Hachette Books announced Wednesday (March 27).

It Starts With One: The Legend and Legacy of Linkin Park is set to document the decades-long career of the iconic rock band and their impact on the modern music landscape, featuring new interviews, exclusive quotes and insights from Linkin Park’s inner circle and collaborators. The full list of collaborators and contemporaries who shared their stories will be announced at a later date.

IT STARTS WITH ONE: The Legend and Legacy of Linkin Park book cover

‘IT STARTS WITH ONE: The Legend and Legacy of Linkin Park’

Hachette Books

With 11 top 40 hits on the Billboard Hot 100 and six No. 1 albums on the Billboard 200, Linkin Park — comprised of Mike Shinoda, Dave Farrell, Joe Hahn, Rob Bourdon, Brad Delson and late singer Chester Bennington — have been a mainstay on Billboard‘s charts and in the entertainment industry with more than a dozen world tours, countless award wins, millions of records sold and more. It Starts With One will document everything from the band members’ early childhoods, how they met each other and the creation of their debut album Hybrid Theory to how their music has endured in the wake of frontman Bennington’s tragic death in 2017.

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In honor of Linkin Park’s ongoing commitment to destigmatizing mental health and promoting mental health care, a portion of the book’s proceeds will be donated to the National Alliance on Mental Health and Backline, a nonprofit organization that connects those in the music industry and their families with mental health and wellness resources.

Lipshutz’s It Starts With One: The Legend and Legacy of Linkin Park is out Oct. 1, 2024, via Hachette Books. Pre-order the book here.

Twenty One Pilots Are Going on a Massive World Tour & Dropped a New Song to Celebrate

Don’t get stressed out, heathens. Those hints of a potential Twenty One Pilots tour? They’re real. The duo of Tyler Joseph and Josh Dun announced on Wednesday (March 27), that the band is hitting the road for its 59-date The Clancy World Tour in support of their upcoming album, Clancy. As if that weren’t enough to appease fans, Twenty One Pilots also dropped new song “Next Semester” and its music video from the upcoming release.

The 59-date tour kicks off Aug. 15 at the Ball Arena in Denver, Colo., before making its way around North America, with stops in Seattle, Phoenix and New York City, as well as Los Angeles, Chicago and hometown Columbus, Ohio, with the latter three getting two shows each.

After wrapping up the North American dates with an Oct. 12 show at Target Center in Minneapolis, Minn., Twenty One Pilots jet off for the international leg of the tour, starting with a stop in Auckland, New Zealand, on Nov. 17. The duo will also hit up Australia for shows the rest of the month. The tour picks up again in April in Germany, then hits Italy, Spain, France and more before wrapping up the lengthy tour with two shows at London’s 02 Arena on May 13 and 14.

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Presale tickets will be available beginning April 2 to fans in the U.S. and Canada; international presale begins the next day. General on sale kicks off April 5 at 10 a.m. local time. More information about the tour and tickets can be found on Twenty One Pilots’ website.

Also arriving with the news of the tour dates was “Next Semester,” the second single from Clancy. “The Next Semester music video is here. Cannot wait to sing this one with you,” the band shared on social media, along with a clip from the visual.

The music video — directed by Andrew Donoho — kicks off with the band rocking out in a tiny, packed club, and is interspersed with scenes of Joseph in the middle of a dark street as a vehicle races toward him.

Twenty One Pilots initially announced upcoming album Clancy on Feb. 29, and celebrated the news by dropping the first single “Overcompensate.” The track peaked and debuted on the Billboard Hot 100 at No. 64 on the chart dated March 16.

Watch the video for “Next Semester” and see the full tour dates below:



The Clancy World Tour dates:

