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Sam Fender has teamed up with Olivia Dean on a new version of his People Watching track “Rein Me In.”
The collaboration received its live debut earlier this month (June 6) at Fender’s sold-out show at the 82,500-capacity London Stadium, where Dean was supporting him. The pair also performed it the following week at Newcastle’s St. James Park.
“Lots of you asking for this one after we played it at the stadium shows so here we go!!,” Fender captioned an Instagram post announcing the release, featuring him and Dean embracing on stage. Listen to their fresh take on “Rein Me In” below.
People Watching is the best-selling British album of 2025 so far, taking the No. 1 spot on the Official U.K. Albums Chart upon release with 107,000 units sold across physicals and streaming. Over the course of the summer, Fender is scheduled to support the album with more headline outdoor shows in Manchester and across Europe.
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In February, the Official Charts Company confirmed that Fender became one of only nine acts to top 100,000 sales in a week this decade, joining Taylor Swift, Adele, Coldplay, Ed Sheeran, Harry Styles, Take That, ABBA and Arctic Monkeys. His third U.K. No. 1, People Watching is also the fastest selling vinyl record for a British solo act this century.
Dean, meanwhile, is also reaching new heights. The north London-raised vocalist released the sprightly track “Nice To Each Other” earlier this month (June 12), which has since reached No. 18 on the Official U.K. Singles Chart – her highest placing to date.
26-year-old Dean dropped her debut album Messy in 2023, which made the Mercury Prize shortlist that year as well as landing her a series of BRIT Award nominations. She is currently gearing up for the release of its follow-up The Art Of Loving (due Sept. 26 via Capitol), with pre-orders open now.
Johnny Marr has spoken on his decision to turn down an “eye-watering” amount of money to reunite The Smiths, saying that the “vibe” wasn’t right to get the band back together.
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Marr was appearing on the Stick to Football podcast alongside former players Roy Keane, Gary Neville and Ian Wright to discuss his affinity with soccer club Manchester City and his role as guitarist in one of indie music’s most legendary bands.
The Smiths were formed by Marr in 1982 when he and a friend recruited Morrissey to join the group as vocalist and lyricist; the band’s classic lineup was completed by Mike Joyce (drums) and Andy Rourke (bass).
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The group released four studio albums between 1984 and 1987 alongside a number of live albums and B-side and singles collections. Meat is Murder (1985) and The Queen is Dead (1986) both hit No. 1 on the U.K.’s Official Albums Chart; their debut The Smiths (1984) and final record Strangeways, Here We Come (1987) both hit No. 2. Creative and personal differences between Marr and Morrissey saw the former leave the group in July 1987 and the group folded the following year.
Both Marr and Morrissey have had wildly successful solo careers but a reunion has seemed unlikely ever since. In 2006, Moz told the BBC, “I would rather eat my own testicles than reform the Smiths, and that’s saying something for a vegetarian.”
In August 2024, however, Morrissey claimed that he and Marr had received a “lucrative offer” from AEG to reform with the band’s surviving members, and to tour as a live band in 2025; the group’s bassist Andy Rourke died in 2023. In the post on his website Morrissey Central, Moz revealed that he had said yes to the proposal but that Marr had not responded. A month later, Marr said on his Instagram that he did not “ignore the offer — I said no.”
Now speaking on the Stick to Football podcast Marr has gone into more detail about why he turned down the offer, despite seeing close friends (and City supporters) Liam and Noel Gallagher reform Oasis in August 2024 for a global tour.
“We got made an offer recently, but I said no,” he said. “It was a little bit about principles, but I’m not an idiot, I just think the vibe’s not right.”
Marr added, “It was an eye-watering amount of money, but also, I really like what I’m doing now which makes it a lot easier. I like where I’m at. I still want to write the best song I’ve ever written. I want to be a better performer.”
Morrissey and Marr have traded barbs through the press for decades, and in 2022 Morrissey called on his former bandmate to “stop mentioning my name” in interviews. Marr responded saying, “When you’re attacked out of the blue, particularly in public, you have to defend yourself.”
Speaking to Uncut he said the pair are too estranged to ever work together again. “It won’t come as any surprise when I say that I’m really close with everyone I’ve worked with — except for the obvious one. And that isn’t that much of a surprise because we’re so different, me and Morrissey.”