  • August 15, 2024               Denver, CO                             Ball Arena
  • August 18, 2024               Salt Lake City, UT                  Delta Center
  • August 21, 2024               Portland, OR                           Moda Center
  • August 22, 2024               Seattle, WA                             Climate Pledge Arena
  • August 24, 2024               Oakland, CA                           Oakland Arena
  • August 25, 2024               Sacramento, CA                     Golden 1 Center
  • August 27, 2024               Los Angeles, CA                     Intuit Dome
  • August 28, 2024               Los Angeles, CA                     Intuit Dome
  • August 30, 2024               Phoenix, AZ                            Footprint Center
  • August 31, 2024               Las Vegas, NV                        MGM Grand Garden Arena
  • September 3, 2024                       Austin, TX                               Moody Center
  • September 4, 2024                       Houston, TX                            Toyota Center
  • September 6, 2024                       Dallas, TX                               American Airlines Center
  • September 10, 2024                     Duluth, GA                              Gas South Arena
  • September 11, 2024                     Orlando, FL                             Kia Center
  • September 13, 2024                     Raleigh, NC                            PNC Arena
  • September 14, 2024                     Philadelphia, PA                     Wells Fargo Center
  • September 15, 2024                     Baltimore, MD                         CFG Bank Arena
  • September 17, 2024                     Newark, NJ                             Prudential Center
  • September 18, 2024                     Brooklyn, NY                           Barclays Center
  • September 20, 2024                     Boston, MA                             TD Garden
  • September 25, 2024                     Montreal, QC                          Bell Centre
  • September 27, 2024                     Toronto, ON                            Scotiabank Arena
  • September 28, 2024                     Cleveland, OH                        Rocket Mortgage Fieldhouse
  • September 29, 2024                     Detroit, MI                               Little Caesars Arena
  • October 1, 2024                Chicago, IL                             United Center
  • October 2, 2024                Chicago, IL                             United Center
  • October 4, 2024                Columbus, OH                        Nationwide Arena
  • October 5, 2024                Columbus, OH                        Nationwide Arena
  • October 8, 2024                Indianapolis, IN                       Gainbridge Fieldhouse
  • October 9, 2024                Nashville, TN                          Bridgestone Arena
  • October 10, 2024              St. Louis, MO                          Enterprise Center
  • October 12, 2024              Minneapolis, MN                     Target Center
  • November 17, 2024                      Auckland, NZ                          Spark Arena
  • November 19, 2024                      Melbourne, AU                        Rod Laver Arena
  • November 21, 2024                      Brisbane, AU                          Brisbane Entertainment Centre
  • November 24, 2024                      Sydney, AU                             Qudos Bank Arena
  • April 7, 2025                                 Hamburg, DE                          Barclays Arena
  • April 8, 2025                                 Berlin, DE                               Uber Arena
  • April 9, 2025                                 Lodz, PL                                  Atlas Arena
  • April 12, 2025                               Prague, CZ                             O2 Arena
  • April 13, 2025                               Vienna, AT                              Wiener Stadthalle
  • April 16, 2025                               Zurich, CH                              Hallenstadion
  • April 17, 2025                               Bologna, IT                             Unipol Arena
  • April 21, 2025                               Madrid, ES                              WiZink Center
  • April 22, 2025                               Barcelona, ES                         Palau San Jordi
  • April 24, 2025                               Lyon, FR                                 LDLC Arena
  • April 27, 2025                               Munich, DE                             Olympiahalle
  • April 28, 2025                               Milan, IT                                  Forum
  • April 30, 2025                               Amsterdam, NL                       Ziggo Dome
  • May 1, 2025                                  Cologne, DE                           Lanxess Arena
  • May 2, 2025                                  Paris, FR                                 Accor Arena
  • May 5, 2025                                  Glasgow, UK                           OVO Hydro Arena
  • May 6, 2025                                  Birmingham, UK                     Resorts World Arena
  • May 8, 2025                                  Belfast, UK                              SSE Arena Belfast
  • May 9, 2025                                  Dublin, IE                                3Arena
  • May 11, 2025                                Manchester, UK                      AO Arena
  • May 13, 2025                                London, UK                             The O2
  • May 14, 2025                                London, UK                             The O2

Chad Smith & Lars Uhlrich to Appear in ‘This Is Spinal Tap’ Sequel

Two rockers are turning it up to 11! Red Hot Chili Peppers drummer Chad Smith and Metallica drummer Lars Ulrich will be making cameos in the upcoming sequel of the 1984 cult classic mockumentary This Is Spinal Tap.

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According to Deadline, Fran Drescher will also be reprising her role as publicist Bobbi Flekman. The cast is additionally set to include Don Lake, John Michael Higgins, Jason Acuña, Nina Conti, Griffin Matthews, Kerry Godliman, Chris Addison, Brad Williams and Paul Shaffer — though their roles, in addition to Smith and Ulrich’s, have not yet been confirmed.

Production for the Rob Reiner-directed is currently underway with original stars/writers Christopher Guest (Nigel Tufnel), Michael McKean (David St. Hubbins) and Harry Shearer (Derek Smalls) reprising their roles as the hapless metal band who once lost a drummer in a “bizarre gardening accident.”

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The original film — in which most of the dialogue was improvised — follows the rockers on a 1982 U.S. tour to promote their Smell the Glove album. Though the film did modest box office at the time, it has since blossomed into a must-see with a cult following, even making it onto the Library of Congress’ list of culturally significant artifacts.