Following The Smiths’ dissolution, Marr played as a member of a number of groups including The Pretenders, Electronic (with New Order’s Bernard Sumner), The The, Modest Mouse and The Cribs. In 2013 he launched a solo career and has released four LPs under his name and performed on global tours.
Earlier this week Marr expressed support for Kneecap during their ongoing controversy, and backed them to perform at Glastonbury Festival next weekend (June 27-29) amid calls for them to be removed from the line-up.
Check out Marr’s appearance on the Stick to Football podcast below.
If you can’t make it to Birmingham, England on July 5 for what is being billed as the final-ever show by Ozzy Osbourne and Black Sabbath don’t sweat it, the Prince of Darkness has you covered. A video posted on Osbourne’s socials on Wednesday morning (June 18) shows a massive crowd joining the metal icon in an “ay-ay-ay” shout as the screen fills with comments from fans asking (and begging) for the Back to the Beginning show to be livestreamed.
“Your prayers answered!” reads a bold font message, followed by vintage footage of Ozzy saying “it’s time to go back to the beginning.”
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Ozzy, 76, recently said he will make it to the final show by Sabbath — with original bandmates guitarist Tony Iommi, bassist Geezer Bulter and drummer Bill Ward — in their hometown of Birmingham no matter what it takes. As he trains for his first full concert since 2018 following a series of surgeries and health setbacks, Ozzy recently said on his “Ozzy Speaks” SiriusXM show that he will make it to the stage in Villa Park “by hook or by crook.”
Sabbath’s final show will feature them joined by Metallica, Mastodon, Anthrax, Pantera, Alice in Chains, Gojira, Slayer and a supergroup featuring members of Guns N’ Roses, the Smashing Pumpkins, Limp Bizkit, Judas Priest, Rage Against the Machine among many others.
The livestream ticket will cost $29.99 and include access to watch the entire show beginning at 10 a.m. ET on July 5, with VOD replay access to rewatch the whole event from July 5th shortly after the event’s conclusion until 10 a.m. ET on July 7; click here for details on livestream tickets.
Osbourne’s wife and manager, Sharon Osbourne, recently said she’d removed a band from the Back to the Beginning lineup after a dispute with the unnamed group’s manager, which made her feel “the worst way I’ve felt in years… I had a huge, huge to-do with a manager over this celebration for Ozzy and Sabbath. And it was probably the worst way I’ve felt in years. And I don’t care what this person says about me, thinks about it, because he doesn’t know me. And he’s now going around making up bulls— lies because I threw his band off the bill.” At press time it was unclear which band Osbourne was referring to.
Check out the livestream announcement below.
Ozzy Osbourne is officially the Prince of Immortality, or at least, he’s giving fans a shot at it.
In one of the most bizarre and perfectly on-brand collaborations of the year, Liquid Death has announced it will sell a limited run of iced tea cans containing traces of Osbourne’s actual DNA.
The ultra-limited release, dubbed Infinite Ozzy, features 10 cans of Liquid Death Iced Tea that were each consumed by Osbourne before being sealed to preserve his DNA, with each can coming in a lab-quality display container and is hand-signed by the rock legend. The drop will go live Tuesday (June 17) at liquiddeath.com/ozzy, with each DNA can priced at $450.
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The campaign arrives just weeks before Osbourne is set to return to the stage for what’s being billed as the final Black Sabbath show. The metal icon recently revealed that he’s undergoing intense training to prepare for Back to the Beginning, the massive July 5 hometown concert at Villa Park in Birmingham, England — his first full performance since 2018.
“I haven’t done any physical work for the last seven, six and a half, seven years,” Osbourne shared during the latest episode of his SiriusXM show Ozzy Speaks. “By hook or by crook, I’m gonna make it [to the stage at Villa Park].” The star-studded farewell show is set to feature appearances by Metallica, Mastodon, Pantera, Slayer, Anthrax, Gojira, Alice in Chains, and a supergroup composed of members of Guns N’ Roses, Limp Bizkit, Rage Against the Machine and more.
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“I’ve got this trainer guy who helps people get back to normal,” he added. “It’s hard going, but he’s convinced that he can pull it off for me. I’m giving it everything I’ve got.”
As for the Liquid Death collab, the brand says the goal is to preserve Osbourne’s DNA in case fans want to clone him in the future, once technology and law allow. The campaign leans heavily into Liquid Death’s signature over-the-top style, which previously included Tony Hawk skateboards infused with his blood.
A teaser video shared with press ahead of the launch shows Osbourne deadpanning: “My DNA is in this can. You could clone me — but why the f**k would you want to?” Only 10 Infinite Ozzy cans exist.
Osbourne’s most recent studio album, Patient Number 9, debuted at No. 3 on the Billboard 200 in 2022. Despite major health setbacks, including spinal surgeries and a Parkinson’s diagnosis, he has remained creatively active and continues to embrace his role as heavy metal’s most enduring provocateur.
Oasis has announced a series of pop-up stores for fans to purchase merchandise for its hotly anticipated reunion tour, which kicks off on July 4 in Cardiff, Wales.
The official Oasis Live ‘25 Fan Stores will launch nationwide throughout the U.K. and Ireland, giving fans the opportunity to purchase merchandise ahead of the shows. The first space will open in Manchester on June 20 until July 27, with stores in Cardiff, London, Edinburgh, Dublin and Birmingham set to be announced in due course. Locations for each are to be confirmed in the coming days; there is currently no confirmation if the band will open similar pop-up stores for their other dates later this summer.
Fans will be able to access a range of official tour merchandise, including exclusive brand collaborations, limited-edition products and items exclusive to the Live ‘25 Fan Stores. The band’s web store will also begin stocking official tour merchandise later this week, with details set to be confirmed imminently.
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In November 2024, it was announced that Oasis had selected Warner Music Group’s merchandise and fan-experience division WMX as the official partner for their Live ‘25 reunion tour. In May, Amazon also launched its own exclusive range of Oasis merch, including a reproduction of a T-shirt from the band’s Knebworth shows in 1996.
They’re not the first to announce pop-up shops to meet fans’ demand for merchandise. Last week, Dua Lipa announced an pop-up in London ahead of her sold-out shows at Wembley Stadium (June 20, 21), and Tyler, the Creator, Harry Styles and more have all tapped into the lucrative merchandise market with dedicated stores for fans on tour stops in recent years.
In August 2024, it was announced that Noel and Liam Gallagher would reunite as Oasis to play a series of concerts, their first since 2009. The band is set to play a run of 41 shows across the U.K. and Ireland, North America, Latin America, Asia and Australia throughout 2025.
While details on the shows remain under wraps, Liam has used his social media profiles to tease fans with insider info. When he joined rehearsals in early June, Liam said the band sound “F–king FILTHY,” and that new drummer Joey Waronker was a “special” addition to the lineup.
It is thought that Waronker will join former Oasis members Andy Bell (bass), Gem Archer (guitar), Paul “Bonehead” Arthurs (guitar) alongside Noel and Liam at the shows.
John C. Reilly has made us laugh as dopey Dale in Step Brothers, had us believing in the power of true friendship as Cal in Talladega Nights: The Ballad of Ricky Bobby, cured absolutely nobody at all as the no-nothing doc in Check It Out! with Dr. Steve Brule and melted hearts as the sweet-natured cop hoping he can save his addict neighbor in Magnolia.
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But the role he wanted so much he wrote it for himself, apparently, was of electrified, sanctified, possibly totally delusional “Archbishop Harold Holmes,” the hero of the song of the same name from Jack White‘s 2024 No Name album.
In the video for the hoot and holler blues rock track released on Tuesday (June 17) — directed by Gilbert Trejo from a concept written by Reilly — the versatile stage and screen actor slips into his Sunday best pin-striped blue suit for a fire-and-brimstone sermon in which Reilly mouths the lines, “If you’ve bot family trouble/ Man trouble, woman trouble/ No light through the tunnel/ If you’re lookin’ for a true friend, or a true lover/ Or if you’ve been livin’ undercover” in front of a glowing crucifix.
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It quickly becomes apparent that this archdiocese bible thumper has more than the good lord’s words backing him up, as electrical sparks buzz from his fingers as he sings, “Well, I’m comin’ to your town/ I’ll break it all down/ And help you with all of this/ I’m lookin’ to help you find bliss/ One day, one way, can’t miss.”