Reiner is also set to return to the screen to revisit his role as documentarian Martin “Marty” Di Bergi. In an interview with Deadline last year, the director hinted at the sequel. “I can tell you hardly a day goes by without someone saying, ‘why don’t you do another one?,’” Reiner said of the idea to revisit the film for its 40th anniversary. “For so many years, we said, ‘nah.’ It wasn’t until we came up with the right idea how to do this. You don’t want to just do it, to do it. You want to honor the first one and push it a little further with the story.”

At the time, Reiner said the second Tap would follow the band after a long break. “They’ve played Albert Hall, played Wembley Stadium, all over the country and in Europe,” Reiner said. “They haven’t spent any time together recently, and that became the premise. The idea was that Ian Faith, who was their manager, he passed away. In reality, [actor] Tony Hendra passed away. Ian’s widow inherited a contract that said Spinal Tap owed them one more concert. She was basically going to sue them if they didn’t. All these years and a lot of bad blood we’ll get into and they’re thrown back together and forced to deal with each other and play this concert.”

Bruce Springsteen to Become First International Songwriter to Receive Ivors Academy Honor

Bruce Springsteen‘s lyrics have shaped generations, defined movements and put words to the American experience. And now, his legacy will carve out yet another piece of history as he becomes the first international songwriter to be named an Ivors Academy Fellow.

Following in the footsteps of Sir Paul McCartney, Kate Bush, Joan Armatrading and Sting, Springsteen will receive the honors at The Ivors with Amazon Music ceremony in London on May 23. The accolade means that the “Born to Run” artist is also the first American musician in the organization’s 80-year history — as well as the 27th musician overall — to become an Academy Fellow, which is the highest honor one can receive from the institution.

“I’m proud to be the first international songwriter to be recognized by The Ivors Academy,” Springsteen said of the prize in a statement. “In addition to recognizing my songwriting, the award stands as a tribute to the fans and friends who have supported me and my work for the last 50 years.

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“This entire country has made me feel welcome every step of the way,” he continued. “For this, I will always remain deeply appreciative.”

As an Ivors Fellow, The Boss will be recognized for his “outstanding contribution to the craft of songwriting,” as well as his “impact on the UK’s cultural landscape,” according to a release. The accolade comes a little over a year after the 20-time Grammy winner released his 21st studio album Only the Strong Survive, which peaked at No. 8 on the Billboard 200 — a chart he’s topped 11 times over the course of his career.

“There is no one more fitting than Bruce Springsteen to be the first international songwriter inducted into our Fellowship,” added Tom Gray, Chair of The Ivors Academy. “Songwriters are powerful storytellers, who capture our lives, loves and hardships. Bruce has always told the greatest stories. The Fellowship marks the esteem in which he is held by all those who share his craft.”

Korn Plot 25-City 2024 Fall North American Tour With Gojira, Spiritbox

Korn announced the dates for an extensive 25-city North American fall tour on Tuesday (March 26) featuring support from Gojira and Spiritbox. The reveal of the dates came after the “Freak on a Leash” band announced a 30th anniversary show slate to take place at BMO Stadium in Los Angeles on Oct. 5; that show is already sold out.

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The coast-to-coast Live Nation-promoted tour will kick off on Sept. 12 in Tampa at the MIDFLORIDA Credit Union Amphitheatre, followed by shows in Charlotte, Newark, Toronto, Detroit, Chicago, Phoenix, Portland, Salt Lake City, Denver, Kansas City, Houston, Tulsa and Omaha before winding down on Oct. 27 at the Xcel Energy Center in St. Paul, Minnesota.

The run includes a Sept. 29 gig at this year’s Louder Than Life hard rock festival in Louisville, Kentucky. Tickets will go on sale starting with a Citi presale on Tuesday that opens at noon local time through 10 p.m. local time on Thursday (March 28); information available here. An artist presale also kicks off on Tuesday, with additional presales slated to run through the end of the week ahead of the general onsale beginning Friday (March 29) at 10 a.m. local time here.

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Korn released their 14th studio album, Requiem, in 2022, which opened at No. 14 on the Billboard 200 album charts.

Check out the dates for Korn’s 2024 fall North American tour below.