With an old console radio pulpit seemingly powering his holy spirit, Reilly’s Holmes gets the handful of parishioners energized, inspiring them to leap from their seats and shuffle in a circle around him as he chicken struts and shoulder shimmies the good word into their their bodies via blue sparks.
Or, spoiler alert, maybe it was all a dream?
The possibly confused, wound-up Holmes is a world away from Mister Romantic, the long-running alter ego behind Reilly’s new album of romance ballads, What’s Not To Love. On the LP that dropped last week, Reilly melts hearts with covers of such lovelorn classics as “La Vie En Rose,” “You Don’t Know Me,” “Falling in Love Again,” “Picture in a Frame,” “Moonlight Serenade” and more.
“I looked at our weary world a few years ago and tried to think of a way I could spread love and empathy,” Reilly wrote in a statement about the character. “I decided the most fun way to do that was through performing and singing and telling people I love them…so the emotional vaudeville show Mister Romantic was born, out of both hope and despair.” The Mister Romantic tour will hit Chicago’s Steppenwolf theater on Sept. 13-14.
Watch the “Archbishop Harold Holmes” video below.
Zak Starkey isn’t the only one who has had enough of The Who. In a new Rolling Stone interview posted on Monday (June 16) the veteran session and touring drummer who was fired, rehired and then fired once more by The Who in a head-spinning span of several weeks earlier this year opened up about his current relationship with the band and how his dad feels about the tabloid tussle.
Asked what his father, former Beatles drummer Ringo Starr, thought of the bizarre back-and-forth, Starkey said, “He [Ringo] said, ‘I’ve never liked the way that little man runs that band,’” in seeming reference to The Who singer Roger Daltrey.
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After The Who “made a collective decision” to part ways with Starkey in April after his nearly 30 years behind the kit, guitarist/songwriter Pete Townshend relented a few days later and rescinded the firing, saying Starkey was “not being asked” to step down from his position. Then, a month later, Townshend took it all back and said after many years working together “the time has come for a change.” A week later, Starkey claimed that he hadn’t been “fired” from the band, but had “‘retired’ to work [on] my own projects.”
It has all been a bit hard to keep up with, even for Starkey, who revealed to RS that even after all the firings and re-hirings he still has no idea where he stands. “I spoke to Roger last week,” Starkey told the magazine. “He said, ‘Don’t take your drums out of the warehouse, we might be calling you.’ What the f–k? These guys are f–kin’ insane! I’ve been fired more times than [late Who drummer] Keith Moon in ten days.”
It’s all a bit unclear at this point, especially since The Who recently announced that Scott Devours, a veteran of Daltrey’s solo band, will join them on their upcoming farewell tour. In the interview, Starkey once again noted that he had to sit out Oasis‘ eagerly anticipated reunion shows this summer because of his gig in The Who.
“I was in the Who. And last time they asked me, I was in the Who, and it got a bit weird,” he said of whether he’d hoped Oasis’ Liam and Noel Gallagher would invite him back into the fold of the Britpop band he kept time for from 2004-2008. “But this time, I talked to them both. I did tell them both on text, ‘Why the f–k aren’t I in your band, man, helping make it the greatest rock band in the world again?”
Starkey said the Gallagher’s again noted that he couldn’t join their band because of his gig in The Who, plus singer Liam is “happy working with Joey [Waronker],” the session and live veteran drummer who will be behind the kit for the band’s first tour in 16 years.
Frankly, Starkey said being in the Who sometimes kept him off-kilter. As an example, he described the rehearsals for the Royal Albert Hall gigs in March at which Daltrey apparently took issue with his playing, reportedly complaining from the stage that Starkey’s loud drumming was throwing his vocals off.
“There’s nothing normal about them. These are the most crazy… you’ve got an abstract, conceptualist artist who thinks the band is an art installation. And then you’ve got another guy who is a street fighter. It’s all very weird,” he said, respectively, of Townshend and Daltrey. “But if you look at the group ever since they started, it’s the craziest group. And they’ve undertaken the crazy ideas, whether the rest of the guys understood it or not. Pete has taken so much on himself. He’ll lock himself away for two years, come away with Quadrophenia, and go, ‘You guys can just play on top.’ You’re dealing with two very, very different people. And when me and Pete catch fire, probably anyone’s going to get lost. And probably anyone will. But we won’t. When we’re onstage, it’s like we’re f–king. Offstage it can be a little awkward after those 15 minutes. But onstage, It’s like, ‘Cigarette, darling?’”
And, for the record, Starkey claimed that it was Daltrey who came in “four bars early” during the Royal Albert Hall shows, after which the drummer sent the singer an e-mail, writing, “I watched you on TV last night, you were off.”
“It’s 30 years in the group. It’s like a family. But he came in four bars early. And he just asked for the drums to be turned up, and he couldn’t hear the piano,” Starkey said of Daltrey. “But I love Roger. He never misses a note. His voice is still so pure. It’s like a laser beam. He always nails it. They’ve not changed one key since the start of conceptual art as rock & roll. But he just got lost. He blamed it on the drums being too loud, and then it got made into this huge social media thing. And it freaked him out and he’s going around doing solo shows, and saying it’s ‘fake news.’ But it wasn’t me. I was in the car and gone before they finished the last acoustic song. There was no argument in the dressing room.”
Starkey said he was fired two weeks later for dropping “two beats,” though he noted, “I’ve watched that film three times. I’m looking on the floor, and I can’t see it. If I drop two beats, where the f–k are they?” In the end, Starkey said he doesn’t blame Daltrey, or anyone from The Who, for what happened. “I don’t hold any grudges. It’s the Who. Weirder s–t than this has gone down,” he said. “I’ve heard them say weirder s–t than this. It’s the Who — the maddest band there’s ever been.”
But would he come back if they re-re-rehired him?
“Of course I would. I said to Pete, ‘Thirty years. In the 30 years, you put the bar so f–kin’ high. What the f–k do I do now?,’” he said. “The Who, you just don’t know what’s going to happen. If you think something is going to happen, the opposite happens. If you second guess Pete, he will play the opposite. You have to go with whatever you’re doing, and not think.”
Just days after as estimated five million people turned up at 2,100 “No Kings” protest across the U.S. to decry the current administration’s divisive policies, Red Jumpsuit Apparatus singer Ronnie Winter cordially invited Donald Trump supporters to stay away from his band’s shows.
“I actually follow what Jesus says. If you’re a Christian and you’re watching this and you voted for Donald Trump, shame on you. You are not allowed to come to my shows. I don’t want you there,” said the vocalist for the Florida-bred hardcore band in an Instagram video. “Don’t come to my shows. It’s awesome that you love ‘Face Down.’ It’s not for you. It’s not your song. It is not your song.”
While it was unclear what spurred the post, Winter — who has long criticized Trump and his supporters, especially after the singer was slammed for being “woke” for encouraging the band’s fans to get vaccinated and wear masks during the COVID-19 pandemic — was unequivocal in his message to MAGA fans.
“I thought I was pretty clear about all this stuff in 2020. As you notice on my Instagram, I did not remove any of that stuff from the Stay Woke campaign. I guess you guys are calling it from 2020,” he said in the video. “Look, man, the thing about being woke is you’re awake. And once you’re awake, you can never go to sleep. And not only has nothing changed, but everything they said was going to happen, the woke people has happened. You have done nothing but prove them right.”
And, in case his message titled “If you call yourself a Christian please watch” gets interpreted incorrectly, Winter offered refunds to MAGA followers who have purchased tickets to RJA shows, but noted that his stay-away request isn’t valid for just the next three-plus years of Trump’s second term.
“If you voted for Donald Trump, do not come to my shows or ever, not just these four years. Don’t come to my shows because you’re going to hear a lot of woke propaganda, and you’re going to hear the actual words of Jesus,” he said. “You’re going to see a lot of acceptance from all areas of life and races, and you’re just going to see a lot of harmony. That’s not what you’re about. Don’t come. Refunds are available. Forever, don’t come. Goodbye.”
Check out Winter’s video below.
In 2023, The Beatles harnessed the power of artificial intelligence to help bring the Fab Four back together on the Grammy-winning “Now and Then,” billed as the band’s final song. Two years later, the Lennon/McCartney partnership is together again – but with a twist. Their sons Sean Ono Lennon and James McCartney have joined forces with Zak Starkey (son of Ringo Starr) on a new song.