Sept. 12 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre  

Sept. 14 – West Palm Beach, FL @ iTHINK Financial Amphitheatre  

Sept. 16 – Alpharetta, GA @ Ameris Bank Amphitheatre  

Sept. 18 – Charlotte, NC @ PNC Music Pavilion  

Sept. 20 – Camden, NJ @ Freedom Mortgage Pavilion  

Sept. 21 – Mansfield, MA @ Xfinity Center  

Sept. 23 – Newark, NJ @ Prudential Center  

Sept. 25 – Toronto, ON @ Budweiser Stage  

Sept. 27 – Detroit, MI @ Pine Knob Music Theatre  

Sept. 28 – Chicago, IL @ Credit Union 1 Amphitheatre  

Sept. 29 – Louisville, KY @ Louder Than Life*  

Oct. 2 – Albuquerque, NM @ Isleta Amphitheater  

Oct. 3 – Phoenix, AZ @ Talking Stick Resort Amphitheatre  

Oct. 5 – Los Angeles, CA @ BMO Stadium^ – SOLD OUT

Oct. 6 – Mountain View, CA @ Shoreline Amphitheatre  

Oct. 08 – Portland, OR @ Moda Center  

Oct. 10 – Tacoma, WA @ Tacoma Dome  

Oct. 12 – Nampa, ID @ Ford Idaho Center Amphitheatre  

Oct. 13 – Salt Lake City, UT @ Delta Center  

Oct. 16 – Denver, CO @ Fiddler’s Green Amphitheatre>

Oct. 18 – Kansas City, MO @ T-Mobile Center  

Oct. 20 – Houston, TX @ The Cynthia Woods Mitchell Pavilion  

Oct. 21 – San Antonio, TX @ Frost Bank Center  

Oct. 23 – Tulsa, OK @ BOK Center  

Oct. 25 – Omaha, NE @ CHI Health Center  

Oct. 27 – St. Paul, MN @ Xcel Energy Center  

*Festival Performance

^Special Guests include Evanescence, Gojira, Daron Malakian and Scars On Broadway, Spiritbox and Vended

>Not a Live Nation Date

‘Noise For Now Vol. 2’ Compilation Benefitting Abortion Access Features Big Freedia, Courtney Barnett, David Byrne & More

An all-star group of indie artists are collaborating on the second volume of the Noise For Now series benefitting independent abortion providers throughout the country. The lineup for Noise For Now Vol. 2 was revealed on Tuesday (March 26), the same day the Supreme Court is slated to hear arguments in a case challenging the availability and accessibility of the safe and effective abortion pill mifepristone.

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The 11-track collection features exclusive tracks from Big Freedia (“Holatta”), David Byrne and Devo (“Empire”), Courtney Barnett (“Boxing Day Blues (Demo),” The War on Drugs (“Victim (Live),” Claud (“Spare Tire (Demo)” and Julia Jacklin (“Dead From the Waist Down”), among others. At a time when abortion access is being rolled back across the country in the wake of the conservative majority Supreme Court’s 2022 decision overturning Roe v. Wade, the limited-edition compilation due out on June 21 will benefit abortion providers via Keep Our Clinics; the release date will mark the second anniversary of the overturning of Roe, which removed federal protections for abortion.

The compilation will be available on vinyl as well as digitally, with pre-orders available here. “We are so grateful to work with these incredible artists to raise money and awareness for independent abortion clinics throughout the U.S.,” said Noise for Now executive director Amelia Bauer in a statement. “We know that when the artists and performers we love speak openly and unapologetically about abortion, abortion is stripped of its stigma. We believe that we can shape our future with art, community, and collective action.”

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Noise for Now allows artists to connect with and financially support grassroots organizations that work in the reproductive justice field, including abortion access. “Independent clinics continue to be on the frontlines: they’re providing the majority of abortion care, providing care throughout pregnancy, and continuing to fight to preserve and expand our rights in the courts and on the ballot,” said Brooke Thomson, development director at the Abortion Care Network. “Art and music are essential to our struggles. When artists, musicians, advocates, and providers work together, we change the culture and tell everyone the truth: abortion is popular, and supporting independent providers is necessary.”

The first edition of Noise For Now — featuring Maya Hawke, Amanda Shires and Jason Isbell, Bully, Wet Leg and more — was released in Nov. 2023.

Check out the full track listing for Noise For Now Vol. 2 below.

Julia Jacklin – “Dead From The Waist Down (Catatonia cover)”

Courtney Barnett – “Boxing Day Blues (Demo)”

Becca Mancari – “It’s Too Late (Demo)”

The War On Drugs – “Victim (Live)”

MC50 feat. Arrow DeWilde – “High School (Live)”

A.J. Haynes (of Seratones) – “Everything is Change”

Claud – “Spare Tire (Demo)”

Faye Webster – “Thinking About You (Live)”

SOFIA ISELLA – “Hot Gum (she version)”

David Byrne and Devo – “Empire”

Big Freedia – “Holatta”