The team-up arrives via supergroup Mantra of the Cosmos’ upcoming single “Rip Off,” which Starkey teased on his Instagram account on Sunday (June 16). Mantra of the Cosmos is the new supergroup formed by Starkey alongside Happy Mondays members Shaun Ryder and Bez and Ride’s Andy Bell. Vocals on “Rip Off” are shared between Sean, James and Shaun on the wistful track. Listen to a snippet below.
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Speaking to The Telegraph, however, Starkey dismissed any suggestions it was a mini-Beatles reunion. “No it’s not,” Starkey said in regards to any similarities to their fathers’ band. “It’s like Mantra of the Cosmos with them in it. It’s Sean of the Cosmos and James of the Cosmos, it’s still my band.” In response to The Telegraph’s James Hall suggesting he needed Dhani Harrison, son of George Harrison, for a full house, Starkey responded: “No I don’t. Why do I?”
Sean Ono Lennon, born in 1975, was the sole child of Lennon’s marriage to Yoko Ono. In his musical career, Sean has collaborated with Lana Del Rey, The Lemon Twigs and Fat White Family. James McCartney, born in 1977 to Paul and Linda McCartney, has also embarked on a solo music career, and in 2024 collaborated with Sean on “Primrose Hill.”
In 2012, James McCartney told the BBC that a supergroup between himself, Sean, Dhani and Zak had been “mooted.” This new collaboration is the first time that three of the Beatles’ children have collaborated on a piece of original music.
It’s another coup for Starkey’s band, following a collaboration with Noel Gallagher on recent single “Domino Bones,” which the Oasis man said was influenced by Bob Dylan, Salvador Dali and Allen Ginsberg.
Until recently, Starkey was the drummer in The Who but was fired (twice) from the band in relation to his performance at a show in London in March. He also claimed to have turned down a spot in Oasis’ reunion band (he drummed for the group between 2004-2008), contradicting an earlier statement that said he wasn’t asked.
Billie Joe Armstrong has never held back on his contempt for Donald Trump. The Green Day singer has been raging against the policies of the 45th and now 47th president for years, and during the band’s first-ever set at the Download Festival in Donington Park in the U.K. on Friday (June 13), the singer lashed out at the U.S. president in unequivocal terms.
“Donald Trump in his administration is a fascist government,” Armstrong told the crowd. “And it’s up to us to fight back.” The comments came just a day before Trump presided over his long-awaited military parade in Washington, D.C. The rare display of military hardware and marching soldiers was meant to celebrate the 250th anniversary of the U.S. Army, whilst also coinciding with Trump’s 79th birthday.
Though the D.C. event did not appear to draw the massive crowds the administration had predicted, a record number of Americans did turn out in historic numbers to protest the Trump White House’s agenda at more than 2,100 “No Kings” rallies, which drew an estimated five million attendees. The rallies featured a profusion of colorful, often profane signs lambasting Trump for what critics argued are imperial tactics to seize as many levers of government power as possible while attempting to drastically cut crucial social services, gutting environmental regulations and using the power of the White House to attack, and punish, perceived enemies.
In addition, Armstrong got the Download crowd to join him in calling Trump a “fat bastard,” in the singer’s latest broadside against the current administration. Back in March, less than 24 hours after Trump and Vice President JD Vance attacked Ukrainian President Volodymyr Zelenskyy during an Oval Office meeting in which the veep accused the wartime leader of being insufficiently grateful for U.S. aid for its three-year battle against Russia.
“Am I retarded or am I just JD Vance,” Armstrong sang in a lyrical tweak to the lyrics to “Jesus of Suburbia,” amending the politically incorrect-on-purpose original, “Am I retarded or am I just overjoyed?”
Last weekend, Armstrong sent a message of solidarity to protesters in Los Angeles who took to the streets to rally against U.S. Immigration and Customs Enforcement (ICE) raids in the city, as well as the president’s decision to deploy the National Guard to L.A. over the mayor, and Gov. Gavin Newson’s, objections.
On June 8, Armstrong posted a video of protests from downtown L.A. on his Instagram Stories, captioned it with a middle-finger emoji and an ice cube, cued to a live version of “F— Off,” a song on the group’s Saviors (Édition de Luxe), the 2025 deluxe version of Green Day’s 2024 album.
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